Bassoon,Flute,Instrumental Duet - Level 2 - Digital Download SKU: A0.1497546 Composed by Germaine Tailleferre. 20th Century,Chamber,Classical,Film/TV. 5 pages. Musik Fabrik Music Publishing #1073959. Published by Musik Fabrik Music Publishing (A0.1497546). Born on February 23, 1924, in La Flèche, Jacques Bouillault was 21 years old when, in 1945, he met the Marquise Hélène Rola de Rosycki, who settled him in a forest lodge located southeast of the town, on the Tertre-Rouge hill. Initially, he established himself there as a naturalist-taxidermist. His preserved animals were joined by live ones: birds, foxes, reptiles, rodents... In 1955, the filmmaker Marco de Gastyne made a short film about Bouillault and his zoological park entitled Homme, Notre Ami (Man, Our Friend), with music by Germaine Tailleferre, who was particularly drawn to animals.The « Singes » (Monkeys) sequence is intended to illustrate the capers and other playful activities of these primates in a rather humorous manner.

Easy Piano - Level 2 - Digital Download SKU: A0.1497539 Composed by Germaine Tailleferre. 20th Century,Classical,Contest,Festival,Film/TV. Score. 3 pages. Musik Fabrik Music Publishing #1073952. Published by Musik Fabrik Music Publishing (A0.1497539). Born on February 23, 1924, in La Flèche, Jacques Bouillault was 21 years old when, in 1945, he met the Marquise Hélène Rola de Rosycki, who settled him in a forest lodge located southeast of the town, on the Tertre-Rouge hill. Initially, he established himself there as a naturalist-taxidermist. His preserved animals were joined by live ones: birds, foxes, reptiles, rodents... In 1955, the filmmaker Marco de Gastyne made a short film about Bouillault and his zoological park entitled Homme, Notre Ami (Man, Our Friend), with music by Germaine Tailleferre, who was particularly drawn to animals.The « Singes » (Monkeys) sequence is intended to illustrate the capers and other playful activities of these primates in a rather humorous manner.

Marching Band - Digital Download SKU: A0.1026005 Composed by Juan Manuel Sánchez Erdozain. Christian,Contemporary,Sacred. Score and parts. 40 pages. JuanMa Sanchez #5743295. Published by JuanMa Sanchez (A0.1026005). Obra de concierto para Banda de música, inspirado en la cuarta estación del vía crucis, significa Aquí estoy, escrito en latín, y es lo que le dice a Jesús su madre cuando se cae por primera vez con la cruz. El compositor se la dedica a su querido padre que ya no vive, pero para él siempre está presente./Concert work for Concert Band, inspired by the fourth station of the cross, means Here I am, written in Latin, and is what his mother says to Jesus when he first falls with the cross. The composer dedicates it to his beloved father who no longer lives, but for him he is always present.

Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977353 By Various Artists. By Airto G Moreira, Gottfried Engels, and Ramon Zenker. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438145. Published by Des Press (A0.977353). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome!  These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM

Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438143. Published by Des Press (A0.977352). Part of the series A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome!  These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM

Small Ensemble Timpani,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.977354 By Foster & Allen. By Burt Bacharach and Hal David. Arranged by Des McNutty. Contemporary. Score and parts. 20 pages. Des Press #6438147. Published by Des Press (A0.977354). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble with optional timpani. Plus three trombones. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome!  These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change!

Alto Flute,Bass Flute,Piano,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.1502426 By Justin K. Reeve. By Justin K. Reeve, Adolphe Charles Adam. Arranged by Justin K. Reeve. Christmas,Holiday,New Age,Religious. Score and part. 11 pages. Justin Kenlon Reeve #1078231. Published by Justin Kenlon Reeve (A0.1502426). Adolphe Charles Adam was an accomplished composer for opera, theatre, and ballet, and a teacher at the Paris Conservatoire. At the age of 27, in 1830, he had completed nearly 30 theatre productions. “Cantique de Noël,” translated to English as “O Holy Night” is one of his most famous works, done in collaboration with Adam’s friend Cappeau de Roquemaure, who supplied the lyrics to Adam’s melody.Strangely enough, the song was originally frowned upon by the 19th-century church authorities. One French bishop even denounced it as “unfit for church services because of its lack of musical taste and total absence of the spirit of religion.” Fortunately, people didn’t take this criticism to heart, and this carol went on to become a beloved Christmas classic. The English words to the carol were written by John Sullivan Dwight in 1855.

Easy Piano - Level 2 - Digital Download SKU: A0.1191054 Composed by Glee Cast. Arranged by L McKinlay. Children,Film/TV,Halloween,Holiday,Pop. Score. 3 pages. L McKinlay #790572. Published by L McKinlay (A0.1191054). Michael Jackson’s massive hit Thriller is always a Halloween favorite and one of Glee’s most popular songs was a “mash-up� of this and Heads Will Roll by Yeah Yeah Yeahs. This is an easy piano arrangement of a fun, popular Halloween piece which could also be enjoyed year-round. This piece is suitable for those who have been learning a year or two. This piece uses the full treble and bass staves, some accidentals, mostly single notes per hand, simplified rhythms with some easy syncopation and includes fingering suggestions. It allows the young pianist to practise techniques including chords and left hand melody.This arrangement features a short introduction, using the synth riff from Heads will Roll, before going into an intro, verse and chorus of Thriller, using the instantly recognisable Thriller, Thriller Night chords and bass riff. It is 35 bars long.At McKinlay Music, my goal is to create pieces which:-          Are suitable for young pianists while still sounding like the original piece-          Provide opportunities to learn and to develop technique.Check out my other easy piano Halloween pieces including The Addams Family, This is Halloween, Ghostbusters and Monster Mash!

Piano Solo - Level 4 - Digital Download SKU: A0.958649 Composed by Antonio Vivaldi. Arranged by Juan Carlos Cortés Aguirre. Baroque,Standards. Score. 5 pages. Juan Carlos Cortés Aguirre #4312331. Published by Juan Carlos Cortés Aguirre (A0.958649). Transcripción para piano solo por: JUAN CARLOS CORTËS A. Del Concierto en El menor para cuatro violines, violoncello y cuerdas, y orquesta Opus 3 N ° 10 perteneciente a L'estro Armonico ('Inspiración armónica') por Antonio Vivaldi. Johann Sebastian Bach hizo transcripciones de algunos de estos conciertos, entre ellos este Opus 3 No 10, para cuatro clavecines (Clavicordios) y cuerdas catalogado como BWV 1065. Muy apropiado para los recitales de gran lucimiento, por su brillante técnica barroca.

Piano - Digital Download SKU: A0.1070292 Composed by Antonio Vivaldi. Arranged by Juan Carlos Cortés Aguirre. Baroque,Instructional,Wedding. Full Performance. Duration 105. Juan Carlos Cortés Aguirre #4316789. Published by Juan Carlos Cortés Aguirre (A0.1070292). ranscripción para piano solo por: JUAN CARLOS CORTÉS A. Concierto en El menor para cuatro violines, violoncello y cuerdas, y orquesta Opus 3 N ° 10 Pertenencia a L'estro Armonico ('Inspiración armónica') por Antonio Vivaldi. Johann Sebastian Bach hizo transcripciones de algunos de estos conciertos, entre ellos este Opus 3 No 10, para cuatro clavecines (Clavicordios) y cuerdas catalogado como BWV 1065.

Piano - Digital Download SKU: A0.1070291 Composed by Antonio Vivaldi. Arranged by Juan Carlos Cortés Aguirre. Baroque,Instructional,Wedding. Full Performance. Duration 208. Juan Carlos Cortés Aguirre #4316785. Published by Juan Carlos Cortés Aguirre (A0.1070291). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. Concierto en el menor para cuatro violines, violoncello y cuerdas, y orquesta Opus 3 N ° 10 perteneciente a L'estro Armonico ('Inspiración armónica') por Antonio Vivaldi. Johann Sebastian Bach hizo transcripciones de algunos de estos conciertos, entre ellos este Opus 3 No 10, para cuatro clavecines (Clavicordios) y cuerdas catalogado como BWV 1065. 

Piano - Digital Download SKU: A0.1070293 Composed by Antonio Vivaldi. Arranged by Juan Carlos Cortés Aguirre. Baroque,Instructional,Wedding. Full Performance. Duration 192. Juan Carlos Cortés Aguirre #4316793. Published by Juan Carlos Cortés Aguirre (A0.1070293). Transcripción para piano solo por: JUAN CARLOS CORTËS A. Del Concierto en El menor para cuatro violines, violoncello y cuerdas, y orquesta Opus 3 N ° 10 perteneciente a L'estro Armonico ('Inspiración armónica') por Antonio Vivaldi. Johann Sebastian Bach hizo transcripciones de algunos de estos conciertos, entre ellos este Opus 3 No 10, para cuatro clavecines (Clavicordios) y cuerdas catalogado como BWV 1065. 

Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370915 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 189. David Warin Solomons #955259. Published by David Warin Solomons (A0.1370915). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in English), clarinet, bassoon and piano(A version with French narrator is also available on this site.)The Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.�The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?�She asked this impecunious sort.� To all who came, both day and nightI used to sing at every chance.�“You used to sing? That’s fine and right!Well now’s the very time – to dance!�©S.N.SolomonsOriginal French version:La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,�lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.�La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?�Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.�“Vous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.�

Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370910 Composed by David Warin Solomons. 21st Century,Contemporary. 17 pages. David Warin Solomons #955254. Published by David Warin Solomons (A0.1370910). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in English), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with French narrator is also available on this site.)The Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.�The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?�She asked this impecunious sort.� To all who came, both day and nightI used to sing at every chance.�“You used to sing? That’s fine and right!Well now’s the very time – to dance!�©S.N.SolomonsOriginal French version:La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,�lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.�La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?�Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.�“Vous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.�.

Bassoon,Clarinet,Piano,Voice - Level 4 - Digital Download SKU: A0.1370906 Composed by David Warin Solomons. 21st Century,Contemporary. 18 pages. David Warin Solomons #955248. Published by David Warin Solomons (A0.1370906). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in French), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with English narrator is also available on this site)La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,�lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.�La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?�Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.�“Vous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.�English translation by S N SolomonsThe Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.�The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?�She asked this impecunious sort.� To all who came, both day and nightI used to sing at every chance.�“You used to sing? That’s fine and right!Well now’s the very time – to dance!�©S.N.Solomons.