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Euphonium,Horn,Trombone,Trumpet - Digital Download SKU: A0.1119354 Composed by Henry Purcell. Arranged by Richard Decker. Baroque,Chamber,Contest,Festival. 35 pages. Charles Decker Music Press #720769. Published by Charles Decker Music Press (A0.1119354). One of the most prominent English composers of the Baroque period, Henry Purcell showed a mastery of instrumental writing particularly in his Fantasias written early in his career.  As organist, organ maker and keeper of the King's instruments to several English Kings, Purcell's instrumental composing highlighted his creativity in contrapuntal writing, harmonic inventiveness including chromaticism and his understanding of the virtuosic capabilities of the instruments.  Scored for trumpet in B-flat with alternate C trumpet part, horn in F, and trombone with substitute treble clef euphoniium part, these arrangements for can be performed separately or even as a suite as each Fantasia has its own character. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
Three-Part Fantasias for Brass Trio

$14.99 13.06 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.998564 Composed by Julie Mandel. Contemporary. Score. 5 pages. Joopie Music #3533917. Published by Joopie Music (A0.998564). INTERVALS : 24 Works for Piano by Julie MandelA musician friend of mine once told me that her favorite songs were those that began with the jump of an octave. Like Somewhere Over The Rainbow. It got me to thinking about how the first two notes of any piece of music really set up what will follow. That octave jump, that interval, is only one of twenty-four possible intervals in a one-octave scale. That is to say, there are twenty-four different intervals with which to begin a piece of music. I have written these twenty-four pieces with the idea of having the first two notes of each of them start with a different interval.I’m delighted that pianists are starting to perform them in concert, and all 24 have been recorded by Hadassah Guttmann. The recording is widely available for purchase and download.Writing them has been like a series of adventures, each of which begins by taking the first two steps - and then discovering where they will lead. I hope you enjoy playing them as much as I enjoyed writing them.Julie Mandel, composerwww.juliemandel.com
INTERVALS: 24 Works for Piano - 18. A Major Sixth Down
Piano seul

$4.00 3.49 € Piano seul PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.767226 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3087407. Published by Lyons Music Services (A0.767226). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. 10. Voi pur da me partite – You do not mind me, thoughFlexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other transpositions available on request.
Monteverdi - The Fourth Book of Madrigals - 10. Voi pur da mi parte
Ensemble de cuivres

$4.99 4.35 € Ensemble de cuivres PDF SheetMusicPlus

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - Digital Download SKU: A0.559776 Composed by Greg Jasperse. Arranged by Lisa Ochoco. Contemporary. 17 pages. Lisa L Ochoco #4776251. Published by Lisa L Ochoco (A0.559776). This beautiful and rhythmic piece was written by vocal jazz composer and singer, Greg Jasperse. While he wrote this for the voice, it translates well to an instrumental piece.This arrangement is scored for 5 C flutes, alto, and bass.The rhythms may seem a little scary at first, but most of them are repetitive in each part. Therefore, once the correct rhythms are achieved at the beginning of the song, it will not take much more to perfect the rest of it. It is said that VoiceDane was written for a friend's wedding as a processional piece. Jasperse said, I kept coming back to the word 'joy' when writing the piece and wanted that to come through in the writing.
Voicedance
Ensemble de Flûtes

$14.00 12.2 € Ensemble de Flûtes PDF SheetMusicPlus

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1241614 Composed by David Lantz. Christian,Praise & Worship,Religious,Sacred. Octavo. 7 pages. Lantz Choral Publications #836980. Published by Lantz Choral Publications (A0.1241614). Intended use: General, Prayer ResponseThemes: Salvation, Declaration of Faith(useful throughout the year!)A slight rewording of the penultimate line in Robert Lowry’s “How Can I Keep From Singing†provides the inspiration for this otherwise original text by David Lantz III. “All things are mine since I am His†becomes a bit more personal by changing “His†to “Yoursâ€. The textual hook is “All things are mine since I am Yours, and I am Yours forevermore. This beautiful, yet very simple piece can be learned in one short rehearsal. There is ample unison writing, an opportunity for a soloist, an easy, lyrical piano part, and effective two-part mixed writing in much of the anthem. Also available in SATB (LCP0161) and SAB (LCP0160).
All Things Are Mine Since I Am Yours
Chorale 2 parties

$2.35 2.05 € Chorale 2 parties PDF SheetMusicPlus

Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1237498 By Frank Zappa. By Frank Zappa. Arranged by Jeff Tincher. Contemporary,Rock. 9 pages. Jeff Tincher #833012. Published by Jeff Tincher (A0.1237498). Frank Zappa had a knack to writing music that made the listener think while writing a hit. In the original key from The Mother's Of Invention's Weasels Ripped My Flesh, this is the first Frank Zappa LP I can remember running across mainly from the album cover. This is a medium tempo soft rock song mainly in 7/4. Duration = 1:50. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
Oh No
Quatuor de Cuivres
Frank Zappa
$12.99 11.32 € Quatuor de Cuivres PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_T4 4th B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T4). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
Again and Again: 4th B-flat Trumpet
Trompette (partie séparée)

$3.00 2.61 € Trompette (partie séparée) PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
Prelude 17 in E Major Lydian
Piano seul
Brian Golden
$5.99 5.22 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.998567 Composed by Julie Mandel. Contemporary. Score. 5 pages. Joopie Music #3533923. Published by Joopie Music (A0.998567). INTERVALS : 24 Works for Piano by Julie MandelA musician friend of mine once told me that her favorite songs were those that began with the jump of an octave. Like Somewhere Over The Rainbow. It got me to thinking about how the first two notes of any piece of music really set up what will follow. That octave jump, that interval, is only one of twenty-four possible intervals in a one-octave scale. That is to say, there are twenty-four different intervals with which to begin a piece of music. I have written these twenty-four pieces with the idea of having the first two notes of each of them start with a different interval.I’m delighted that pianists are starting to perform them in concert, and all 24 have been recorded by Hadassah Guttmann. The recording is widely available for purchase and download.Writing them has been like a series of adventures, each of which begins by taking the first two steps - and then discovering where they will lead. I hope you enjoy playing them as much as I enjoyed writing them.Julie Mandel, composerwww.juliemandel.com
INTERVALS: 24 Works for Piano - 21. A Major Seventh Up
Piano seul

$4.00 3.49 € Piano seul PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
Luther: Out of the Depths for Trumpet & Piano
Trompette

$24.95 21.74 € Trompette PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.998553 Composed by Joopie Music. Contemporary,Standards. Score. 6 pages. Joopie Music #3533891. Published by Joopie Music (A0.998553). INTERVALS : 24 Works for Piano by Julie MandelA musician friend of mine once told me that her favorite songs were those that began with the jump of an octave. Like Somewhere Over The Rainbow. It got me to thinking about how the first two notes of any piece of music really set up what will follow. That octave jump, that interval, is only one of twenty-four possible intervals in a one-octave scale. That is to say, there are twenty-four different intervals with which to begin a piece of music. I have written these twenty-four pieces with the idea of having the first two notes of each of them start with a different interval.I’m delighted that pianists are starting to perform them in concert, and all 24 have been recorded by Hadassah Guttmann. The recording is widely available for purchase and download.Writing them has been like a series of adventures, each of which begins by taking the first two steps - and then discovering where they will lead. I hope you enjoy playing them as much as I enjoyed writing them.Julie Mandel, composerwww.juliemandel.com
INTERVALS: 24 Works for Piano - 6. A Minor Third Down
Piano seul

$4.00 3.49 € Piano seul PDF SheetMusicPlus

Jazz Ensemble - Digital Download SKU: AX.00-PC-0014297_TN2 2nd Trombone. Composed by Benny Carter. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014297_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014297_TN2). UPC: 038081331973.Symphony In Riffs is Benny Carter's most famous piece. Originally composed and arranged in the 1930's for 4 reeds and 5 brass, Benny re-scored this version for a larger band some 50 years later. Benny was known for his idiomatic saxophone writing and this chart is a great example of that. Just when you think that the soli chorus at D is as good as his saxophone writing can get, he modulates and tops it with the brilliant new section at I. This is a transitional piece between the pre-swing of the 1920s and the mid-1930s swing.
Symphony in Riffs: 2nd Trombone
Trombone (partie séparée)

$3.00 2.61 € Trombone (partie séparée) PDF SheetMusicPlus






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