Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.

Piano Solo - Digital Download SKU: A0.903575 Composed by M. Stallwood. Blues,Film/TV,Jazz,Ragtime. Score. 5 pages. Mel Stallwood #33021. Published by Mel Stallwood (A0.903575). A Stride/Ragtime novelty piano piece. This week I have been watching the World Snooker Championships. (pity about the'Rocket') Anyway John Virgo's legendary phrase Where's the white ball going? is my latest obsession, so it is now immortalised in music.

Piano Trio - Level 1 - Digital Download SKU: A0.548647 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 7 pages. Jmsgu3 #3407487. Published by jmsgu3 (A0.548647). O Come, All Ye Faithful O Come, All Ye Faithful arranged for piano trio ( piano, violin & cello) featuring a thought-provoking re-harmonization of the final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other poems are used for whether the event is Midnight Mass or regular daytime Mass.  

Concert Band - Level 3 - Digital Download SKU: A0.1496658 By Astor Piazzolla. By Astor Piazzolla. Arranged by Alexis Galfre. 20th Century,Multicultural,World. 13 pages. Alexis Galfre #1073172. Published by Alexis Galfre (A0.1496658). Arrangement for symphonic band of one of Astor Piazzolla's most emblematic works, Adios Nonino. This arrangement is based on one of the interpretations made by Piazzolla himself and his quintet.Arreglo para banda sinfónica de una de las más emblemáticas obras de Astor Piazzolla, Adios Nonino. Este arreglo se basa en una de las interpretaciones realizada por el mismo Piazzolla y su quinteto.Arrangiamento per banda sinfonica di una delle opere più emblematiche di Astor Piazzolla, Adios Nonino. Questo arrangiamento si basa su una delle interpretazioni fatte dallo stesso Piazzolla e dal suo quintetto.

Guitar - Level 2 - Digital Download SKU: A0.1311400 By Public Domain. By Public Domain. Arranged by Transcription David Puc N. Latin,Multicultural,Traditional,World. Chords/Lyrics. 2 pages. David Puc N #900404. Published by David Puc N (A0.1311400). Mayan: X -OOKOLSpanish: LA LLORONACanción PopularPaís: MéxicoTonalidad: Bm.

Easy Piano - Level 1 - Digital Download SKU: A0.1224110 By Sérgio Matias da Cunha. By domínio público. Arranged by Sérgio Matias da Cunha. Children,Folk,Instructional,Traditional. Score. 2 pages. Sérgio Matias da Cunha #820205. Published by Sérgio Matias da Cunha (A0.1224110). Figuras rítmicas maiores que a semicolcheia. Mão esquerda minimalista e objetiva, buscando o melhor efeito e harmonia com extrema simplicidade. Informações de teoria e observações práticas na própria partitura. Anexo, padrão de acompanhamento e gravação. Ideal para ser executada por dois teclados e flauta doce. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano Solo - Level 1 - Digital Download SKU: A0.991872 Composed by Eraldo Di Addario. Contemporary. Score. 2 pages. Eraldo Di Addario #4580401. Published by Eraldo Di Addario (A0.991872). You can play it in concert also for money and sell the CD. Always tell I'm the composer and where you found the score. If you please to receive news about me (new releases etc.) write to compositoreitaliano@gmail.comThanks

Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass.  

3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - Digital Download SKU: S9.Q41782 For orchestra. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q41782. Published by Schott Music - Digital (S9.Q41782). The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods.In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original.I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings.There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo.They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing.Something of this is in the music.Gerald Barry, 2009.

Instrumental Solo,Keyboard - Level 1 - Digital Download SKU: A0.1098397 Composed by Amy Marcy Beach, Elena Gnesina, Elisabetta de Gambarini, Florence Newell Barbour, Germaine Tailleferre, Magdalena d'Arrest, and Mel (Mélanie) Bonis. Arranged by Camille Weber. 19th Century,20th Century,Baroque,Classical,Instructional. Individual part. 29 pages. Camille Jensen Weber #702258. Published by Camille Jensen Weber (A0.1098397). Volume One of Mothers of Music showcases elementary-level piano pieces written by female composers before the 21st century. The thirteen pieces in this volume span a variety of nationalities, styles, and time periods, but all are accessible to early piano students and allow them to hear and experience the voices of women from a young age. Contents: 1. Skipping Song - Elena Gnesina 2. Summer Day - Elena Gnesina 3. Falling Leaves - Elena Gnesina 4. Among the Fairies - Florence Newell Barbour 5. Gigaa - Magdalena d'Arrest 6. Minuet in C - Magdalena d'Arrest 7. La Machine a Coudre - Mel Bonis 8. Andantino - Germaine Tailleferre 9. Little March - Elena Gnesina 10. La Toupie - Mel Bonis 11. Minuet - Elisabetta de Gambarini 12. Gouettes de Pluie - Mel Bonis 13. Pierrot and Pierette - Amy Beach.

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548510 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388105. Published by jmsgu3 (A0.548510). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. Clarinet in Bb. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like the oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is probably the most common in the English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.  

Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.991880 Composed by Eraldo Di Addario. Pop. Score. 42 pages. Eraldo Di Addario #4602365. Published by Eraldo Di Addario (A0.991880). This is a song. You can complete the lyrics. Tell Always I'm the composer and where you found the score. If you need an original song please contact me at compositoreitaliano@gmail.com and send me the lyrics: we will agree about a price for the composition.

Concert Band - Level 1 - Digital Download SKU: A0.1435814 Composed by Brian Harris. Arranged by Brian Harris. Christmas,Holiday,Instructional,Traditional. 26 pages. HMS Music #1015909. Published by HMS Music (A0.1435814). ___________________________With a nice minor mode sound and a propelling timpani line, TIDINGS OF JOY opens with God Rest Ye, Merry, harmonized in drone fashion, then features a soli middle section of Pat-a-Pan for which you audition the players who get to play this more difficult middle section (keeps your best players challenged!) while the rest of the band vocalize a single pitch on ahh. The piece then recaps with God Rest You Merry with a slightly fuller instrumentation and a simple flute obligato line.FEATURES: Melody opportunities for all wind parts; Multiple percussion parts give colorful sound; timpani provide bass ostinato; Students sing ahh on a single note - great for improving intonation!; Soli section in middle will motivate players to learn the part so they get to play the melody (keeps your better players challenged); Low brass parts are very simple.RANGES: C minor (3 flats). Some Clarinets play low G and F (m. 14 and 48) - put your best players on these low notes and have rest play the comfortable notes of D and C.CHALLENGES: Appropriate for young players who have encountered eighth-notes and the key of E-flat; Independence of lines (melody played with/against simple bass and accompaniment; simple flute obligato line in last section); Some slurs and eighth-notes; Key/few accidentals (mostly in flutes, oboe, clarinet, and trumpet); A few extended range notes for some parts.INSTRUMENTATION: includes Full Conductor Score (8 pages) and PARTS (16 pages): one each for Flute, Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn in F, Trombone/Euphonium/Bassoon, T.C. Euphonium, Tuba, Percussion 1 (Suspended Cymbal/Tenor Drum, Bass Drum), Percussion 2 (Triangle, Finger Cymbals), Timpani (3 or 4 drums), Bells/Tambourine, Chimes.PERCUSSION: parts to occupy 9 or more players; playable by as few as four players.MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, 2 Clarinets, Alto Sax, Trumpet, 1 Percussion (Timpani), and 2 bass voices (Voice 1: Trombone, Horn, or Tenor Sax; Voice 2: Bassoon, Bass Clarinet, Bari Sax, or Tuba).NOTE: This Digital Download document is assembled with the Clarinet part appearing as page 1 so you may view it as you listen to the sound file. When you print the full document (25 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. Also included is a SITE LICENSE granting permission to photocopy as many SCORES or PARTS as needed for use by your school. (BcP-YB)___________________________Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at public school and college levels. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________.

Easy Piano - Level 2 - Digital Download SKU: A0.1228010 By Sérgio Matias da Cunha. By Johann Strauss. Arranged by Sérgio Matias da Cunha. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 3 pages. Sérgio Matias da Cunha #824001. Published by Sérgio Matias da Cunha (A0.1228010). Figuras rítmicas maiores que a semicolcheia e tonalidade acessível. Arranjo conciso, mantendo padrão rítmico na mão esquerda. Abordagem objetiva e clara, buscando o melhor efeito e harmonia com simplicidade e elegância. Anexo, padrão de acompanhamento; dicas de intervalo; dicas de harmonia e gravação. Ideal para ser executado por dois teclados e violino. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques� no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).

Piano Solo - Level 3 - Digital Download SKU: A0.991859 Composed by Eraldo Di Addario. Contemporary. Score. 2 pages. Eraldo Di Addario #4579191. Published by Eraldo Di Addario (A0.991859). This is a piece for a theatrical show. You can play it in concert also for money and sell the CD. Always tell I'm the composer and where you found the score. If you want to have a contact with me write to compositoreitaliano@gmail.com.Thanks.