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Steel Drum Band Bass Voice,Double Second,Drum Set,Lead,Six Bass,Steel Drum Band,Steel Pan,Triple Cello - Level 3 - Digital Download SKU: A0.1353946 Composed by Aaron James Horvath, Eric Osmond, John Spiker, Michael Christopher Jelenic, and Thomas Black. Arranged by Tyler North. Film/TV,Latin,Video Game. Score and Parts. 25 pages. Tyler J. North #938684. Published by Tyler J. North (A0.1353946). This is an 5-Part (plus percussion) arrangement of the music from The Super Mario Bros. Movie written specifically for Steel Ensemble.  Bass parts are included for both bass pans and electric bass (with the bass pan parts sounding an octave lower than written). Please note that the current sample recording uses vibraphone and marimba (due to my lack of a steel pan sample library), but this arrangement is intended for steel ensemble. Part Ranges:Both the 1st and 2nd Lead parts  assume C4 as the lowest pitch.The Cello part does not venture below C3The Bass part does not venture below C2 (though the music is written an octave higher than it sounds for easier readability).The ranges have been selected for maxumum compatibility, but feel free to adjust octaves as needed since steel pan ranges have not yet been fully standardized.
The Super Mario Bros. Movie

$30.00 25.63 € PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.941524 Composed by Harry Salotti. Blues,Jazz,R & B,Standards. Score and parts. 10 pages. Harry Salotti #6203753. Published by Harry Salotti (A0.941524). I've Got The D String Blues is a relaxed 12 bar blues in 6/8. It is written for Vn.1, Vn.2, Viola, Cello, Bass and (optional) Piano accompaniment. This piece is written for players 5th-8th grade.  All string parts are in 1st position. Vn.1 and Viola use all four strings. Vn. 2, Cello and Bass use the A, D, and G strings. The Piano part is optional and may be used only to assist rehearsals. The themes are written in a Call and Response style between the upper and lower strings. All five parts get to contribute to the melody so the players feel their part is meaningful.  I've Got The D String Blues is composed by Harry Salotti.  Mr. Salotti has taught elementary strings in the New Jersey public schools for over twenty years.
I've Got The D String Blues
Orchestre

$12.99 11.1 € Orchestre PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.1291466 Composed by Bobby Troup and Neal Hefti. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #882115. Published by John Fries (A0.1291466). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   Girl Talk is a popular song composed by Neal Hefti, with lyrics written by Bobby Troup. It was written for the 1965 film Harlow, a biographical film about Jean Harlow, starring Carroll Baker. The song has been described by Michael Feinstein as the last great male chauvinistic song written in the '60s.
Girl Talk
Instruments en Do

$3.99 3.41 € Instruments en Do PDF SheetMusicPlus

Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.587675 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score. 3 pages. David McKeown #4729553. Published by David McKeown (A0.587675). The Trumpet Tune and Air was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a duet for two Trumpets and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet and Alto Saxophone version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Trumpet Tune and Air, by Purcell; Trumpet Duet
2 Trompettes (duo)

$4.60 3.93 € 2 Trompettes (duo) PDF SheetMusicPlus

Cello,Piano - Digital Download SKU: A0.1453200 By Barbara Arens. By Barbara Arens. Arranged by Barbara Arens. 21st Century,Contemporary,Contest,Festival,Instructional. Score and part. 65 pages. Barbara Arens #1032427. Published by Barbara Arens (A0.1453200). Written as encores, written to play with my daughter, Late Intermediate to Advanced Cellists and their Piano partners should have QUITE a lot of fun with these 9 pieces:Tango at 2 a.m.Under ThreatPiccadilly at NightSalamancaRondo alla TarantellaFire DanceWitches' DanceLondon Bridge RagTango at 2 a.m. & Rondo alla Tarantella were written for the composer's daughter - the videos are on Youtube.
Tango at 2 a.m. - 9 seriously exciting pieces for Cello + Piano
Violoncelle, Piano
Barbara Arens
$16.99 14.52 € Violoncelle, Piano PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.820075 Composed by Marcus Day. Jazz. Score and parts. 29 pages. Marcus Day Music #2862575. Published by Marcus Day Music (A0.820075). This is a piece written by Marcus Day, British Composer during his Masters Degree time at University. It is a sextet written for Piano, Double Bass, Drum Kit, Tenor Saxophone, Trombone and Trumpet. It is an interesting but challenging piece of music playing around with time signatures, interesting and tricky rhythmic displacement and a particularly challenging intro and melodic line for Double Bass. The piece is around five minutes in length with a solo section in the middle with hits for horn section. This piece was written in 2016 at Bath Spa University.
2091
Ensemble Jazz

$8.99 7.68 € Ensemble Jazz PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254343 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847423. Published by Regis Bookshar (A0.1254343). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Saxophone Quintet (1 Sop, 1 Alto, 2 Tenors, 1 Bari) - Adavanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 2 Tenor Saxophones and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 1 Alto, ...)
Quintette de Saxophone: 5 saxophones

$30.00 25.63 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Woodwind Ensemble Bassoon - Level 4 - Digital Download SKU: A0.1084052 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 26 pages. Regis Bookshar #688278. Published by Regis Bookshar (A0.1084052). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. Bassoon Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a Bassoon Octet. In addition to this arrangement of Tchaikovsky's Coronation March for a Bassoon Octet, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
Coronation March (Db) (Bassoon Octet)
Ensemble de Bassons

$26.00 22.21 € Ensemble de Bassons PDF SheetMusicPlus

Small Ensemble Handbell - Level 3 - Digital Download SKU: A0.806815 Arranged by Glen Poehlmann. Christian,Christmas,Sacred. Score and parts. 18 pages. Arrangements by GPoehlmann #5946229. Published by arrangements by GPoehlmann (A0.806815). O COME ALL YE FAITHFUL - BRASS QUINTET with optional HandbellsThe popular Christmas Carol in an arrangement that has an optional 3 octave handbell part (Grade 3).  It is not required but does add a triumphant touch! Both versions can be heard in the recording.48 measures.  Performance Time approx. 2:05.  Quintet parts areMedium in Difficulty (Grade 3+)Key: F - Ab - Bb.  Meter: 4/4. Instrument Ranges (C4=middle C): Trumpet 1 G4 - Bb5 (written).  Trumpet 2 Eb4 - G5 (written).  Horn in F C4 - F5 (written).  Trombone 3 - Ab4.  Tuba Eb2 - Ab3.
O COME ALL YE FAITHFUL - BRASS QUINTET with optional Handbells (3 octave)
Cloches

$6.00 5.13 € Cloches PDF SheetMusicPlus

Clarinet Duet Clarinet - Level 4 - Digital Download SKU: A0.807075 Composed by Traditional American Melody. Arranged by Glen Poehlmann. Christian,Sacred. 2 scores. 14 pages. Arrangements by GPoehlmann #6256149. Published by arrangements by GPoehlmann (A0.807075). COME THOU FOUNT OF VERY BLESSING - CLARINET DUET (unaccompanied)Clarinet 2 can be Soprano or Bass Clarinet. Separate Scores included for 2 Clarinets and Clarinet/Bass Clarinet. 77 measures.   Performance Time approx. 2:35.   Medium Difficult (Grade 3+)Key: Bb - C (written).   Meter: 3/4 - 4/4.    Instrument Ranges (C4=middle C):Clarinet 1 G3 - F6 (written).   Clarinet 2 A3 - G5 (written).
COME THOU FOUNT OF EVERY BLESSING - CLARINET DUET (unaccompanied)
2 Clarinettes (duo)

$4.95 4.23 € 2 Clarinettes (duo) PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197325 Composed by Avila Santo. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 1 pages. John Fries #796489. Published by John Fries (A0.1197325). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Girl Talk is a popular song composed by Neal Hefti, with lyrics written by Bobby Troup. It was written for the 1965 film Harlow, a biographical film about Jean Harlow, starring Carroll Baker. The song has been described by Michael Feinstein as the last great male chauvinistic song written in the '60s.
Girl Talk
Piano, Voix et Guitare

$4.99 4.26 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857533. Published by Richard J Price (A0.1264703). Music NotesThis is a piece I wrote to shape some concepts for my first/second year pianostudent daughter. I had the idea while listening to her practice by brute force –meaning the keys are repeated hit continuously at same tempo, same strength – almost as a pounding exercise.  I thought nuance was not getting into her playing yet (as with most beginning students).   I wanted her to be aware of the musicality innate in a piece of music.Therefore, I loaded this piece up with all kinds of tempo changes, dynamics, etc. A little overkill, but printed music does suggest these things although it might not be written in.Concepts I was going for: Form: In this case a Rondo. Using classic ABACA. Key Relationships: C Major / A Minor. Sections B and C are in A minor, although written in key of C with the addition of sharps (leading tone G ♯). Hand Independence: Scales in one hand punctuated in the other. Scales: Scales found in both hands and the value of scales fingering in a real piece. Phrasing: How different notes are placed together to make a complete thought. Dynamics: Lots of changes written in there and how it relates to phrasing helping make the ‘complete thought.’ Articulation: Staccato vs Legato, voices opposing each other; again helping with the ‘complete thought.’ Tempo: That such a thing as flexible tempo helps with phrasing and completing that ‘complete thought’ we talked about. Pounding beat vs a larger beat: as interpretation such as dance (emphasizing the first beat instead of pounding by each beat. Notice by the tempo markings that a larger beat is called for by the markings (one beat per measure embracing the dance aspect.) Her former teacher is very talented, holds his Doctor's degree in Piano Performance and was absolutely terrific with her. That being said, Kara soon found out there were boys, and from that moment on the instructor never had a chance. She’s 38 now, loves to play this piece and still -- pounds it out. ☺.
Rondo in C
Piano seul

$9.00 7.69 € Piano seul PDF SheetMusicPlus






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