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Euphonium,Piano - Level 3 - Digital Download SKU: A0.1472089 Composed by Samantha Hogan. 21st Century,Classical,Instructional. Score and part. 16 pages. Coffee Seal Music #1049790. Published by Coffee Seal Music (A0.1472089). Timing 5:00Difficulty: IntermediateEuphomania is a piece from the heart with all the humor you could ask for. It’s….something else. Just give it a listen and look at the perusal score. In this solo, you will find many quotes to guide you on your performance journey, or at least give you or your accompanist a chuckle or two.Maybe the audience can’t read the sarcasm, but you sure can!  Disclaimer: IF you choose to perform this on a Brass Jury, I bear no responsibility for the outcome of your performance! However, you may win some points or sympathy if you show them the sheet music afterward.The same goes for if you have a non-academic audience. Good Luck!
Euphomania!
Euphonium, Piano (duo)

$18.00 15.62 € Euphonium, Piano (duo) PDF SheetMusicPlus

Nebeninstrumente für die Ausführenden: Sandblocks, Kieselsteine, trockene Zweige, Ocean Drum, Rainmaker, Waldteufel, Mundsirene, Meßglocke choir a cappella - Digital Download SKU: S9.Q11696 For choir (and organ or synthesizer ad lib.). Composed by Dieter Schnebel. This edition: choral score. Schott Chamber Choir. Downloadable, choral score. Duration 12 minutes. Schott Music - Digital #Q11696. Published by Schott Music - Digital (S9.Q11696). Hebrew • German.Psalm 112 known from Mendelssohn's musical setting is interpreted by Dieter Schnebel as a song of pilgrimage: Pilgrims setting out on a dangerous path hope for a happy return. Following the text that is declaimed simultaneously in the original Hebrew and the German translation, the music gradually moves from the deep sounds of fear to the clear heights of confidence. The organ part serves as a support for intonation, the few percussion instruments can be played by the singers.
'behütet...' - Ps. 121

$12.99 11.27 € PDF SheetMusicPlus

Cello,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
Suite Revelation for cello and piano
Violoncelle, Piano

$28.00 24.29 € Violoncelle, Piano PDF SheetMusicPlus

Guitar - Level 4 - Digital Download SKU: A0.1185259 By FreÌdeÌric Chopin. By Frederic Chopin. Arranged by Brian Streckfus. 19th Century,Instructional,Romantic Period. Guitar Tab. 8 pages. Brian Streckfus #784947. Published by Brian Streckfus (A0.1185259). Disclaimer: Still kind of a work in progress so I am charging as little as I can for now. The main thing left to do is to somehow incorporate the bass clef notes in a way that isn't obtrusive, and that has to be done to taste anyways.Key: A minor (Original: Bb minor) Capo: 1 (If you want original key)1. Arranged for guitar2. Slurs added3. Piano markings removed4. Some chords reharmonized, but for the most part, chord nomenclature names were kept intact (with some inversions changed to suit guitar).5. Key changed to a minor.
Nocturne Op 9 No 1 (arranged for guitar)
Guitare notes et tablatures
FreÌdeÌric Chopin
$1.99 1.73 € Guitare notes et tablatures PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages. Luis Anjos Teixeira #4727333. Published by Luis Anjos Teixeira (A0.889429). „Improvisation On Tchaikovsky`s Cherubic Hymn. It is an original Harp improvisation to be accompanied by an adaptation for strings inspired by Tchaikovsky`s choir piece „Cherubic Hymn. The harmonic structure of Tchaikowky`s original work has been faithfully reproduced, so all credits for this piece goes to him. Rather than an arrangement, the outcome of this adventurous experience resulted in an improvisation for the Harp. With the added melodies on the Harp and the stringed instrumental caracter of the orquestral adaptation, the piece gains a stronger tone contrast, keeping at the same time its deep spiritual beauty, thus bringing it to a wider range of public and performance choices. it is very easy to perform, yet it moves deeply both performer and public. The piece is appropriate for beginner students. It can be used in serious concerts and all kinds of cultural events. It is a very Spiritual piece, it induces a wonderful mood in Baptism or Christmas celebrations. One can get married to it. The piece is also appropriate to honor someone in a funeral. Although this score was composed in full intent to be performed as written, the Harp part can be played by itself and the orquestral arrangement from the Hymn can also be performed without the Harp. This score was conceived so that without adaptations, the Harp the orchestra and the original Choir could perform at the same time. Or intercalated „Ad Lieb, the Harp with the choir, or the orquestra with the choir. Instead of a full string orquestra one can also use just a string quartet and a doublebass. A Little Historical Note. „The Cherubic Hymn is part of the Liturgy of St. John Chrysostom written in the fourth century by the Byzantine saint, honored as such by both Eastern Orthodox and Roman Catholic churches.  In the context of the liturgy, the hymn is sung during the most mystical and spiritual part of the service as a prelude to the transubstantiation of bread and wine into the real presence of Our Lord. Pyotr Ilyich Tchaikovsky, the inspiring Master and genial composer with whom I had the happy causality to write this improvisation or „collab was born in; 25 April/7 May 1840 – 25 October/6 November 1893, was a Russian composer of the late Romantic period, he created an outstanding number of unique musical masterpieces. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design, this work is dedicated to her. Special Thanks to Tchaikovsky, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was produced with Garritan instruments. Thank You very much that You toke Your Time to read this text and to listen the file. I hope You enjoy it, Sheers…
Improvisation On Tchaikovsky`s Cherubic Hymn
Orchestre à Cordes

$9.99 8.67 € Orchestre à Cordes PDF SheetMusicPlus

Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533416 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913395. Published by Musik Fabrik Music Publishing (A0.533416). A setting of a poem by Charles Baudelaire. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In C sharp minor Duration: aprox. 4 minutes 30 secondsHomme libre, toujours tu chériras la mer !La mer est ton miroir ; tu contemples ton âmeDans le déroulement infini de sa lame,Et ton esprit n’est pas un gouffre moins amer.Tu te plais à plonger au sein de ton image ;Tu l’embrasses des yeux et des bras, et ton coeurSe distrait quelquefois de sa propre rumeurAu bruit de cette plainte indomptable et sauvage.Vous êtes tous les deux ténébreux et discrets :Homme, nul n’a sondé le fond de tes abîmes ;Ô mer, nul ne connaît tes richesses intimes,Tant vous êtes jaloux de garder vos secrets !Et cependant voilà des siècles innombrablesQue vous vous combattez sans pitié ni remords,Tellement vous aimez le carnage et la mort,Ô lutteurs éternels, ô frères implacables !
Ange Flégier: L'Homme et La Mer for bass voice and piano
Voix basse, Piano

$10.35 8.98 € Voix basse, Piano PDF SheetMusicPlus

Instrumental Duet Instrumental Duet - Digital Download SKU: A0.997508 Composed by Henry Fillmore. Arranged by Ethan Owens, Owen Ashbeck. 20th Century,Jazz. Score and parts. 2 pages. Ethan Owens #6687591. Published by Ethan Owens (A0.997508). A trombone duet arrangement of Lassus Trombone. DISCLAIMER: This piece is said to have racist origins, and it absolutely does. When Henry Fillmore originally put out the piece, he did in fact publish it with racist depictions of African-American trombonists. However, it is my opinion that the music itself is not racist. After all, it is an instrumental piece. It does not have racist lyrics like minstrel songs do, nor is it published anymore with racist depictions of people. And additionally, American music started with racism. It started with minstrel shows and blackface. That is how American musical culture was formed, and you can find songs with much worse backgrounds than this one that are still performed today. Even the Christmas tune Jingle Bells was originally a minstrel song, and that is still performed. Simply erasing this music won't do anything. That's my opinion. If you disagree, don't play it.
Lassus Trombone

$6.99 6.06 € PDF SheetMusicPlus






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