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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
Elegy Sentimentale for Orchestra
Orchestre

$30.00 26.06 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.597309 Composed by Pietro Mascagni. Arranged by Flavio Regis Cunha. Christian,Concert,Easter,Romantic Period,Sacred. Score and parts. 46 pages. Flavio Regis Cunha #5310589. Published by Flavio Regis Cunha (A0.597309). This is a music of great beauty and exuberance. In this new arrangement, based on the Berlin edition: Bote & Bock, and the Kalmus edition, the arranger Flavio Regis Cunha sought to follow Mascagni's intentions when orchestrating his Easter Hymn for full orchestra. There is nothing like this original orchestration, where there are creative and powerful passages for brasses and woodwinds and a string background during the middle section. The work ends in a majestic and grandiose way with the woods and strings in the high register, together with the beauty, the brightness and the impact of the Timpani and the brasses. This score is certainly a great addition for your orchestra. You and your orchestra will love playing this piece. Your audience will be delighted. The work will be well received and can be used in the Easter period or in services.Orchestration 2.2.2.2 - 2.2.3.1 - Timp - Choir SSATTB - Org - Str INSTRUMENTATION 2 Flutes, 2 Oboes, 2 Clarinets in Bb,2 Bassoons, 2 Horns in F, 2 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani SSATTB Choir, Organ, Strings.
Easter Hymn 'Regina coeli' - (from Cavalleria rusticana) for ORCHESTRA
Orchestre

$18.99 16.5 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.717797 Composed by Wesley / Mendelssohn. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship. 100 pages. Daryl McKenzie #3624325. Published by Daryl McKenzie (A0.717797). Arranged for Female Voice (or voices) with Big Band or Pops Orchestra or a combination (e.g. Big band with Strings). Key of Db major. Similar in style to the Carrie Underwood version.   Voice, 2Fl, 2Ob, 2Cl, 2Bsn, 5 Saxes, 4 F Horns, 4 Trumpets, 4 Trombones, Tuba, Piano, Guitar, Bass Guitar, Drums, Percussion, Tymps, Harp, Keyboards (String reduction), Violin 1, Violin 2, Viola, Violoncello, Double Basses. Note: This arrangement will work with:1. Orchestral Woodwinds (2 Fl, 2Ob, 2Cl, 2Bsn) (no Saxes)2. Saxes (no Orchestral Woodwinds)3. Orchestral Woodwinds and SaxesAlto Sax 2, Horn 4, Trumpet 4, Trombone 3, Tuba and Tympani are Optional.This arrangement performed by the Columbus Symphony Orchestra on NBC-4.https://soundcloud.com/user-99505314/hark-the-herald-angels-sing More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH  
Hark The Herald Angels Sing. Female Voice(s) with Big Band or Pops Orchestra Key of Db major
Orchestre

$99.99 86.86 € Orchestre PDF SheetMusicPlus

B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1205711 By André Alberto Santos. By Johann Sebastian Bach. Arranged by André Alberto Santos. Baroque,Christian,Christmas,Classical,Wedding. 10 pages. Soul - Musical Creations #803894. Published by Soul - Musical Creations (A0.1205711). Get now the complete score of Air On The G String from Suite No.3 by BachAir On The G String by J. S. Bach is a versatile piece that can be played on many occasions. Whether in a formal concert, in a school or university performance, or even in an informal performance among friends, this piece guarantees a classic and elegant sound. Plus, the PDF sheet music lets you print as many copies as you need, making it an affordable option for music groups and orchestras.With a streamlined arrangement that allows for easy reading and interpretation, this arrangement is an excellent choice for music students, professional musicians, and amateurs looking to add a timeless piece to their repertoire.Don't miss the opportunity to have this masterpiece in your hands. Get now the sheet music in PDF of Air on the G String from Suite No.3 by J. S. Bach and discover the beauty and magic of baroque music. Order now and instantly receive the full score in your email to print or access on any device.Johann Sebastian Bach, Suite No.3, D Major, Orchestral Suite No. 3, Baroque period, Classical music, Air on the G string, Violin, Sheet music, PDF, Transcription, Arrangement, Solo instrument, Chamber orchestra, Music theory, Counterpoint, Musical composition, Musical form, String ensemble, Musical notation, woodwind ensemble , saxophone ensemble.
Air On The G String (from Suite No.3 in D Major) (Bach) - Woodwind quintet with Piano
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
André Alberto Santos
$12.99 11.28 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

B-Flat Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1205852 By André Alberto Santos. By Johann Sebastian Bach. Arranged by André Alberto Santos. Baroque,Christian,Christmas,Classical,Wedding. 8 pages. Soul - Musical Creations #804039. Published by Soul - Musical Creations (A0.1205852). Get now the complete score of Air On The G String from Suite No.3 by BachAir On The G String by J. S. Bach is a versatile piece that can be played on many occasions. Whether in a formal concert, in a school or university performance, or even in an informal performance among friends, this piece guarantees a classic and elegant sound. Plus, the PDF sheet music lets you print as many copies as you need, making it an affordable option for music groups and orchestras.With a streamlined arrangement that allows for easy reading and interpretation, this arrangement is an excellent choice for music students, professional musicians, and amateurs looking to add a timeless piece to their repertoire.Don't miss the opportunity to have this masterpiece in your hands. Get now the sheet music in PDF of Air on the G String from Suite No.3 by J. S. Bach and discover the beauty and magic of baroque music. Order now and instantly receive the full score in your email to print or access on any device.Johann Sebastian Bach, Suite No.3, D Major, Orchestral Suite No. 3, Baroque period, Classical music, Air on the G string, Violin, Sheet music, PDF, Transcription, Arrangement, Solo instrument, Chamber orchestra, Music theory, Counterpoint, Musical composition, Musical form, String ensemble, Musical notation, woodwind ensemble , saxophone ensemble.
Air On The G String (from Suite No.3 in D Major) (Bach) - Woodwind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
André Alberto Santos
$10.99 9.55 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.597316 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 15 pages. Flavio Regis Cunha #5355195. Published by Flavio Regis Cunha (A0.597316). The Keyboard suite in D minor (HWV 437) was composed by George Frideric Händel, for solo keyboard (harpsichord), between 1703 and 1706. It is also referred to as Suite de pièce Vol. 2 No. 4. It was first published in 1733.The piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots, Still a Queen (In My End Is My Beginning), from her album Eternal Woman (2001). An orchestral version was also used on the first episode of the 2018 television mini-series of Agatha Christie's A.B.C. Murders, starring John Malkovich as Poirot.This beautiful arrangement for orchestra brings in its variations, an intercalation of orchestral forces and different climaxes. The first part of the theme starts on the strings accompanied by the continuum. The second part includes the metals and the tympani. In the first variation, the theme is played by a group of strings, within a chamber proposal. In the third variation, the strings give way to the woodwinds, where horns, trombones talk to the woodwinds. In the fourth variation, the same group of winds remains, but they are accompanied by the ow strings. Finally, in the last variation, the orchestral force appears with brilliance and intensity.
Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra
Orchestre
George Frideric Handel
$19.99 17.36 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18.  INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestre

$70.25 61.02 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre

$9.99 8.68 € Orchestre PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.742695 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 73 pages. AnderKamp Music #3637271. Published by AnderKamp Music (A0.742695). Beginning with a simple to play, yet bold sounding brass fanfare, this orchestral driven piece is a great opener to a service. Based around a snare drum type cadence, this arrangement features the brass at the beginning and end and slows down in the middle a little to feature the woodwinds. Plenty of energy in this piece makes this a ‘go to’ piece when wanting to feature the orchestra. This arrangement is in the Key of F and changes keys to C.As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
Rejoice the Lord Is King - 8 Core Orchestra
Orchestre

$49.99 43.42 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.730483 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. James Nathaniel Holland #4331497. Published by James Nathaniel Holland (A0.730483). FIRST SET OF INDIVIDUAL INSTRUMENT PARTS OF THE ORCHESTRA (Woodwinds and Brass). The Story of Medusa and Perseus Setting: Ancient Mythological Greece, 2019 Revised Edition with second verse added to the popular alto aria, Let Me Weep (Duration: 2.5 hours) Follow the journey of Perseus as he discovers himself and travels to distant lands and battles the infamous Medusa in order to save his mother from a tyrant. Musically exciting and accessible. Be the first organization to premiere this American contemporary opera in English. Instrumentation: picc/fl, fl, ob12, cl1, cl/bcl, bsn 1, bsn/cbsn, hrn 1234, tpt 123, trmb12, btrom, tba, timp, perc, harp, strings. Full orchestral score, piano vocal score and individual instrument parts 2 (strings) sold separately. Solos, duets, ensembles. Arias for the operatically neglected alto and mezzo-soprano. This opera can also pass as musical theater. Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube Demo: https://youtu.be/XLbxwQyZPhI.
The Hero and Damned, An Opera In Four Acts, Individual Instruments 1 of 2 (Woodwinds and Brass)
Orchestre

$80.25 69.71 € Orchestre PDF SheetMusicPlus






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