Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.814007 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,Instructional,Standards. Score and parts. 10 pages. Regis Bookshar #6658469. Published by Regis Bookshar (A0.814007). Euphonium Quintet - Intermediate - Digital Download. This arrangement of Away in a Manger, would be a fine addition to any music library and could be performed for Christmas concerts, recitals and church services. It is equally suitable for junior and senior high school students, and, depending on their ability, even younger students, too. Included are a score and a complete set of parts (10 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Away in a Manger is one of the most popular Christmas carols and there are a number of musical settings of it. The most popular musical setting of it in the United States is the tune commonly known as Mueller. It was composed by James R. Murray and was first published under the name Luther's Cradle Hymn, in his collection Dainty Songs for Little Lads and Lasses, in 1887. It was intended for use in kindergarten, school and home.In this selection, Regis Bookshar has arranged three verses of this popular Christmas carol for a Euphonium Quintet, written in Bass Clef. There is also a version for a Euphonium Quintet, written in Treble Clef, if you prefer. The first verse is a traditional setting of the tune while the second verse has a more complex accompaniment. The third verse also includes a descant. Between the second and third verses, he has included a short interlude. In addition to this arrangement for a Euphonium Quintet, there are also other Quintet arrangements of Away in a Manger for a variety of instrumental ensembles, as well as quite a few other Christmas selections, readily available for purchase. Please take the time to look for other versions of this composition and other selections. You may find something else that may also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Away in a Manger will continue to entertain both performers and audiences alike for years to come.

Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 1 - Digital Download SKU: A0.569907 By Sharon Wilson. By William Moore. Arranged by Sharon Wilson. 20th Century,Easter,Folk,Sacred,Traditional. Individual part. 10 pages. Sharon Wilson #6685591. Published by Sharon Wilson (A0.569907). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Small Ensemble Hand Drum,Handpan,Steel Pan,Ukulele - Level 1 - Digital Download SKU: A0.657617 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score and parts. 10 pages. Sharon Wilson #266176. Published by Sharon Wilson (A0.657617). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Faith for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Solo Guitar - Level 1 - Digital Download SKU: A0.1152461 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752687. Published by Yuri Noronha (A0.1152461). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamb fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar #easyfingerstyle.

Solo Guitar - Level 1 - Digital Download SKU: A0.1152477 Composed by Traditional. Arranged by Yuri Noronha. Children,Classical,Folk,Instructional,Traditional. Individual part. 1 pages. Yuri Noronha #752703. Published by Yuri Noronha (A0.1152477). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for acoustic guitar. Level is very easy! 1 Page. mary had a little lamb fingerstyle, mary had a little lamba fingerstyle guitar, mary had a little lamb acoustic guitar chords, mary had a little lamb acoustic guitar, mary had a little lamb acoustic guitar notes, mary had a little lamb acoustic guitar tab, mary had a little lamb guitar beginner, mary had a little lamb guitar notes for beginners, how to do mary had a little lamb on guitar, mary had a little lamb guitar easy, mary had a little lamb chords in c, mary had a little lamb guitar music sheet, mary had a little lamb guitar pdf, mary had a little lamb guitar tab, mary had a little lamb bass guitar tabs, mary had a little lamb guitar sheet music, mary had a little lamb guitar sheet, #maryhadalittlelamb #easyguitar #guitar #acousticguitar #guitarforchildren #childrensheetmusic #guitartabs #howtoplayguitar #guitartab #guitartabs #guitartablature #guitarforbeginner #fingerstyleguitar.

C Instrument - Digital Download SKU: A0.1258209 Composed by Sarah Josepha Hale. Arranged by Darek. 19th Century,Children,Multicultural,World. Lead Sheet / Fake Book. 1 pages. Darek #851456. Published by Darek (A0.1258209). Mary Had a Little Lamb (LEAD SHEET) [Sarah Josepha Hale]Lead Sheet arrangements of Mary Had a Little Lamb by Sarah Josepha Hale on viarious instruments. Included: Lead Sheet, Chords and Lyrics. Unlock the versatility of Mary Had a Little Lamb with our lead sheet for various instruments. Whether you play the piano, guitar, flute, or any other instrument, our comprehensive lead sheet allows you to bring this beloved nursery rhyme to life. Our lead sheet provides the melody, chords, and lyrics of Mary Had a Little Lamb, making it a valuable resource for musicians of all levels. Beginners will find the simplicity of this tune ideal for their early repertoire, while more experienced players can use it as a foundation for improvisation and exploration. Position yourself as a go-to destination for lead sheets by offering this timeless piece from the traditional era. Mary Had a Little Lamb has been passed down through generations, making it a recognizable and enjoyable addition to any musician's repertoire. Whether you're a student, a teacher, or a performer, our lead sheet enables you to showcase your musicality and creativity. Experiment with different instrumental arrangements and adapt the melody to suit your instrument and personal style. Emphasize the educational value of our lead sheet to attract musicians looking to expand their repertoire and improve their skills. Playing Mary Had a Little Lamb on different instruments helps develop a solid understanding of melody, harmony, and rhythm, fostering musical growth and versatility. Promote the convenience and accessibility of our lead sheet for various instruments. With the melody, chords, and lyrics all in one place, musicians can quickly and easily learn and perform this beloved nursery rhyme. Optimize your online presence by utilizing keywords such as lead sheet, Mary Had a Little Lamb, versatile, traditional, and repertoire. Highlight the benefits of our product, such as its suitability for musicians of all levels, the ability to adapt the melody for different instruments, and the educational value it offers. Connect with musicians worldwide who trust our lead sheet to enhance their musical journey. By providing a comprehensive and flexible resource for Mary Had a Little Lamb, we empower musicians to explore their creativity and enjoy the process of making music. Choose our lead sheet to expand your musical repertoire and express your unique musical voice. With its versatility, educational value, and accessibility, our lead sheet for Mary Had a Little Lamb is a must-have resource for musicians of all levels and instruments. Unleash your creativity and create beautiful music with this timeless nursery rhyme.

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.

Easy Piano - Level 1 - Digital Download SKU: A0.1258195 Composed by Sarah Josepha Hale. Arranged by Darek. 19th Century,Children,Multicultural,World. Score. 1 pages. Darek #851442. Published by Darek (A0.1258195). Mary Had a Little Lamb (VERY EASY PIANO) [Sarah Josepha Hale]Simplified arrangement for beginner pianists of Mary Had a Little Lamb by Sarah Josepha Hale. Very easy version /  Very easy arrangement / Letter Notes for Beginner Pianists. Include: Letter Notes, Lyrics, Chords, Fingering and video YouTube tutorial. Introduce your budding pianists to the joy of music with our delightful piano sheet music for the timeless children's song, Mary Had a Little Lamb by Sarah Josepha Hale. Specifically designed for beginner pianists, this sheet music offers a very easy level of difficulty, making it perfect for young learners and those new to the piano. Transport your students to the charming world of nursery rhymes and ignite their musical journey with the familiar melody of Mary Had a Little Lamb. Our sheet music includes letter notes, allowing beginners to quickly grasp the song's melody. Additionally, the lyrics are included, enabling young pianists to sing along while they play. Enhance their learning experience with our meticulously crafted sheet music, which features chords and fingering guidance. This ensures that students develop proper technique and dexterity while playing this beloved tune. To further support their musical growth, our package includes a video YouTube tutorial, providing a visual demonstration of how to play Mary Had a Little Lamb on the piano. This tutorial serves as an invaluable resource, giving students the opportunity to see and hear the song being played, reinforcing their understanding and musicality. Position yourself as an educator dedicated to fostering a love for music in young learners. Our sheet music for Mary Had a Little Lamb hails from the traditional era, and its enduring popularity has made it a timeless classic in early childhood music education. By offering this beginner-friendly sheet music, you cater to the needs of piano students at their earliest stages of learning. This positions you as a trusted resource for teachers, parents, and individuals seeking accessible and engaging material for their budding pianists. Attract students and parents searching for quality educational resources by emphasizing the educational value of our sheet music. With the inclusion of letter notes, lyrics, chords, fingering, and a video tutorial, our package provides a holistic and supportive learning experience. Empower young pianists to express themselves creatively and develop a strong foundation in music. Mary Had a Little Lamb serves as a wonderful starting point, building confidence, finger coordination, and a love for playing the piano. Join the community of music educators and parents who trust our sheet music to guide their young pianists on their musical journey. Invest in our beginner-friendly sheet music for Mary Had a Little Lamb and unlock the joy of music for your students today.

Easy Piano - Level 1 - Digital Download SKU: A0.1259061 Composed by Michal Kleofas Oginski. Arranged by Darek. Classical,Patriotic,Romantic Period,Traditional. Score. 2 pages. Darek #852325. Published by Darek (A0.1259061). Polonaise in A Minor (VERY EASY PIANO) Farewell to the Homeland [Michał Kleofas Ogiński]Simplified arrangement for beginner pianists of Polonaise in A Minor Farewell to the Homeland (Polonez A-moll „Pozegnanie Ojczyzny� / Polonez „Pożegnanie Ojczyzny� / „Les adieux à la Patrie)  by Michał Kleofas Ogiński (Michal Kleofas Oginski). Very easy version for beginner pianists / Very easy piano arrangement. Included: Letter notes for right hand, Fingering, very easy chords and video Youtube tutorial. Experience the timeless beauty of the Polonaise in A Minor Farewell to the Homeland by Michał Kleofas Ogiński (Michal Kleofas Oginski) with my specially curated sheet music collection. Designed for beginner pianists, this collection provides a seamless introduction to the enchanting world of classical music. With my easy-level piano sheet music, you'll find yourself effortlessly mastering this cherished piece, also known as Polonez A-moll Pożegnanie Ojczyzny or Les adieux à la Patrie. Every sheet includes meticulously crafted Letter notes and Fingering instructions, ensuring a smooth learning process for aspiring musicians. To enhance your progress, my sheet music goes beyond traditional notation and incorporates very easy chords, allowing you to explore a fuller and more harmonious sound. Whether you're a budding pianist or an experienced musician seeking a relaxing repertoire, this collection offers a delightful challenge. As a testament to my commitment to your musical journey, each purchase includes a bonus YouTube tutorial video, where you can watch and learn from professionals who bring this remarkable composition to life. The video tutorial not only aids in understanding the piece but also adds a dynamic visual element to your learning experience. Polonaise in A Minor Farewell to the Homeland belongs to the Romantic era, a period renowned for its emotional depth and expressive melodies. Immerse yourself in the rich history of music and explore the captivating nuances of Oginski's composition. Unlock your potential as a pianist and indulge in the joy of creating beautiful music. Embrace the power of notes, music, and the piano, and let this Polonaise captivate your soul. With my meticulously curated sheet music and accompanying resources, your musical journey is destined for success. Rediscover the joy of playing the piano and embark on a truly fulfilling musical adventure today.

Harmonica - Level 1 - Digital Download SKU: A0.1167214 Composed by Traditional. Arranged by Yuri Noronha. Children,Folk,Instructional,Traditional. Score. 1 pages. Yuri Noronha #767591. Published by Yuri Noronha (A0.1167214). Mary Had a Little Lamb is a Traditional Children. This arrangement was written for Harmonica in C.Ideal for beginners (easy harmonica).Level is easy! 1 Page. mary had a little lamb on a harmonica, how to play mary had a little lamb on a harmonica, mary had a little lamb harmonica c, mary had a little lamb harmonica notes, mary had a little lamb harmonica, mary had a little lamb harmonica tabs, how do you play mary had a little lamb on the harmonica, easy harmonica mary had a little lamb, harmonica notes for mary had a little lamb, how to play mary had a little lamb harmonica, mary had a little lamb in harmonica, mary had a little lamb harmonica tab, mary had a little lamb harmonica sheet music, harmonica songs mary had a little lamb,.

Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.507012 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 37 pages. Alan Wagstaff #117526. Published by Alan Wagstaff (A0.507012). This is a new Irish song about the magic of Irish music. It's arranged for choir (SSAATB), harp, piano, flute, and fiddle. Elements of O'Carolan's 'Inisheer' are woven into the melody. Lyric A Song With No Tune The stories they tell in the Town of Athlone, would gladden the heart of a man made of stone. I joined in with them freely, until it was Spring, then I was off, like a hawk on the wing - searching for fortune - and something to sing. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The pipers are proud in Kildare and Athy; there's no better music found under the sky. But, one bright Summer's evening, I left them behind; put my feet to the road and I followed them blind - searching for fortune - and what I might find. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. The fiddlers are famous from Bantry to Cork. The rake of their reels would make the lame walk. But still, at the close of a fine Autumn day, I packed up my bags and I went on my way - searching for fortune but finding low pay. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Far up the west coast, in Aran and Clare, there's harpers to bring you a magical aire. I listened, enthralled, till the Winter came on, then pulled up my boots - and soon I was gone - searching for fortune for still I had none. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. I rested, by chance, at the close of the day, by a small rounded hill, where I happened to stray. And there, as the drowsiness over me stole, I dreamed of a woman with eyes black as coal - And the fortune she held was the song of my soul. And it’s oh! But it’s been a long time! And I hope that we meet again soon. I saw her but once, by the light of the moon. She said she would give me a song with no tune. Alan Wagstaff.

Concert Band - Level 3 - Digital Download SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 48 pages. Salvador Rojo-Gamon #4897799. Published by Salvador Rojo-Gamon (A0.962401). AGRADECIMIENTOSAntes de nada dar las gracias a la Unión Musical de Algimia por confiar en mi para componer una composición que conmemore el 30 aniversario.Al peu del Picayo está como casi todas mis composiciones inspiradas en hechos ya sea verídicos o ficticios. En este aspecto tengo que agradecer a Helios Borja Cortijo su gran contribución a mis conocimientos sobre la historia de Algimia. Mis composiciones nunca narran historias, se inspiran en ellas, en los sentimientos que de ellas extraemos, sentimos o transmitimos, Estas historias tan sólo nos facilitan la comprensión de la obra.ANÃ�LISISFormalmente la obra está compuesta en la forma sonata, con algunas licencias respecto a la que podríamos calificar –si es posible- Sonata Escolástica.INTRODUCCIÓN Inicio hasta compás 59.La introducción comienza con el acompañamiento de un clúster de cinco notas octatónicas. A partir del segundo compás va apareciendo –siempre de forma desfigurada- el tema principal de esta composición. Este no aparecerá claramente hasta el compás 62TEMA PRINCIPALCompás 60 hasta 101Alrededor de la tonalidad de LA se construye el tema principal que aparece en los graves de la banda, pasando a los agudos mientras los graves hacen un canon a la 4ª Justa.A nivel comprensivo y tan sólo como recomendación diré que la introducción y el tema principal corresponden históricamente a ALGIMIA MUDEJARTEMA SECUNDARIOCompás 102 a 136Esta parte inspirada en la Ã‰POCA MORISCA de Algimia está formada por diferentes elementos siendo cuatro los más importantes.Al igual que la Introducción el tema segundario está iniciado por un Clúster, en éste caso el Clúster es cromático.El siguiente elemento en aparecer –Corno Inglés- es el propio nombre de Algimia en movimiento contrario, tomando el Abecedario como modelo y partiendo de la nota LALa inquisición está representada por las trompetas y los trombones.Estos elementos están acompañados de la simbología mayormente personal del número once, representado por los cuartos y las once campanadas.En el compás 112 aparece el Elemento Cristiano de este Tema Secundario, este está en modo Dórico, también llamado Protus o Auténtico. Primero aparece en el registro grave de la banda y posteriormente en el registro grave de las maderas.DESARROLLOCompás 137 hasta el 217Basado en el Periodo de la Ã‰POCA CRISTIANA MODERNA elabora los elementos presentados en la exposición con cambios a veces muy significativos.Lo primera sensación es que estamos reexponiendo los materiales, sin embargo, se está creando una falsa reexposición que en este caso nos lleva a SIb dándonos sensación de cadencia rota con un inesperado SIb.Después de un breve comentario del Tema Secundario –Tema cristiano- aparece muy desfigurado el Tema principal en oposición al Tema Cristiano, éste último en modo octatónico.Tema PrincipalTema CristianoA partir del 182 está inspirado en la expulsión de los Moriscos. Después de una breve introducción con elementos del Tema Principal y del tema Cristiano, compases 182 a 189, aparece el Tema Principal en forma de llamamiento a la guerra. Éste se repite tres veces, una pequeña coda de tres compases 214 al 217 da paso a la reexposición.REEXPOSICIÓN

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1477860 Composed by Siu Tin Chi. Broadway,Comedy,Multicultural,Musical/Show,Pop,World. Score. 10 pages. Musical Trio Ltd. (HK) #1055242. Published by Musical Trio Ltd. (HK) (A0.1477860). The Heart of Growth, a musicalChildren's literary author A Nong's work The Heart of Growth has accompanied an entire generation of Hong Kong people as they grew up and is a treasure of local cultural and artistic heritage! His works are filled with deep and sincere emotions, exuding the nostalgic atmosphere of youthful school days and showcasing a positive and proactive attitude towards life.The theatrical version adapted six of his short stories: Listen, the Cicadas Sing!, A Thread of Love, The Shoe-Shining Gang, The Story on the Bus, Tales on a Rainy Day, and Mom, You Should Give Him a Good Scolding!. With live musical accompaniment and dance, these stories were transformed into a musical collection that vividly recreates the people and emotions of old Hong Kong.The Heart of Growth, a musical premiered in the Hong Kong International Arts Carnival (HKIAC) in 2019 as a community and school touring production and an extended theatrical version was staged at the Sai Wan Ho Civic Centre Theatre in 2021, also as a programme of the HKIAC. The two productions were produced by Musical Trio, a Hong Kong Arts Group.  2019 Community and School Touring ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director & Accompanist: Janice TsuiCast: Judy Or, Tony Li, Suet Ip Wong & Seth Chan (Replacement: Vince Lau & Ariel Cheung)Producer: Cheryl Li 2021 Sai Wan Ho Civic Centre Theatre ProductionOriginal Story: A NongArtistic Director & Choreographer: Seth ChanAdaptation & Director: Freddy WongMusic & Arrangement: Siu Tin-chiLyricist: Jacqueline KwokMusic Director: Frankie HoAccompanist: Janice TsuiCast: Ariel Cheung, Judy Or, Luk Pang-yue, Rick Cheung & Vince Lau Set and Costume Designer: Bill CheungLighting Designer: Leo SiuSound Designer: Martin LaiIllustrator:  A Day A LoneStage Manager: Win LeungDeputy Stage Manager: Nancy LeeProducer: Cheryl Li Complete Song List1. Overture: Listen, the Cicadas Sing!2. Disconnected3. No more Dating!4. Tales on a Rainy Day: Green Mist5. Tales on a Rainy Day: Passerby6. Tales on Rainy Day: Love Fraud7. Prestigious School Girls8. The Distance Between Two Hearts9. Denouement10. Apart for You11. Finale: Listen, the Cicadas Sing!12. Curtain Call13. Apart for You (Solo Version)More information: www.musicaltrio.hkMusical Trio is financially supported by HKADC.