Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de Cícero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictício da industria tipográfica do século XV.).

String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.726093 Composed by Ludvig M. Lindeman. Arranged by Todd Marchand. Christian,Sacred. Score and parts. 17 pages. Con Spirito Music #4967607. Published by Con Spirito Music (A0.726093). Built on the Rock is a proclamation, through scripturally anchored words and sturdily architected music, of the nature and eternity of the Church whose foundation is Jesus Christ. Long a favorite of Scandinavian Christians and Lutherans, the hymn was written by Danish theologian, cleric, and poet Nicolai F.S. Grundtvig (1783-1872), whose criticism of the rationalist philosophy then predominant in the Danish Lutheran church, and his argument for Christianity as a revealed, inspired, and sacramental religion, led to the revitalization of that church. The text was translated to English by Carl Doving (1867-1937).The tune accompanying the text, known as KIRKEN DEN DER ET, was the first hymn tune written by Danish organist, composer, and folk music collector Ludvig Mathias Lindeman (1812-1887). It is an austere, arching, and folk-like melody in the Dorian mode. This arrangement begins with individual voices of the brass quintet, like individual members of the Church, joining together in various combinations and as a whole to introduce the tune. Verses 2 and 3 (measure numbers 33 and 65) present the tune in additional combinations. Verse 4 (measure 101) introduces alternate harmonizations and features a soaring descant in Trumpet 1, powerful unison statements by the entire ensemble, and majestic final chords.©2019 Todd Marchand / Con Spirito Music. This video is a demo of the sheet music available from Con Spirito Music. Visit www.conspiritomusic.com

Piano Solo - Level 4 - Digital Download SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart Brown Music (A0.835450). This is not your typical nocturne. This is night as it really is for many people: a time of restlessness, of anxiety, in which you lie awake or even feel the need to get out of the house for a while. This music is for all of those nights when you wonder what on earth is happening to the world around you, when you feel troubled by the contradictions between you and the world, when you dread the morning news of the results of an election or referendum; when you just want to shout at the world, I'm out of here ... imagine a night in which you need to step outside to gather your thoughts. You feel the chill of the night air as you stand gazing up at the sky. As clouds move above, you turn over in your mind the things that are troubling you. Gradually you begin to see more clearly the difference between the things you cannot change and those that you can; and with that realisation comes serenity and finally you are able to sleep.The composer, who is a passionate believer in unity rather than division, wrote this music three days after Britain's 2016 referendum on its continued membership of the European Union, reflecting his feelings about the outcome. This is, therefore, as deeply personal a piece of music as you'll get. Include it in a program and it will help to put the rest of the program into perspective.The music itself demonstrates that nonatonic and octatonic modes of limited transposition can be used to create melodies and harmonic progressions that combine tension with great beauty. At notated tempi the work lasts just under ten minutes. It is of advanced intermediate difficulty, the main challenges for the player being the complex modality and the shifting rhythms. The sound file provided here is the composer's own live performance, recorded on Saturday, September 10th, 2016. It is possibly appropriate for high school performance: students who are interested are welcome to get in touch with the composer via www.facebook.com/StuartBrownComposer/

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1298204 Composed by Giles Farnaby. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #888177. Published by jmsgu3 (A0.1298204). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.

Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1153717 Composed by CORINNE GARBE. Classical,Contemporary,Holiday,Romantic Period,Singer/Songwriter. Score and individual part. 3 pages. Garbe #753977. Published by Garbe (A0.1153717). Composition de l'été 2022, Mi-Août a été finalisée le 14 du même mois. Le titre est un petit clin d'oeil aux chats de la compositrice. Il y a 3 pages d'écriture musicale. Tonalité Mi majeur, passage en fa# majeur. Arpèges, trajectoire en diagonale sur main gauche, notes tenues, pédales, accents, accords. Mesure 6/8 et 3/4. Reprises.

Piano or 2 pianos (4 hands) - difficult - Digital Download SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadable. Op. 6. Duration 10 minutes. Schott Music - Digital #Q17510. Published by Schott Music - Digital (S9.Q17510). With the prelude to the Mastersingers we now publish the second of three Wagner transcriptions already made legendary by Gould's 1973 recording. Gould brought Wagner's 'brilliant counterpoint' to life with the help of recording technology, by superimposing a second, supplementary part over an initial recording. For live performances it is therefore preferable to have two pianists playing the piece on two pianos, rather than the piano solo version which is made possible with some cuts.Den glanzvollen Kontrapunkt Wagners realisierte Gould mit Hilfe der Aufnahmetechnik, indem er eine erste Aufnahme mit einem ergänzenden zweiten Teil überblendete. Für Aufführungen ist daher eine Ausführung an zwei Klavieren zu vier Händen einer mit Abstrichen möglichen Realisierung zu zwei Händen vorzuziehen.

TTBB chorus a cappella - intermediate - Digital Download SKU: S9.Q19461 Composed by Thomas Gabriel. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q19461. Published by Schott Music - Digital (S9.Q19461). German.Die Marcellinus-Messe entstand als Auftragskomposition des Männerchores Gesellschaft der Freunde 1856 Seligenstadt. Gemeinsames Ziel der Auftraggeber und des Komponisten war, zeitgenössische geistliche Musik, die auch für einen Laienchor a cappella realisierbar ist, zu schaffen. Wert gelegt wurde auf die Verwendung der deutschen Sprache, da es neben der berühmten Schubertmesse kaum Alternativen gibt. Die Uraufführung fand im Festgottesdienst zur Eröffnung der Seligenstädter Wallfahrt 2013 statt.Ziel des Komponisten war, zeitgenössische geistliche Musik, die auch für einen Laienchor a cappella realisierbar ist, zu schaffen. Wert gelegt wurde auf die Verwendung der deutschen Sprache, da es neben der berühmten Schubertmesse kaum Alternativen gibt.

Concert Band - Level 3 - Digital Download SKU: A0.549996 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. Romantic Period,Standards. 118 pages. Jmsgu3 #4366268. Published by jmsgu3 (A0.549996). Full-length arrangement for Concert Band. Instrumentation: 2 flutes, 1 oboe, 2 Bb clarinets, 1 bass clarinet, 2 alto saxes, 1 tenor sax, 1 baritone sax, 2 Bb trumpets, 2 horns in F, 2 tenor trombones, 1 tuba. Melodic percussion: xylophone (or marimba) chimes (or tubular bells). Percussion 1: snare drum, crash cymbals, gong. Percussion 2: bass drum, crash cymbals, gong.The significance of Saint-Saëns' Danse Macabre lies in its representation of death as the great social equalizer and its association with Halloween and the macabre. Originally an art song for voice and piano, the piece was later expanded and reworked into a tone poem for violin and large orchestra, becoming one of Saint-Saëns' most famous works.Representation of Death: Danse Macabre was inspired by the French legend that Death plays the fiddle at midnight on Halloween, causing the skeletons in the cemetery to crawl out of their graves for a dance party. The theme of death as the great social equalizer, where no one can escape the dance with death, is depicted in the music and has inspired various paintings and art pieces.Composition and Reception: The piece is in the key of G minor and scored for an obbligato violin and an orchestra of various instruments.  When it was first performed in 1875, Danse Macabre received mixed reviews, with some critics expressing anxiety due to its dissonance, use of a xylophone, and hypnotic repetitions. However, it is now considered one of Saint-Saëns' masterpieces and is widely regarded and reproduced in high and popular culture.

Mixed choir (SSSAAATTTBBB) - Digital Download SKU: S9.Q9188 Poems by Edward Bond. Composed by Hans Werner Henze. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 17 minutes. Schott Music - Digital #Q9188. Published by Schott Music - Digital (S9.Q9188). German • English.Edward Bond hat für das Programmheft der Stuttgarter Uraufführung des Tanzdramas Orpheus am 17. März 1979 anstelle eines Essays eine Anzahl von Gedichten geschrieben, die als Marginalien zu seinem visionären Ballett-Libretto zu verstehen sind. Für den Chorzyklus hat er noch einige weitere Gedichte hinzugefügt. Ich habe aus beiden Materialien eine Auswahl getroffen und sie im Sommer 1983 während eines langen Lehraufenthaltes in Tanglewood, Mass., in Musik gesetzt, mit Ausnahme von zwei Sätzen, die schon existierten, und von denen 'Epitaph' 1982 in Kindberg, Steiermark, als Teil eines Requiems für den Arbeiterdichter Walter Buchebner durch den ORF-Chor uraufgeführt wurde, während das andere 'Pressed by the weight of...' durch den Chor der Musikhochschule Köln als Zeil einer von AIDA organisierten Solidaritätskundgebung für die argentinischen desaparecidos aufgeführt wurde. - Hans Werner Henze.

Instrumental Duet Clarinet,Instrumental Duet,Viola - Interactive Download SKU: A0.482453 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score and parts. 17 pages. Duration 542. Published by J. Randolph Hall (A0.482453). The title means Violet Dances and is pronounced Dahns meh-nehk-sheh. Danse is French and menekşe is Turkish for violet, as the group this piece is composed for is called Violet (Viola + Clarinet). Approximate time is 8.5 - 9 minutes. I. The first movement is in the Locrian mode. Sections A and B have themes that go TRIP-el-et DOU-ble. Sections D (B theme) and E (A theme) return to the first two themes but now with the rhythm of DOU-ble TRIP-el-et. Section C jostles the rhythmic feel some what. This all creates a palindromic form. II. The second movement is in the synthetic key of Neapolitan Lydian. The clarinet plays the theme in the first 3 measures and then its inversion in the next 3. III. The third movement theme is seen in section G and I but swapping duplet/triplet pattern.The form is ABA. The key is once again Locrian. IV. The fourth movement's theme is in the Lydian mode. It starts off with monophony but then uses the viola's ability to slide in demonstrating Musical angles degrees [0°,45°,90°] and the form is semi-palindromic. J and O, K and N swap the triplet/duplet feel. L and M swap part between the duetists.

SAB chorus, Piano (opt. Flute & Oboe) - Digital Download SKU: IZ.VMW238 Composed by Robert M. Shearn. Score and Parts. 12 pages. Imagine Music - Digital #VMW238. Published by Imagine Music - Digital (IZ.VMW238). 9 x 12 inches.Goes the Christ works well as a performance piece or as a musical exclamation point during worship where Gospel hospitality is a prominent theme. Welcoming the stranger has deep biblical roots where towering figures, the likes of Abraham and Sarah, entertained angels unawares when offering hospitality to wayfarers. It can also function well as an Advent piece where reflection on seasonal themes such as waiting, watchfulness, expectation, and hope can attune our minds and hearts to the hidden presence of Christ who often comes to us in surprising ways. Performance-wise, simplicity is key. The overlapping harmonies, including the cascading “often, often, often, can help reinforce the oft-forgotten mystery so powerfully conveyed in Jesus' parable of the final judgment (Mt. 25:31-46 ), namely, that to welcome the stranger, is to welcome him.

0 · 2 (1. auch Engl. Hr.) · 0 · 2 - 0 · 1 · 0 · 0 - Str. (0 · 0 · 2 · 2 · 1) alto-solo, mixed choir and chamber orchestra - intermediate - Digital Download SKU: S9.Q23765 Advent Cantata for alto solo, mixed choir and chamber orchestra. Composed by Bertold Hummel. This edition: score. Downloadable, Score. Op. 8. Duration 20 minutes. Schott Music - Digital #Q23765. Published by Schott Music - Digital (S9.Q23765). German.Als umfassende, nicht nur chormusikalische Offenbarung erweist sich Bertold Hummels Adventskantate Offenbarung neuen Lebens für Alt-Solo, gemischten Chor und Kammerorchester op. 8. In seinem 1953 im Auftrag des Südwestfunks geschriebenen Werk verarbeitet der 2002 verstorbene Komponist in sechs Abschnitten frühbarocke Kirchenlieder und stellt ihnen Psalm- und Bibelsprüche des Deutschen Psalters von Romano Guardini gegenüber. Dabei wechseln Antiphon, Choralbearbeitung, Chor-Psalmodie und eine Passacaglia einander ab. Es entsteht ein rhythmisch lebhaftes sakrales Werk voller Ausdruckstiefe und herber Klarheit, in dem an alte kirchentonale Psalmtöne anknüpfende melodische Substanz verarbeitet wird. Aber auch Einflüsse des späten Strawinsky sind unverkennbar. Das rund 20-minütige Werk kann wahlweise in deutscher oder englischer Sprache und anstelle des Kammerorchesters auch mit Klavier-/Orgelbegleitung musiziert werden. Es eignet sich natürlich zur Aufführung an einem Stück, kann aber auch – wie bei der Uraufführung geschehen – mit Zwischentexten zum Advent angereichert werden. Zudem ist eine Herauslösung einzelner Abschnitte der Kantate zur musikalischen Gestaltung von Adventsgottesdiensten bei dieser vorweihnachtlichen Komposition durchaus möglich.

Bewegliche Stimmen and Instruments in polyphonen Räumen - Digital Download SKU: S9.Q42195 Composed by Dieter Schnebel. This edition: performance score. Workshop. Downloadable, Performance score. Duration 50 minutes. Schott Music - Digital #Q42195. Published by Schott Music - Digital (S9.Q42195). Museumsstücke is how Dieter Schnebel entitled his two collections of experimental music theatre pieces which he sees ‘almost as sound images, acoustic counterparts of what is hanging on museum walls’. In the first cycle he refers to different types and genres of pictures, in the second cycle he applies typical working methods of painters such as Marcel Duchamp, Yves Klein, Anselm Kiefer or Mark Rothko to the music.1. Veduta – Signalinstrumente · 2. Tempesta – Stühle · 3. Landschaft – Stimmen, Werkzeuge · 4. Nachtstimmung – Stimmen, Schwirrholz · 5. Nature morte – Plastikmaterialien · 6. Skulpturen und Porträts – Stimmen, Körperklänge · 7. Blumen und Arabesken – Stimmen, Windchimes, Glockenspiel · 8. Selbstporträt (II) – ad lib. · 9. Bauernszene – Teller, Gläser, Besteck, Stimmen · 10. Seebild – Stimmen, Wasser, Rainmaker, Möwen-schrei · 11. Waldstück – Wasser, Vogelpfeifen, Knacker, Steine · 12. Battaglia – Ratschen · 13. Triptychon · Stimme, Waldteufel [Museumsstücke (I) wurde speziell für das Museum für Moderne Kunst in Frankfurt/Main konzipiert.].