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Cello - Level 2 - Digital Download SKU: A0.1429628 Composed by Sam Araya. 21st Century,Chamber,Classical,Instructional. 10 pages. Sam's Cello Studio #1010326. Published by Sam's Cello Studio (A0.1429628). Back in 2019, my student Giovanni was having trouble with 6/8 meter. At the time I was using the rhythm solfège of Ba for dotted quarter notes in 6/8. So one lesson, while frustrated with rhythms he exclaimed Ba Humbug! and I couldn't stop laughing! It inspired me to write this cello trio for him and his cello friends to play, honoring that frustration and giving another opportunity to practice 6/8!All 3 cello parts are at an intermediate level, making it a great early ensemble piece for student cellists.The parts were designed with neurodiverse learners in mind with well spaced notes and no unnecessary markings added. The cello parts and score are included as PDFs that are easily read on a tablet or printed on US letter or A4 paper without any need for reformatting.
Ba Humbug

$4.99 4.33 € PDF SheetMusicPlus

Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts. 33 pages. Sam Bateman #3075312. Published by Sam Bateman (A0.948105). Sam Bateman a fait cet arrangement en 2012, quand il était toujours à l'école secondaire. (La terminale, pour être plus précis.) C'est un arrangement de l'un des œuvres les plus fameuses de Bach, pour un ensemble qui se compose d'un violon, une guitare et une guitare basse avec 5 cordes. (Si vous possédez pourtant la basse la plus commune avec 4 cordes, vous pouvez jouer quelconques notes qui sont écrites sous la corde mi, une octave plus hautes.)C'est en fait une actualisation - l'arrangement original ne contient pas nuances, puisque Sam voulait rester fidèle à l'œuvre originale pour orgue. L'idée était pour que les musiciens eux-mêmes pourraient décider à quel fortement qu'ils joueraient. Il y n'avait pas legato dans l'arrangement original non plus, puisque, tandis que Sam savait por quoi legato est (pour couler les notes), il les savait surtout du piano - et parce que le piano est un instrument de clavier (et il manque une roue de tangage, contrairement au synthétiseur), un legato vrai est impossible, et c'est simplement émulé en jouant d'un tenuto sur plusieurs notes, alors Sam présumait à tort que le legato ne sois si important. Bien que Sam jouait le violon quand il était un enfant, il ne se souvient pas d'apprendre legato, et c'est seulement quand il a commencé à prendre des leçons de saxophone qu'il comprenait ce que legato signifie vraiment. En plus, le premier arrangement avait trop contre-mélodies dans les parties de la guitare et le violon, qui, dans cette version, sont soit enlevées, soit transférées à la partie de la basse, pour jouer plus facilement.En tout cas, quand Sam a téléversé l'arrangement à YouTube, il a reçu beaucoup critique - et il a reçu conseil de plus de sa professeure d'arrangement - ainsi, il a pris les critiques et amélioré l'arrangement comme requis. Ainsi, voici la version nouvelle et améliorée de 2017. Profitez-en!Aussi, je voudrais pointer que beaucoup des nuances pour cet arrangement sont directement prises de l'arrangement pour orchestre à cordes par Jakub Kowalewski, que vous pouvez trouver à la Librairie Musicale Petrucci, à cette adresse web: http://imslp.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565_(Bach,_Johann_Sebastian)Notez s'il vous plaît que le français n'est pas ma première langue, ainsi, si vous remarquez erreurs grammaticales, faites le moi savoir s'il vous plaît, et je les corrigerai dès que possible.Click here for the English version: http://www.sheetmusicplus.com/title/toccata-and-fugue-in-d-minor-bwv-565-digital-sheet-music/2041036
Toccata et fugue en ré mineur (BWV 565)

$7.99 6.93 € PDF SheetMusicPlus

Solo Guitar - Digital Download SKU: A0.1001768 Composed by Naftule Brandwein. Arranged by Eric Charles Mokotoff. Jewish,Romantic Period,Wedding. Individual part. 2 pages. Eric mokotoff #6293429. Published by eric mokotoff (A0.1001768). This commonly heard tune was played as a dance in the Eastern European Jewish world. Its a dance of celebration and has origins in Arabic and Oriental music styles. Naftule Brandwein, Clarinet player and probably on the most influential musician in the history of klezmer music.In 1908 he emigrated to the USA where he became a star of the 78 rpm record era, as the (selfproclaimed) King of Jewish Music. Brandwein possessed a talent for seemingly endless and subtle rythmic and melodic variation on his C melody Albert clarinet, and his recordings belong to the best of the entire klezmer genre. Although he made his last recording in 1941, Brandwein continued to perform at weddings and other simkhes in New York, as well as at hotels in the Catskills until shortly before his death in 1963.
Araber Tantz
Guitare

$4.99 4.33 € Guitare PDF SheetMusicPlus

Nebeninstrumente für die Ausführenden: Sandblocks, Kieselsteine, trockene Zweige, Ocean Drum, Rainmaker, Waldteufel, Mundsirene, Meßglocke choir a cappella - Digital Download SKU: S9.Q11696 For choir (and organ or synthesizer ad lib.). Composed by Dieter Schnebel. This edition: choral score. Schott Chamber Choir. Downloadable, choral score. Duration 12 minutes. Schott Music - Digital #Q11696. Published by Schott Music - Digital (S9.Q11696). Hebrew • German.Psalm 112 known from Mendelssohn's musical setting is interpreted by Dieter Schnebel as a song of pilgrimage: Pilgrims setting out on a dangerous path hope for a happy return. Following the text that is declaimed simultaneously in the original Hebrew and the German translation, the music gradually moves from the deep sounds of fear to the clear heights of confidence. The organ part serves as a support for intonation, the few percussion instruments can be played by the singers.
'behütet...' - Ps. 121

$12.99 11.26 € PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages. Luis Anjos Teixeira #4727333. Published by Luis Anjos Teixeira (A0.889429). „Improvisation On Tchaikovsky`s Cherubic Hymn. It is an original Harp improvisation to be accompanied by an adaptation for strings inspired by Tchaikovsky`s choir piece „Cherubic Hymn. The harmonic structure of Tchaikowky`s original work has been faithfully reproduced, so all credits for this piece goes to him. Rather than an arrangement, the outcome of this adventurous experience resulted in an improvisation for the Harp. With the added melodies on the Harp and the stringed instrumental caracter of the orquestral adaptation, the piece gains a stronger tone contrast, keeping at the same time its deep spiritual beauty, thus bringing it to a wider range of public and performance choices. it is very easy to perform, yet it moves deeply both performer and public. The piece is appropriate for beginner students. It can be used in serious concerts and all kinds of cultural events. It is a very Spiritual piece, it induces a wonderful mood in Baptism or Christmas celebrations. One can get married to it. The piece is also appropriate to honor someone in a funeral. Although this score was composed in full intent to be performed as written, the Harp part can be played by itself and the orquestral arrangement from the Hymn can also be performed without the Harp. This score was conceived so that without adaptations, the Harp the orchestra and the original Choir could perform at the same time. Or intercalated „Ad Lieb, the Harp with the choir, or the orquestra with the choir. Instead of a full string orquestra one can also use just a string quartet and a doublebass. A Little Historical Note. „The Cherubic Hymn is part of the Liturgy of St. John Chrysostom written in the fourth century by the Byzantine saint, honored as such by both Eastern Orthodox and Roman Catholic churches.  In the context of the liturgy, the hymn is sung during the most mystical and spiritual part of the service as a prelude to the transubstantiation of bread and wine into the real presence of Our Lord. Pyotr Ilyich Tchaikovsky, the inspiring Master and genial composer with whom I had the happy causality to write this improvisation or „collab was born in; 25 April/7 May 1840 – 25 October/6 November 1893, was a Russian composer of the late Romantic period, he created an outstanding number of unique musical masterpieces. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design, this work is dedicated to her. Special Thanks to Tchaikovsky, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was produced with Garritan instruments. Thank You very much that You toke Your Time to read this text and to listen the file. I hope You enjoy it, Sheers…
Improvisation On Tchaikovsky`s Cherubic Hymn
Orchestre à Cordes

$9.99 8.66 € Orchestre à Cordes PDF SheetMusicPlus

Guitar - Level 4 - Digital Download SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
Guitare notes et tablatures
Frederic Chopin
$1.99 1.73 € Guitare notes et tablatures PDF SheetMusicPlus






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