Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - Digital Download SKU: A0.813412 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Multicultural,Standards,Wedding,World. 30 pages. Regis Bookshar #6259435. Published by Regis Bookshar (A0.813412). Canon (Pachelbel) (Bb) (Alto Saxophone Quintet) - Advanced/Intermediate - Digital Download. This selection, Johann Pachelbel's celebrated Canon, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for an Alto Saxophone Quintet. Three Alto Saxophones play the melody in canon while the ostinato accompaniment is played by the other two.Alto Saxophones. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (30 pages). This version is written in the key of Bb Major, to make it a little easier for some younger performers, but another version is also available in the key of D Major if you would prefer. Other versions of Pachelbel's Canon have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.806849 Composed by Stephen Foster. Arranged by Glen Poehlmann. Folk. 15 pages. Arrangements by GPoehlmann #6017993. Published by arrangements by GPoehlmann (A0.806849). STEPHEN FOSTER MEDLEY for AATB SAXOPHONE QUARTET (unaccompanied)Delightful medley of Stephen Foster tunes that includes: Oh! Susanna; Beautiful Dreamer; Camptown Races; & My Old Kentucky Home.77 measures.  Performance Time approx. 3:18.  Medium Difficult (Grade 3+).Key: F - G (concert).  Meter: 4/4 - 9/8.  Instrument Ranges (C4=middle C):Alto 1 F#4 - E6 (written).  Alto 2 D4 - C#6 (written).  Tenor D4 - A5 (written).  Bari A3 - B5 (written).

Small Ensemble Horn,Piano,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.807148 Arranged by Glen Poehlmann. Holiday,Patriotic. Score and parts. 13 pages. Arrangements by GPoehlmann #6453525. Published by arrangements by GPoehlmann (A0.807148). MY COUNTRY, 'TIS OF THEE (America) - BRASS QUARTET with Piano Accompaniment3 Bb Trumpets and Horn in F or Trombone69 measures.   Performance Time approx. 3:00.  Medium Difficult (Grade 3+)Key: C - F - G - D.   Meter: 3/4 - 4/4.   Instrument Ranges (C4=middle C):Trumpet 1 Eb4 - C#6 (written).   Trumpet 2 C4 - A5 (written).   Trumpet 3 A3 - D5 (written)Horn in f G#3 - D5 (written).   Trombone C#3 - G4PDF files included: Score, Trumpet 1, Trumpet 2, Trumpet 3, Horn, Trombone, Piano.

Saxophone Trio,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1146913 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #747111. Published by Woods Only, Arrangements (A0.1146913). This arrangement adapted for sax trio was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752399 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Opera. Score and parts. 1 pages. RBMusic #5740045. Published by RBMusic (A0.752399). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two treble-clef instruments in the same key. This version is in B-flat major (written pitch) – part 1 has a written range from E4 to F5 and part 2 has a written range from B3 to C5. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.  Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together

Brass Ensemble Euphonium - Level 4 - Digital Download SKU: A0.813175 Composed by George Frideric Handel. Arranged by Regis Bookshar. Baroque,Christmas,Instructional,Sacred,Standards. Score and parts. 20 pages. Regis Bookshar #6130575. Published by Regis Bookshar (A0.813175). Euphonium Quintet - Advanced/Intermediate - Digital Download. This selection, And the Glory of the Lord, from George Frideric Handel's world-famous oratorio, Messiah, would be an excellent addition to any music library. Originally written for a four-part chorus accompanied by a small orchestra, this selection has been arranged for 5 Euphoniums, by Regis Bookshar, without losing any of the vitality of the original version. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come. It is perfect for Christmas concerts and church services, is suitable for high school, college and professional performers and is one of my all-time favorite arrangements. Included are a score and a complete set of parts, written in Treble Clef (20 pages). Also available is a version written in Bass Clef if you would prefer. Handel's original version is written in the key of Concert G, as is this version, but other versions are also available for a variety of instrumental ensembles, both in the key of Concert G and also in the key of Concert F, to make it a little easier for some younger performers. However, this arrangement may still prove to be a challenge for some players. If you are considering having an organist or other keyboard player perform with this selection, I would suggest that you purchase this version in Concert G rather than the one in Concert F. Other selections from Handel's Messiah are also available, as are numerous other arrangements in a variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students and audiences will definitely enjoy this arrangement.

Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813966 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6635847. Published by Regis Bookshar (A0.813966). Euphonium Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber' s original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Euphonium Quintet, written in Treble Clef, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There is also a version for a Euphonium Quintet written in Bass Clef, if you prefer. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752414 Composed by Hughie Charles and Ross Parker. Arranged by Rob Bushnell. Opera. Score and parts. 1 pages. RBMusic #5888153. Published by RBMusic (A0.752414). We'll Meet Again was written in 1939 by Ross Parker and Hughie Charles, and made famous by singer Dame Vera Lynn. The song is one of the most famous of the Second World War era. It later gave its name to the 1943 musical film We'll Meet Again, where Vera Lynn played the lead role. During the Cold War, Lynn's recording of the song was included in the package of music and programmes held in 20 underground radio stations of the BBC's Wartime Broadcasting Service (WTBS), designed to provide public information and morale-boosting broadcasts for 100 days after a nuclear attack. In 2005, Vera Lynn sang the song in London on the 60th Anniversary of VE Day in 2005, and, in 2020, a duet with Katherine Jenkins reached number 72 on the UK Singles Chart. Arranged during the 2019/2020 Coronavirus Pandemic to commemorate/celebrate the 75th anniversary of VE Day, it is designed for two higher-register, treble-clef instruments in the same key (such as violin, flute, oboe, saxophones, etc.). This version is in G major (written pitch) – part 1 has a written range from C#5 to D6 and part 2 has a written range from G#4 to A5. (For other parts/versions, see my other We’ll Meet Again titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=HsM_VmN6ytk.   Other searchable terms: Stanley Kubrick, Dr. Strangelove, Liberation Day Concert, Amsterdam, World War II, Benny Goodman, Peggy Lee, Mr. Tambourine Man, Rod Stewart, Perry Como, Barry Manilow, Johnny Cash, The Muppets Go to the Movies, The Muppets, Dudley Moore, Lily Tomlin, The Simpsons, Alfie Boe, VE Day 70, A Party to Remember, ABBA, Pink Floyd, Queen Elizabeth II, United Kingdom of Great Britain and Northern Ireland, COVID-19 pandemic virus, NHS Charities Together

Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813235 Composed by Mykola Leontovych. Arranged by Regis Bookshar. 20th Century,A Cappella,Christmas,Multicultural,Standards,World. Score and parts. 19 pages. Regis Bookshar #6167551. Published by Regis Bookshar (A0.813235). Euphonium Septet - Intermediate - Digital Download. This selection, Carol of the Bells, also known as Ring, Christmas Bells, is suitable for high school and college students and is perfect for Christmas concerts and church services. Carol of the Bells' was written by the Ukrainian composer Mykola Leontovych in 1914 with lyrics by Peter J. Wilhousky. The song is based on the Ukrainian folk chant Shchedryk, a New Year's song, known in English as The Little Swallow, and utilizes a four-note ostinato which brings to mind the ringing of bells. Originally intended to be sung a capella by a mixed four-part choir it has since been recorded into over 150 versions and re-arrangements for various vocal and instrumental compositions. One version, Ring, Christmas Bells, an English-language variant with Nativity-based lyrics, was written by Minna Louise Hohman in 1947. Regis Bookshar has now arranged the music for a Euphonium Septet. Included are a score and a complete set of parts, written in Treble Clef (19 pages). Also available is a version for Euphoniums written in Bass Clef, if you would prefer. In addition to this version for 7 Euphoniums, many other arrangements of this selection are also available for a variety of instrumental ensembles, including Quintets, Sextets, Septets and Octets, as well as numerous other selections in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will entertain both performers and audiences alike for years to come.

String Quintet Cello - Level 2 - Digital Download SKU: A0.1164266 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #764613. Published by Woods Only, Arrangements (A0.1164266). This arrangement adapted for violoncello quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

Piano Solo - Level 4 - Digital Download SKU: A0.1031801 Composed by Tony Doubek. 20th Century,Contemporary,Standards. Score. 43 pages. Tony Doubek #6036833. Published by Tony Doubek (A0.1031801). Coffee Notes is my first collection of pieces for piano. As I wrote this book I reflected on my time as a late intermediate and early advanced piano student. At that stage in my musical education I was so bored with playing pieces written by white cisgender men who were long dead and was hungry for music written by living composers who were from more diverse communities and backgrounds. This book was written for the students and teachers looking for more contemporary representation in their repertoire written by composers who live outside the norm and is intended for late intermediate and early advanced students.

1 Piano,6 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.887320 Composed by Traditional English Carol. Arranged by Kristina Arellano. Christmas,Contemporary,Instructional,Standards. Score. 10 pages. Kristina Arellano #3691325. Published by Kristina Arellano (A0.887320). This light-hearted, sparkling piano trio was written to engage both students and teachers by combining classical technique with the contemporary sounds your students love! The show-stopper ending makes this a great finale to your recitals! This mixed-level ensemble allows students with a range of skills, from mid-elementary to early intermediate-level, to all play together. Piano 1 is written with both hands on one treble clef staff. Your elementary-level student will feature their eighth-note prowess and wrist/arm rotation skills. Piano 2 is for your late-elementary student. Written in both bass and treble clef, it features a fun staccato section and shifting hand positions. Piano 3 is for your early-intermediate student. Written entirely in the bass clef, this part features frequent hand-position shifts and sophisticated pedaling, and adds contemporary sounds to the trio. The music includes a score and 3 individual parts so you can choose how to display the music on the piano rack once students are ready to rehearse together. 2018 Holiday Contest Entry.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1155646 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755950. Published by Woods Only, Arrangements (A0.1155646). This arrangement adapted for alto saxophone and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1172118 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #772382. Published by Woods Only, Arrangements (A0.1172118). This arrangement adapted for string quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk