Choral Choir (TTBB) - Digital Download SKU: A0.761687 Composed by Debra E. Stempien and Gregory H. Turner. 20th Century,Contemporary,Standards. Octavo. 12 pages. Standard Time #5048249. Published by Standard Time (A0.761687). Innocence & Experience is a musical setting of four William Blake poems from his works, Songs of Innocence and Songs of Experience, for two-part TB men’s chorus with piano accompaniment. The song set represents a life cycle, first with a lullaby, moving next to a spirited and youthful dance, continuing to the dreamlike longing of maturity, and concluding with the solemn and dark acceptance of death. Permission to use these texts has been secured from the William Blake Archives (proof provided upon request). Please note that the provided recording is from the third song, Ah! Sunflower..

Piano - very easy - Digital Download A systematically graded and progressively arranged collection of Carl Czerny's Studies selected from his entire works. Composed by Carl Czerny (1791-1857). This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q10979. Published by Schott Music - Digital

Easy Piano - Level 1 - Digital Download SKU: A0.919905 Composed by Toni Tetreau. Concert,Instructional,Standards. Score. 3 pages. Toni Tetreau #6698841. Published by Toni Tetreau (A0.919905). Is your student learning staccatos? This is the perfect workout song for them. Lots of staccatos throughout, and quite fun to play. .

Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton and its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland and Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples and exercisesInstruction on basic and advanced techniquesFingering diagrams and detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails and Frolics, Island Boy, and Northern Banjo.

The Suite for guitar aims to blend tradition and modernity through the use of a language with a neobaroque imprint.The canonical utilization of the fixed dances of the Suite (Allemande, Courante, Sarabande and Gigue preceded by an introductory Prelude) serves as a clear reference to the corresponding Baroque model characterized by alternation between slow and fast movements. The style, on the other hand, appears to be moderately dissonant, yet still focused on a well-defined tonal framework. A personal use of both dissonances and modulations is intended to enhance the auditory experience while maintaining a strong connection to a specific tonal center (E), which serves as a stable reference point in the organization of the musical material.La Suite pour guitare vise à mêler tradition et modernité à travers l’utilisation d’un langage à l’empreinte néobaroque.L’utilisation canonique des « danses fixes » de la Suite (Allemande, Courante, Sarabande et Gigue précédées d’un Prélude introductif) sert de référence claire au modèle baroque correspondant caractérisé par une alternance entre mouvements lents et rapides.Le style, en revanche, semble modérément dissonant, tout en restant centré sur une structure tonale bien définie. Une utilisation personnelle des dissonances et des modulations vise à améliorer l’expérience auditive tout en maintenant une forte connexion à un centre tonal spécifique (E), qui sert de point de référence stable dans l’organisation du matériau musical

Drum Set,Guitar Accompaniment,Keyboard Accompaniment,Synth String Reduction - Level 2 - Digital Download SKU: A0.1422373 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Festival,Historic,Musical/Show,Opera,Romantic Period. Accompaniment. Duration 354. Deborah Johnson #1003715. Published by Deborah Johnson (A0.1422373). With a charming message evoking nostalgia for days gone by, 'Dishes, Dolls, Dresses and Dreams' is an enchanting song crafted for solos and chorus. Its whimsical melody and heartfelt lyrics transport listeners to a bygone era filled with innocence and wonder. Originally written for a musical, this versatile composition can stand alone as a captivating musical selection or be enhanced with the addition of dance, adding visual depth to its already enchanting narrative. Furthermore, its adaptable nature allows for easy dramatization, making it suitable for theatrical performances. For those seeking versatility, the song offers the flexibility to be shortened after measure 117 without compromising its impact, ensuring it can be tailored to fit various performance contexts and preferences. This is the instrumental accompaniment track for performance. Sheet music, including vocal lead sheet score is also available and is 19 pages including cover. Range is G below middle C to high C, which occurs once very quickly. Written and arranged by Deborah Johnson, first written to be included in the musical TSARINA. (http://TsarinaTheMusical.com) DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released books have garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production & keyboards: Richard Callaci, guitars Jack Majdecki. Additional vocals: Deborah Johnson, Joyce Anderson, Micah Pearsal, Lori Donato, Melanie Smith. Recorded at DJWorks Studios & Callaci Studios. https://DJWorksMusic.com Books & Products: https://goalsforyourlife.com/goal-setting-products Twitter: @DJWorksMusic; LinkedIn: https://www.linkedin.com/in/deborahjjohnson/ Follow on Facebook: http://on.fb.me/14hfyhf For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com Video here: https://youtu.be/uQcUdXwCA0w 

Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1422372 Composed by Deborah Johnson. Arranged by Deborah Johnson. Broadway,Contest,Festival,Historic,Musical/Show,Opera,Romantic Period. 19 pages. Deborah Johnson #1003714. Published by Deborah Johnson (A0.1422372). With a charming message evoking nostalgia for days gone by, 'Dishes, Dolls, Dresses and Dreams' is an enchanting song crafted for solos and chorus. Its whimsical melody and heartfelt lyrics transport listeners to a bygone era filled with innocence and wonder. Originally written for a musical, this versatile composition can stand alone as a captivating musical selection or be enhanced with the addition of dance, adding visual depth to its already enchanting narrative. Furthermore, its adaptable nature allows for easy dramatization, making it suitable for theatrical performances. For those seeking versatility, the song offers the flexibility to be shortened after measure 117 without compromising its impact, ensuring it can be tailored to fit various performance contexts and preferences. Sheet music, including vocal lead sheet score is 19 pages including cover. Instrumental accompaniment track also available for download. Range is G below middle C to high C, which occurs once very quickly.Written and arranged by Deborah Johnson, first written to be included in the musical TSARINA. (http://TsarinaTheMusical.com) DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released books have garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production & keyboards: Richard Callaci, guitars Jack Majdecki. Additional vocals: Deborah Johnson, Joyce Anderson, Micah Pearsal, Lori Donato, Melanie Smith. Recorded at DJWorks Studios & Callaci Studios. https://DJWorksMusic.com Books & Products: https://goalsforyourlife.com/goal-setting-products Twitter: @DJWorksMusic; LinkedIn: https://www.linkedin.com/in/deborahjjohnson/ Follow on Facebook: http://on.fb.me/14hfyhf For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com

2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric� Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]�. She enclosed the corresponding verses with the letter and “for fun� also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment� (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.�The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.

French Horn,Piano - Level 4 - Digital Download SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music� as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,� a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King� rather than the commonly used “Elf King.�)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.

Choral Choir (SSAA) - Digital Download SKU: A0.856213 By Bob Marley. By Bob Marley. Arranged by Liz Garnett. Film/TV. Octavo. 5 pages. Liz Garnett #4319897. Published by Liz Garnett (A0.856213). Bob Marley's classic song of social connection is just made to sing with your choir friends. This arrangement started life as a short workshop song, so its opening and closing choruses are learned easily by novices in an afternoon. The verses were added for the host choir to develop it into a performance piece later, and so are more demanding both vocally and musically.

Clarinet - Grade 4 SKU: HL.4471590 Bb Clarinet Solo with Piano - Grade 4. Composed by Alexander Gretchaninoff. Arranged by H. Voxman. Rubank Solo/Ensemble Sheet. Classical, Contest, Russian, Suite. 24 pages. Rubank Publications #RUBL136. Published by Rubank Publications (HL.4471590). UPC: 073999715903. 9.0x12.0x0.096 inches.Contents: At the Hearth • Evening Waltz • Fanfare of Poppies • Hallucination • Homeward • Humoresque • Remembrance of Distant Friend • Rustic Ball • Song of the Dawn • Song of Worker.

Choral Choir (SATB) - Digital Download SKU: A0.953930 Composed by Andrew J. Boyle. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 10 pages. Lyrical Publishing #2862779. Published by Lyrical Publishing (A0.953930). One of the finest folks songs about life ‘on the road’. Itinerant workers have always formed a large part of the workforce of both Scotland and Ireland. This 19th century song takes us along both rural byways and into civic construction sites. Born in Glasgow, and of Irish descent, Andrew J. Boyle works today in Norway as a choral trainer and a professional playwright.

Choral Choir (SATB) - Digital Download SKU: A0.953932 Composed by Andrew J. Boyle. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 10 pages. Lyrical Publishing #2862783. Published by Lyrical Publishing (A0.953932). One of the finest folks songs about life ‘on the road’. Itinerant workers have always formed a large part of the workforce of both Scotland and Ireland. This 19th century song takes us along both rural byways and into civic construction sites.  Born in Glasgow, and of Irish descent, Andrew J. Boyle works today in Norway as a choral trainer and a professional playwright.

Choral Choir (SAB) - Digital Download SKU: A0.953931 Composed by Andrew J. Boyle. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 10 pages. Lyrical Publishing #2862781. Published by Lyrical Publishing (A0.953931). One of the finest folks songs about life ‘on the road’. Itinerant workers have always formed a large part of the workforce of both Scotland and Ireland. This 19th century song takes us along both rural byways and into civic construction sites.  Born in Glasgow, and of Irish descent, Andrew J. Boyle works today in Norway as a choral trainer and a professional playwright.

Concert Band - Grade 4-6 SKU: HL.4001660 Composed by Modest Petrovich Mussorgsky. Arranged by Barbara Buehlman. Rubank Concert Band. Classical, Graduation, Opera, Symphonic. Score and Parts. Published by Rubank Publications (HL.4001660). UPC: 073999016604. 9x12 inches.This powerful movement for band is taken from a spectacular scene of Moussorgsky's famous opera. It is superbly arranged for band by Barbara Buehlman, widely respected for her skilled arrangements and transcriptions of masterworks for band. A stately processional, Coronation Scene features brilliant orchestration creating dramatic expression and ceaseless musical excitement.