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Piano and voice - Digital Download SKU: LV.8418 Composed by Bert Williams. Chickens, Bird's eggs & nests, African Americans, Dialects, Love, Courtship. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8418). Lovie Joe. Words by Smith and Burris. Music by Bert Williams. Published 1910 by Harry Von Tilzer Music Publishing Co., 125 W. 43rd St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Chickens, Bird's eggs & nests, African Americans, Dialects, Love, Courtship. First line reads I'm sad, I'm glad, I'm mad.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Lovie Joe
Piano, Voix

$5.99 5.2 € Piano, Voix PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.837278 Composed by Garth M. Wiliams (Socan). Concert,Contemporary,Standards. Score and parts. 24 pages. Garth M. Williams (Socan) #3425847. Published by Garth M. Williams (Socan) (A0.837278). Bastion Square March is named after the famous Bastion Square found in Victoria, B.C. Canada.  Research states that many of the buildings in Bastion Square were haunted by previous residents of the buildings in the area.  This composition is a typical march with First Violin parts ascending into third and fifth position.  However, whenever this happens in the part it is double by a lower First Violin part in case the upper part is a little too challenging.  The entire march ends with strains of Rule Brittania which I felt appropriate because Victoria is known in British Columbia, Canada as a little bit of England.
BASTION SQUARE MARCH FOR STRING ORCHESTRA AND PERCUSSION
Orchestre à Cordes

$20.00 17.37 € Orchestre à Cordes PDF SheetMusicPlus

Instrumental Duet Instrumental Duet - Level 1 - Digital Download SKU: A0.837279 Composed by Garth M. Wiliams (Socan). Christmas,Easter,Halloween,Instructional,Standards. Score and parts. 57 pages. Garth M. Williams (Socan) #3426965. Published by Garth M. Williams (Socan) (A0.837279). The Scampering Scarecrow Duet Book is a companion volume for the Scampering Scarecrow For Violin and Piano.  Each piece in the Violin volume now has an original duet which can be used in class or in performance.  Each duet contains score, violin 1 and violin 2.  MP3's are available at no charge by contacting calaiscove@shaw.ca.  These will be sent to your e-mail address. AS with the Violin Book, the duet book contains pieces for Halloween, Christmas, Easter and many other times of the year.  A great addition to the string program.
SCAMPERING SCARECROW DUET BOOK FOR TWO VIOLINS
2 Violons (duo)

$20.00 17.37 € 2 Violons (duo) PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1289747 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 44 pages. Jmsgu3 #880447. Published by jmsgu3 (A0.1289747). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for publishing about ten volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.William Byrd's Fantasias are considered to be highly important. Byrd, an English composer of the Renaissance, played a significant role in pioneering the development of the freely composed fantasia, which became an essential form of Jacobean and later composers. His array of sacred and secular compositions demonstrates a deeply sophisticated musical mind, blending technical prowess and emotional fervor. Byrd is regarded as one of the most prolific composers of the Renaissance, with over 600 of his pieces circulating. Therefore, the Fantasias of William Byrd hold great significance in the history of music.
Byrd: Fantasia in A Minor for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$28.95 25.14 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1341239 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 27 pages. Regis Bookshar #926811. Published by Regis Bookshar (A0.1341239). Sing Joyfully - William Byrd - Brass Sextet - Advanced/Intermediate - Digital Download.William Byrd was the greatest British composer of the late Renaissance, and just maybe, the greatest British composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1590, is perhaps his best-known one.  It is enchanting to listen to and is fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have had for years, so he has now transcribed, edited and arranged this wonderful composition for a wide variety of instrumental ensembles, including this one for a Brass Sextet, consisting of 2 Bb Trumpets, 1 French Horn and 3 Trombones.Since no tempo is indicated and there are no written dynamic or phrase markings in William Byrd's original score, Regis Bookshar has taken the liberty to add them in order to provide direction and life to the piece. This arrangement is suitable for high school and college students, and perhaps even some younger students. It is perfect for concerts, recitals and church services, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages).Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Williiam Byrd's magnificent anthem, Sing Joyfully, will continue to delight both performers and audiences alike for many years to come.
Sing Joyfully (Eb) ( Brass Sextet) (2 Trp, 1 Hrn, 3 Trb)

$30.00 26.05 € PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
1917: The Halifax Disaster
Orchestre d'harmonie

$22.99 19.97 € Orchestre d'harmonie PDF SheetMusicPlus






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