Piano,Violin - Level 3 - Digital Download SKU: A0.912885 Composed by Luis Chris Medina. 20th Century,Romantic Period. 6 pages. Luis Chris Medina #3418543. Published by Luis Chris Medina (A0.912885). This beautiful prelude for piano and violin, written in the Romantic style, has lush piano harmonies and a lyrical violin melody.  This work is inspired and reminiscent of the the writings of Chopin, Brahms, Rachmaninoff.  Very fitting & endearing for ceremonial occasions as well. Your audiences will enjoy and be left with this memorable selection. A live recording has been placed on Youtube.     https://youtu.be/7FgNYIQUcgE

Concert Band - Level 1 - Digital Download SKU: A0.749078 Composed by Andy Derrick. Contemporary,Standards. Score and parts. 33 pages. Andy Derrick #3680363. Published by Andy Derrick (A0.749078). Dragonstone is a collection of 2 pieces for Junior wind or concert band.1 - Glauraung The Fire-Drake is a powerful march 2 - Scatha The Cold-Drake is a mysterious waltz with special mouthpiece effectsThe dragon names come from the writings of J.R.R.Tolkien and are of renowned dragons in Middle EarthThe Scoring is for flute, clarinet, oboe, mini bassoon, alto sax., horn in F, horn in Eb, trumpet, trombone, euphonium, tuba, tuba in Eb treble clef and percussion (cymbal, snare, bass drum)

Solo Guitar - Level 4 - Digital Download SKU: A0.1135557 By Traditional Scotland (Robert 'Rabbie' Burns). By Traditional (text by Robert 'Rabbie' Burns). Arranged by Dan Jones www.danjonesguitarist.com. Celtic,Classical,Irish,Traditional. Individual part. 6 pages. DanJonesGuitarist #735611. Published by DanJonesGuitarist (A0.1135557). My Love is Like a Red, Red Rose Traditional, Scotland - After Robert 'Rabbie' Burns Arranged for solo guitar by Dan Jones www.danjonesguitarist.com This iconic song, set here in an instrumental version for solo guitar, has a text by the great Scots poet, Robert 'Rabbie' Burns. The tune is believed to have been inspired by traditional sources. This version is suitable for more advanced players. The verses are set with the melody appearing in the top line, and then in the bass. A score is provided in notes and TAB, and in a version with just notes. It is perfect for concerts, background music, weddings and encores. I have also arranged this tune for easy guitar quartet. A YouTube video of this arrangement will be available before the end of 2022. For a wealth of music for solo guitar, guitar in ensemble, teaching material, writings and much more, please visit: www.danjonesguitarist.com Thank you, and I hope you enjoy My Love is Like a Red, Red Rose.

Flute Solo - Level 2 - Digital Download SKU: A0.596633 By Esperanza Domingo Gil and Perancha Domingo Gil. By Juan María Solare. 20th Century,Instructional,New Age,Standards. Individual part. 5 pages. Juan Maria Solare #6661277. Published by Juan Maria Solare (A0.596633). Zerzura, for solo flute. Music by Juan María Solare. Zerzura (Arabic: زرزورة – the accentuation is therefore on the u: zerzúra) was a mythical city or oasis supposedly located deep in the desert west of the Nile River in what is now Egypt or Libya. In writings dating from the 13th century, there is mention of a city that is as white as a dove and it was called the Oasis of the small birds. The music of this flute solo has a certain Arabic character, hence its title. This piece was composed in Worpswede and Bremen on 17 and 25 August 2021. Duration: 3:30 Zerzura is dedicated to Esperanza Domingo Gil, who premiered it at the concert on 23 November 2021 at the theatre of the University of Bremen (Germany). Zerzura, by Juan María Solare, premiere by Esperanza Domingo Gil Zerzura, für Flöte solo. Musik von Juan María Solare. Zerzura (arabisch: زرزورة – die Betonung liegt dann auf dem u: zerzúra) war eine mythische Stadt oder Oase, die in der Wüste westlich des Nils im heutigen Ägypten oder Libyen gelegen haben soll. In Schriften aus dem 13. Jahrhundert wird eine Stadt erwähnt, die so weiß wie eine Taube ist und Oase der kleinen Vögel genannt wird. Die Musik dieses Flötensolos hat einen gewissen arabischen Charakter, daher der Titel. Dieses Stück entstand am 17. und 25. August 2021 in Worpswede und Bremen. Aufführungsdauer: 3:30 Zerzura ist Esperanza Domingo Gil gewidmet, die es beim Konzert am 23. November 2021 im Theater der Universität Bremen (Deutschland) uraufgeführt hat. Zerzura, by Juan María Solare, premiere by Esperanza Domingo Gil Zerzura, para flauta sola. Música de Juan María Solare. Zerzura (árabe: زرزورة – se acentúa entonces la u: zerzúra) era una ciudad u oasis mítico que se suponía emplazada en el desierto al oeste del río Nilo en lo que hoy es Egipto o Libia. En escritos que datan del siglo XIII, se menciona de una ciudad que es blanca como una paloma y la llamaban Oasis de las pequeñas aves. La música de este solo de flauta tiene cierto carácter arábigo, de allí su título. Obra compuesta en Worpswede y Bremen el 17 y 25 de agosto de 2021. Duración: 3:30. Zerzura está dedicada a Esperanza Domingo Gil, quien la estrenó en el concierto del 23 de noviembre de 2021 en el teatro de la Universidad de Bremen (Alemania). Zerzura, by Juan María Solare, premiere by Esperanza Domingo Gil   Palabras clave / keywords: Zerzura, flute music, música para flauta, música latinoamericana, música clásica latinoamericana, Juan María Solare, Esperanza Domingo Gil, Perancha, Universität Bremen, classical music, concierto en vivo, live concert, solo flute.

Concert Band - Level 4 - Digital Download SKU: A0.518926 Composed by Johannes Brahms. Arranged by Arturo L. Martinez. Romantic Period. Score and parts. 70 pages. Arturo L Martinez #129597. Published by Arturo L Martinez (A0.518926). Originally a work written for orchestra and choir, this piece has been reworked to allow modern concert band instrumentation to perform alongside a full choir while still maintaining the excitement and beauty of Brahms' writings. This work is written specifically to accompany the original choral score, just add choir and you're all set. Awaits is a journey of emotions from mourning and sorrow to comfort and heartfelt joy.

Instrumental Duet Flute,Instrumental Duet,Recorder - Level 3 - Digital Download SKU: A0.596499 Composed by Juan María Solare. 20th Century,Contemporary,Standards,World. Score and parts. 9 pages. Juan Maria Solare #3213415. Published by Juan Maria Solare (A0.596499). Tagoriana  three pieces for recorder (or flute, or any melodic instrument) December 2016 - February 2017 I - Kailash, the witty cashier (2:45) II - We read the world wrong and say that it deceives us (3:15) III - Friendship is like fluorescence (1:20) Total Duration: 7:20   The titles are references to the life and writings of Rabindranath Tagore (1861-1941) I We had an old cashier, Kailash by name, who was like one of the family. He was a great wit, and would be constantly cracking jokes with everybody, old and young; recently married sons-in-law, new comers into the family circle, being his special butts. There was room for the suspicion that his humour had not deserted him even after death. Once my elders were engaged in an attempt to start a postal service with the other world by means of a planchette. At one of the sittings the pencil scrawled out the name of Kailash. He was asked as to the sort of life one led where he was. Not a bit of it, was the reply. Why should you get so cheap what I had to die to learn? Rabindranath Tagore: My Reminiscences | Chapter 2: Teaching Begins (1912)  II  We read the world wrong and say that it deceives us. Rabindranath Tagore: Stray Birds (1916) III The real friendship is like fluorescence, it shines better when everything has darken. Rabindranath Tagore (source unknown to the composer).Find the teaser of a piccolo version by Cecilia Piehl on YouTube:https://youtu.be/jCKO6WREb38If you prefer a hard copy (on paper) of these three pieces, head for Edition Tre Fontane, Münster (ETF 3085), 2020.https://edition-tre-fontane.de/produkt/solare-juan-maria-1966-tagoriana-etf-3085/#flute #Tagore #piccolo #sheetmusic #LatinAmericanMusic #flutemusic #flauta

Brass Quartet Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.1307442 By Laurent de Rillé. By Laurent de Rillé. Arranged by Andrew Lamb. 19th Century,Chamber. 34 pages. Andrew Lamb #896725. Published by Andrew Lamb (A0.1307442). Introducing this enchanting arrangement of Les Mousseliniers for Brass Quartet by the renowned composer Laurent de Rillé, arranged by yours truly, Andrew Lamb! 🎺🎼Instrumentation: 2 Bb Trumpets/Cornets French Horn Trombone (in Bass Clef) Extra Parts: Tenor Horn in Eb (as a substitute for French Horn) Baritone/Euphonium part in Treble Clef (as a substitute for Trombone) 🎵 Level of Difficulty: Advanced 🌟 Potential Uses: Perfect for concerts, recitals, and educational purposes, this arrangement breathes new life into a classic composition, making it an ideal choice for a variety of performance settings.About the Composer: François Anatole Laurent de Rillé (24 November 1828 – 26 August 1915) was a distinguished French composer, writer, and musical theorist. His contributions to the world of music extend beyond his compositions, as he played a pivotal role in the Orphéonist movement, alongside luminaries such as Hector Berlioz and Charles Gounod.🌿 The Orphéonist Movement: Laurent de Rillé's legacy is intricately tied to the Orphéonist movement, an initiative aimed at bringing the joys of music to the masses through male choir associations. The movement takes its name from the first of these associations, the Orphéon in Paris, named after the mythical Orpheus.📚 De Rillé's Contributions: Laurent de Rillé's influence extended far beyond his compositions. He authored numerous pieces for male choirs and arranged works by esteemed composers like Verdi, Donizetti, and Rossini. His writings on organizing choirs and training their members have been instrumental in the growth of male choir societies. 🎶🎼 Les Ruines de Gaza (The Destruction of Gaza) and Les Martyres aux Arènes (Martyrs of the Arena): Though many of de Rillé's compositions have faded into obscurity, his choral works, especially Les Ruines de Gaza and Les Martyres aux Arènes, remain timeless favorites among male choir societies, a testament to the enduring quality of his music.In this arrangement of Les Mousseliniers, you have the opportunity to breathe new life into de Rillé's musical genius. Whether you're planning a concert, recital, or an educational event, this arrangement will captivate and inspire your audience. 🌟Like and subscribe for more musical enchantment, and let the timeless melodies of Laurent de Rillé shine through your Brass Quartet's performance! 🎶�🎺.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1125205 Composed by Beethoven and Alan Edgar. 20th Century,Historic. Score. 8 pages. Alan Edgar Ted Moon #725985. Published by Alan Edgar Ted Moon (A0.1125205). Baritone with Pianoforte. His writings selected and edited. Extracts from a letter Beethoven wrote to his friend Carl Amenda, in 1799, in which he first confessed about the loss of his hearing, and from the Heiligenstadt Testament, a letter Beethoven wrote to his brothers in 1802. In the latter 1100-word document he writes of frustration with his growing hearing problem, at the same time attributing his gradual withdrawal from society to this illness. In the letter he also plays with the idea of suicide. He never posted it or showed it to anyone. Beethoven was quoted as saying the opening motif of his Fifth Symphony is the sound of Fate knocking at the door.� I felt it appropriate to quote this in my piece. Intermediate. 5 minutes.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.618786 Composed by Stephen DeCesare. Christian,Praise & Worship,Sacred. Octavo. 9 pages. Exultet Music #2069065. Published by Exultet Music (A0.618786). Meditative hymn that deals with the Holy Eucharist. Words are based on the prayer from the Angel of Fatima O Most Holy Trinity, I adore you in my the Most Blessed Sacrament. and other Saint inspired writings. Starts as a chorale then develops into four-part canon. Can be sung at any time throughout the year, especially during Corpus Christi, and any other times that the theme is about the Body of Christ. Scored for Solo, SATB, and Piano.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.869642 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 66 pages. Thomas Oboe Lee #5302511. Published by Thomas Oboe Lee (A0.869642). I saw an obituary in the New York Times entitled Overlooked No More: Claude Cahun, Whose Photographs Explored Gender and Sexuality.  I was so fascinated by the article that I went and purchased a book of her poems and writings.  Within it I found a series of poems under the subtile of Délectations Moroses that were truly fantastic.  A year ago I wrote a work for soprano and string quartet titled Gaspard de la Nuit on a set of poems by Aloysius Bertrand.   Ravel's Gaspard de la Nuit is for solo piano, a set of tone poems inspired by the poems of the same A. Bertrand.  I enjoyed my Gaspard so much that I wanted to write another work for soprano and string quartet, this time using these fascinating poems by Claude Cahun.The work is in seven movements.1. Allegro  (de l'oubli)2. Largo    (de l'oubli)3. Allegro con moto    (d'un enfant difficile)4. Moderato   (de l'amour)5. Moderato   (de l'art)6. Allegro   (Vocation)7. Adagio   (Quatrième dimension)Enjoy!!!Duration: 27 minuteshttps://thomasoboelee.bandcamp.com/album/aveux-non-avenus-2020-for-soprano-and-string-quartet

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun.  With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.  

Choral (SATB choir divisi a cappella) SKU: HL.8739067 Composed by Christina Rossetti and Robert H. Young. Gentry Publications. Concert, Contest, Festival. Octavo. 4 pages. Fred Bock Music Company #JG2245. Published by Fred Bock Music Company (HL.8739067). UPC: 073999390674. 6.8x10.5 inches. Young, R./Rossetti, C.Robert Young's choral writings are famous for their warm, rich voicings, suspensions and resolutions. Using the poem of one of his favorite authors, Christina Rossetti, he has created another small masterpiece. It was written for Schola Cantorum of Texas (Dr. Gary Ebensberger, Director) and performed at the Texas Music Educators Convention in February, 2000. Available: SATB divisi a cappella.

Soprano voice and piano - Medium - Digital Download SKU: MQ.8317-5E Composed by Gwyneth W. Walker. Secular, 21st century. 4 pages. E. C. Schirmer Music Company - Digital #8317-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8317-5E). The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond. In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly. Great delight is taken in creating musical translations of the colorful imagery: the boat of passion riding the waves and then settling into its mooring (Passion). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul.

String Orchestra - Level 3 - Digital Download SKU: A0.808200 Composed by Ludwig van Beethoven. Arranged by Mark W. Huxhold. Classical,Romantic Period,Standards. Score and parts. 4 pages. Mark Wayne Music, LLC #3493143. Published by Mark Wayne Music, LLC (A0.808200). Beethoven’s famous Menuet in G is arranged here for string orchestra. Menuet in G is an excellent example of Beethoven’s writings in the Classic style. This arrangement has been edited with bowing and fingerings appropriate for students at the intermediate level.

Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947832 Composed by Elizabeth Ragsdale. Christian,Sacred. 9 pages. Elizabeth Ragsdale #2548737. Published by Elizabeth Ragsdale (A0.947832). The lyrics of this sacred solo are based on a quote from Miscellaneous Writings 1883–1886 by Mary Baker Eddy: That man can break the forever-law of infinite Love, was, and is, the serpent’s biggest lie! The creative rhythmic and harmonic ideas in this piece engage musician and listener alike. Duration: 5:15. Vocal range: B3–D#5.