Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Soundtrax #11219. Published by Novel Soundtrax (A0.800331). This work by Sarah Wallin is a vocal text setting for soprano, flute, cello, and piano, completed in 2008. According to Dr. Edward David Zeliff, Fair Katrinelje... is very interesting, clever, witty, and captures the quirky little scenario of this poor fellow trying so hard to line up a bride by having to go through the firewall of her entire family and then having enough umph left over to get her attention as well. It's very Stravinskyish, and the charm and humor comes through. The story of Fair Katrinelje and Pif-Paf-Poltrie is a lesser-known fairy tale found in the Children's and Household Tales of Jacob and Wilhelm Grimm, the famous Brothers Grimm. Fair Katrinelje and Pif-Paf-Poltrie is a comedic dialogue. Our hero, Pif-Paf-Poltrie, is out to seek the hand of his beloved, the Fair Katrinelje, in marriage. Being the gentleman that he is, he approaches in turn each member of his beloved's family to ask their permission. Father Hollenthe, Mother Malcho, Brother High-and-Mighty, and Sister Käsetraut all respond in turn similarly – essentially, If it's all right with everyone else, it's all right with me. The challenge for the vocalist is to convey the essence and the hilarity of the dialogue by highlighting, with the mannerisms of the voice, the attitudes and characteristics of each character speaking. Above each character's lines, it is made clear whom it is that is speaking and the emotional context within which it is being spoken. The vocalist has complete freedom to effect these roles in whatever manner and to whatever degree is deemed appropriate, provided the musical integrity of the work is kept intact.

Concert Band - Level 2 - Digital Download SKU: A0.1468983 Composed by John McAllister. 21st Century,Contemporary,Contest,Festival,Instructional,Patriotic. 55 pages. John McAllister #1047051. Published by John McAllister (A0.1468983). Stallion was composed for the 2024 Aiken County Honor Band Clinic, inspired by the rich equestrian heritage of the local area. Differing from many “horse-themed” band pieces with a Western motif, this composition captures the majestic galloping and playful nature of horses. It showcases various characteristics of these magnificent animals, providing a fresh perspective on equestrian-inspired band music.The piece begins serenely and then snaps into excitement like a horse galloping across rolling hills, a depiction of majestic galloping music. To illustrate the range of characters expressed by horses, various instruments and combinations are utilized, showcasing instrumental combinations in band music. The B Section introduces a more suspenseful, cinematic feel, typical of suspenseful band sections, ultimately leading to a key change to F Major. This key change brings a triumphant and brighter iteration of the original theme, culminating in a strong finish, embodying the essence of a triumphant band finale.Stallion is perfect for those looking for horse-themed band compositions, rich equestrian heritage music, and fresh perspective band pieces. Ideal for the Honor Band Clinic composition, this piece is sure to captivate with its depiction of the playful nature of horses and the cinematic band composition elements. For band directors and musicians searching for galloping horses music, suspenseful band sections, and sheet music for bands, Stallion offers an exciting and dynamic performance experience.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1022803 Composed by Yoonjee Kim. Contemporary,Standards,World. Score and parts. 14 pages. Yoonjee Kim #3417603. Published by Yoonjee Kim (A0.1022803). å…±(gong) equals co- in English which means with, together, joint, and jointly. The original concept of the piece is based on the dual personality, meaning two completely opposing characteristics are coexisting in an individual. The two characters, A and B, keep appearing alternatively and sometimes one interrupts the other by revealing itself under the existence of the other. This concept is realized musically in the piece through the contrast and collaboration between the Tri-tone and the Perfect 4th, in other words, the dissonance versus consonance. The work is a single movement music consisting of four small sections: introduction of the dissonance, introduction of the consonance, the intervention of two sonorities to each other, and the resolution. The relationship between these two opposite sonorities creates the tension and relaxation throughout the piece. They are first introduced separately, constantly alternated in different instruments, and then gradually interrupting and manipulating each other. 

1 Piano,4 Hands,Piano Duet - Digital Download SKU: A0.977046 Composed by Paul SanGregory. Contemporary. Score. 36 pages. Distant Engraver Music #4801728. Published by Distant Engraver Music (A0.977046). This set of six variations is based on a theme made only of chords. The theme is quiet and simple, yet as the variations begin adding rhythms, melodies and textures, various musical styles, characters and dramatic expressions appear. When certain variations take on characteristics of jazz or salsa, audience members might even forget that they are still hearing the same basic chord structure. This piece is written so that almost any number of players can take turns performing it on either one, or two pianos. When fewer players perform the piece, one pianist can play two or three of the easier parts simultaneously. The minimum number of performers needed is four, but to facilitate the playing of cross rhythms, some groups may prefer 5 or 6 players in some variations. The music is written on 5 separate staves with suggestions of where and how to rotate players in and out of the performance, but performers should feel free to divide the parts between themselves in any way that works for them.   Videos of two different performances can be seen at the following links:http://paulsg.net/Videos/MHVariations.movhttps://www.youtube.com/watch?v=k4jbIXK1LiQ&feature=youtu.be

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 18 pages. Jmsgu3 #1078752. Published by jmsgu3 (A0.1503264). Patapan is a significant French Christmas carol with a rich history and cultural importance. Here are some critical aspects of its significance:Historical ImportancePatapan is an old French carol that dates back to at least 1701. Its longevity demonstrates its enduring appeal and cultural relevance over the centuries.Musical CharacteristicsThe carol is known for its lively and rhythmic nature, which sets it apart from many other Christmas songs. Its distinctive pat-a-pan rhythm, which imitates the sound of a drum, has made it memorable and popular.Cultural InfluencePatapan has had a significant influence on other Christmas music:It may have inspired the more famous carol The Little Drummer Boy. While this connection is debated, the similarities in theme and rhythm are notable.Various artists and composers have adapted and reinterpreted the carol's rhythm, demonstrating its versatility and lasting appeal.Lyrical SignificanceThe lyrics of Patapan are noteworthy for several reasons: They feature characters Guillô and Robin, which are common in old French carols.The carol celebrates the act of caroling itself, making it a meta-commentary on the Christmas music tradition. It incorporates themes of reconciliation between God and humanity, reflecting important Christian theological concepts.Musical EducationPatapan is often used in music education and performances: Its simple rhythm makes it accessible for children to learn and perform.The carol is frequently arranged for various vocal and instrumental ensembles, as evidenced by its availability through multiple music publishers.In conclusion, Patapan is important not only as a beloved Christmas carol but also as a piece of cultural heritage that has influenced other music, reflected theological ideas, and continued to be performed and adapted for over three centuries.

Small Ensemble - Digital Download SKU: A0.961992 Composed by Ma Shui Long 馬水�. Contemporary. Score and parts. 33 pages. SpringAutumnmusic #47109. Published by SpringAutumnmusic (A0.961992). 《尋》��與管弦樂 　　在傳統樂器系列中，������…等，其起�發展�有上�年以上悠久的歷�與�富的彈�技法，如��猱�按�放�走��壓��飛��點頓等等�具�特的表�風格與韻味，為西方樂器所�能�，作曲者多年來�圖從這些��特性的傳統樂器中，以��的形�與美學�維，探尋�一層�的音樂�涵。本曲應��演�家黃好�委託之作�，先以��曲型態呈�，完�於2005年4月中旬，並由黃好�於「亞洲作曲家�盟第25屆會議�在泰國曼谷全�首演。之後作曲者�以��與管弦樂��方�，尋求��西方樂器��的音色特質，在主�從兩者交錯中，��與�話。 ※��與管弦樂�稿完�於2006年10月間�美國波士頓Acton寓所。2007年12月中旬由指�家邱�強指�國立��交響樂團���演�家黃好�分別於�中國立��交響樂團演�廳�高雄市文化中心至德堂��北國家音樂廳舉行世界首演。 Searching - for Cheng and Orchestra The history of some Chinese traditional musical instruments, such as Cheng, Qin, Pipa, etc., has seen their performing techniques evolved over a thousand years. Many of them have developed their unique stylistic expression and zest with sorts of articulation, which are not to be completed by those of many Western instruments. The composer has long been delving into the characteristics of these traditional instruments, attempting to ferret out further musical meanings from different formal and aesthetic angles. Searching for Cheng and Orchestra, commissioned by the Cheng player Hao-Yin Huang, was originally a solo Cheng piece. It was completed in mid-April, 2005, and was premiered in the same year at the 25th meeting of the Asia Composers’ League held in Bangkok, Thailand. The composer later expanded it into an ensemble piece for Cheng and orchestra, trying to integrate different timbral characters of the Eastern and Western instruments within their dominant-subordinate interactions and dialogues in the piece.

Piano,Trumpet - Level 4 - Digital Download SKU: A0.1288949 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and part. 6 pages. Flavio Regis Cunha #879791. Published by Flavio Regis Cunha (A0.1288949). DescriptionDo you want to bring Georg Friedrich Handel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras,'Händel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Handel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.ARRANGEMENT DETAILS Arrangement Format Chamber OrchestraDifficulty Advanced IntermediateGENRE DETAILSGenres Baroque, Classical, Contest / Festival, Instructional, WeddingFULL SCORE AND ORCHESTRAL PARTS AVALIABLE FOR PURCHASE AT:https://www.sheetmusicplus.com/title/handel-atalanta-hwv-35-ouverture-largo-allegro-as-played-by-alisson-balson-and-trevor-pinnock-digital-sheet-music/22581106?aff_id=728965

Piano Solo - Level 3 - Digital Download SKU: A0.1368468 Composed by Franz Hunten. Arranged by Jose Valladares. Classical. Score. 1 pages. Circlesquare Music #952815. Published by Circlesquare Music (A0.1368468). Quick March by Franz Hunten would be an example of Hunten's ability to compose music that is both engaging and accessible. Franz Hunten, a 19th-century composer, pianist, and teacher, was known for his contributions to piano literature and his ability to create music that resonated with both the amateur and the professional musician. A Quick March composed by Hunten would likely reflect these qualities along with the characteristics of the march genre.Here are some aspects you might expect from Franz Hunten's Quick March:Lively and Rhythmic: As the title suggests, a Quick March would be characterized by a brisk tempo and a strong, regular rhythm, typically in 4/4 time. The music would be energetic and forward-moving, capturing the spirited and robust nature of a march.Melodic Appeal: Hunten was known for his melodic charm. Even though a march primarily focuses on rhythm and tempo, Hunten's Quick March would likely also feature memorable and tuneful melodies, making the piece enjoyable and appealing to a wide range of listeners.Pedagogical Value: Hunten composed a number of pieces intended for music education. His Quick March might serve as a useful tool for teaching rhythm, tempo, and articulation, offering both a challenge and an enjoyable experience for students.Structural Clarity: Marches often have a clear and straightforward structure, with repeated sections and strong thematic material. Hunten's Quick March would likely exhibit this structural clarity, making it accessible for performers and appealing to audiences.

Piano Solo - Level 3 - Digital Download SKU: A0.1368475 By Jose Valladares. By Vladimir Rebikoff. Arranged by Jose Valladares. Classical. Score. 1 pages. Circlesquare Music #952822. Published by Circlesquare Music (A0.1368475). The Soldier's Pass by Vladimir Rebikov is a piano composition that reflects the composer's innovative style and emotional depth. Vladimir Rebikov, often spelled as Rebikoff, was a Russian composer and pianist known for his exploratory approach to harmony and his contributions to the early modernist movement in music. Born in 1866, Rebikov was a contemporary of composers like Rachmaninoff and Scriabin and is noted for his expressive and at times, unconventional musical language.While specific details about The Soldier's Pass may not be widely documented, we can infer certain characteristics based on Rebikov's general compositional style and the thematic title of the piece:Evocative and Programmatic: Rebikov was known for his programmatic approach to composition, often seeking to convey a narrative or depict a scene through his music. The Soldier's Pass likely tells a story or captures a mood associated with a soldier's experience, perhaps reflecting themes of journey, conflict, or reflection.Innovative Harmonies: Rebikov was an early innovator in exploring new harmonic structures, including whole-tone scales and unconventional chord progressions. The Soldier's Pass may feature interesting and unexpected harmonic shifts that add depth and complexity to the music.Expressive Melody and Rhythm: Given the military theme, the piece might incorporate rhythmic elements that evoke the idea of marching or movement. The melody could be strong and pronounced, conveying a sense of determination or solemnity that aligns with the soldier's narrative.Emotional Depth: Rebikov's music is often characterized by its emotional intensity. The Soldier's Pass would likely embody this quality, offering a rich tapestry of feelings that resonate with the listener and invite introspection.Pedagogical Value: Despite his innovative approach, Rebikov's music is accessible and has been used for educational purposes. The Soldier's Pass might serve as a valuable piece for developing pianists, offering insights into early modernist techniques and expressive playing.Atmospheric and Descriptive: Rebikov had a talent for creating atmospheric music that paints a vivid picture in the listener's mind. The Soldier's Pass would likely be descriptive and immersive, drawing the performer and the audience into the scene it portrays.

French Horn,Piano - Level 4 - Digital Download SKU: A0.551523 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308693. Published by jmsgu3 (A0.551523). Sonata Wq. 124 - 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach.The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts  Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.

Piano,Trombone - Level 4 - Digital Download SKU: A0.551531 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5309593. Published by jmsgu3 (A0.551531). Sonata Wq. 124 in E Minor: 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach. The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.

Piano Solo - Level 4 - Digital Download SKU: A0.1134936 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. Juan Maria Solare #652301. Published by Juan Maria Solare (A0.1134936). Juan María Solare: Bubbles, Floating Bubbles - a polyrhythmic etude Concert etude composed in Bremen (2-3 July) and Worpswede (5 July 2010). Duration: 4:30 (if the repetition -from bar 28 to the end- is being played; if not, 3 minutes). Bublles, Floating Bubbles - by Juan María Solare Bubbles, Floating Bubbles on Youtube: Bubbles, Floating Bubbles on Spotify: This composition is a concert etude, since it can be performed at a recital (and not only used to practice). The degree of virtuosity is relatively low, but nevertheless not suitable for absolute beginners. Technically, the main characteristic of this piece is the polyrhythm 2 against 3: the melody subdivides the quarter in 2, and the accompaniment plays triplets. In this sense, an answer to Carl Czerny's polyrhythmic studie in E major. Please use abundant pedal when playing this piece. The idea is to generate a cloud of sound, not a machinal pattern. The sound character of this piece should be closer to Debussy than to Scarlatti. The initial indication scorrevole (fleeting) should orientate the character and the sound quality, the touch. Fermatas and caesuras should add time to the bar, like breathing in. In bar 8 (end) the silence is only in he left hand: the note of the right hand shouldn't be interrupted. This is actually clear if one read the rhythms carefully, but my experience tells me that it is prudent to underline this particular point. In bar 16 (and similar places), left hand: it is the central melody what should be in foreground, not the bass. Imagine that the melody is played by a cello or viola, and the bass by a double bass (or better: a bassoon). Try to achieve a different timbre and to separate therefore both layers. The title refers to this poem: Sum venti ingenium breve Flos sum, scilicet, aeris …… Sum blandum, petulans, vagum, Pulchrum, purpureum, et decens, Comptum, floridulum, et recens. Richard Crashaw -Jacobean English poet- (1613-1649), Bulla (Bubble) I am the brief nature of the wind To be sure, I am the flower of air ...... I am charming, wanton, inconstant, Beautiful, gleaming, and noble, Ornate, somewhat blooming, and fresh.

Full Orchestra - Level 5 - Digital Download SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chris Knapp (A0.1373704). Kabuki pieces takes influence and inspiration from Japanese Kabuki theatre productions. In this work, the main aspects of Kabuki theatre are explored through the 'deconstructed' Orchestra. Kabuki theatre employs the principles of jo-ha-kyu which helps sets the pace for a dramatic play. Jo-ha-kyustates that a play should start slow, get quicker and end fast. Kabuki employs this technique over a series of 5 acts, hence this composition uses 5 movements and the pace of the work as a whole speeds up as it moves through.1. Introduction - Like with all good pieces of theatre, the first act sets the scene and establishes characters. In this compositon, the scene is set by the Cello accompanied by a selection of percussion (a characteristic trait of Kabuki theatre).2. Battle #1 - In Kabuki theatre there are always a number of battles, these usually occur during the 2nd and 4th acts. This composition similarly mimics the chaos of a battle and features the Woodwind section.3. Tragedy - During the 3rd act, a Tragedy or emotional event usually occurs, thus this composition hopes to mirror that with an emotional outpouring of melodic ideas introducing the Brass.4. Battle #2 - In the 2nd battle of this work, the feature is placed more on the Xylophone who takes a solo role and sets out a frantic tune which provides the basis for a Fugue of sorts picked up by the Strings.5. Conclusion - The conclusion to most Kabuki plays are satisfying and short, this is mirrored by the very brief conclusion to this work.

Piano Solo - Digital Download SKU: A0.961989 Composed by Ma Shui Long 馬水�. Contemporary. Score. 22 pages. SpringAutumnmusic #47103. Published by SpringAutumnmusic (A0.961989). 樂曲簡介 《鋼��鳴曲》 本樂曲1974年春天完�於德國雷根斯堡，全曲共分三個樂章，�賞者�以感覺到�個樂章��的曲趣與變化。 　　第一樂章是莊嚴的�快�，�鳴曲形�。第一主題莊嚴而有力，為雙元性動機，由其中一動機導出柔和悠�的副題；全樂章在兩個�立性的主題間交錯展開。 　　第二樂章為自由曲�，以歌謠風的慢�展開簡短的�，有如詩歌朗誦般。正題樂�隨著�唱進入，�分為四段，段與段以部分共�的動機串連，一氣呵�。 　　第三樂章為詼諧活潑�輕巧的快�，節�變化的幅度帶給人��的情趣，時而詼諧�輕巧，時而嚴肅�激動，時而引頸高歌，多元情趣的變化並未曾影響到樂念的連貫，這是本章的特性，�時亦是全曲的沸點。 ※本曲世界首演於德國雷根斯堡，由德國�鋼�家Prof. K. Pfeiffer演�，��首演由鋼�家許��擔任演�。 1. Piano Sonata The piece was completed in Regensburg, Germany in spring 1974. It comprises three movements in different characters, which can be easily identified by the audience. The first movement, Allegro con brio, is in sonata form. The first theme is majestic and powerful with dualistic motifs, one of which leads to the mild subordinate theme. The unfolding of the whole movement is based upon the contrast between the two themes. The form of the second movement is freer. The slow song-like introduction is like poem-reciting, and the main theme follows it. The movement comprises four sections, which are coalesced by the common motifs among them. The last movement is Scherzo - Allegro Vivace. The ample width of its rhythmic change brings different shades of delight, sometimes witty, brisk; sometimes majestic, agitated, throaty, etc. Nevertheless, the diversity never eclipses the musical coherence. It is the characteristic, as well as the very highlight, of the piece. The pianist in the world premiere in Regensburg was Prof. K. Pfeiffer, and the first public performance of this piece in Taiwan is presented by the pianist Hsu Tzu-Chen.