Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.535406

Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #4283615. Published by Musik Fabrik Music Publishing (A0.535406).

Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard Souberbielle

His duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.

2. Une Petite Étoile

1. Une petite étoile est née,
Petite étoile de Judée.
Elle a illuminé le ciel,
Chantons l’enfant qui nous est né.

Noël, Noël, éclaire-moi,
Cloches en chœur, sonnez la joie
Et qu’à travers toute la terre,
La paix inonde l’univers.

2. Une petite étoile est née,
Mon cœur s’est mis à espérer
Que la haine et l’indifférence
Seront vaincues par l’espérance

Noël, Noël, éclaire-moi,
Cloches en chœur, sonnez la joie
Et qu’à travers toute la terre,
La paix inonde l’univers.

3. Une petite étoile est née,
Nos larmes ont cessé de couler,
Car Dieu nous a fait le cadeau
D’un fant que je vois si beau.

Noël, Noël, éclaire-moi,
Cloches en chœur, sonnez la joie
Et qu’à travers toute la terre,
La paix inonde l’univers.

Guitar and string quartet - Advanced - Digital Download

SKU: ZY.DO-1526

Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526).

Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.

The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.

I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.

The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.

Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.

Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.

I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.

Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.

Alto Saxophone,Piano - Level 3 - Digital Download

SKU: A0.534582

Composed by Pierre Bouillon. Concert,Romantic Period,Standards. Score and part. 20 pages. Musik Fabrik Music Publishing #4727429. Published by Musik Fabrik Music Publishing (A0.534582).

Pierre-Claude-François BOUILLON (18??-1883) was the principal conductor of the Cirque Fernando, the famous circus of the Belle Époque who inspired many impressionist artists, such as Renoir, Degas, Toulouse-Latrec and Georges Seurrat, whose masterpiece “Le Cirque� was inspired by this Circus. Bouillon was a very prolific compposer, writing many works for solo instrument and piano, marches, galops, waltzs, polkas and other dances. These works were intended to illustrate the various numbers presented during performances..

L'Oiseau Mouche (“the Humming Birdâ€�) is an extended fantasy in the form of a tryptiche. After an initial arioso and cadenza, there is an extended polka in A-B-A form. This is followed by a valse which begins as  a “valse-hésitationâ€� but finished brilliantly.

Piano,Violin - Level 1 - Digital Download

SKU: A0.1264997

Composed by Bastien Chevalley. 19th Century,20th Century,Chamber,Classical,Romantic Period. 2 pages. Bastien Chevalley #857838. Published by Bastien Chevalley (A0.1264997).

I'm delighted to present my latest composition, the fruit of my growing passion for the violin! 

Just three weeks ago, I began this incredible musical adventure, discovering the subtleties of this fascinating instrument. Oh, how I love it already, despite the challenges it presents! 

Despite my short experience, I already had an irrepressible urge to create music. And so was born this original composition, based on just three modest notes on the violin. However, thanks to a more elaborate piano accompaniment, the piece comes to life and acquires a more captivating musical interest.

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Je suis ravi de vous présenter ma toute nouvelle composition, fruit de ma passion grandissante pour le violon !

Il y a tout juste trois semaines, j'ai entamé cette incroyable aventure musicale en découvrant les subtilités de cet instrument fascinant. Oh, que je l'adore déjà, malgré les défis qu'il m'impose !

Malgré ma courte expérience, j'ai déjà une envie irrépressible de créer de la musique. C'est ainsi qu'est née cette composition originale, basée sur seulement trois modestes notes au violon. Cependant, grâce à un accompagnement plus élaboré au piano, la pièce prend vie et acquiert un intérêt musical plus captivant.

Piano Solo - Digital Download

SKU: A0.958680

Composed by Juan Carlos Cortés A. 20th Century,Concert,Instructional,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #5721349. Published by Juan Carlos Cortés Aguirre (A0.958680).

Serie de 12 composiciones de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién lo compuso e inquietud de quién lo estudie. Se reitera siempre en todas las composiciones de esta serie, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach; más bien, al componer en este estilo se rinde un tributo de eterna gratitud y admiración por la majestuosidad y Perfeccion de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia.

Serie de 12 composiciones de personajes libres que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino que utilizan estos elementos musicales como simples ejercicios lúdicos para deleitar a quienes lo compusieron y la preocupación de quienes lo estudian. Siempre se reitera en todas las composiciones de esta serie que: Aunque parezca así, no se trata de emular al gran Juan Sebastián Bach; más bien, al componer en este estilo un tributo de eterna gratitud y admiración por la majestad y Perfección de su trabajo, como lo han hecho muchos músicos en el mundo a lo largo de la historia.

Piano Solo - Level 3 - Digital Download

SKU: A0.958657

Composed by Francisco Alonso López. Arranged by Juan Carlos Cortés Aguirre. 20th Century,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #4313197. Published by Juan Carlos Cortés Aguirre (A0.958657).

Transcripción para piano solo por: JUAN CARLOS CORTÉS A. Basada en la versión de la Orquesta de Cámara de Madrid, dirigida por el maestro Daniel Montorio y Enrique Navarro para Discos Montilla, en el año de 1958, acompañados por los Coros Líricos de España.
Muy apropiada para recitales de música española, ideal para iniciar o finalizar programa de concierto.

Piano - Digital Download

SKU: A0.1070300

Composed by Francisco Alonso López. Arranged by Juan Carlos Cortés Aguirre. 20th Century,Instructional,Wedding. Full Performance. Duration 58. Juan Carlos Cortés Aguirre #4316825. Published by Juan Carlos Cortés Aguirre (A0.1070300).

Transcripción para piano solo por: JUAN CARLOS CORTÉS A. Basada en la versión de la Orquesta de Cámara de Madrid, dirigida por el maestro Daniel Montorio y Enrique Navarro para Discos Montilla, en el año de 1958, acompañados por los Coros Líricos de España.
Muy apropiado para los amantes de la música española, 

Easy Piano - Level 1 - Digital Download

SKU: A0.722321

Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Concert,Contemporary,Holiday,Love,Wedding. Score. 1 pages. Music-Scores.com #6351703. Published by Music-Scores.com (A0.722321).

A very simple version of the main theme of the beautiful slow movement of the Pathétique Sonata. Please note, this is one page only.
Arranged by Anne L. Christopherson GRSM ARCM at www.music-scores.com

Small Ensemble Piano - Level 3 - Digital Download

SKU: A0.976860

Composed by Monica Bergo. Contemporary. Score and parts. 19 pages. Monica Bergo #3238295. Published by Monica Bergo (A0.976860).

2017 Holiday Contest Entry

♫*´¨`*•.¸¸.♫ La visione di Cassandra ♫*´¨`*•.¸¸.♫

 

Non vorrei aprire quella porta ,Non dovrei…ma è il vento che mi porta…

E canto a voce bassa, Finchè il dolore passa

e giro, giro-tondo ,com’è cattivo il mondo

Tra pensieri e lacrime, Parole e musica

C’è la visione di Cassandra

E non so se potrà farcela, a scrivere di te ,Te ne sei andata in fretta ,

E sei perfetta Nella mente mia

 

Cassandra sta Rinchiusa in quella stanza, Si stringe a sé ,Racconta un’esistenza:

guarda là, mio padre e il suo bicchiere, guarda me, la vittima del bere

lividi viola, a scuola sempre sola ,nell’indifferenza continua la violenza ,

mia madre sapeva ma tutto nascondeva ,la mente che non regge , e il borderline distrugge

la scintilla che era in me, tutti quei sogni miei e quell’amore che non avrò mai,

vorrei scappare ma sto incatenata qua, rituali incontrollati, gesti ripetuti

ed un mostro chiuso dentro me

Nella visione di Cassandra, Non ha più sbarre questa stanza

non ha più un corpo, sesso ,è senza età

È una visione ma lei non lo sa

In armonia con il creato, Scorda il presente ed il passato

Ed il dolore affiora e sparirà ,È una visione ma lei non lo sa

Cassandra non lo sa, Che sta per perdere la nostra realtà

Fili sdruciti Di un pupazzo fragile

Rimane in bilico, Abbraccia un incubo

Nei labirinti suoi , Non trova uscite mai

E passa il margine, varca quel limite

Si sente un fiore che Bisogni più non ha

Ed il vento seguirà

 

Davanti allo specchio ,I lunghi capelli, Rifletton bagliori di mille cristalli

Li pettini piano,, Con cura infinita, Aspetti il tuo amore da tutta una vita

Ed un carillon che risuona lontano ,La spazzola a un tratto ti cade di mano

Perché l’uomo nero è qui, è già tornato, Infrange il tuo sogno, l’incanto è spezzato

 

Cassandra corre tra le stelle E se le tatua sulla pelle

Lividi e cicatrici più non ha, È una visione ma lei non lo sa

In dimensioni da esplorare ,Come gli uccelli può volare

Respira sole , amore e libertà E qui nessuno male le farà…

Cassandra fermati, Cassandra aiutami a non rimpiangerti

Adesso tu non puoi incatenarmi a te ,Al tuo ricordo che per sempre brucierà

Cassandra non lo sa che le ali no, non ha

Tragico angelo che prende il volo e poi

Un burattino con i fili rotti ormai

E il tempo è fermo qui, come il tuo battito

 

Ma la visione è mia o di Cassandra, Non ricordo più,

Questo tempo cambia La mia percezione del passato

Volti e nomi che Il tempo ormai ha sbiadito

E danzo al ticchettio di ciò che è stato

anime perse che son rimaste indietro

sempre dentro me con la loro storia

un tatuaggio eterno nella mia memoria

 

Non dovrei aprire quella porta ,Non vorrei, ma è il vento che mi porta….

e canto a voce bassa finchè il dolore passa

e giro, giro-tondo com’è cattivo il mondo…..

Monica Bergo

Guitar - Digital Download

SKU: ZZ.DZ-4330

Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330).

The underlying concept is that of dreaming.
The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.
The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.
By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.
A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.

Le concept sous-jacent est celui du rêve.
La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.
Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.
En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.
Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.

Alto Saxophone,Piano - Level 3 - Digital Download

SKU: A0.731609

Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #339866. Published by Diego Marani (A0.731609).

Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. The famous cantabile melody is played three times, separated by two modulating episodes. Several rock artists have also sampled the adagio, like Kiss and Billie Joel. The 2nd Movement were featured and played by Schroeder in the 1969 animated films A Boy Named Charlie Brown and It's the Pied Piper, Charlie Brown. This arrangement (in original key) for alto sax with piano accompaniment is suitable for classroom, repertoire and recital.

Piano,Trombone - Level 3 - Digital Download

SKU: A0.731655

Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #339916. Published by Diego Marani (A0.731655).

Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. The famous cantabile melody is played three times, separated by two modulating episodes. Several rock artists have also sampled the adagio, like Kiss and Billie Joel. The 2nd Movement were featured and played by Schroeder in the 1969 animated films A Boy Named Charlie Brown and It's the Pied Piper, Charlie Brown. This arrangement for trombone or euphonium with piano accompaniment is suitable for classroom, repertoire and recital.

Flute,Piano - Level 3 - Digital Download

SKU: A0.727947

Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #336225. Published by Diego Marani (A0.727947).

Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. The famous cantabile melody is played three times, separated by two modulating episodes. Several rock artists have also sampled the adagio, like Kiss and Billie Joel. The 2nd Movement were featured and played by Schroeder in the 1969 animated films A Boy Named Charlie Brown and It's the Pied Piper, Charlie Brown. This arrangement for flute with piano accompaniment is suitable for classroom, repertoire and recital.

French Horn,Piano - Level 3 - Digital Download

SKU: A0.731625

Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #339886. Published by Diego Marani (A0.731625).

Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. The famous cantabile melody is played three times, separated by two modulating episodes. Several rock artists have also sampled the adagio, like Kiss and Billie Joel. The 2nd Movement were featured and played by Schroeder in the 1969 animated films A Boy Named Charlie Brown and It's the Pied Piper, Charlie Brown. This arrangement (in original key) for F horn with piano accompaniment is suitable for classroom, repertoire and recital.