Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1014181 Composed by Aurelio Porfiri. Christian,Contemporary,Easter,Sacred. Octavo. 4 pages. CHORALIFE #6009539. Published by CHORALIFE (A0.1014181). Offertory for soprano solo and 4 parts choir. Recorded in Rome in the 90s for Vatican Radio and conducted by Mº Aurelio Porfiri. Meditabor in mandatis tuis quae dilexi valde : et levabo manus meas ad mandata tua quae dilexi. Ich sinne nach über deine Gebote, ich liebe sie von Herzen. Ich erhebe meine Hände zu deinen Geboten, die ich liebe.  Je méditerai en vos commandements, que j’ai aimés extrêmement : et je lèverai mes mains vers vos commandements, que j’ai aimés.  I will meditate on thy commandments, which I have loved exceedingly: and I will lift up my hands to thy commandments, which I have loved.

By R.E.M. Arranged by Alistair Vennart. 17 pages. Published by Ali Vennart

Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.996256 Composed by Michael Bufalini. Concert,Contemporary,Jazz. 3 pages. Michael Bufalini #4841091. Published by Michael Bufalini (A0.996256). One of a kind, I'm not really sure if I had any plan going into this and just started placing down notes and bam, music happened.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.996227 Composed by Michael Bufalini. Concert,Contemporary,Halloween. Score and parts. 13 pages. Michael Bufalini #4837661. Published by Michael Bufalini (A0.996227). There is something about this quartet, that just gives off a creepy vibe. I'm not sure where to put my finger on it but it does arouse the senses as if something is lurking in the dark of night. .

Guitar - Level 3 - Digital Download SKU: A0.996223 Composed by Michael Bufalini. Blues,Concert,Contemporary,Instructional,World. Guitar Tab. 2 pages. Michael Bufalini #4837643. Published by Michael Bufalini (A0.996223). This is a rhythmic guitar piece that keeps moving. I'm not sure why I called it Entropy I was searching names and I was in an E section of the dictionary and I was just looking for names but I think it sounds pretty good, one of my better guitar pieces, not my best, but better.  .

Violin Solo - Level 4 - Digital Download SKU: A0.996143 Composed by Michael Bufalini. Concert,Contemporary,Instructional. 3 pages. Michael Bufalini #4797147. Published by Michael Bufalini (A0.996143). This rather fast violin piece is daunting but don't let that stop you. It looks easy at first and then it gets tough as the going gets rough, but I'm sure any who prevail the onslaught of notes, in the beginning, can and will manage to make it to the end. .

Cello,Piano - Level 3 - Digital Download SKU: A0.1475808 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053366. Published by jmsgu3 (A0.1475808). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. Notably, this Prelude was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.

Piano,Violin - Level 5 - Digital Download SKU: A0.1354331 Composed by Lucijan M.Škerjanc. Arranged by Zellev. 20th Century,Classical,Contemporary,Opera,Romantic Period. 15 pages. Zellev Music #939049. Published by Zellev Music (A0.1354331). Key Signature: B minorTime Signature: 3/4Tempo: Allegro pateticoDifficulty: AdvancedLucijan Škerjanc (1900-1973) was a Slovenian Composer.Škerjanc is one of the most important older composers of contemporary Slovene music and is one of the key Slovene musical personalities of the 20th century. He graduated in Ljubljana and studied music in Prague, Vienna (Joseph Marx), Paris (Schola cantorum) and Basel (Felix Weingartner).He spent many years teaching composition at the Ljubljana Academy of Music, teaching composers such as Nada Ludvig-Pe�ar, Zvonimir Cigli� and Janez Mati�i� whilst serving as a chancellor for a period and was a pianist, conductor, music writer, and director of the Slovenian Philharmonic Orchestra based in the country's capital.His style reflected late romanticism with qualities of expressionism and impressionism in his pieces, often with a hyperbolic artistic temperament, juxtaposing the dark against melodic phrases in his music.Škerjanc was liberal in his attitude to music and multifaceted in his works. Whilst musically diverse, his opus centred on composition, varying from piano miniatures and solos for beginners, and solo and chamber works to full blown concertos and symphonies. Apart from sonatas, he notably composed a cycle of seven nocturnes, which many consider his greatest piano oriented work, and seven orchestral pieces Gazele (Ghazels). He not only composed for the piano but also the violin, the clarinet and the bassoon in 1952. During his life he also wrote for international composers and composed the film scores for a number of films under Yugoslavia.

Bass Trombone,Piano - Level 3 - Digital Download SKU: A0.1476138 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053662. Published by jmsgu3 (A0.1476138). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.

Cello,Piano - Level 2 - Digital Download SKU: A0.1399669 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 7 pages. Jmsgu3 #982944. Published by jmsgu3 (A0.1399669). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. Notably, this prelude was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1475827 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053386. Published by jmsgu3 (A0.1475827). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1476129 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053655. Published by jmsgu3 (A0.1476129). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities.

Piano Solo - Level 1 - Digital Download SKU: A0.809406 By Simon And Garfunkel. By Paul Simon. Arranged by Academia Unimusica. Pop,Rock. Score. 1 pages. Unimusic Academy (Academia Unimusica) #6251769. Published by Unimusic Academy (Academia Unimusica) (A0.809406). The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over several months in 1963 and 1964. A studio audition led to the duo signing a record deal with Columbia Records, and the original 'acoustic' version of the song was recorded in March 1964 at Columbia Studios in New York City and included on their debut album, Wednesday Morning, 3 A.M.. Released on October 19, 1964,[2] the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University. In 1965, the song began to attract airplay at radio stations in Boston, Massachusetts, and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the song's remix until after its release. The song hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album. It was featured in the 1967 film The Graduate and was included on the film's soundtrack album. It was additionally released on the Mrs. Robinson 'EP' in 1968, along with three other songs from the film: Mrs. Robinson, April Come She Will and Scarborough Fair/Canticle. The song was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being culturally, historically, or aesthetically important in 2012, along with the rest of the Sounds of Silence album. Originally titled The Sounds of Silence on the album Wednesday Morning, 3 A.M., the song was shortened for later compilations, beginning with the 1972 compilation album Simon and Garfunkel's Greatest Hits.[3]

Piano Solo - Level 3 - Digital Download SKU: A0.828225 Composed by Southern Harmony. Arranged by Paul Thurmond. Christian,Gospel,Jazz,Sacred. Score. 3 pages. Paul Thurmond #4968921. Published by Paul Thurmond (A0.828225). Tune: RESIGNATIONUse: Prelude, Offertory, PostludeA couple of years ago I read an interview with director Ridley Scott about his first commercially successful film, Alien. It’s a terrific science fiction/horror movie set on a large spaceship, with a predatory creature who is hunting down the human crew one by one. In the interview, Scott talked about the fact that there were scenes he wanted to film and effects he wanted to use, but his small budget prevented him from doing so. Instead, he was forced to make do with limited time and materials. Alien became a hit, and Scott went on to direct blockbusters like Gladiator and Hannibal.What stuck with me was what Scott said about creativity. It is his opinion that the budgetary constraints under which he operated when making Alien forced him to explore ideas and methods he wouldn’t have otherwise considered. Even though he would later make movies with ten times the budget, he’s extremely proud of what he and his team did with far more limited resources.When I started writing My Shepherd Will Supply My Need, I decided to give myself a big constraint: I would only be allowed to use the white keys of the piano. This is very different for me; I usually throw in some juicy harmonies. It was an interesting process, and I have to say that I agree with Ridley Scott: limits spark creativity. I’m going to look for other ways to apply this principle.I did go over budget slightly, and used one black key. Every flock has its black sheep, right?