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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1147795 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Octavo. 24 pages. Rebecca Summers #747992. Published by Rebecca Summers (A0.1147795). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!
The Black Swan - (Naidoc Week 2-Part Choir with dreamtime story FULL SCORE)
Chorale 2 parties

$3.95 3.38 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874254 Composed by Lester Lee and Zeke Manners. Arranged by Ray-Michael Kauffman - a do Ray me flute studio production. Contemporary. Octavo. 39 pages. As do Ray meflute studio production #4360225. Published by as do Ray meflute studio production (A0.874254). Https://youtu.be/guvb5Jb31rU  Written by Lester Lee  & Zeke Manners  in 1942, and made popular  by the Andrew sisters, The Pennsylvania over years has been celebrated as one of the most popular polkas of all times and obviously the most famous State titled polka. A polka is  a vivacious couple dance of Bohemian origin in duple time; was a basic pattern of hop-step-close-step; a lively Bohemian dance tune in 2/4 time. The polka was originally a Czech peasant dance, developed in Eastern Bohemia (now part of Czechoslovakia).Growing up in Pennsylvania, nd playing for various local community bands, VFW bands ,Lion's Band ,  etc  we played the Pa Polka for many functions, churches, Seniors, Cake Walks, 4th of July programs, summer and spring concerts, marching bands, parades, and many more events.The Pennsylvania Polka is such a fun, happy song, in a march tempo beat. However, I am so proud of this arrangement as I am of the state I live in. ,  Another interesting fact is that people not familiar with the song informed me this sounds like a carousel  music at an amusement park This arrangement would be great for holidays, church functions, Seniors, July 4th concerts, kid's programs, parades, community concerts, or just any other fun concert. It's a great song for playing and breaking up the typical monotonous flute choir music.  A sure flute players favorite as well as your audiences for years to come.Smartly scored for 2 piccolos, 4 c flutes , 2 altos in G , bass flute , and contra bass flute .** however, a 5th c flute made be played for alto flute 1 .  Arranged in an intermediate to advanced intermediate style ( considering the top / high instrumentation)Also,  please visit my website  @   www.doRaymeflute.com
Pennsylvania Polka
Chorale SATB

$15.50 13.25 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.913987 Composed by Arthur Breur. Children,Contemporary. Score. 5 pages. Floating Home Music #4823219. Published by Floating Home Music (A0.913987). Simple harmonies move from major to minor and this lovely piece opens up in to a harp-like verse and a lightly syncopated chorus.From the composer:In 2013 I found an old sequence with the first part of this piece, and suddenly the whole thing came rushing back to me-I had not heard nor even thought of it for probably sixteen years! I ran to the piano and sat down to play it, and could nearly play it all the way through from memory. It's what someone with amnesia must feel when they suddenly remember something about themselves. I remember the piece now, and can play it almost without thinking, but it had been completely missing from my mind for years.DURATION: 3m10s.
Not Forgotten - Piano Solo
Piano seul

$4.00 3.42 € Piano seul PDF SheetMusicPlus

Cello,Flute,Guitar,Medium Voice - Level 4 - Digital Download SKU: A0.1396707 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo García (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 177. David Warin Solomons #980048. Published by David Warin Solomons (A0.1396707). Based on a traditional Yiddish folk song[Lyrics - English version below]Ale vasserlech flisn avek, di gribelech blaybn leydik.   Nito aza mentsh oyf gor der velt, vos zol farsteyn mayn veytik. Di yorelech tsien, di yorelech flien, di tsayt geyt avek vi roych, un az ich dermon zich on dir, mayn zis lebn, geyt mir oys der ko'ech.Un aza meydele shpilt a libe, shpilt in ir alle farbn un az zi shpilt ir libe nit oys, ken zi cholile noch shtarbn. Un az de tepelech trinkenen oys blaybn zey ale leydik un az a meydele firt ir libe nit oys vert zi farfalln oyf eybik. All the little waters flow awayThe little ditches remain dryThere is nobody on this whole earthwho can understand my painThe years drag on, the years fleeTime goes away like smokeand when I think of you, my sweet lifeI lose my strengthAnd when a young girl plays at loveall the colours play in herand if she doesn't play her love for realshe can - God forbid - still die.And when the water jars run outthey all remain dryand when a young girl doesn't play her love for realshe will pine away for ever.
Ale Vasserlech for mezzo, flute, cello and guitar (mp3)
Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo García (cello)
$4.50 3.85 € PDF SheetMusicPlus

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.546458 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Leo Silva. Broadway,Film/TV,Jazz,Multicultural,Musical/Show,Traditional,World. Individual part. 2 pages. MP Sheet Music #156478. Published by MP Sheet Music (A0.546458). Theme from New York, New York (or New York, New York) is the theme song for the Martin Scorsese film New York, New York (1977), composed by John Kander, with lyrics by Fred Ebb. It remains one of the best-known songs about New York City. In 2004, it finished 31st in the AFI's 100 Years...100 Songs poll of top American film songs. In 1979, Theme from New York, New York was recorded by Frank Sinatra for his album Trilogy: Past Present Future (1980), and has become closely associated with it as one of his signature songs. Don Costa received a Grammy nomination for energetic orchestration. Sinatra occasionally performed the song live with Minnelli as a duet. Sinatra recorded for the second time for his 1993 album Duets, with Tony Bennett. Sinatra's recording peaked at #32 in June 1980, becoming his final Top 40 hit. It was also an Adult Contemporary hit, reaching #10 in the US[2] and #2 in Canada. [3] The song made a small showing in the UK (#59); however, it reappeared several years later and reached No. 4 in 1986. The song was nominated for a Grammy Award for Best Pop Vocal Performance, Male and Sinatra made two more studio recordings of the song in 1981 (for their NBC TV special The Man and His Music) and 1993 (for Capitol Records). From the latter, an electronic duet with Tony Bennett was produced for Sinatra's Duets album.
Theme From "new York, New York"
Saxophone Alto
Frank Sinatra
$4.99 4.27 € Saxophone Alto PDF SheetMusicPlus

Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.590046 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 5 pages. David McKeown #6139483. Published by David McKeown (A0.590046). This gospel version of Amazing Grace is arranged as a duet for two Soprano Saxophones. Written in 1773 by John Newton and set to the traditional melody New Britain, Amazing Grace is perhaps the best-known and best-loved hymn in the world.John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. Amazing Grace is played three times, once in the traditional style in 3/4, then twice in a gospel swing style in 4/4. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Amazing Grace is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Amazing Grace is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Amazing Grace, Gospel style for Soprano Saxophone Duet
2 Saxophones (duo)

$3.99 3.41 € 2 Saxophones (duo) PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813761 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6476661. Published by Regis Bookshar (A0.813761). Thaxted (Bb) (Alto Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of Thaxted, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Thaxted based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years t.
Thaxted (hymn tune based on excerpt from "Jupiter" from The Planets) (Bb) (Alto Saxophone Quintet)
Quintette de Saxophone: 5 saxophones

$10.00 8.55 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Piano - Digital Download SKU: A0.1066792 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 74. THEMIS KOUTRAS #5214063. Published by THEMIS KOUTRAS (A0.1066792). This song is about what happened in a dream GOD gave me i thought at that time i understood it and i did but not as much as when the dream actually took place after i wrote the song i end up passing away and taken in spirit by the holy spirit i was taken back in time to the days of JESUS CHRIST at the very old cross i saw him die i was in spirit joined to the holy spirit as 1 i followed him to his berrieal and it was i who prayed and the stone roled away and it was i who prayed again and my father JESUS CHRIST was risen alive he walked in my body and brought me to heaven where i saw him control the universe he bought me back here in our time the year around 2000 AD after praying i said what dose this all mean LORD he repplies he spent 3 days and nights of mans time in the grave then risen alive GOD said to me that in his time 1000 years is = to 1 day and 1 day is = to 1000 years thus it was the year 2000 and 2 or so in GODS time that i was sent back for the above mision JESUS CHRIST is here now in the return he is right in my heart so as GOD and the holy spirit as i can comunicate with him as offten as i like to or he likes to comunicate with me he said to me the kingdom of his has now been past on to me and appeared to me as he anointed me himself with a sword as KING ye true as i then saw lightning stuck from the east to the west in a perfectly straight line. ye bible prophesies points out to me all others saying they are the return are liers and no bible prophecy point to them I have four field most of its prophecy concerning the Christ in written in the book of revelation GOD says to me in due time I will four field the rest of it.
LOVE DREAM OF YESTURDAY
Piano seul

$3.99 3.41 € Piano seul PDF SheetMusicPlus

Instrumental Solo,Piano,Trombone/Baritone B.C. - Level 5 - Digital Download SKU: A0.1435171 Composed by F.E. Weatherly/Stephen Adams. Arranged by Marc Donatelle. 19th Century,Chamber,Classical,Praise & Worship,Religious. Score and individual part. 15 pages. Marc Donatelle #1015268. Published by Marc Donatelle (A0.1435171). The Holy City is a Victorian religious-ballad composed in 1892 by Michael Maybrick (aka Stephen Adams) with lyrics by Frederic Weatherly. It was sung by Jeanette MacDonald in the 1936 hit movie San Francisco.This is the first solo (and performance) I played at 9 years old and a favorite of my mother. She likely knew it from the movie. I always was a fan of theme and variations, a la Arthur Pryor. A bit autobiographical, the theme is like I would have played at 9 years old, Variation 1 like High School, Variation 2 like University, and the finale like a professional.The audio sample is a small taste of the theme and each variation.
The Holy City

$20.00 17.1 € PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Clarinet & Piano
Clarinette et Piano

$26.95 23.04 € Clarinette et Piano PDF SheetMusicPlus

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781342 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 7 pages. Joanna Mills Music #4830695. Published by Joanna Mills Music (A0.781342). This upbeat, original unison (or solo) Christmas song is perfect for children's or youth choirs-- use it in your Christmas Pageant, or your Lessons & Carols service! It tells the Christmas story in a bluesy, gospel style, and is pitched in an accessible key for most voices. The simple melody and bridge is easy to learn, even for very young children, plus it features an optional easy counterpoint near the end of the song. Approximate performance time: 1.51. (Also available for 2-part, SSA, SAB and SATB choirs!)This is one song from the complete children's musical That's How The Story Goes - also available here. S0.661113Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
Mary Had a Baby (That's How the Story Goes) - An Original Gospel Christmas Anthem for Unison Choir
Chorale Unison

$1.99 1.7 € Chorale Unison PDF SheetMusicPlus






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