C Instrument - Level 5 - Digital Download SKU: A0.1282189 Composed by Alexandre Muzzillo Lopes, Caetano Emanuel Viana Telles Veloso, Joao Donato De Oliveira Neto, and Marcelo Maldonado Peixoto. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 3 pages. Rob Ames #873495. Published by Rob Ames (A0.1282189). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.Melodies often written in straight rhythm in standard fake books have been rewritten in a swing style, or “As Played By� some of the all-time jazz greats. Some of the tunes have been transposed from their standard fake book keys to an easier, better-sounding key for Bb saxophone.Slurs have been added to all the Bb parts for smooth and consistent jazz articulation on the Bb saxophone. A duplicate Bb part, without the slurs, is also included (marked with an asterisk for Bb* Instruments), for Bb players who would prefer to customize their own articulation.All tunes have been vetted for playability and accuracy.The arranger, Rob Ames, is a soprano saxophone player from New Hampshire and the Boston, MA area. His album of original tunes, “Sounds From the Boardwalk�, is widely available.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1249722 By Various. By Adam Small, Diamonte Harper, Jacob Uchorczak, Luis Demetrio Molina, Luis Traconis Molina, Mich Hansen, Michael Pollack, Mitch Hansen, Mitchell Hansen, Norman Gimbel, Pablo Rosas Rodriguez, Pablo Ruiz, Quavious Marshall, Randall Hammers, Tia Scola, and etc. Arranged by Des McNutty. Film/TV,Jazz,Latin. 15 pages. Des Press #844113. Published by Des Press (A0.1249722). Sway With Me was written for Mexican singer Pedro Infante but first recorded in 1953 as an instrumental Cha-Cha-Cha ¿Quién será? (Who Will Be?) by its Mexican composers Luis Demetrio and Pablo Beltrán Ruiz. Infante sang it in the film School for Tramps (1954). The version on which this arrangement is based was recorded by Dean Martin and the Dick Stabile Orchestra in 1954, with new lyrics in English completely rewritten by Norman Gimbel from the rather melancholy original in Spanish. Sway With Me has remained popular and been subsequently recorded by numerous artists in several styles. This arrangement for string quartet is a relatively straight-forward idiomatic transcription in the same tonality as the original recording, so you could even play along with it for fun. The level is on the easier side of “advanced�; quickly rehearsed by professional quartets and an accessible challenge for experienced students.Enjoy!

Large Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.799563 Composed by Drake Mabry. Contemporary,Jazz. Score and parts. 26 pages. Drake Mabry #3874841. Published by Drake Mabry (A0.799563). Saxissimo Prelude was written as a companion piece for the high energy Saxissimo. This quiet prelude draws upon the first movement of the Concerto for Dorothee, a concerto for recorder and Baroque orchestra. The score has been revised and rewritten in an abridged form of the original. This work can be played separately or as a prelude to the work, Saxissimo. There are several solo features. The duration is 5'00.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.774769 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 9 pages. Sandra Milliken #6021499. Published by Sandra Milliken (A0.774769). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.

C Instrument - Level 5 - Digital Download SKU: A0.1281290 Composed by John Lewis. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 10 pages. Rob Ames #872633. Published by Rob Ames (A0.1281290). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.Melodies often written in straight rhythm in standard fake books have been rewritten in a swing style, or “As Played By� some of the all-time jazz greats. Some of the tunes have been transposed from their standard fake book keys to an easier, better-sounding key for Bb saxophone.Slurs have been added to all the Bb parts for smooth and consistent jazz articulation on the Bb saxophone. A duplicate Bb part, without the slurs, is also included (marked with an asterisk for Bb* Instruments), for Bb players who would prefer to customize their own articulation. This arrangement also includes a Bb harmony part (one with slurs and one slurless).All tunes have been vetted for playability and accuracy.The arranger, Rob Ames, is a soprano saxophone player from New Hampshire and the Boston, MA area. His album of original tunes, “Sounds From the Boardwalk�, is widely available.

C Instrument - Level 5 - Digital Download SKU: A0.1348390 By Herbie Hancock. By Herbie Hancock. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 6 pages. Rob Ames #933165. Published by Rob Ames (A0.1348390). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase.  Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.Melodies often written in straight rhythm in standard fake books have been rewritten in a swing style, or “As Played By� some of the all-time jazz greats. Some of the tunes have been transposed from their standard fake book keys to an easier, better-sounding key for Bb saxophone.Slurs have been added to all the Bb parts for smooth and consistent jazz articulation on the Bb saxophone. A duplicate Bb part, without the slurs, is also included (marked with an asterisk for Bb* Instruments), for Bb players who would prefer to customize their own articulation.All tunes have been vetted for playability and accuracy.The arranger, Rob Ames, is a soprano saxophone player from New Hampshire and the Boston, MA area. His album of original tunes, “Sounds From the Boardwalk�, is widely available.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.774770 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 8 pages. Sandra Milliken #6021501. Published by Sandra Milliken (A0.774770). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.

C Instrument - Level 5 - Digital Download SKU: A0.1348022 By Frank Sinatra w/Harry James Orchestra. By Arthur Altman and Jack Lawrence. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 6 pages. Rob Ames #932839. Published by Rob Ames (A0.1348022). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase.  Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.Melodies often written in straight rhythm in standard fake books have been rewritten in a swing style, or “As Played By� some of the all-time jazz greats. Some of the tunes have been transposed from their standard fake book keys to an easier, better-sounding key for Bb saxophone.Slurs have been added to all the Bb parts for smooth and consistent jazz articulation on the Bb saxophone. A duplicate Bb part, without the slurs, is also included (marked with an asterisk for Bb* Instruments), for Bb players who would prefer to customize their own articulation.All tunes have been vetted for playability and accuracy.The arranger, Rob Ames, is a soprano saxophone player from New Hampshire and the Boston, MA area. His album of original tunes, “Sounds From the Boardwalk�, is widely available.

C Instrument - Level 5 - Digital Download SKU: A0.1281975 By Billy Eckstine. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 3 pages. Rob Ames #873329. Published by Rob Ames (A0.1281975). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.Melodies often written in straight rhythm in standard fake books have been rewritten in a swing style, or “As Played By� some of the all-time jazz greats. Some of the tunes have been transposed from their standard fake book keys to an easier, better-sounding key for Bb saxophone.Slurs have been added to all the Bb parts for smooth and consistent jazz articulation on the Bb saxophone. A duplicate Bb part, without the slurs, is also included (marked with an asterisk for Bb* Instruments), for Bb players who would prefer to customize their own articulation.All tunes have been vetted for playability and accuracy.The arranger, Rob Ames, is a soprano saxophone player from New Hampshire and the Boston, MA area. His album of original tunes, “Sounds From the Boardwalk�, is widely available.

Choral Choir,Choral,SATB Chorus divisi - Level 5 - Digital Download SKU: A0.1508036 By N Sync. By Andreasmikael Carlsson, Max Martin, and Rami Yacoub. Arranged by Kevin Peter DeLisa. 21st Century,A Cappella,Pop,R & B,Soul. 9 pages. Kevin Peter DeLisa #1083323. Published by Kevin Peter DeLisa (A0.1508036). I hope you enjoy this arrangement of It's Gonna Be Me! This arrangement was originally written for 8 voices for the semi-professional group, The Philly Accents, and was rewritten as a 6 piece arrangement with occasional splits. This was a passion project after the group heard the Lawrence & Brasstracks version of the NSYNC classic, and was so graciously mixed by my friend David Shane. Additional arranging work done by Jaysen Rosario and Kevin Kelso of The Philly Accents.

Bass, low female voice, 2 high sopranos and ensemble - difficult - Digital Download SKU: S9.Q46673 A Collection of Small Compositions Written or Rewritten in Summer 1955. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 27 minutes. Schott Music - Digital #Q46673. Published by Schott Music - Digital (S9.Q46673). English.Summer 1955 is a curious collection of unrelated compositions that Partch composed or revised around the same time; he likely did not intend it to be performed as a set. The five short pieces are important early works which were conducive to establish Partch as an acknowledged composer. Here he already uses instruments developed by himself, like the adapted viola or the boobam which became indispensable in his later works.Singstimmen (Bass, tiefe Frauenstimme, 2 hohe Soprane), Cello, Kithara II, Chromelodeon, Bass Marimba, Marimba Eroica, Surrogate Kithara, Spoils of War, Harmonic Canon, Maramboo, Diatonic Model Skindrums, B-Trompete, Bass, B-Klarinette, Diamond Marimba, Bamboo, Marimba (Boo).

C Instrument - Level 5 - Digital Download SKU: A0.1281295 By Louis Prima & Keely Smith. By Jacob Jacobs, Sammy Cahn, Saul Chaplin, and Sholom Secunda. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 1 pages. Rob Ames #872638. Published by Rob Ames (A0.1281295). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.Melodies often written in straight rhythm in standard fake books have been rewritten in a swing style, or “As Played By� some of the all-time jazz greats. Some of the tunes have been transposed from their standard fake book keys to an easier, better-sounding key for Bb saxophone.Slurs have been added to all the Bb parts for smooth and consistent jazz articulation on the Bb saxophone. A duplicate Bb part, without the slurs, is also included (marked with an asterisk for Bb* Instruments), for Bb players who would prefer to customize their own articulation.All tunes have been vetted for playability and accuracy.The arranger, Rob Ames, is a soprano saxophone player from New Hampshire and the Boston, MA area. His album of original tunes, “Sounds From the Boardwalk�, is widely available.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.743277 Composed by Eduardo Di Capua. Arranged by Josef STASTNY. 20th Century,Folk,Holiday,Pop,Standards. 6 pages. Josef STASTNY #3228509. Published by Josef STASTNY (A0.743277). O sole mio is a globally known Neapolitan song written in 1898. The rewritten version was entitled It's Now or Never and was a worldwide hit for Presley. A simple and beautiful melody should be a part of repertoire of any kind of band, including SAX quartet.Some other SAX quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+saxwww.stastnyjosef.cz

C Instrument - Level 5 - Digital Download SKU: A0.1281286 By Oliver Nelson. By Oliver Nelson. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 6 pages. Rob Ames #872630. Published by Rob Ames (A0.1281286). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase.  Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.Melodies often written in straight rhythm in standard fake books have been rewritten in a swing style, or “As Played By� some of the all-time jazz greats. Some of the tunes have been transposed from their standard fake book keys to an easier, better-sounding key for Bb saxophone.Slurs have been added to all the Bb parts for smooth and consistent jazz articulation on the Bb saxophone. A duplicate Bb part, without the slurs, is also included (marked with an asterisk for Bb* Instruments), for Bb players who would prefer to customize their own articulation.All tunes have been vetted for playability and accuracy.The arranger, Rob Ames, is a soprano saxophone player from New Hampshire and the Boston, MA area. His album of original tunes, “Sounds From the Boardwalk�, is widely available.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774768 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Sandra Milliken. Contemporary. Octavo. 10 pages. Sandra Milliken #6021497. Published by Sandra Milliken (A0.774768). Ebony and Ivory was written by Paul McCartney and released in March 1982 as a recoding by Paul along with Stevie Wonder. It reached number one on both the UK and the US charts. It was Stevie Wonder's first number-one single in the UK, his only other one being I Just Called to Say I Love You in 1984.At a very basic level, the song is about the black and white keys on a piano. But at a deeper level, the ebony and ivory keys are a metaphor for racial harmony, equality and integration. Paul liked the piano analogy, since you can play the instrument using just the white keys or just the black keys, but to make great music, you really have to combine the two.Ebony and Ivory is available in four arrangements (all with piano accompaniment) for SATB, SSA, SAB and 2-Part choirs.Each arrangement begins with a classically-inspired piano accompaniment that soon modulates into the soft rock feel that made this song so popular for so many decades. Solo options are included and the well-known guitar solo has be rewritten as a scat solo with the option to ad lib over the repeated motifs.