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Piano and voice - Digital Download SKU: LV.22508 Composed by Jules C. Meininger. Civil war--Confederate, Waterfronts, Military parades & ceremonies, Dwellings, Panoramic views, Military officers, Flags, Memorial works. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22508). Stonewall Jackson's Last Words. Song and Chorus. Music by Jules C. Meininger. Published 1866 by McCarrell & Meininger, No. 81 [?] West Jefferson St. in Louisville, Ky. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil war--Confederate, Waterfronts, Military parades & ceremonies, Dwellings, Panoramic views, Military officers, Flags, Memorial works. First line reads Come, let us cross the river, and rest beneath the trees.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
"Stonewall" Jackson's Last Words. Song and Chorus
Piano, Voix

$5.99 5.11 € Piano, Voix PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.12690 Composed by Horace Waters. Arranged by Thomas Baker. Horace Greeley, Peddlers, Peasants, Men, Lamps, Economic & social conditions. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12690). The Dying Words of Little Katy, or, Will He Come. In the Story of Hot Corn, A New Song, Written by Solon Robinson . . .published in the New York Tribune, Aug. 1853; Music by Horace Waters. Arranged by Thomas Baker. Published 1853 by Horace Waters, 333 Broadway in New York. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Horace Greeley, Peddlers, Peasants, Men, Lamps, Economic & social conditions. First line reads Here's hot corn, nice hot corn, a voice was crying.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Dying Words of Little Katy, or, Will He Come
Piano, Voix

$5.99 5.11 € Piano, Voix PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs.  Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
Trompette

$32.95 28.1 € Trompette PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.921190 Composed by Carl Van Pevenage. Classical,Romantic Period,World. Score and parts. 33 pages. Carl Van Pevenage #3560059. Published by Carl Van Pevenage (A0.921190). Those three little words I love you. It's short, it doesn't cost a lot to say it, but it's the start of happy times.The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 171 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.
CH171ORC - Chansonnette 171 - Those three little words
Orchestre

$19.95 17.02 € Orchestre PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1094549 By Meat Loaf. By Jim Steinman. Arranged by Laura Chegwidden. Contemporary,Pop,Rock,Wedding. 23 pages. Laura Chegwidden #698606. Published by Laura Chegwidden (A0.1094549). You Took The Words Right Out Of My Mouth is a classic Meatloaf lovesong, perfect for a slightly alternative wedding. This arrangement suits students and professionals who are looking for something a bit different! Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page or website: www.facebook.com/lchegmusic/ lchegmusic.com.
You Took The Words Right Out Of My Mouth
Quatuor à cordes: 2 violons, alto, violoncelle
Meat Loaf
$16.99 14.49 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1505230 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #1080618. Published by Ian Fitze (A0.1505230). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is one of Mendelssohn's most moving of his Songs Without Words a simple soulful melody that contrasts rhythmically with the triplet feel accompaniment. For a novice soloist it provides a rare opportunity to read in 12/8. Moderate tempo - technically not too demanding for the soloist or the accompanist.Notes given in octaves in the Cello part are provided for the soloist to choose either top notes or bottom notes throughout.
Andante expressivo from "Songs Without Words" Op.30 No.1
Violoncelle, Piano
Felix Bartholdy Mendelssohn
$5.99 5.11 € Violoncelle, Piano PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.1215489 Composed by Felix Bartholdy Mendessohn. Arranged by André Nusa. 19th Century,Chamber,Romantic Period. Score and part. 4 pages. Andre_Nusa #812241. Published by Andre_Nusa (A0.1215489). This arrangement for viola and piano of Song Without Words Op. 30 No. 3 by Felix Mendelssohn creates a delicate and expressive interpretation of the original composition. The arrangement begins with a soft and simple piano introduction, setting the mood for the piece. The viola then enters, playing the familiar melody with a gentle and delicate touch. The piano accompaniment provides a supportive and complementary harmony, filling in the gaps between the viola phrases. Throughout the arrangement, the viola and piano work together to create a sense of intimacy and connection, evoking the emotional depth and beauty of the original composition. The arrangement requires careful coordination and communication between the musicians, as they must work together to bring out the nuances and subtleties of the music.
Song Without Words Op.30 No.3
Alto, Piano

$7.99 6.82 € Alto, Piano PDF SheetMusicPlus






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