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Piano Solo - Level 3 - Digital Download SKU: A0.958807 Composed by Mario Bonavita (Marf) y Vittorio Mascheroni. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6873621. Published by Juan Carlos Cortés Aguirre (A0.958807). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.BAsado en la versión del bandoneonista, compositor y director argentino Enrique Rodríguez con la vocalización del cantante Roberto El Chato Flores.BÓMBOLORumba Fox Letra y Música por: Marf (seudónimo de Mario Bonavita) y Vittorio Mascheroni Noviembre 10 de 1932Introducción tema completo:Es el admirado en los salones, por sus raras condiciones,él se cree el hombre más galante y elegante manequí.Siempre se pasea en un gran auto, este incauto figurín,y en cualquier asunto o entrevero, primero, primero él.Si se mete a una boite, o al hipódromo va, el que arrastra es Bómbolo.Si a una fiesta o reunión, va sin invitación, el que arrastra es Bómbolo.Que tiene al mirar, que tiene al hablar, ninguno lo sabe.Que tiene al decir, que tiene al reír, él solo lo sabe.La cuestión es señor, que en negocios de amor, el que arrastra es Bómbolo.Bombolito de aquí, Bombolito de allá, y el vive feliz. Interludio final.
Bómbolo - Fox por Mario Bonavita (Marf) y Vittorio Mascheroni
Piano seul

$7.99 6.94 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1254069 By Clay Walker. By Jose Feliciano. Arranged by Sérgio Matias da Cunha. Christmas,Holiday,Latin,Pop,Traditional. Score. 2 pages. Sérgio Matias da Cunha #847675. Published by Sérgio Matias da Cunha (A0.1254069). Arranjo com sinalizações, marcações, dedilhado, cifragem e linhas de oitava; otimizando a interação, a leitura e a melhor execução desta animada, festiva e sincera canção de natal e ano novo latino americana, mundialmente reconhecida e composta pelo cantor e compositor porto-riquenho José Feliciano. Movimento ritmado através de notas sincopadas, stacatos além de variações de oitava, dando um sentido de canto e contracanto à primeira parte da melodia, que é acompanhada pela mão esquerda na clave de FA por uma distribuição harmônica contínua de consonâncias tonais perfeitas, ritmicamente padronizadas. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
Feliz Navidad
Piano seul
Clay Walker
$6.99 6.07 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1510551 Composed by Sylvan (Sholom) Kalib. Arranged by Benjamin Ayotte and Steven Carryer, Editors. Holiday,Jewish,Praise & Worship,Religious,Sacred. Score. 304 pages. Ayotte Custom Musical Engravings #1085749. Published by Ayotte Custom Musical Engravings (A0.1510551). Part I: S’lichos (God the Listener)Ma NorôAshreiTzadik AdoshemB’motzôëEil MelechSh’ma KoleinuShomeir YisrôeilPart II: Rosh Hashônô (God the King)Tik’uUvashofôr GôdolÔlënuHayom Haras OlômAreshesV’al Y’dei AvôdechôHal’luyôPart III: Yom Kippur (God the Judge)Kôl NidreiYaªleT’vieinuÔnô TôvoÔshamnuRachªmônôÔvinu MalkeinuPart IV: N’ilô (God the Forgiver)Adoshem, AdoshemY’hi Rôtzon (Sh’losh Esrë Midos)Ki Ônu AmechôSh’ma YisrôeilL’shônô Habôô Birushôlôyim.
The Days of Awe for Cantor and SSA Treble Chorus (Piano-Vocal Edition, Ashk'nazic Hebrew Dialect)

$99.99 86.8 € PDF SheetMusicPlus

Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000274 Composed by Billy Strayhorn, Duke Ellington, and Johnny Mercer. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000274. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000274). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
Satin Doll
Piano, Voix et Guitare

$3.99 3.46 € Piano, Voix et Guitare PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1474794 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score and part. 31 pages. Marcos Fernandez-Barrero #1052411. Published by Marcos Fernandez-Barrero (A0.1474794). This is a transcription for alto saxophone of the ‘Toccata for Clarinet and Piano’ done by the composer himself. The original work was written in 2007 and is dedicated to Samuel Hernández, a clarinettist pursuing his Master's at the Royal Conservatoire of Scotland. The composer, who was also the pianist in their duo, wrote it during his musical training at the composition faculty of the same centre. The work reflects the composer's extensive work writing for Samuel and other performers from the woodwind faculty in between 2006 and 2009, embodying the spirit of collaboration and musical innovation.The piece was later revised and won First Prize at the II Agustín Ramos Chamber Music Composition Competition, leading to the programme of its premiere on January 27, 2018, at the Agustín Ramos Chamber Music Festival in La Candelaria (Tenerife, Spain).The Toccata showcases a lively interplay between clarinet and piano, featuring rhythmic vigor and expressive lyrical moments. This dynamic and engaging piece is a testament to the enduring partnership and artistic journey shared by colleagues and friends._________________________________________________Esta es una transcripción para saxofón alto de la ‘Toccata for Clarinet and Piano’ realizada por el compositor. La obra original fue escrita en 2007 y dedicada a Samuel Hernández, un clarinetista que cursaba su Master en el Royal Conservatoire of Scotland. El compositor, quien también era el pianista en su dúo, la escribió durante su formación musical en la facultad de composición del mismo centro. La obra refleja el extenso trabajo del compositor escribiendo, no solo para Samuel si no también para otros instrumentistas de la facultad de viento madera entre 2006 y 2009, encarnando el espíritu de colaboración e innovación musical.La pieza fue revisada y ganó el Primer Premio en el II Concurso de Composición de Música de Cámara Agustín Ramos, lo que programó su estreno el 27 de enero de 2018 en el Festival de Música de Cámara Agustín Ramos en La Candelaria (Tenerife, España).La Toccata busca una interacción animada entre clarinete y piano, con vigor rítmico y momentos líricos expresivos. Esta pieza dinámica y cautivadora es un testimonio de la duradera asociación y el viaje artístico compartido por colegas y amigos.
Toccata for Alto Saxophone and Piano
Saxophone Alto et Piano
Marcos Fernandez-Barrero
$14.95 12.98 € Saxophone Alto et Piano PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.802701 Composed by Josef Weinberger. Arranged by arr. R Woschnjak & Peet du Toit. Contemporary. Score and parts. 13 pages. Peet du Toit #6859613. Published by Peet du Toit (A0.802701). Josef Weinberger has been synonymous with popular musical theater for over 125 years. Weinberger was born the son of a goldsmith in Lipto St. Miklo in Hungary but his family moved to Vienna in 1865. In 1885 Josef Weinberger and Carl Hofbauer started an art and music store in Vienna, but the partnership ended when both partners set up on their own, Weinberger in 1890 and Hofbauer in 1892. Weinberger saw the potential, in publishing and licensing, of the craze for operetta, and made a connection with Johann Strauss II. Within a few years all the great operetta composers were his clients: Strauss, Millöcker, Zeller, Kálmán, Oscar Straus, Stolz, and Fall. He even provided licensing services for the last great Viennese operetta composer, Franz Lehár, who from the 1920s published through his own company, Glocken-Verlag.The firm expanded quickly, opening branches in Paris (1885) and Leipzig (1889) where they worked with Friedrich Hofmeister. One of the most remarkable aspects of the developing Weinberger catalogue was the commitment to Czech music, and from April 1893 to August 1894 the Hofmeister entries were almost all by Smetana (various publications of Dalibor and HubiÄka as well as overtures) and Vilém Blodek (V studni); later additions included Tajemstvi (1895) and  LibuÅ¡e (1897). Otherwise most of the repertoire was of popular music for various combinations, not least military bands, with von Suppé figuring prominently from 1895 onwards.The mid 1890s also saw significant enlargements of the Weinberger catalogue through the acquisition of other publisher's lists: in 1894 the ancient firm of Artaria, then in 1895 items from the Kratochwill catalogue and over 1,500 works from the Kratz catalogue of theatrical works. This latter acquisition included a number of works with international performing rights, which encouraged Weinberger to open a Parisian branch in 1896, but it also reflected a shift in Weinberger's publishing interests towards theatrical music generally. Another major step in that direction was taken in 1897, when the entire theatrical catalogue of Gustav Lewy â€“ which included the stage works of Johann Strauss the younger and Millöcker – were taken over (with the Strauss performing rights following in 1899).Weinberger was active in three other fields apart from popular music. Firstly, he was Gustav Mahler's third publisher, issuing the Lieder eines fahrenden Gesellen in 1897, and distributing Symphonies nos 1-3, Das klagende Lied and Lieder aus des Knaben Wunderhorn (1900) on behalf of the owner of the publishing rights, the Erste Wiener Zeitungsgesellschaft. Secondly, he took an active part in setting up a trade association, AKM (Gesellschaft der Autoren, Komponisten und Musikverleger or society of authors, composers and publishers) to collect the performance fees due for non-theatrical musical works, in 1897. Finally, Weinberger was the driving force behind the founding of Universal Edition in Vienna in 1901, and not only served as its managing director until 1906 (when he was replaced by Arthur Fadüm), but also provided the new company with space in his own firm's premises until 1908.This orchestration is for a brass quintet. The French Horn acts as a substitute or support for Trumpet 2.
Hermine - Josef Weinberger arr. R Woschnjak (Brass Sextet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$14.00 12.15 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)

$3.50 3.04 € Hautbois (partie séparée) PDF SheetMusicPlus

Small Ensemble Celesta,Piano Accompaniment,Voice - Level 3 - Digital Download SKU: A0.950769 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 5 pages. Christopher M. Monteiro #3384825. Published by Christopher M. Monteiro (A0.950769). Behold, I tell you a mystery. We will not all sleep, but we will all be changed, in a moment, in the twinkling of an eye, at the last trumpet. For the trumpet will sound and the dead will be raised incorruptible, and we will be changed. This song in Eâ™­ Major for Piano (or Celeste) and Voice has been fashioned to help you internalize God’s Word.The melody ranges from Bâ™­ below Middle C to the 2nd Eâ™­ above Middle C. It is interspersed with open, bell-like chords in the upper treble staff. The left-hand pattern repeats every two measures throughout. The effect should be mystical and a little dreamy. If playing an electronic keyboard, a celesta setting is recommended. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
We Will Be Changed (1 Corinthians 15.51-52 WEB)

$2.99 2.6 € PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (partie séparée)

$3.50 3.04 € Flute (partie séparée) PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.958740 Composed by Israel Motato. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Holiday,Love,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6118187. Published by Juan Carlos Cortés Aguirre (A0.958740). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Composición musical por Israel Motato, nacido el 24 de abril de 1922 en Caicedonia, Valle, radicado en el municipio de Riosucio, Caldas, donde compuso esta obra tan popular. Basado en la versión vocalizada por el cantante argentino Antonio Tormo.Texto:Ocúltame esos ojos.Pasillo lento por:Israel Motato.Introducción:Ocúltame esos ojos que nunca han de mirarme,que no hablen esos labios tan mudos para mí.Sé que he venido tarde, muy tarde para amarte,y nada significan, mis besos para ti.Interludio:Tus miradas son falsas, y hoy miro en tus fulgores,la mar está revuelta, y el cielo siempre azul.Pues siento que me agobia la sed de mis pesares,pero esa sed que siento, calmar no puedes tú.Interludio:Quién hubiera sabido que a mi dolor eterno,una mujer tan bella, pusiera un grado más.Pues siento en un instante, mi cielo en un infierno,y miro hacia lo lejos, la barca en que te vas.Interludio:¡Oh! Dios... Oh! virgen bella, tú fuiste una quimera,recordarás la historia, que fui tu trovador.Que besen otros labios, tu linda cabellera,que estrechen otros brazos, tu talle encantador.
Ocúltame esos ojos. Pasillo lento por Israel Motato
Piano seul

$7.99 6.94 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1127973 By Carl Orff. By Carl Orff. Arranged by Juan Carlos Cortés Aguirre. 20th Century,Classical,Contemporary,Instructional,Medieval. Score. 2 pages. Juan Carlos Cortés Aguirre #728581. Published by Juan Carlos Cortés Aguirre (A0.1127973). De Fortuna imperatix mundi - Carmina Burana por Carl Orff , transcripción para Piano Solo por: JUAN CARLOS CORTÉS A. O Fortuna Texto en Latín: O Fortuna velut luna, statu variabilis. Semper crescis aut decrescis; vita detestabilis nunc obdurat et tunc curat ludo mentis aciem, egestatem, potestatem dissolvit ut glaciem. Sors immanis et inanis, rota tu volubilis, status malus, vana salus semper dissolubilis, obumbrata et velata michi quoque niteris; nunc per ludum dorsum nudum fero tui sceleris. Sors salutis et virtutis michi nunc contraria, est affectus et defectus semper in angaria. Hac in hora sine mora corde pulsum tangite; quod per sortem sternit fortem, mecum omnes plangite! O Fortuna. Texto en español: Oh Fortuna, como la luna variable de estado, siempre creces o decreces; ¡Qué vida tan detestable! ahora oprime después alivia como un juego, a la pobreza y al poder lo derritió como al hielo. Suerte monstruosa y vacía, tu rueda gira, perverso, la salud es vana siempre se difumina, sombrío y velado también a mí me mortificas; ahora en el juego llevo mi espalda desnuda por tu villanía. La Suerte en la salud y en la virtud está contra mí, me empuja y me lastra, siempre esclavizado. En esta hora, sin tardanza, toca las cuerdas vibrantes, porque la Suerte derriba al fuerte, llorad todos conmigo.
O Fortuna de Carmina Burana por Carl Orff
Piano seul
Carl Orff
$7.99 6.94 € Piano seul PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1165156 Composed by Emmanuel Cabrera Lagunas. Chamber,Contemporary,Latin. 15 pages. Emmanuel Cabrera Lagunas #765506. Published by Emmanuel Cabrera Lagunas (A0.1165156). Grutas es una pieza para cuarteto de guitarras escrita para estudiantes de nivel básico e intermedio en un lenguaje modal, su nombre hace alusión a las resonancias y rebotes sonoros que se generan en las Grutas de Tolantongo, uno de los atractivos naturales más representativos del estado de Hidalgo, del cual es oriundo el compositor. La obra se encuentra dedicada a sus alumnos y a quien fue su maestro de composición durante sus estudios de licenciatura. Fue escrita expresamente para una convocatoria internacional de la editorial española Musicalis, siendo elegida y publicada en el Ãlbum del XXV aniversario de la revista ¨Música y Educación¨.
Grutas

$8.00 6.94 € PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre

$20.00 17.36 € Orchestre de chambre PDF SheetMusicPlus






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