Violin Solo - Level 1 - Digital Download SKU: A0.885662 Composed by Antonio Vivaldi, Folk, J. Riley, James Pierpont, and Ludwig van Beethoven. Arranged by Heather Figi. Children,Christmas,Classical,Concert,Standards. 13 pages. Music for Young Violinists #3239717. Published by Music for Young Violinists (A0.885662). Easy Violin Songs - the 10 easiest songs to play on the violin. This is a 13 page eBook available as an instant PDF download. This collection contains 10 of the easiest songs to learn to play on the violin including the pieces listed below. Visit www.MusicforYoungViolinists.com to learn more and download free samples. 3 Note Songs:1- Hot Cross Buns (Folk)2- Mary Had a Little Lamb (Folk)4 Note Song:3- Boil Them Cabbage Down (Folk)5 Note Songs:4- Ode to Joy/ Joyful, Joyful We Adore Thee (L. van Beethoven)5- Jingle Bells (J. Pierpont)6- When the Saints Go Marching In (Folk)7- Lightly Row (Folk)6 Note Songs:8- Twinkle, Twinkle Little Star (Folk)9- Shortnin' Bread (J. Riley)10- Spring from the Four Seasons (A. Vivaldi, arranged by H. Figi)

String Quartet Cello,String Quartet - Level 3 - Digital Download SKU: A0.841328 Composed by Piatti, Carlo Alfredo. Arranged by Artistic Score Engraving by Michele Galvagno. Instructional,Romantic Period,Standards. 66 pages. Artistic Score Engraving di Galvagno Michele #3624857. Published by Artistic Score Engraving di Galvagno Michele (A0.841328). Piatti composed the small quartet (Quartettino) In vacanza (On holiday), a Sonata-form in three movements for four cellos, dedicating it to the young cellists from Bergamo in 1891. It was premiered at the final exams in the same year.It is a simply structured piece made of catchy melodies, thick of that irony, that carelessness that probably Piatti reckoned as a fundamental soft skill for young musicians. The first movement, Allegro con brio, bears the title Partenza(Departure), the second, Andantino quasi allegretto, Arrivo (Arrival), the third, Allegretto vivo, Danza rustica (Rustic Dance). One cannot help but notice the lack of a slow movement in the middle or of a Coming Back at the end. We can explain this only in recognising that Piatti, having come to the end of a long career, may have wanted to leave a wishing message to the younglings who were still at the beginning of their path: “may your life be as a long, endless holiday, with no slack moment; may the enthusiasm to push forward never falter you and may even old age have the cheerful rhythm of a dance�This score was published in 2018 and updated in 2023.

Choral Choir (Mixed) - Digital Download SKU: A0.1011190 Composed by Stephan Young. Christian,Praise & Worship,Rock,Sacred. Octavo. 16 pages. Greg Pierson #5777643. Published by Greg Pierson (A0.1011190). Congregational Psalm, appropriate for praise and worship in liturgical settings. From the recording Hope is Aliverecorded by the Pierson-Young Project©2016 New Jerusalem Sings Music, PYP Music Groupwww.pierson-youngproject.com

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1011191 Composed by Stephan Young. Christian,Gospel,R & B,Rock. Octavo. 12 pages. Greg Pierson #5777649. Published by Greg Pierson (A0.1011191). Prayer and reflection, appropriate for performance.. from the recording Hope is Alive, recorded by the Pierson-Young Project© New Jerusalem Sings Music, PYP Music Groupwww.pierson-youngproject.com

Small Ensemble - Level 5 - Digital Download SKU: A0.1011192 Composed by Stephan Young. Christian,Gospel,R & B,Rock. Score and parts. 2 pages. Greg Pierson #5777659. Published by Greg Pierson (A0.1011192). Trumpet and Saxophone Bb instrumental parts for the song When Will We Be the New Jerusalem  from the recording Hope is Alive recorded by the Pierson-Young Project©2016 New Jerusalem Sings Music, PYP Music Groupwww.pierson-youngproject.com

Large Ensemble French Horn,Piano - Level 3 - Digital Download SKU: A0.818349 By Stephen R Dalrymple. By Joseph Gilmore & William Bradbury. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 59 pages. Stephen R Dalrymple #6359211. Published by Stephen R Dalrymple (A0.818349). He Leadeth Me – arranged for French Horn & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ arranged for French Horn solo by Stephen R Dalrymple ♫ transcribed for flute, clarinet, trumpet, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … ♫ This arrangement was written for my youngest daughter, Willa. ♫ This .pdf file includes 16 score choices • Full Score for French Horn and Piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.

String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.

Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.

Instrumental Solo - Level 1 - Digital Download SKU: A0.1231009 Composed by A.M. Saunders. Children,Classical,Instructional,Multicultural,Singer/Songwriter,World. Individual part. 1 pages. A.M. Saunders #826690. Published by A.M. Saunders (A0.1231009). This medium large manuscript paper is ideal for young beginners. With only three five line staves per page, this staff paper is ideal for even the youngest beginning music students. Ages 4 and up.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.

Concert Band - Level 1 - Digital Download SKU: A0.1435934 By Patrick Jillett. By Patrick Jillett. 20th Century,Classical,Contemporary,Contest,Festival,March. 23 pages. Patrick Jillett #1016101. Published by Patrick Jillett (A0.1435934). March is a lively piece composed early on, by a contemporary Australian composer, Patrick Jillett. Appropriate for a concert or festival. It is playable by the youngest of bands, and can be used to teach march style. It is in the key of Bb, beginning with a trumpet and snare drum introduction establishing stable march style. The rest of the band then joins for essentially an AABA form. The piece modulates to Eb major for the B section (without changing the key signature), then back to Bb for the finale. March uses basic rhythms and limited range, perfect for a young band to begin learning and mastering “march style.”.

Concert Band - Level 1 - Digital Download SKU: A0.1047521 By Kyle L. McKinzey. By Kyle L. McKinzey. Contest,Festival. Score and parts. 39 pages. KyleMac Music #652069. Published by KyleMac Music (A0.1047521). Marching In The Dark (Grade 1) is not your standard young band march. It has a modal melody and harmony but is easily playable and enjoyable melodies, where all sections get to shine.  Wind parts are playable by 1st-year players. Ranges are generally within the first 6 notes. Upper WW is mostly in unison with an occasional 2nd Clarinet split. Lower WW/Brass is mostly in unison as well. Trombones occasionally separates for harmonic depth and easier positions. The Trumpet split is like the Clarinet in that it is rare and used for harmonic support and lower range for the youngest players. Percussion parts are more “advanced�, but still easily performed using fewer players and simplified parts provided.  WOODWINDS - Fl, Ob, Bsn, Clar(2), BC, AS, TS, BS. BRASS - Trpt(2), Hn, Tbn, Euph, Tu (Low BR/WW mostly unison) PERCUSSION- Bells, Xylophone, SD, BD, Tenor Drum, Timp, Cr. Cym., Tamb. Triangle.

Easy Piano - Level 1 - Digital Download SKU: A0.890222 Composed by Traditional. Arranged by arranged by Alison Albright. Christmas. Score. 23 pages. P. A. Lensey #4888487. Published by P. A. Lensey (A0.890222). Twenty simplified and shortened classic Christmas carols in Middle C Position for the youngest players.  Songs range from 8 to 16 measures in length and use simplified rhythms to make them accessible for young beginners.  Also a great sight reading tool for students with a little more experience.

Unison/two-part chorus - Digital Download SKU: C7.CGA1664 Composed by Diane Beckstead. Advent, Christmas, Epiphany. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1664. Published by Chorister's Guild - Digital (C7.CGA1664). Young voices shine in this darling partner song for Advent and Christmas! Composer Diane Beckstead's original melody is paired with Away in a Manger (CRADLE SONG), and the result is an endearing picture of the Good Shepherd, who was first welcomed to our world by humble shepherds. Includes an optional spoken narration and opportunity to feature a soloist. If working with multi-age children's choirs, the two complementary melodies are easily taught by rote to the youngest singers, while older note-readers will be successful using the choral score. An excellent choice for Christmas pageants or Christmas Eve worship.

String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a Dâ™­ to a Dâ™®  • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the Eâ™­ in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit