String Trio Cello,Viola,Violin - Level 1 - Digital Download SKU: A0.1264783 Composed by Peter Philips, 1560-1628. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Lent. 5 pages. Jmsgu3 #857621. Published by jmsgu3 (A0.1264783). Philips: Cosi moriro (So will I die)Peter Philips, the composer, was born in 1560 or 1561 and died in 1628. He was an English composer, organist, and Catholic priest exiled to Flanders. Philips was known for his keyboard virtuosity and transcribing or arranging Italian motets and madrigals for his instruments. He composed a large number of sacred choral works, with his surviving motets numbering in the hundreds. The piece is included in the Fitzwilliam Virginal Book, a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England. The Fitzwilliam Virginal Book contains over 300 pieces for keyboard, including works by William Byrd, John Bull, and Giles Farnaby, among others. Cosi moriro is listed as No. 72 in Volume 1 of the Fitzwilliam Virginal Book. 

Small Ensemble Choir,High Voice,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.889718 Composed by William Hawley. Contemporary. Score and parts. 13 pages. William Hawley #3909017. Published by William Hawley (A0.889718). William Hawley's This is the Garden, for unaccompanied S, M-S, A,T, Bar., B Voices, was commissioned by The SYC Ensemble Singers of Singapore, Jennifer Tham, Artistic Director. receiving its World Premiere Performance On December 14, 2015 as part of The 50th Anniversary Celebration of The Holiday Concert and Gala of the Choral Arts Society of Washington, at The John F. Kennedy Center For The Performing Arts, Washington, D.C., Ms. Tham conducting. The work is a setting of E.E. Cummings's poem, from XLI Poems, Sonnets, IV, 1925. The Audio Clip is the complete Composer's Virtual Instruments Demo of the work. The score is in A4 format, but may readily be printed on 8.5 X 11 Letter Size paper by checking Fit on the Print page of Adobe Acrobat, Adobe Reader, or other PDF printing application.Duration ca. 4 minutes. ASCAP  https://williamhawley.net

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.889743 Composed by Traditional (Medieval Germany). Arranged by William Hawley. Christmas,Contemporary. Octavo. 9 pages. William Hawley #6437963. Published by William Hawley (A0.889743). This is William Hawley's arrangement of the traditional German Christmas carol, composed for the German Vocal Ensemble Singer Pur (S T T T Bar. B). The present score has been re-voiced for S M-S A T Bar.B. and may be performed by an ensemble of soloists or by choir to equally good effect. Singer Pur have recorded this work, and have made a video performance available on YouTube (see link). Duration 3.5 min. ASCAP https://williamhawley.net.

Full Orchestra - Level 5 - Digital Download SKU: A0.1144146 By Seattle Choral Company, Fred Coleman, Director. By William Hawley. Classical,Contemporary. Score and parts. 141 pages. William Hawley #744464. Published by William Hawley (A0.1144146). This is the Complete Set of Orchestral Parts for William Hawley's oratorio Seattle, in the Composer's Edition. The work is in four movements, for four Vocal Soloists (Soprano, Mezzo-Soprano, Tenor, and Bass), Women's Choir (SSA), Large Mixed Chorus (SSAATTBB), and orchestra. Instrumentation: 3 Flutes (third doubles Piccolo) 2 Oboes 2 Clarinets in Bb English Horn 2 Bassoons Contrabassoon 4 Horns in F 2 Trumpets in Bb 2 Trombones Bass Trombone Tuba Timpani 2 Percussion Harp Strings (with permission to copy multiple String Parts as required. Suggested minimum strings: 6,6,4,4,2 for a Choir of 16 singers and Chorus of 32 singers): Violin I Violin II Viola Violoncello Contrabass The following PDF and mp3 files are also available at this site: 1. Full Score 2. Vocal Score with Piano Reduction, with permission to make multiple copies as needed for the Conductor, Rehearsal Pianist, Soloists (S, M-S, T, B); Choir (4S, 4A, 4T, 4B); and Chorus. Suggested Chorus size: 32 Singers (8S, 8A, 8T, 8B). 3. Live mp3 Recording of the Premiere Performance by the Seattle Choral Company, Fred Coleman, Conductor. The audio clip contains the opening and closing sections of the work Approximate complete performance duration: 40'. ASCAP https://williamhawley.net.

Piano Solo - Level 4 - Digital Download SKU: A0.915027 Composed by Anthony Williams. Contemporary,Jazz,Pop. Score. 7 pages. Anthony Williams #6115081. Published by Anthony Williams (A0.915027). Dream Patches is a beautiful, flowing yet energetic solo piano piece by Anthony Williams. It is best suited for an advanced-intermediate pianist looking to expand his/her solo repertoire. The piece goes through various styles and techniques and will provide a fun and exciting challenge. It also includes an improvisational part, with both written chord changes and a pre-written solo. Check out the audio and the YouTube Link to get to know the piece - Music speaks louder than words! For any questions I'm always happy to help, just contact me via e-mail: tonywilliamspiano@gmail.com

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1289744 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 16 pages. Jmsgu3 #880444. Published by jmsgu3 (A0.1289744). Source: Fitzwilliam Fantasia LIIWilliam Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874639. Published by jmsgu3 (A0.1283457). Fitzwilliam Virginal Book CXXV.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

Guitar - Digital Download SKU: ZZ.DZ-4272 Composed by Mark Anthony Cruz. Score. 16 pages. Les Productions d'OZ - Digital #DZ 4272. Published by Les Productions d'OZ - Digital (ZZ.DZ-4272). En septembre 2018, le guitariste Toby McWilliams a commandé à Cruz l’écriture d’une pièce solo en trois mouvements après avoir entendu ses Five Pieces in C dans l’émission de radio internationale Classical Guitar Alive. McWilliams a demandé que le premier mouvement soit en forme sonate-allegro, suivi de deux autres pièces reflétant les choix de tempo d’une sonatine en trois mouvements typique. Comme c’est le cas pour la plupart des œuvres de Cruz, cette Sonatine a été achevée en tant que musique pure, sans programme sous-jacent. Cependant, dans sa quête de trouver des titres autres que des indications de tempo, Cruz a extrait trois mots de la correspondance entre lui-même et McWilliams qui, ensemble, ajoutent une touche personnelle à la collection tout en suggérant une progression des événements d’une journée imaginaire.Un point d’intérêt dans le premier mouvement, le thème A : Cruz commence sur l’accord IV et évite intentionnellement d’utiliser un accord I tout au long de la pièce. Bien que la section B commence dans la tonalité de dominante, elle se dirige rapidement vers un centre tonal de ré majeur.Festival (3ème mouvement) utilise un thème d’ouverture bitonal : mi majeur dans la voix supérieure tandis que la ligne de basse utilise mi mineur.In September of 2018, guitarist, Toby McWilliams commissioned Cruz to write a three-movement guitar solo after hearing his Five Pieces in C on the internationally syndicated radio show, Classical Guitar Alive. McWilliams requested the first movement to be in sonata-allegro form followed by two other pieces that reflect the tempo choices of a typical three-movement sonatina. As is the case with most of Cruz’s music, this Sonatina was completed as music written for music’s sake. However, in his quest to find titles other than tempo markings, Cruz plucked three words from the correspondence between himself and McWilliams that together, add a personal touch to the collection while suggesting a progression of an imaginary day’s events.A point of interest in the first movement, A theme: Cruz begins on the IV chord and intentionally avoids using a proper I chord throughout. While the B section does begin in the dominant key, it moves quickly towards a D major tonal center.Festival (3rd movement) uses a bitonal opening theme: E major in the top voice while the bass line uses E minor.

Flute,Piano - Level 3 - Digital Download SKU: A0.1031342 Composed by William Milner. 20th Century,Concert,Contemporary. Score and part. 24 pages. Carolyn A Williams #3116293. Published by Carolyn A Williams (A0.1031342). With his Flute Sonata, Dr. Milner has written something unique, a contemporary piece that is beautifully lyrical and  accessible - ideal for flute.  Written for his Daughter-in-Law in 2003, this Sonata is perfect for intermediate to advanced  flute players.  The second movement, Siciliana, also works well as a stand-alone recital piece and can be played either  on Alto Flute as written or on C-flute.  This sonata is a great addition to the collection of flute performance pieces. William Milner holds the degree of D.M.A. in Composition from the Peabody Conservatory of Music. Composition teachers  include Nadia Boulanger. He taught music in Baltimore City Schools and later served as Assistant Supervisor of Music. In  1983, Dr. Milner retired as professor and chairman of the music department of the Community College of Baltimore. His  compositional output includes the New Century March for symphonic band, Sonata for Two Cellos and Piano, Sonata for  Flute, Fantasy on Jewish themes for viola and piano, and the opera Sweet River, composed for the Nation’s bicentennial  celebration in 1976.  .

Alto Saxophone - Level 4 - Digital Download SKU: A0.1340631 Composed by William Byrd. Arranged by Regis Bookshar. Chamber,Early Music,Historic,Instructional,Renaissance. 29 pages. Regis Bookshar #926202. Published by Regis Bookshar (A0.1340631). Sing Joyfully - William Byrd - Alto Saxophone Sextet - Advanced/Intermediate - Digital Download.William Byrd was the greatest British composer of the late Renaissance, and just maybe, the greatest British composer ever. He wrote a huge body of choral music, some of it profound and timeless. He also composed brilliant, virtuoso pieces and his motet-like anthem, Sing Joyfully, a polyphonic setting of Psalm 81, written in 1509, is perhaps his best-known one. It is enchanting to listen to and is fun to sing. Regis Bookshar thought that instrumental performers should have the same opportunity that singers have experienced for years, so he has now transcribed, edited and arranged this wonderful composition for a wide variety of instrumental ensembles, including this one for an Alto Saxophone Sextet.Since no tempo is indicated and there are no written dynamic or phrase markings in Williams Byrd's original score, Regis Bookshar has taken to liberty to add them in order to provide direction and life to the piece. This arangement is suitable for high school and college students, and perhaps even some younger students. It is perfect for concerts, recitals and church services, but could be performed for any occasion. Included are a score and a complete set of parts (29 pages).Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of William Byrd's magnificant anthem, Sing Joyfully, will continue to delight both performers and audiences alike for many years to come.

Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1362828 By Sharon Wilson. By Charles H. Gabriel, Charles Wesley, Chester G. Allen, Daniel B. Towner, Folk Song, James McGranahan, Oscar Ahnfelt, Thomas Campbell, Thomas J. Williams, William B. Bradbury, and William J. Kirkpatrick. Arranged by Sharon Wilson. Children,Christian,Easter,Folk,Sacred. 160 pages. Sharon Wilson #947208. Published by Sharon Wilson (A0.1362828). The title of this collection was inspired by the words found in Psalm 150 verse 4: Praise Him with stringed instruments. . . (KJV)This collection contains 10 favorite hymns arranged as instrumental trios (for two VIOLINS with PIANO accompaniment). These uplifting arrangements are a welcome addition to the repertoire for beginning string players and suitable for recitals or worship services throughout the year.  All notes for both VIOLIN parts are playable in the first position making these arrangements an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player.For each song, there is a combined score (grand staff) with all three parts on each page (VIOLIN 1, VIOLIN 2, and PIANO) plus separate 1-staff scores for each VIOLIN part as well as a PIANO only score.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   And Can It BeDay by DayI Will Sing of My RedeemerLord, I’m Coming HomeMarvelous GraceMy Savior’s LoveO the Deep, Deep Love of JesusPraise Him! Praise Him!Redeemed!There Is a FountainVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic