Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844635 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414733. Published by Phil Beaman (A0.844635). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century.  With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods.  Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.

Instrumental Solo,Marimba,Piano - Level 2 - Digital Download SKU: A0.844640 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and individual part. 9 pages. Phil Beaman #4414781. Published by Phil Beaman (A0.844640). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century.  With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods.  Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.

C Instrument - Level 4 - Digital Download SKU: A0.499833 By Mickki Brown. By Paul Sutin. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113105. Published by John Fries (A0.499833). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Do Nothing till You Hear from Me (also written as Do Nothin' Til You Hear from Me) is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental (Concerto for Cootie) that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944. Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart.

Guitar - Level 3 - Digital Download SKU: A0.1018012 By Bob Dylan. By Bob Dylan. Arranged by Servaas Verbergt. Pop. Guitar Tab. 4 pages. Servaas Verbergt #6498585. Published by Servaas Verbergt (A0.1018012). This beautiful Dylan song has it all: heartbreaking lyrics, moving harmonies and a beautiful melody. Because it would be a pity for guitarists not to be able to play Adele's piano version I decided to make a transcription. The score only has the guitar part but you won't have a hard time singing the lyrics on top. Or even better: ask a singer to sing the melody. I  can ensure you that the audience will leave in tears.  Everything on the score is as in Adeles version except for a small guitar solo I added instead of Adeles piano solo. Don't hesitate to do your own thing in this passage, it is only there as a suggestion. I have put double bar-lines at every section and added chord symbols at the first A and the first B. This way it will be easier for you to grasp the structure of the song. Enjoy!

Handbell - Level 3 - Digital Download SKU: A0.1451650 Composed by William H. Doane. Arranged by Sandra Zylstra. Christian,Instructional,Praise & Worship,Religious,Sacred. Score. 2 pages. Sandra dee zylstra #1030952. Published by sandra dee zylstra (A0.1451650). Take The Name Of Jesus With You  by Doane (hymn tune: PRECIOUS NAME) is arranged for 3 octaves of handbells in the key of Ab. This level 3 hymn contains a melody arrangement and a basic chord arrangement. The arrangement could be played alone or as an accompaniment with congregational singing. Purchase of this piece gives you permission to make copies for your bell choir only, it may not be duplicated for multiple groups. This arrangement along with 9 other arrangements are available in the book Moderate Handbell Hymns! You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.

Oboe,Piano - Level 2 - Digital Download SKU: A0.844636 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414725. Published by Phil Beaman (A0.844636). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century.  With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods.  Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.844625 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413057. Published by Phil Beaman (A0.844625). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century.  With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods.  Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.

C Instrument - Level 4 - Digital Download SKU: A0.546075 Composed by Isabelle Wakkinen. Arranged by arr. by John Fries. 20th Century,Country,Jazz,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #156183. Published by John Fries (A0.546075). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  The song has been a crossover hit, charting in both the country and western and pop categories. Always On My Mind did not see completion until late 1971. Songwriter-guitarist Wayne Carson had about two verses done, with the working title You Were Always On My Mind. He had been occupied in Memphis on a project that required him to stay ten days longer, and he phoned his wife in Springfield, Missouri, to apologize for the delay. She was angry, and he replied: Well, I know I’ve been gone a lot, but I’ve been thinking about you all the time. His words struck him as potential song material, and he quickly ended the call so he could capture the idea on paper.

Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1504568 By The Beatles. By John Lennon and Paul McCartney. Arranged by Frank Oldengott. A Cappella,Pop,R & B,Rock,Soul. 8 pages. Frank Oldengott #1079993. Published by Frank Oldengott (A0.1504568). A Cappella Arrangement for mixed SATB ChoirQuick notes to sound and fun!These lyrics sound like the following terms:ba = barda = darlingdap = adaptdu = do you like itge = getpa = partYou can easily rehearse the feeling and groove of the song, when you sing along to the original-song. Please let me know, when your choir has published a video of the song!All parts of the arrangement were created with great care and respect for the original song. No part was influenced or generated by AI.Frank Oldengottwww.fantastartist.de.

Flute,Piano - Level 2 - Digital Download SKU: A0.844641 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414795. Published by Phil Beaman (A0.844641). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century.  With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods.  Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.

String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1406006 Composed by Albert Hague and Dr Seuss. Arranged by Donald Jay Smith. Blues,Film/TV,Holiday,Jazz,Pop. 12 pages. Donald Jay Smith Music #989057. Published by Donald Jay Smith Music (A0.1406006). This was a natural contrast to the soothing jazz style of “Christmas Time is Here.� The in your face jazz/blues style of “You’re a Mean One, Mr. Grinch� was a style the students had not experienced, but adapted to immediately and joyfully! The appeal that puts this arrangement over the top is the way it portrays the story with a tender violin solo echoed by (spoiler alert) the solo Cello Grinch voice at the end.While teaching at the high school level, I had an exceptional Cello section that had just dominated the November All-State auditions. I wanted to feature them in the next concert, but I couldn't find any appropriate holiday arrangements that featured Cello/Bass, or fit their ability level and something they really wanted to play in the available string ensemble repertoire. I suggested this among a few others, got to work on arranging and some of my students favorite arrangements resulted. Several pieces became requirements in the traditional Holiday Concert string ensemble preconcert.  Every year audience members arrived early to get good positions to see and hear the SKHS string ensemble greeting the audience as they entered the foyer leading to the theatre. The initial two arrangements that started the Cellobrate the Holidays set were Christmas Time is Here and You're a Mean One Mr. Grinch that are available now. Watch for others to be added soon. I sincerely hope you will enjoy these arrangements as much as my students did!! Cello and Bass players rule! Enjoy the spotlight!!

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.546990 Composed by Ed Sheeran and Tori Kelly. Arranged by Sherry Lewis. Contemporary,Pop,Wedding. 7 pages. Sherry Lewis Publishing #156934. Published by Sherry Lewis Publishing (A0.546990). STRING DUO Intermediate Level for violin and cello Parts: 2 pages Time: 3:20 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.971294 Composed by James Shubert. Christian,Praise & Worship,Spiritual. Octavo. 3 pages. James W. Shubert #6096741. Published by James W. Shubert (A0.971294). 4 part choir (SATB) with piano accompaniment.  Intermediate Level.  Lord, You are so wonderful; Lord, You are the King of Glory, Lord, I offer all my love to You.  The text tells the story.  There is an interesting interplay between lush 4part chording and treble/bass staff duets, as well as solo phrases that will keep your choir and congregation interested throughout.

Piano,Violin - Level 2 - Digital Download SKU: A0.844637 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. 9 pages. Phil Beaman #4414779. Published by Phil Beaman (A0.844637). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century.  With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods.  Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201298 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by John Fries. 20th Century,Pop,Standards. Score. 2 pages. John Fries #799952. Published by John Fries (A0.1201298). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. You're Still the One peaked at number two on the US Billboard Hot 100 for nine weeks, becoming Twain's first top-ten hit in the US. Although it never topped the chart, the song is recognized as Twain's most successful crossover single and is one of her most successful singles at country radio. You're Still the One was nominated for four Grammy Awards in 1999, winning two. It won Best Country Song and Best Female Country Vocal Performance and lost Record of the Year and Song of the Year to fellow Canadian, Celine Dion's My Heart Will Go On.