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66 partitions trouvées


String Orchestra - Digital Download SKU: AX.00-PC-0001568_VN1 1st Violin. Composed by Bob Phillips. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001568_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001568_VN1). UPC: 038081324777.Following up on the hugely successful bass feature, Bass-ically Bluegrass, the composer has written a gorgeous lyric solo for your young bass players! The perfect level to feature the young bass section or soloist, the easy solo bass part uses 1st through 3rd position with a momentary move into 4th position. This lush setting for soloist and string orchestra will be a big hit with your bass section. Written by a bass player for bass players and their teachers! (2:20)Correlates with String Explorer Book Two, Unit 2.Concert/Contest.
The Gentle Giant (A Lyric Solo for Double Bass and Orchestra): 1st Violin
Violon (partie séparée)

$5.99 5.12 € Violon (partie séparée) PDF SheetMusicPlus

Rhythm - Digital Download SKU: H1.1970DP Composed by Allen Pote. Youth Musicals. General Worship, Sacred. Rhythm Chart. 76 pages. Hope Publishing - Digital #1970DP. Published by Hope Publishing - Digital (H1.1970DP). Tom S. Long.Musical for Young Voices The story of David and Goliath comes alive in a fresh new way in this exciting, humorous and powerful new musical. The Rhythm Parts are suitable for Guitar, Bass & Keyboard. The Orchestration contains a Conductor's Score and parts for Horns 1 & 2, Trumpets 1, 2 & 3, Alto & Tenor Saxophone, Trombones 1, 2 & 3, Violins 1 & 2, Viola, Cello & Rhythm. Minimal staging is required and the performance notes include a delightfully simple way to realize the nine-foot giant. Performance time is 45 minutes.
The Rock Slinger and His Greatest Hit

$125.00 106.85 € PDF SheetMusicPlus

Preview Pack (Score and CD)-Digital - Digital Download SKU: H1.2028DP Composed by Allen Pote. General Worship. Preview pack - book & listening CD. 89 pages. Hope Publishing - Digital #2028DP. Published by Hope Publishing - Digital (H1.2028DP). Tom S. Long.Musical for Young Voices The story of David and Goliath comes alive in a fresh new way in this exciting, humorous and powerful new musical. The Rhythm Parts are suitable for Guitar, Bass & Keyboard. The Orchestration contains a Conductor's Score and parts for Horns 1 & 2, Trumpets 1, 2 & 3, Alto & Tenor Saxophone, Trombones 1, 2 & 3, Violins 1 & 2, Viola, Cello & Rhythm. Minimal staging is required and the performance notes include a delightfully simple way to realize the nine-foot giant. Performance time is 45 minutes.
The Rock Slinger and His Greatest Hit

$17.95 15.34 € PDF SheetMusicPlus

PDF Score - Digital Download SKU: H1.1957DP Composed by Allen Pote. Musicals for Adults, Musicals for Youth. Youth Musicals. General Worship, Sacred. Score. 89 pages. Hope Publishing - Digital #1957DP. Published by Hope Publishing - Digital (H1.1957DP). Tom S. Long.Musical for Young Voices The story of David and Goliath comes alive in a fresh new way in this exciting, humorous and powerful new musical. The Rhythm Parts are suitable for Guitar, Bass & Keyboard. The Orchestration contains a Conductor's Score and parts for Horns 1 & 2, Trumpets 1, 2 & 3, Alto & Tenor Saxophone, Trombones 1, 2 & 3, Violins 1 & 2, Viola, Cello & Rhythm. Minimal staging is required and the performance notes include a delightfully simple way to realize the nine-foot giant. Performance time is 45 minutes.
The Rock Slinger and His Greatest Hit

$12.95 11.07 € PDF SheetMusicPlus

Orch - Digital Download SKU: H1.1969DP Composed by Allen Pote. Youth Musicals. General Worship, Sacred. Set of Instrumental Parts. 245 pages. Hope Publishing - Digital #1969DP. Published by Hope Publishing - Digital (H1.1969DP). Tom S. Long.Musical for Young Voices The story of David and Goliath comes alive in a fresh new way in this exciting, humorous and powerful new musical. The Rhythm Parts are suitable for Guitar, Bass & Keyboard. The Orchestration contains a Conductor's Score and parts for Horns 1 & 2, Trumpets 1, 2 & 3, Alto & Tenor Saxophone, Trombones 1, 2 & 3, Violins 1 & 2, Viola, Cello & Rhythm. Minimal staging is required and the performance notes include a delightfully simple way to realize the nine-foot giant. Performance time is 45 minutes.
The Rock Slinger and His Greatest Hit

$275.00 235.06 € PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1379364 By Young The Giant. By Eric Cannata, Fancois Comtois, Jacob Tilley, Payam Reza Doostzadeh, and Sameer Gadhia. Arranged by Matthew Udland. 21st Century,A Cappella,Contemporary,Pop,Rock. 9 pages. Midwest A Cappella #964047. Published by Midwest A Cappella (A0.1379364). Originally by Young The Giant SSATBB plus solo Arrangement by Matthew Udland* The Vocal Percussion line is optional and intended for the performer to expand upon as appropriate. This arrangement intentionally shortened the song to make it more manageable for an ensemble to put together. The original verses fit nicely with the harmonies added and could be added by the performing group.
Mind Over Matter
Chorale SATB
Young The Giant
$2.99 2.56 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
Que Garota Linda (Bb leadsheet)

$3.99 3.41 € PDF SheetMusicPlus

Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)

$3.99 3.41 € PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029. Published by Geofonica Artistworks (A0.948697). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in lead sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. (NOTE: A Bb leadsheet is also available.) The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track features Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been released. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, bop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper.  Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and .
Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)
Ensemble Jazz

$3.99 3.41 € Ensemble Jazz PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Services #6035581. Published by Lyons Music Services (A0.767564). This is a highly programmatic piece for flute trio, loosely based around one of the Grimm Brothers’ Fairy Tales Hansel and Gretel. The first movement depicts the children wandering off into the dark forest, initially surrounded by twittering birds and sunlight, but as the movement progresses, the music becomes darker. As the light fades, the children strew breadcrumbs to guide their way out of the forest when they decide to return to the village. At letter C, the mysterious chords suggest something disturbing, perhaps trees with scare faces or giant spiderwebs. At D, the change to 3/4 time suggests the children are anxious and scurrying through the trees, feeling scared, with the use of flutter tonguing suggesting their shivers of fear. Finally, out of breath, they reach the dark clearing with the Gingerbread house. The second movement describes the witch’s Gingerbread house. The top line shows the house’s roof, the middle line shows the windows and the third line marks out the porch and the front door. The children wonder at the strange building and chatter to each other as they explore it, perhaps nibbling here and there. The motif that describes the shape of the house appears from time to time throughout this section as they explore it from different angles. At letter D, after the G.P., the children begin to sense that they are not alone in the house. The low trill on the third flute is meant to be a breathy whisper (it doesn’t matter if the notes fail in performance for this reason) as the witch mutters under her breath. She attempts to pounce on the children and force them into her oven, but they are too fast for her. They trick her into the oven and slam the door shut (Bar before F.) They run from the clearing, not caring if they are going in the right direction. They glance back - once catching sight of the Gingerbread house which has begun to collapse in on itself - before they finally stop for breath as night begins to fall and they find a safe place to sleep (Lento before G.) The third movement sees our young heroes looking for the trail of breadcrumbs to take them back to the village. They are plodding through the deep forest, accompanied once more by the birds. Occasionally they find a crumb or two, but the birds have eaten most of them. They eventually manage to backtrack to the village (the music reflects this as it’s a retrograde of some of the music from movement 1) and they finally reach the village where they are greeted with a party for having killed the witch and returned safely home. This music is in a ‘pastoral style (6/8) and fades away as …they all lived happily ever after.
Flute Trio - Fairy Tales
Trio de Flûtes: 3 flûtes

$25.00 21.37 € Trio de Flûtes: 3 flûtes PDF SheetMusicPlus






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