Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E

Small Ensemble - Level 3 - Digital Download SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1023524 By LP. By LP. Arranged by Alí Saboy Tavernese. Contemporary. Score. 21 pages. Ali Saboy Tavernese #6641869. Published by Ali Saboy Tavernese (A0.1023524). Original tone (Fm) + Gm version The DaCapo series has the purpose of helping you develop your piano skills from scratch and integrally potentiate them. It provides arrangements that contemplate two significant and different circumstances: playing alone and accompanying singers. The DaCapo series will help you: ·       Achieve the autonomy of all your fingers (you will find the appropriate fingering suggested). Repeating the same fingering also strengthens muscle memory; ·       Measure the results of your progress easily and objectively. The metronome indication is the reference through which you can evaluate your mechanical capabilities at all times; ·       Quickly identify the different sections (are evidenced by the text marks). Developing structural understanding increases your ability to continue playing in the face of unexpected events. This version proposes that you achieve: ·        Develop harmonic understanding. The chord symbols are present. Thus, the pianist has the option of creating accompaniments, considering or not the written part ·        Learn to accompany singers. Knowing the lyrics (included in the score) is key to following whoever sings when someone gets lost ·        Control different sound intensities. While it is always vital to raise and lower the volume according to the musical function of each moment, when playing together, it becomes essential to regulate the intensity of the sound   Simplify, practice, and enjoy your results! IG _soy_pianista.

Concert Band - Level 2 - Digital Download SKU: A0.1153140 By Edward Sims. By Edward Sims. Contemporary,Holiday,Instructional,Patriotic. Score and parts. 43 pages. Ed Sims #753382. Published by Ed Sims (A0.1153140). America’s history is littered with chaotic events, be it school shootings, the attack on the capital, pandemics, 9/11, wars, assassinations, and horrific events yet to come. Through it all, we can feel secure knowing America has, and will, survive. This composition depicts this spirit. It opens with an unusual 4/4 setting of the beginning of “America�. This is followed by original material that depicts our normal, happy freedom. Suddenly it changes to an aleatoric section representative of a horrific event. Following is a hint of “Amazing Grace� to remember the suffering. As always happens, life returns to normal. Closing is a 4/4 treatment of the final phrase of America, with a hint of the “Star Spangled Banner�. This is an excellent teaching piece for younger bands, as well as a patriotic reminder of America’s strength sure to be an audience favorite.

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published by Stuart Brown Music (A0.835422). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1458627 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 7 pages. Kevin G. Pace #1037577. Published by Kevin G. Pace (A0.1458627). Gorgeous, sacred choral music.  Composed by Kevin G. Pace.  Text written by Mark R. Fotheringham.Text:Jesus is a faithful shepherd, watchful ever o'er His sheep.Shielding them from daily danger, guarding them in sleep.Lovingly He leads His flock to pastures soft and fair.Following His voice, they thrive in His tender care.When the lambs are rudely scattered, when the wolves descend to prey,He will gently call and gather; He will show the way.If a lamb should ever stray afar in trembling fear,Christ will find and carry home. Ev’ry lamb is dear.Jesus is a loving shepherd, knowing ev'ry lamb by name,Reaching out to heal each heart and rescuing the lame.He shall one day lead them home, to heaven filled with light.Those who answer Him shall wear wool of spotless white.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1018115 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #623698. Published by Kevin G. Pace (A0.1018115). A sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham. Text: Tread the strait and narrow path, though the goal seems far from sight. Walk with knowledge through the day; walk with faith throughout the night. Confidently take each step. You're marching for the right. When following our Savoir Lord, you're walking in the light. Step by step we make our way, knowing we are never lost Jesus Christ has paid our toll, counting it but little cost. Travel through the heat of day, or struggle on through frost. Our Lord will be there by your side through calm or tempest tossed. When the path is strewn with stones, obstacles hedge up the way, Hold a true course if you can. Wander not nor go astray. Bid the saints to render aid, support you in the fray. One day you'll walk back unto God to rest and ever stay.

Piano - Level 4 - Digital Download SKU: A0.1233276 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Full Performance. Duration 221. Bradley Sowash #828895. Published by Bradley Sowash (A0.1233276). From Bradley Sowash’s “Bittersweet� solo piano recorded album and associated sheet music (also available here).Mood shiftingBy following the opening crazy rhythms with a more melancholy theme, I was attempting to capture that late August feeling when one realizes Summer is about to end. You go about your last fun of the season as if it would last forever, all the time knowing it will be over soon.Learn more about this artist at https://bradleysowash.com/.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017245_TB1 Tuba. Composed by Kurt Weill. Arranged by Rich DeRosa. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017245_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017245_TB1). UPC: 038081455945.Swing! At a tempo around 120 BPM, this wonderful swing tune will be very a great choice for young players. Arranger Rich DeRosa provides written piano, alto and trumpet solos and a swingin' shout chorus. Look for clear and accurate rhythm section writing, optional vibes, flute, clarinet, horn, baritone horn and tuba. An excellent chart. This title is available in SmartMusic.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016175_H1 1st F Horn. Composed by Felix Bernard. Arranged by Jack Cooper. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016175_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016175_H1). UPC: 038081301136.Winter Wonderland is swingin' all the way. Arranger Jack Cooper assembles this wonderful holiday swing chart with optional written solo for tenor, trumpet or trombone. Features include a shout chorus, sax section solis and lead trumpet range goes to written A above the staff (optional B-flat). Winter Wonderland is quick to prepare and an effective holiday swing chart. (4:21) This title is available in SmartMusic.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017245_T2 2nd B-flat Trumpet. Composed by Kurt Weill. Arranged by Rich DeRosa. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017245_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017245_T2). UPC: 038081455945.Swing! At a tempo around 120 BPM, this wonderful swing tune will be very a great choice for young players. Arranger Rich DeRosa provides written piano, alto and trumpet solos and a swingin' shout chorus. Look for clear and accurate rhythm section writing, optional vibes, flute, clarinet, horn, baritone horn and tuba. An excellent chart. This title is available in SmartMusic.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017245_BTX E-flat Baritone Saxophone. Composed by Kurt Weill. Arranged by Rich DeRosa. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017245_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017245_BTX). UPC: 038081455945.Swing! At a tempo around 120 BPM, this wonderful swing tune will be very a great choice for young players. Arranger Rich DeRosa provides written piano, alto and trumpet solos and a swingin' shout chorus. Look for clear and accurate rhythm section writing, optional vibes, flute, clarinet, horn, baritone horn and tuba. An excellent chart. This title is available in SmartMusic.

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017245_TN3 3rd Trombone. Composed by Kurt Weill. Arranged by Rich DeRosa. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017245_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017245_TN3). UPC: 038081455945.Swing! At a tempo around 120 BPM, this wonderful swing tune will be very a great choice for young players. Arranger Rich DeRosa provides written piano, alto and trumpet solos and a swingin' shout chorus. Look for clear and accurate rhythm section writing, optional vibes, flute, clarinet, horn, baritone horn and tuba. An excellent chart. This title is available in SmartMusic.