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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.592650 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6411253. Published by David McKeown (A0.592650). Amazing Grace is a beautiful hymn arranged here for Solo Alto Saxophone and Piano.Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.
Amazing Grace, Gospel Hymn for Alto Saxophone and Piano
Saxophone Alto et Piano

$2.49 2.15 € Saxophone Alto et Piano PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1329389 By Hugh Levey. By Charles Coote Jnr. Arranged by Hugh Levey. 19th Century,Chamber,Children,Christmas,Holiday. 23 pages. Woodwindly.com #917372. Published by woodwindly.com (A0.1329389). Sax Quartet (SATB or AATB)Looking for some familiar, yet very different Christmas Music? Look no further than the Snowdrift Galop written by British composer, Charles Coote Jnr. It starts off just like Jingle Bells - and the Jingle Bells theme keeps coming back, but is it actually Jingle Bells? It also has a march-like theme and a lovely Trio section. All players get to play important melodic material in this arrangement.Snowdrift Galop was published in London in 1868 in a small collection of works by various composers. The opening theme is immediately recognisable as the popular holiday favourite, Jingle Bells, which was published 11 years earlier, yet the composer gives no reference or credit to the earlier work. Although the opening soprano sax theme is the same as Jingle Bells, we get a stately march instead of the familiar Jingle Bells chorus. A lovely Trio introduces another new tune which is played by tenor, then baritone sax, before returning to the opening section on Alto.Charles Coote Jnr (1831-1916) was a prolific English composer of popular music, including quadrilles, waltzes and galops. His music was written for society balls and subsequently published for piano, so that others could play them at local dances or in their ownhomes. He was the son of composer and bandmaster, Charles Coote (1809-1880). Coote Snr worked for the 6th Duke of Devonshire for 30 years, conducted his private orchestra, and was referred to by the Duke as his personal pianist. Growing up in this environment would have ensured that Coote Jnr was well connected with British society.Duration - 4 minutes.
The Snowdrift Galop (or is it Jingle Bells?) arranged for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Hugh Levey
$12.75 10.98 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.861799 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6202089. Published by Mark O'Connor Musik International (A0.861799). Strings & Threads Suite (guitar part - adapted for violin and guitar) MO171CGuitar Part (score and violin part available)Music by Mark O’Connor14 pages - 15:00 minutes in length I. Fair Dancer ReelII. Sailor’s JigIII. Captain’s JigIV. Off To SeaV. Pilgim’s WaltzVI. Road To AppalachiaVII. Shine OnVIII. Cotton Pickin’ BluesIX. Pickin’ Parlor RagX. Queen Of The CumberlandXI. Texas Dance Hall BluesXII. Swing 11:11XIII. Sweet Suzanne  Strings & Threads Suite adapted for violin and guitar is a piece comprising of thirteen tunes composed by Mark O’Connor. In 1986, the Tennessee Dance Theater commissioned the Suite from O’Connor to be performed as a violin solo at Nashville’s Summer Lights Festival. The individual tunes are in various folk styles appearing in a chronological form for which O’Connor says not only represents the evolution of American folk music, but also mirrors his own family’s migration from Ireland and Holland to America. It traces the family’s route through the thirteen colonies initially, and then eventually out West during WWl nearly 300 hundred years later. O’Connor wrote the pieces in a manner and style in which he felt his family could have heard along the way. The Suite begins with Irish music, maybe similar to what O’Connor’s family brought with them. Then in a thoughtful progression, reveals music they must of encountered living in early America. Strings & Threads musically describes how folk music styles hundreds of years apart are interconnected - possessing a common thread, from an Irish reel to jazz. The music is suited for advanced and intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1986 Composed By Mark O’ConnorAdaptation for violin and guitar was commissioned by Sharon Isbin in 2006, and won a Grammy for BEST INSTRUMENTAL SOLOIST PERFORMANCE (WITHOUT ORCHESTRA) IN 2009Strings & Threads Suite (adapted for violin and guitar) can be heard on Journey to the New World by Sharon Isbin, Sony Classical Mark O’Connor – violin, Sharon Isbin - guitarCatalogue Number MO171CCopyright © 1986 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  
Strings & Threads Suite (guitar part - adapted for violin and guitar)
Violon, Guitare (duo)
Mark O’Connor

Adaptation for violin and guitar was commissioned by Sharon Isbin in 2006, and won a Grammy for BEST INSTRUMENTAL SOLOIST PERFORMANCE (WITHOUT ORCHESTRA) IN 2009

Strings & Threads Suite (adapted for violin and guitar) can be heard on Journey to the New World by Sharon Isbin, Sony Classical 

Mark O’Connor – violin, Sharon Isbin - guitar


Catalogue Number MO171C

Copyright © 1986 by Mark O’Connor Music International


For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

markoconnor
$18.00 15.51 € Violon, Guitare (duo) PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)

$19.95 17.19 € PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland.   Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch.  Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation:  https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page:  https://www.facebook.com/jamesnathanielholland/
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
Orchestre

$12.95 11.16 € Orchestre PDF SheetMusicPlus

Alto Saxophone,Piano - Digital Download SKU: A0.596538 Composed by Juan María Solare. 20th Century,Concert,Contemporary. Score and part. 8 pages. Juan Maria Solare #3875065. Published by Juan Maria Solare (A0.596538). WaltzApp is a simple, innocent and uncomplicated waltz that can remind to Erik Satie. The title reflects the modern times...The composition of WaltzApp began in Bremerhaven in 2006 (first theme) and was completed ten years alter in Bremen (both cities are in North Germany). Duration: ~ 2'30Trivia: during those ten years between the composition of the first and the second theme, the working title was Valsecillo (and with that title circulated in internet as PDF for a while).Original version: for piano solo. There are also versions for the following chamber music combinations (all tested by the composer at concert!): - for alto saxophone and piano (plus double bass ad libitum) - for clarinet and piano (plus double bass ad libitum) - for violin and piano (plus double bass ad libitum) - for clarinet, accordion, cello and piano - for flute and piano (plus double bass ad libitum) - for instrumental nonet (flute, clarinet, trombone, accordion, violin, viola, cello, double bass and piano) The piano version of WaltzApp is included in the album Sombras blancas [White Shadows], by Juan María Solare (piano): https://open.spotify.com/track/5egCqXp6jR3tBQw8ndFAZ2 Video of the solo piano version (filmed in Java, Indonesia): https://www.youtube.com/watch?v=InFlC1V7Oyo Video of the version for saxophone and piano (Duo Antipoden: Yu Han, saxophone, and Juan María Solare, piano; live at MIKADO, Prinzhöfte, Germany): https://www.youtube.com/watch?v=uWGyP9pRrL0
WaltzApp [Alto Sax + Piano]
Saxophone Alto et Piano

$3.50 3.02 € Saxophone Alto et Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1033845 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. Instructional,Romantic Period,Standards,World. 27 pages. Edition les bons concerts #6666767. Published by Edition les bons concerts (A0.1033845). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century (This early work is still quite simple).The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The recording/Youtube is by Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crepy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)About Edition les bons concertsThe name of the publisher has been given with the wish: Use this sheet music to do good concerts!In addition to considering the page-turning position, the sheet musics are designed for ease of use in the rehearsal, such as adding the rehearsal numbers of other editions in case the accompanist's score is different from the soloist's. 
Dora PejaÄević: "Papillon (op. 6)" Arrangement for 3 flutes and alto flute by Yuki Hasegawa
Quatuor de Flûtes : 4 flûtes

$8.75 7.54 € Quatuor de Flûtes : 4 flûtes PDF SheetMusicPlus

Viola Duet Viola - Level 3 - Digital Download SKU: A0.587676 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score. 3 pages. David McKeown #4729555. Published by David McKeown (A0.587676). The Trumpet Tune and Air was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a duet for two Violas and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet and Alto Saxophone version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Trumpet Tune and Air, by Purcell; Viola Duet
2 Altos (duo)

$4.60 3.96 € 2 Altos (duo) PDF SheetMusicPlus

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.587667 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 3 pages. David McKeown #4729529. Published by David McKeown (A0.587667). The Trumpet Tune and Air was in fact written for organ, with the melody played on thetrumpet stop.  Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a duet for Flute and Clarinet and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet and Alto Saxophone version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
Trumpet Tune and Air, by Purcell; Flute and Clarinet Duet

$4.60 3.96 € PDF SheetMusicPlus

Jazz Combo - Level 3 - Digital Download SKU: A0.1011222 Composed by Jean-Charles Demichel. Jazz,Latin. Score and parts. 2 pages. Jean-Charles De Michel #3409073. Published by Jean-Charles De Michel (A0.1011222). Jean-Charles Demichel, a Jazz pianist and composer from Lyon in France, a well known at the Jazz Hot Club cave in Lyon, has forged a solid reputation in the last 40 years alongside the world best Jazzmans such as Canadian Oscar Peterson or American jazz greats such as trumpet players Bill Coleman and Sonny Gray, tenors Johnny Griffin or Nathan Davis, drummers Kenny Clark and Art Taylor. He has played regularly as a trio or quartet at the Hot Club de Lyon since 1958, a club he chaired for many years and helped to receive well the best world Jazzmans coming in Lyon and Paris. Jean-Charles also plays in various quartets with various styles and inspirations of the old jazz from Duke Ellington to Bill Evans or to the best pianists such as the late Oscar Peterson's playing with Ray Brown. JC Demichel repertoire is large, with a strong French bebop dominance mixed with bossa nova rhythms as it is herein into the Ballade of Adcha created by JC Demichel. The scores contains the thematic template with chords written under as the typical Jazz scores for Jazz pianists ready to improvise around. Herein included an mp3 recording of the JC Demichel's trio playing his composition.
Ballade for Adcha
Jazz combo

$3.00 2.58 € Jazz combo PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.1415672 By Kenny Rogers. By Don Schlitz. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #997392. Published by John Fries (A0.1415672). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. The Gambler is a song written by Don Schlitz and recorded by several artists, most famously by American country singer Kenny Rogers. Schlitz wrote the song in 1976 when he was 23 years old. It took two years of shopping the song around Nashville before Bobby Bare recorded it on his album Bare at the urging of Shel Silverstein. Bare's version did not catch on and was never released as a single, so Schlitz recorded it himself, but that version failed to chart higher than No. 65. Other musicians took notice and recorded the song in 1978, including Johnny Cash, who put it on his album Gone Girl. It was Rogers, however, who made the song a mainstream success. His version was a No. 1 country hit, and made its way to the pop charts at a time when country songs rarely crossed over. It was released in November 1978 as the title track from his album The Gambler, and won him the Grammy Award for Best Male Country Vocal Performance in 1980.
The Gambler
Instruments en Do
Kenny Rogers
$3.99 3.44 € Instruments en Do PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.719723 Composed by Various. Arranged by Curtis Hanson. Sacred. Score. 7 pages. Curtis Hanson #4357401. Published by Curtis Hanson (A0.719723). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. A caveat: I have no delusions, and offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy and comfort to other technically challenged yet serviceable pianists such as myself. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Break Thou the Bread of Life, Come, Ye Thankful People, Come, and We Gather Together.
Hymns from Childhood - Set 5 (piano solo)
Piano seul

$4.99 4.3 € Piano seul PDF SheetMusicPlus

Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by Peet du Toit. Film/TV. Score and parts. 36 pages. Peet du Toit #6115473. Published by Peet du Toit (A0.802642). Silly Love Songs is a song written by Paul McCartney and Linda McCartney and performed by Wings. The song appears on the 1976 album Wings at the Speed of Sound. It was also released as a single in 1976, backed with Cook of the House. The song, written in response to John Lennon and music critics accusing McCartney of predominantly writing silly love songs and sentimental slush, also features disco overtones.The song was McCartney's 27th number one as a songwriter; the all-time record for the most number one hits achieved by a songwriter.With this song, McCartney became the first person to have a year-end No. 1 song as a member of two distinct acts. McCartney previously hit No. 1 in the year-end Billboard chart as a member of the Beatles with I Want to Hold Your Hand in 1964 and Hey Jude in 1968.Silly Love Songs has since appeared on multiple McCartney greatest hits compilations, including Wings Greatest and All the Best!. The song has also appeared on the Hits section of the compilation album Wingspan: Hits and History. Despite its popularity, McCartney has not performed the song live since the dissolution of Wings.Silly Love Songs was written as a rebuttal to music critics (as well as John Lennon) who had criticized McCartney for writing lightweight love songs. Author Tim Riley suggests that in the song, McCartney is inviting his audience to have a laugh on him, as Elvis Presley had sometimes done. But over the years people have said, Aw, he sings love songs, he writes love songs, he's so soppy at times. I thought, Well, I know what they mean, but, people have been doing love songs forever. I like 'em, other people like 'em, and there's a lot of people I love -- I'm lucky enough to have that in my life. So the idea was that you may call them silly, but what's wrong with that? The song was, in a way, to answer people who just accuse me of being soppy. The nice payoff now is that a lot of the people I meet who are at the age where they've just got a couple of kids and have grown up a bit, settling down, they'll say to me, I thought you were really soppy for years, but I get it now! I see what you were doing! - Paul McCartney, Billboard Enjoy my brassy version of Silly Love Songs
Silly Love Songs
Wings
$22.00 18.95 € PDF SheetMusicPlus






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