Digital Download SKU: HX.376495 By Billie Holiday, Frank Sinatra, and Zoot Sims. Jazz,Standards. Pro Vocal. 3 pages. Published by Hal Leonard - Digital (HX.376495).

Tenor Saxophone Transcription - Interactive Download SKU: HX.1424586 By Zoot Sims. This edition: Interactive Download,scorch. Jazz. Score. 4 pages. Hal Leonard - Digital #608570. Published by Hal Leonard - Digital (HX.1424586).

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.867754 By John Pizzarelli. By Walter Donaldson. Arranged by Oliver König. Contemporary. Score. 16 pages. Oliver Koenig #3879159. Published by Oliver Koenig (A0.867754). Band arrangement includes Chords and Lyrics for Jazz, Swing or Dixieland orchestra with three Wind instruments. The Arrangement is stage-proven by well known Neo- Swing Orchestras as from the Zoot Suiters.It will bring a lot of fun to your Dixieland concert or Dinner jazz performance. It is also always the highlight of all lindy hop dance events. The Intro makes reference to the interpretation of the piano Solo from Nina Simone Version of this song. .All our arrangements are proven and adapted for live performances and easy to play. On request, we can deliver more parts or adapt the tune on your requirements. Parts: Voice,Bass,Piano and Guitar, Bb Clarinet, Bb Trumped, Tenor Sax and Trombone. The 3 Wind/ Brass parts can be interchanged as per your Ensemble Configuration.feedback please to mail@oliverkoenig.net.

C Instrument,Chords,Lyrics,Melody - Digital Download SKU: HX.394412 By Frank Sinatra and Zoot Sims. This edition: scorch. Jazz,Standards. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #202201. Published by Hal Leonard - Digital (HX.394412).

Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.839651 Composed by Jim Henson and Sam Pottle. Arranged by Bobby Hesch. Contemporary. Individual part. 2 pages. Bobby Hesch #6513561. Published by Bobby Hesch (A0.839651). THE MUPPET SHOW THEME!!! IF YOU LOVED THE MUPPET SHOW, YOU'LL LOVE PLAYING THIS SONG!!! REMEMBER THE GREAT JIM HENSON!!! IT'S TIME TO GET THINGS STARTED ON THE MOST SENSATIONAL, INSPIRATIONAL,CELEBRATIONAL, MUPPETATIONAL!!! GAZE DOWN THE BELL ON THAT LAST NOTE JUST LIKE ZOOT ON THE MUPPET SHOW!!! LET'S PLAY SOME JAZZ!!! KEY OF 6 SHARPS/D!!! LOW Eb-HIGH-F# CHOOSE HIGH OR LOW IN MEASURE 33!!! CHALLENGING, VERY FAST!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com :IG:@bobbyhesch EMAIL QUESTIONS!!

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages.  Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try?  Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind.  We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness.    The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions.  I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness.  There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition.  I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less.  Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes.  And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time.  Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over.  And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural.  From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own.   This is ...a bridge a-way, exits within.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1032091 By Naughty Boy Featuring Emeli Sande. By Emeli Sande, Harry Craze, and Hugo Chegwin. Arranged by Julian Hay. A Cappella,Contemporary,Pop,Soul. Octavo. 7 pages. Julian Hay #6024773. Published by Julian Hay (A0.1032091). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy, with an ensemble of 20 voices. It is versatile and catchy, and has also been performed by our Vocal Bands with one voice per part, as well as our Kids A Cappella class.This arrangement has a gospel vibe (complete with a shout chorus), but with the groove of the original track provided by the addition of rhythm and bass.VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. When it's performed, it should be heavy on the rhythm and bass! The Rhythm (Beatbox) and Bass should be a feature, and they provide the arrangement with the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Mmm's / Dmm's, etc).The full arrangement is scored for SATB including clicking, clapping and Vocal Percussion (beatboxing). The song also works as SAT and could be transposed into a higher key to be delivered by a treble ensemble.RHYTHM & BASS:This Beatboxing part is suitable for beginners, and is made up of groupings of patterns. Specific Beatboxing notes are included in their own section within the Beatboxing score.If your ensemble is without a low bass or a beatboxer you could consider the following options.- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentAlways click and clap on the off beats (2 and 4).PERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E.  hello@voicesco.nzW.  www.voicesco.nz

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1412817 By Vicky Jacobs. By Vicky Jacobs. Arranged by Vicky Jacobs. Contemporary,Pop. 6 pages. Vicky Jacobs (Glee Club) #994822. Published by Vicky Jacobs (Glee Club) (A0.1412817). This was written in the middle of lockdown and now feels like a bit of a musical time capsule! Choirs across the world loved singing this as part of their zoom sessions and now it has become a gorgeous musical reminder of a time that was.

Easy Piano - Level 1 - Digital Download SKU: A0.1419764 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Elizabeth Essex. 21st Century,Children,Contemporary,Pop,Singer/Songwriter. Score. 4 pages. Elizabeth Essex #1001186. Published by Elizabeth Essex (A0.1419764). The chorus (only) of Blank Space is arranged for beginner piano students in Primer Level lesson books . Primer Level. Includes lyrics. Notes in middle C position, 2 pages of sheet music landscape. See my other arrangements:Sheet Music Plus (copyrighted music available)https://www.sheetmusicplus.com/publishers/elizabeth-essex-sheet-music/3018847Sheet Music Direct (copyrighted music available)https://www.sheetmusicdirect.com/en-US/Search.aspx?query=Elizabeth%20EssexTop Music Marketplace (piano studio licenses available)https://topmusicmarketplace.com/pages/seller-profile/elizabeths-music-artsTeachers Pay Teachers (classroom licenses available)https://www.teacherspayteachers.com/Store/Elizabeths-Music-And-ArtsTo commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: https://elizabethmusicnarts.wordpress.com.

Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.817339 By Lionel Richie. By Lionel Richie. Arranged by Vicky Jacobs. Contemporary,Pop,Rock. 3 pages. Victoria Jacobs #5971113. Published by Victoria Jacobs (A0.817339). This is part of a series of leadsheets I've put together for singalongs or as easy, quick songs to do with your choir. They have fun, singable harmonies, are in friendly keys and are designed to be easy to read and not create too much photocopying. It would work brilliantly on a zoom session too!