Piano - Level 3 - Digital Download SKU: A0.1279964 By Aline Barros. By Clovis Pinho. Arranged by Ivan Nylis Ribeiro Lana. 21st Century. Score (Chords/Lyrics). 1 pages. Sonia M. Beltrame #871373. Published by Sonia M. Beltrame (A0.1279964). Transcrição para partitura de base.

Piano Solo - Level 4 - Digital Download SKU: A0.958800 Composed by Roberto Lambertucci - Roberto Rufino. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 4 pages. Juan Carlos Cortés Aguirre #6873167. Published by Juan Carlos Cortés Aguirre (A0.958800). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en el tango vocalizado por el cantante chileno Antonio Prieto con el acompañamiento de la orquesta de Juan D´arienzo, con letra del cantante Roberto Rufino y música de Roberto Lambertucci. LA CALLE DEL PECADOLetra: Roberto Lambertucci.Música: Roberto Rufino.Introducción Orquesta:No hace falta que me cuentes tu pasado, aunque tengas mil pecados en tu haber,hoy tan solo me interesa tu presente y el valor de tu futuro proceder.No hagas caso, no hagas caso a lo que digan, que la envidia nunca puede hacemos mal.Piensa solo que hay un alma que te adora, y eso si, que lo tendrás que respetar.La vida no es tan cruel como uno piensa, pues existe la conciencia, la verdad y la razón,No me importan tus errores del pasado, si en la calle del pecado yo también rodé.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.Orquesta:La vida no es tan cruel como uno piensa, pues existe la conciencia, la verdad y la razón.No me importan tus errores del pasado, si en la calle del pecado yo también rodé.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME!  - Shelton

Piano Solo - Level 3 - Digital Download SKU: A0.958772 Composed by Horacio Pettorossi y Juan Carlos Marambio Catán. Arranged by Juan Carlos Cortés A. Concert,Latin,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6597445. Published by Juan Carlos Cortés Aguirre (A0.958772). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión fonográfica vocalizada por el cantor argentino Agustín Magaldi acompañado de su grupo de Guitarras.Vídeo Agustín Magaldi: https://www.youtube.com/watch?v=k5j4q... Texto:AcquaforteLetra: Carlos Marambio Catan.Música: Horacio Pettorossi.Grabado en 1933 por Carlos Gardel.Es medianoche, el cabaret despierta,muchas mujeres, flores y champán.Va a comenzar la eterna y triste fiesta,de los que viven al ritmo de un gotán.Cuarenta años de vida me encadenan,blanca la testa, viejo el corazón:Hoy puedo ya mirar con mucha pena,lo que otros tiempos miré con ilusión.Las pobres milongas, dopadas de besos,me miran extrañas, con curiosidad.Ya no me conocen: Estoy solo y viejo,No hay luz en mis ojos... La vida se va...INTERLUDIO:Un viejo verde que gasta su dinero,emborrachando a Lulú con su champán,hoy le negó el aumento a un pobre obrero,que le pidió un pedazo más de pan.Aquella pobre mujer que vende flores,y fue en mi tiempo la reina de Montmartre,me ofrece, con sonrisa, unas violetas,para que alegren, tal vez, mi soledad.Y pienso en la vida: Las madres que sufren,los hijos que vagan Sin techo ni pan,vendiendo La Prensa, ganando dos guitas...Que triste es todo esto! Quisiera llorar! Es medianoche, el cabaret despierta.Muchas mujeres, flores y champán.Va a comenzar la eterna y triste fiesta,de los que viven al ritmo de un gotán.Cuarenta años de vida me encadenan,blanca la testa, viejo el corazón:Hoy puedo ya mirar con mucha pena,Lo que otros tiempos, miré con ilusión.

Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

Piano Solo - Level 4 - Digital Download SKU: A0.1127973 By Carl Orff. By Carl Orff. Arranged by Juan Carlos Cortés Aguirre. 20th Century,Classical,Contemporary,Instructional,Medieval. Score. 2 pages. Juan Carlos Cortés Aguirre #728581. Published by Juan Carlos Cortés Aguirre (A0.1127973). De Fortuna imperatix mundi - Carmina Burana por Carl Orff , transcripción para Piano Solo por: JUAN CARLOS CORTÉS A. O Fortuna Texto en Latín: O Fortuna velut luna, statu variabilis. Semper crescis aut decrescis; vita detestabilis nunc obdurat et tunc curat ludo mentis aciem, egestatem, potestatem dissolvit ut glaciem. Sors immanis et inanis, rota tu volubilis, status malus, vana salus semper dissolubilis, obumbrata et velata michi quoque niteris; nunc per ludum dorsum nudum fero tui sceleris. Sors salutis et virtutis michi nunc contraria, est affectus et defectus semper in angaria. Hac in hora sine mora corde pulsum tangite; quod per sortem sternit fortem, mecum omnes plangite! O Fortuna. Texto en español: Oh Fortuna, como la luna variable de estado, siempre creces o decreces; ¡Qué vida tan detestable! ahora oprime después alivia como un juego, a la pobreza y al poder lo derritió como al hielo. Suerte monstruosa y vacía, tu rueda gira, perverso, la salud es vana siempre se difumina, sombrío y velado también a mí me mortificas; ahora en el juego llevo mi espalda desnuda por tu villanía. La Suerte en la salud y en la virtud está contra mí, me empuja y me lastra, siempre esclavizado. En esta hora, sin tardanza, toca las cuerdas vibrantes, porque la Suerte derriba al fuerte, llorad todos conmigo.

Piano Solo - Level 3 - Digital Download SKU: A0.1254069 By Clay Walker. By Jose Feliciano. Arranged by Sérgio Matias da Cunha. Christmas,Holiday,Latin,Pop,Traditional. Score. 2 pages. Sérgio Matias da Cunha #847675. Published by Sérgio Matias da Cunha (A0.1254069). Arranjo com sinalizações, marcações, dedilhado, cifragem e linhas de oitava; otimizando a interação, a leitura e a melhor execução desta animada, festiva e sincera canção de natal e ano novo latino americana, mundialmente reconhecida e composta pelo cantor e compositor porto-riquenho José Feliciano. Movimento ritmado através de notas sincopadas, stacatos além de variações de oitava, dando um sentido de canto e contracanto à primeira parte da melodia, que é acompanhada pela mão esquerda na clave de FA por uma distribuição harmônica contínua de consonâncias tonais perfeitas, ritmicamente padronizadas. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Easy Piano - Level 1 - Digital Download SKU: A0.1474847 By Kedma Francielle Morais Silva. By Frederic Chopin. Arranged by Kedma Francielle Morais Silva. Classical. Score. 1 pages. Kedma Morais #1052470. Published by Kedma Morais (A0.1474847). Este arranjo foi pensado para quem está começando a estudar piano e quer tocar uma das mais belas melodias da história da música sem precisar chegar a um nível avançado. Aumenta a alegria de estudar música desde os primeiros passos ao piano. A partitura foi digitalizada com um design claro para facilitar a leitura das notas. Espero que você goste e ache útil!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.950771 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score. 3 pages. Christopher M. Monteiro #3399871. Published by Christopher M. Monteiro (A0.950771). Therefore, receiving a Kingdom that can’t be shaken, let’s have grace, through which we serve God acceptably, with reverence and awe, for our God is a consuming fire.This song in E Major for Piano, Voice and Guitar has been fashioned to help you internalize God’s Word. The melody ranges from B below Middle C to the 2nd C♯ above Middle C. If playing an electronic keyboard, a right-hand Piano/String With Sustain setting and a left-hand Piano/String With Fade setting are recommended. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.

Piano Solo - Level 3 - Digital Download SKU: A0.1281082 By Andrea Bocelli. By Gatto Panceri, Mauro Mengali, and Valerio Zelli. Arranged by Sérgio Matias da Cunha. 20th Century,Instructional,Pop,Wedding. Score. 2 pages. Sérgio Matias da Cunha #872422. Published by Sérgio Matias da Cunha (A0.1281082). Arranjo claro, objetivo, conciso e acessível apresentando, marcações de cifra, dedilhado, células rítmicas envolvendo quartos de tempo, sinais de expressão, dinâmica, linha de oitava e modulação, buscando a maior fidelidade com a versão original através das notas mais marcantes e características, visando o melhor resultado com simplicidade e harmonia. Presença de sinais de repetição e retornelo também contribuem para a praticidade e a concisão deste arranjo, distribuindo toda a música em duas páginas. Acompanhamento diversificado, valorizando cada parte da melodia através de movimentos e arpejos que melhor se integram com os diferentes momentos rítmicos e demais intensões. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.1313781 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 27 pages. Sérgio Matias da Cunha #902497. Published by Sérgio Matias da Cunha (A0.1313781). Sucedendo aos “10 estudos progressivos�, e aos “25 temas didáticos - seção(a)�, nesta etapa encontram-se 25 temas com marcações de dedilhado, cuidadosamente elaborados com um diferencial de apresentar não somente as notas naturais, mas também notas alteradas com sustenido e com bemol,  de forma ocorrente e/ou fixa, assinaladas no decorrer de cada tema através de ilustrações e comentários. Os temas são baseados na disposição dos pentacórdios, movimentos paralelo, contrário e oblíquo entre as duas mãos, bem como, disposição de acordes, arpejos, cromatismos e progressões sobre os tons vizinhos diretos e indiretos da tonalidade. Conta-se ainda com diversas informações teóricas junto às respectivas partituras.  Encontre mais partituras, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.950763 Composed by Chris Monteiro. Christian,Sacred,Spiritual. Score. 4 pages. Christopher M. Monteiro #3360777. Published by Christopher M. Monteiro (A0.950763). He spread a cloud for a covering, fire to give light in the night. They asked, and he brought quails, and satisfied them with the bread of the sky. He opened the rock, and waters gushed out. They ran as a river in the dry places. For he remembered his holy word, and Abraham, his servant. He brought his people out with joy, his chosen with singing. He gave them the lands of the nations. They took the labor of the peoples in possession, that they might keep his statutes, and observe his laws.  Praise Yah! This lilting song in G Major for Piano, Voice, and Guitar has been fashioned to help you internalize God’s Word. The range of the melody is from D above Middle C to the 2nd E above Middle C. The piano part is not difficult. It has a single note melody in the right hand until the tag at the end. The left hand follows a simple arpeggiated chord pattern. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.

Flute,Piano - Level 3 - Digital Download SKU: A0.1111020 Composed by Mitchell Woodruff. New Age. Score and part. 7 pages. M. Woodruff #713290. Published by M. Woodruff (A0.1111020). A young fawn lies to rest near her mother. As her eyes close, she emerges into a dream. She frolics through the flower field and into the forest where she meets a fairy at a lake with whom she spends her time playing with. Once she wakes from her slumber, she realizes it was only a dream until she catches sight of a glimmer amongst the branches.

Easy Piano - Level 2 - Digital Download SKU: A0.1267740 By Various. By domínio público. Arranged by Sérgio Matias da Cunha. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 1 pages. Sérgio Matias da Cunha #860284. Published by Sérgio Matias da Cunha (A0.1267740). Partitura acessível com figuras rítmicas maiores que a semicolcheia e marcações de cifra e dedilhado. Arranjo alegre e movimentado, trazendo na primeira parte, a melodia tocada pela mão direita e acompanhada com a mão esquerda por acordes destacados sobre as unidades de tempo, e, na segunda parte, invertem-se os papéis na direção de uma finalização marcante e divertida. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.