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Cello,Piano - Level 3 - Digital Download SKU: A0.807234 Composed by William S. Pitts. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 12 pages. Arrangements by GPoehlmann #6858491. Published by arrangements by GPoehlmann (A0.807234). THE CHURCH IN THE WILDWOOD (Little Brown Church in the Vale)This beautiful arrangement starts out slowly and simply to indicate the peace and beauty of the church (I visualize this as the physical beauty of the building and surrounding area as well as the peace of being in God's house).  The music gains in intensity to symbolize the vitality of the the church's mission.  The actual church was closed for years but experienced a revival (along with the hymn's popularity).119 measures.  Performance Time approx. 4:30.  Medium in Difficulty (Grade 3)Key: F - G - F# minor.   Meter: 4/4 - 3/4.  Cello Range (C4=middle C): D2 - A4PDF parts included: Score, Cello, Piano.The Piano Accompaniment is available in MP3 format - item #S0.1199447Useful for rehearsal or performance.The MP3 Sound File has 2 parts. 1) Accompaniment (piano) 2). Demonstration (Cello + Piano).The gap between the 2 parts is about 5 seconds.
THE CHURCH IN THE WILDWOOD - CELLO SOLO with Piano Accompaniment
Violoncelle, Piano

$5.00 4.31 € Violoncelle, Piano PDF SheetMusicPlus

Percussion Ensemble - Level 4 - Digital Download SKU: A0.984036 Composed by Andrew Charles Naylor and Roma Connie Waterman. Arranged by Jilly Cooke. Contemporary. Score and parts. 72 pages. Jilly Paige Cooke #5797561. Published by Jilly Paige Cooke (A0.984036). Paul Williams's beloved tune from the Jim Henson Company's timeless Christmas special Emmet Otter's Jug-Band Christmas is now available as an arrangement for percussion ensemble!Originally performed in December 2019 by the University of Iowa School of Music's percussion studio, under the direction of Dr. Dan Moore, this lively, jazzy arrangement was lovingly crafted by Iowa Percussion's own Jilly Cooke, a music education major who was a junior at the time of this arrangement's premiere. As a lifelong fan of the Muppets (and a promising aspiring puppeteer herself), Cooke cleverly weaves in numerous references to various tunes and styles that have influenced her musical preferences and career (with notes in the score to bring out these musical quotes). Beginning with a faithful adaptation of the original gospel-waltz ballad feel from the TV special, the arrangement swiftly transitions into a toe-tapping, New Orleans-style second-line groove with a solo section and a witty trade-off section in the middle.Instrumentation of 8 players includes: Vibraphone 1 (preferably includes E3), Vibraphone 2, Marimba 1/Accordion (optional use of amplified Melodica), Marimba 2 (preferably includes F2), Bass Marimba (premiere performance used Bass MalletKAT, optional use of Bass Guitar and/or Keyboard Patch), Piano, Drum Set, and Auxiliary Percussion (includes Mark Tree, Suspended Cymbal, Triangle, and important gospel-style Tambourine).
When The River Meets The Sea
Ensemble de Percussions

$24.99 21.53 € Ensemble de Percussions PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1251539 Composed by Arr. Michael Sweeney and Percy Aldridge Grainger. Arranged by Ray Thompson. 20th Century,Folk. 24 pages. RayThompsonMusic #845816. Published by RayThompsonMusic (A0.1251539). Lincolnshire Posy is a musical composition by Percy Grainger for concert band commissioned in 1937 by the American Bandmasters Association. Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.In a similar fashion to these folk songs, many of the movements are in strophic form.This is my arrangement of No.VI. The Lost Lady FoundArranged symphonic wind dectet (double wind quintet) and bassA lilting 3/4 melody in strophic form. As the tempo is too fast for the conductor to gesture each beat of every measure, the movement is typically conducted in 1 where each gesture given by the conductor indicates a full measure instead of each beat. Every section of the ensemble states the theme at some point in the movement.This movement is based on the ballad of the same name,in which a lady, who while living with her uncle in a village is kidnapped by three Roma. After being missing for a long time, the villagers begin to speculate that the uncle is responsible for her disappearance, later imprisoning him and condemning him to death. At some point, the lady was found in Dublin by a young squire who loved her and was subsequently brought back to the village. Upon return to the village, the villagers, mere moments away from executing the uncle at the gallows, realized their error and set the uncle free, celebrating the lady's return with church bells (which are emulated by the tubular bells in the closing of the movement), music, and frivolity.As this movement was not yet completed at the time of the work's premiere, it was omitted for the performance.For Info:Green Bushes is an English folk song  which is featured in the second movement of Vaughan Williams's English Folk Song Suite, in Percy Grainger's Green Bushes (Passacaglia on an English Folksong), and in George Butterworth's The Banks of Green Willow. The melody is very similar to that of the Lost Lady Found movement.
The Lost Lady Found

$17.99 15.5 € PDF SheetMusicPlus

Horn Ensemble Euphonium,Horn - Level 3 - Digital Download SKU: A0.1234240 Composed by Johann Conrad Geisthirt. Arranged by Richard Decker. Baroque,Chamber,Contest,Festival,Historic. 26 pages. Charles Decker Music Press #829777. Published by Charles Decker Music Press (A0.1234240). Johann Conrad Geisthirt is a relatively unknown Baroque composer better known for creating a very valuable historical chronicle of his native home of Schmalkalden, Germany. In addition to his teaching and writing, he was also Cantor at several churches where he wrote many double choir motets for his church choirs. His motet Willkomen, O süsser Bräutigam (Welcome, O Sweet Bridegroom) translates well for an instrumental ensemble of horns. Euphonium substitute parts are provided for horn IV and VIII. The recording is of the entire edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
Motet: Willkommen, O süsser Bräutigam for Horn Octet

$15.99 13.78 € PDF SheetMusicPlus






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