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String Ensemble,String Trio Cello,Violin - Level 2 - Digital Download SKU: A0.540447 Composed by Arcangelo Corelli. Arranged by Linda M. Scott. Baroque. Score and parts. 5 pages. Linda M Scott #4287387. Published by Linda M Scott (A0.540447). Arcangelo Corelli (1653-1713) was an Italian violinist and composer. This charming Adagio movement is from a group of twelve trio sonatas he wrote in 1689, his Sonata No. 4 in B Minor, Op. 3 Mvt. 3. The original instrumentation was for strings and keyboard.An easy, accessible baroque trio for two violins and cello. Ideal for advanced beginners or intermediate students, adult amateurs and performers.
Corelli, A. - Sonata No. 4 (Mvt. 3) for Two Violins and Cello
Trio à Cordes: 2 violons, violoncelle

$5.99 5.12 € Trio à Cordes: 2 violons, violoncelle PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.987854 Composed by Robert M. Greenberg. 20th Century. 44 pages. Robert M. Greenberg #115419. Published by Robert M. Greenberg (A0.987854). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 23 minutes Year of composition: 1999 Program Note: Quasi Un Madrigale sets the poetry of three 20th century Italian poets: Salvatore Quasimodo, Aldo Palazzeschi and Corrado Govoni. These expressive, evocative poems deal variously with states of memory, nostalgia, and longing. The four songs are conceived as a cycle. The first three songs are true duets, with the piano a full partner of the soprano. The fourth and final song, from which the cycle draws its name, constitutes the emotional core of the set. It is at once a resigned lament of personal loss and an affirmation of new life. Quasi Un Madrigale was composed between February and September 1985. All poems used with permission.
Quasi Un Madrigale for soprano and piano
Voix Soprano, Piano

$28.00 23.96 € Voix Soprano, Piano PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.540562 Composed by Antonio Vivaldi. Arranged by Linda M. Scott. Baroque. Score and parts. 7 pages. Linda M Scott #4296573. Published by Linda M Scott (A0.540562). Antonio Vivaldi (1675-1741) was an Italian priest, violinist and composer, well-known in his day for the both his violin virtuosity and the many concertos, trio sonatas and other works that he composed. This piece is a movement of one of a group of six sonatas written for treble instrument and cembalo. This lively movement is equally interesting for all parts, and easily accessible for advanced intermediate students, amateurs and professionals. A few chromatic passages, and some syncopation make this fun for all.
Vivaldi, A. - Sonata No. 1 Mvt. 2 for Violin and Cello
Violon, Violoncelle (duo)

$5.99 5.12 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Viola Duet Viola - Level 4 - Digital Download SKU: A0.540558 Composed by Antonio Vivaldi. Arranged by Linda M. Scott. Baroque. Score. 7 pages. Linda M Scott #4296557. Published by Linda M Scott (A0.540558). Antonio Vivaldi (1675-1741) was an Italian priest, violinist and composer, well-known in his day for the both his violin virtuosity and the many concertos, trio sonatas and other works that he composed. This piece is a movement of one of a group of six sonatas written for treble instrument and cembalo. This lively movement is equally interesting for all parts, and easily accessible for advanced intermediate students, amateurs and professionals. A few chromatic passages, and some syncopation make this fun for all.
Vivaldi, A. - Sonata No. 6 Mvt. 2 for Two Violas
2 Altos (duo)

$5.99 5.12 € 2 Altos (duo) PDF SheetMusicPlus

Small Ensemble High Voice,Low Voice,Medium Voice,Piano - Level 3 - Digital Download SKU: A0.1013938 Composed by Ryan M. LeGrand. 20th Century,Concert,Contemporary,Romantic Period,Standards. Score and parts. 33 pages. Ryan M. LeGrand #2877633. Published by Ryan M. LeGrand (A0.1013938). In Memoriam, A.H.H., Op. 80 by Ryan LeGrand.This song cycle, written for Baritone and Piano, is a setting of portions of Alfred, Lord Tennyson's poetry cycle In Memoriam, A.H.H. which was written over a period of about 20 years. Tennyson's daughter's fiance was killed and Tennyson wrote the cycle of about 150 poems over 20 years as a grieving process. In this cycle, I've chosen parts of 5 poems that go through the stages of grief, including the famous Tis' better to have loved and lost than never to have lost at all. The complete cycle in approximately 25-30 minutes in duration. The piano and vocal score is 33 pages. 1. Prologue2. Fair ship, that from the Italian shore3. My own dim life4. Tis' better to have loved and lost5. ForgiveRange for voice: (F2 optional) G#2 - F4The composer can be reached via email at ryan@legrandpiano.com
Song Cycle In Memoriam, A.H.H - for Baritone - LeGrand

$9.95 8.51 € PDF SheetMusicPlus

Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets.  TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain.     Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too.     Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
"Three Labe Sonnets" for mezzo-soprano and piano

$4.50 3.85 € PDF SheetMusicPlus






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