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Piano and voice (solo and TTBB quartet) - Digital Download SKU: LV.7522 Composed by Ernest R. Ball. Portraits, African Americans, Meadows, Winter, Spring, Seasons, Snow, Courtship. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7522). Will You Love Me In December as You Do in May. Words by J.J. Walker. Music by Ernest R. Ball. Published 1905 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice (solo and ttbb quartet) instrumentation. Subject headings for this piece include Portraits, African Americans, Meadows, Winter, Spring, Seasons, Snow, Courtship. First line reads Now in the summer of life sweetheart, you say you lov me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Will You Love Me In December as You Do in May

$5.99 5.1 € PDF SheetMusicPlus

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797825 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Derek Hasted. Contemporary,Pop. Score and parts. 12 pages. Derek Hasted #6411785. Published by Derek Hasted (A0.797825). WHEN YOU SAY NOTHING AT ALL - FLUTE and GUITARFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This lovely melody, first made famous by Alison Krauss, and more recently by Ronan Keating, makes a delightful concert piece for flute and guitar.My arrangement is based on Ronan Keating’s version, where the guitar part is a little different to the original. The music doesn’t have the slow fade-out of Keating’s piece - it’s not that easy for a flute and guitar duo on stage to emulate that! But it does have all the rest of the thematic material, including the strange but seldom noticed fact that verse two is one measure shorter than verse one. The key is the same as Keating’s version and includes the rather lovely key changes - both seem to go up slightly in pitch, yet the second key change actually returns back to the starting key.Much of the guitar part can be played in the lower positions where there’s just a little bit more sustain to help support the flute part. Where the guitar part needs sustain across the bar-lines, I have used “ties to nothing†rather than formal ties. Ties generate a lot more black on the page and make the music harder to read. I hope you enjoy performing this!
When You Say Nothing At All
Flûte et Guitare
Keith Whitley
$4.99 4.24 € Flûte et Guitare PDF SheetMusicPlus


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