Oboe,Piano - Level 3 - Digital Download SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Ukulele - Level 1 - Digital Download SKU: A0.1152791 Composed by Traditional. Arranged by Yuri Noronha. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 1 pages. Yuri Noronha #753029. Published by Yuri Noronha (A0.1152791). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for Ukulele. Level is very easy! 1 Page. mary had a little lamb on a ukulele, how to play mary had a little lamb on a ukulele, beginner mary had a little lamb ukulele chords, how to play mary had a little lamb on ukulele for beginners, mary had a little lamb ukulele easy, mary had a little lamb ukulele chords easy, how to play mary had a little lamb on ukulele easy, mary had a little lamb ukulele fingerpicking, mary had a little lamb for ukulele, mary had a little lamb ukulele easy, mary had a little lamb ukulele tabs, mary had a little lamb ukulele sheet music, mary had a little lamb ukulele picking, mary had a little lamb ukulele tutorial, mary had a little lamb ukulele tabs #maryhadalittlelamb #ukulelebeginner #ukuleletabs #ukuleleforchildren #sheetmusicukulele #easyukulele #traditionalukulele.

Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.746990 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827845. Published by Keith Terrett (A0.746990). A great sounding arrangement of A Night in Tunisia, your Clarinet Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - Digital Download SKU: A0.569907 By Sharon Wilson. By William Moore. Arranged by Sharon Wilson. 20th Century,Easter,Folk,Sacred,Traditional. Individual part. 10 pages. Sharon Wilson #6685591. Published by Sharon Wilson (A0.569907). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Solo Guitar - Level 1 - Digital Download SKU: A0.1152498 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752723. Published by Yuri Noronha (A0.1152498). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamba fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar.

Small Ensemble Hand Drum,Handpan,Steel Pan,Ukulele - Level 1 - Digital Download SKU: A0.657617 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score and parts. 10 pages. Sharon Wilson #266176. Published by Sharon Wilson (A0.657617). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Faith for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Solo Guitar - Level 1 - Digital Download SKU: A0.1152466 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752692. Published by Yuri Noronha (A0.1152466). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamba fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar.

String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1460359 Composed by Greg Woodward. 21st Century,Chamber,Classical. 54 pages. Greg Woodward #1039292. Published by Greg Woodward (A0.1460359). My third string quartet is a playful and melodic work, encompassing a wide range of styles and moods with a high degree of thematic unity. The joyful, dance-like character of the opening eventually disintegrates into a moment of sorrow, before a pensive, introspective section with elements of Herrmann and Shostakovich. A grand crescendo leads to a huge A major chord (a reference to the Beatles' A Day In The Life) that gradually becomes more dissonant as it progresses underneath a constant high A pedal point in the first violin. A chant-like section featuring open fifths follows, before a driving, angular section in 5/4. This recurs a few times interspersed with some musical episodes before ushering in a majestic transformation of the earlier chant-like section. After this runs its course and dies out, a final section revisits the dance-like energy of the first section which borrows thematic material from all through the piece before speeding into a final jazzy major sixth pizzacato chord.This would make a good concert piece.Visit my YouTube page for more performances, arrangements and compositions.

Easy Piano - Level 1 - Digital Download SKU: A0.1259061 Composed by Michal Kleofas Oginski. Arranged by Darek. Classical,Patriotic,Romantic Period,Traditional. Score. 2 pages. Darek #852325. Published by Darek (A0.1259061). Polonaise in A Minor (VERY EASY PIANO) Farewell to the Homeland [Michał Kleofas Ogiński]Simplified arrangement for beginner pianists of Polonaise in A Minor Farewell to the Homeland (Polonez A-moll „Pozegnanie Ojczyzny� / Polonez „Pożegnanie Ojczyzny� / „Les adieux à la Patrie)  by Michał Kleofas Ogiński (Michal Kleofas Oginski). Very easy version for beginner pianists / Very easy piano arrangement. Included: Letter notes for right hand, Fingering, very easy chords and video Youtube tutorial. Experience the timeless beauty of the Polonaise in A Minor Farewell to the Homeland by Michał Kleofas Ogiński (Michal Kleofas Oginski) with my specially curated sheet music collection. Designed for beginner pianists, this collection provides a seamless introduction to the enchanting world of classical music. With my easy-level piano sheet music, you'll find yourself effortlessly mastering this cherished piece, also known as Polonez A-moll Pożegnanie Ojczyzny or Les adieux à la Patrie. Every sheet includes meticulously crafted Letter notes and Fingering instructions, ensuring a smooth learning process for aspiring musicians. To enhance your progress, my sheet music goes beyond traditional notation and incorporates very easy chords, allowing you to explore a fuller and more harmonious sound. Whether you're a budding pianist or an experienced musician seeking a relaxing repertoire, this collection offers a delightful challenge. As a testament to my commitment to your musical journey, each purchase includes a bonus YouTube tutorial video, where you can watch and learn from professionals who bring this remarkable composition to life. The video tutorial not only aids in understanding the piece but also adds a dynamic visual element to your learning experience. Polonaise in A Minor Farewell to the Homeland belongs to the Romantic era, a period renowned for its emotional depth and expressive melodies. Immerse yourself in the rich history of music and explore the captivating nuances of Oginski's composition. Unlock your potential as a pianist and indulge in the joy of creating beautiful music. Embrace the power of notes, music, and the piano, and let this Polonaise captivate your soul. With my meticulously curated sheet music and accompanying resources, your musical journey is destined for success. Rediscover the joy of playing the piano and embark on a truly fulfilling musical adventure today.

Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 37 pages. Alan Wagstaff #117526. Published by Alan Wagstaff (A0.507012). This is a new Irish song about the magic of Irish music. It's arranged for choir (SSAATB), harp, piano, flute, and fiddle. Elements of O'Carolan's 'Inisheer' are woven into the melody. Lyric A Song With No Tune The stories they tell in the Town of Athlone, would gladden the heart of a man made of stone. I joined in with them freely, until it was Spring, then I was off, like a hawk on the wing - searching for fortune - and something to sing. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The pipers are proud in Kildare and Athy; there's no better music found under the sky. But, one bright Summer's evening, I left them behind; put my feet to the road and I followed them blind - searching for fortune - and what I might find. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The fiddlers are famous from Bantry to Cork. The rake of their reels would make the lame walk. But still, at the close of a fine Autumn day, I packed up my bags and I went on my way - searching for fortune but finding low pay. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Far up the west coast, in Aran and Clare, there's harpers to bring you a magical aire. I listened, enthralled, till the Winter came on, then pulled up my boots - and soon I was gone - searching for fortune for still I had none. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. I rested, by chance, at the close of the day, by a small rounded hill, where I happened to stray. And there, as the drowsiness over me stole, I dreamed of a woman with eyes black as coal - And the fortune she held was the song of my soul. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Alan Wagstaff.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510148 Composed by Glyn Lehmann. Christmas. Octavo. 9 pages. Glyn Lehmann #3222593. Published by Glyn Lehmann (A0.510148). A gentle yet stirring Christmas song, with piano accompaniment.SATBduration 3:36A mother and her child, far from home. Hoping for a better life. The plight of the refugee in the light of the Christmas story.A hint of Silent Night draws the listener into the universality of the mother/child relationship.https://vimeo.com/187504825LYRICSThere is a childIn a mother’s armsFar from home, far from homeThere is a starShining in the nightA guiding light, guiding lightThere is a hopeRising in her heart For this life, this life, this lifeSilent night, holy nightAll is calm, all is bright(repeat all above)Who is this mother?Who is this child?Where is this star so bright?They are every mother, every childLet us be that guiding lightThere is a childIn a mother’s armsFar from home, far from homeIn search of peaceAnd a better lifeFor this child, for this childThere is a hopeRising in her heart For this life, this lifeThere is a hopeRising in her, rising in her heart For this life, this life.Silent night, holy nightAll is calm, all is brightThere is a child(All is bright)There is a star(All is bright)There is a hopeThere is a childhttps://vimeo.com/187504825

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1477349 Composed by Siu Tin Chi. Broadway,Comedy,Multicultural,Musical/Show,Pop,World. Score. 10 pages. Musical Trio Ltd. (HK) #1054764. Published by Musical Trio Ltd. (HK) (A0.1477349). The Heart of Growth, a musicalChildren's literary author A Nong's work The Heart of Growth has accompanied an entire generation of Hong Kong people as they grew up and is a treasure of local cultural and artistic heritage! His works are filled with deep and sincere emotions, exuding the nostalgic atmosphere of youthful school days and showcasing a positive and proactive attitude towards life.The theatrical version adapted six of his short stories: Listen, the Cicadas Sing!, A Thread of Love, The Shoe-Shining Gang, The Story on the Bus, Tales on a Rainy Day, and Mom, You Should Give Him a Good Scolding!. With live musical accompaniment and dance, these stories were transformed into a musical collection that vividly recreates the people and emotions of old Hong Kong.The Heart of Growth, a musical premiered in the Hong Kong International Arts Carnival (HKIAC) in 2019 as a community and school touring production and an extended theatrical version was staged at the Sai Wan Ho Civic Centre Theatre in 2021, also as a programme of the HKIAC. The two productions were produced by Musical Trio, a Hong Kong Arts Group.  2019 Community and School Touring ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director & Accompanist: Janice TsuiCast: Judy Or, Tony Li, Suet Ip Wong & Seth Chan (Replacement: Vince Lau & Ariel Cheung)Producer: Cheryl Li 2021 Sai Wan Ho Civic Centre Theatre ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director: Frankie HoAccompanist: Janice TsuiCast: Ariel Cheung, Judy Or, Luk Pang-yue, Rick Cheung & Vince Lau Set and Costume Designer: Bill CheungLighting Designer: Leo SiuSound Designer: Martin LaiIllustrator:  A Day A LoneStage Manager: Win LeungDeputy Stage Manager: Nancy LeeProducer: Cheryl Li Complete Song List1. Overture: Listen, the Cicadas Sing!2. Disconnected3. No more Dating!4. Tales on a Rainy Day: Green Mist5. Tales on a Rainy Day: Passerby6. Tales on Rainy Day: Love Fraud7. Prestigious School Girls8. The Distance Between Two Hearts9. Denouement10. Apart for You11. Finale: Listen, the Cicadas Sing!12. Curtain Call13. Apart for You (Solo Version)More information: www.musicaltrio.hkMusical Trio is financially supported by HKADC

Harmonica - Level 1 - Digital Download SKU: A0.1151190 Composed by Traditional. Arranged by Yuri Noronha. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 1 pages. Yuri Noronha #751369. Published by Yuri Noronha (A0.1151190). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for Harmonica in E. Ideal for beginners (easy harmonica). Level is easy! 1 Page. mary had a little lamb on a harmonica, how to play mary had a little lamb on a harmonica, mary had a little lamb harmonica E, mary had a little lamb harmonica notes, mary had a little lamb harmonica, mary had a little lamb harmonica tabs, how do you play mary had a little lamb on the harmonica, easy harmonica mary had a little lamb, harmonica notes for mary had a little lamb, how to play mary had a little lamb harmonica, mary had a little lamb in harmonica, mary had a little lamb harmonica tab, mary had a little lamb harmonica sheet music, harmonica songs mary had a little lamb #maryhadalittlelamb #harmonicachildren #traditionalchildren #harmonica #easyharmonica #howtoplayharmonica #traditionalharmonica #harmonicaE #sheetmusicharmonica.