Piano,Tuba - Level 5 - Digital Download SKU: A0.811237 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gordon Cherry #6404885. Published by Gordon Cherry (A0.811237). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Tuba and Piano as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.

Concert Band - Level 2 - Digital Download SKU: A0.1026295 Composed by José Molero. Arranged by José Molero. Musical/Show. Score and parts. 45 pages. Jose Molero Nevado #6051317. Published by Jose Molero Nevado (A0.1026295). Il était une fois Cébenna, fille des Titans condamnés par Zeus à espérer l'amour sans jamais l'atteindre. Eperdue de chagrin, elle vint s'étendre au sommet de la montagne pour y mourir. La Nature, attendrie par son triste destin, lui confectionna un écrin de pierre pour l'éternité. Il était une fois Cébenna, fille des Titans condamnée par Zeus à espérer l'amour sans jamais l'atteindre. Affolée de chagrin, elle vint s'allonger au sommet de la montagne pour y mourir. La nature, touchée par son triste sort, en fit un écrin de pierre pour l'éternité.

Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi...  Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi...  Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.

Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.811238 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and individual part. 5 pages. Gordon Cherry #6404889. Published by Gordon Cherry (A0.811238). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Bass Trombone and Piano as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.

Digital Download SKU: A0.1415585 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Contemporary,Multicultural,Romantic Period,Standards,World. Full Performance. Duration 241. ArtIA #997303. Published by ArtIA (A0.1415585). Redécouvrez le classique Le Coup de Soleil, réimaginé avec passion et un talent inédit par Cédric. Cette version revisitée du clip apporte une nouvelle profondeur à la mélodie intemporelle de Richard Cocciante, grâce à une interprétation vocale à la fois fraîche et émouvante.Le clip débute sur l'image poétique d'un lever de soleil, métaphore parfaite de renouveau et d'espoir, avant de nous plonger dans l'univers personnel de Cédric. Sa voix, mêlant force et vulnérabilité, donne une nouvelle vie à l'histoire d'amour ardente et complexe au cœur de la chanson.À travers une série de scènes visuellement captivantes, le clip alterne entre des moments de performance intime de Cédric en studio et une narration visuelle des hauts et des bas d'une romance tumultueuse. Chaque note et chaque parole sont magnifiées par l'authenticité et la passion de son interprétation.La caméra capture des instants de bonheur pur et de désespoir profond, illustrant le voyage émotionnel des amants, tandis que la voix de Cédric guide l'auditeur à travers leur histoire. Les défis et les réconciliations du couple sont dépeints avec une sensibilité qui touche directement le cœur.Le climax du clip est une célébration visuelle et musicale de l'amour retrouvé, où la puissance de la chanson et l'intensité de l'interprétation atteignent leur apogée. C'est une explosion d'émotions qui capture l'essence même du coup de soleil : brûlant, inoubliable, et transformateur.En conclusion, le clip se referme sur une note d'espoir, les premières lueurs de l'aube apportant la promesse d'un nouveau départ. C'est une fin qui laisse les spectateurs inspirés, contemplatifs, et impatients de voir où la voix unique de Cédric peut encore les emmener.Le Coup de Soleil par Cédric est plus qu'une simple reprise ; c'est une œuvre d'art à part entière. Le clip, enrichi par sa voix captivante, invite à une expérience immersive qui résonne longtemps après la fin de la chanson.

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1489448 By Elvis Costello. By Charles Aznavour and Herbert Kretzmer. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Classical,Film/TV,Pop,Wedding. Score. 2 pages. Japan Duo Notes #1066310. Published by Japan Duo Notes (A0.1489448). She (Tous les visages de l'amour) – Charles Aznavour | Flute Duet ArrangementCapture the romantic essence of Charles Aznavour’s timeless classic She (Tous les visages de l'amour) with this elegant flute duet arrangement. Known for its heartfelt melody and poetic lyrics, She has touched listeners around the world with its expression of deep love and admiration. This arrangement for two flutes beautifully conveys the song’s emotional depth, making it an ideal choice for weddings, recitals, or special performances. Designed for intermediate players, this duet allows flutists to explore the rich harmonies and lyrical beauty of Aznavour’s masterpiece, bringing a touch of French romance to your repertoire. Perfect for those seeking a moving and memorable musical experience.

Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. · Gong · 2 Tamt. · gr. Tr. · Log Drum) - Klav. (auch Cel.) - Vl. (auch Va. u. Handgl.) · Vc. (auch Handgl.) ensemble - difficult - Digital Download SKU: S9.Q2922 Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q2922. Published by Schott Music - Digital (S9.Q2922). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella Concierto Barocco by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Filmmusik zu Alain Resnais‘ Film „L’amour à mort Alain Resnais hatte mich gebeten, das Vor-, Zwischen- und Nachspiel der Filmmusik so zu schreiben, daß diese den drei Hauptabschnitten, Sätzen bzw. Strukturen untergeordnet wären: Das Vor-spiel war sonatenförmig, das Zwischenspiel als Arie angelegt und das Nachspiel schließlich eine Passacaglia. Die Form sowie das Fortschreiten dieser drei Sätze stehen im direkten Zusammenhang mit der Struktur des Films. Die Sonate enthält zwei kontrastierende Hauptelemente. Hiervon be-zieht sich das eine auf Elisabeth und ihre Ekstase der Liebe und Furcht; das andere verkörpert Bedrohung, Angst und tonales Symbol, das mit der ständig wachsenden Zahl von den Tod betref-fenden Bildern sowie der Faszination, die diese auf Simon aus-üben, in Zusammenhang steht. Der Sonatensatz endet mit dem Tod von Simon. Der zweite Satz, die MELODIE voller tragischer Akzente und versteckter Anspielungen auf Symbole und Gestik der Oper des 18. Jahrhunderts, enthält Hinweise auf den thematischen Stoff des ersten Satzes. Resnais bezeichnet dies als „la separation (die Trennung). Hierbei geht es um die Zeit zwischen Simons Tod und Elisabeths Entscheidung, ihm zu folgen. Im Film wird die MELODIE (deren Zeilen eine fast buchstäbliche Umsetzung des gesprochenen Textes sind, wie z.B. „je te promets (ich verspreche Dir), durch die Handlung und die Dialoge in regelmäßigen Abständen durchbrochen, jedoch dann immer wieder aufgenommen. Vom Konzept her soll sie durchgängig gespielt werden. Die MELODIE verklingt ganz allmählich und nähert sich dem Rezitativ, ja Ausruf, so als wolle sie Elisabeth in ihrem Klagen und ihren Schmerzensschreien unterstützen und mit ihr sagen: „Je déteste la vie sans Simon (Ich verabscheue ein Leben ohne Simon). Die Passacaglia am Schluß stellt „le départ (den Abschied) dar. Der Bass, in der Regel von der Pauke gespielt, besteht aus den hohen Noten des Themas, das (von der Bassklarinette) im 1. Satz eingeführt worden war, um Simon im Reich der Toten zu zeigen. Fragmente und Erinnerungen an vorausgegangene Ereignisse werden durch den beharrlichen Bass im Herzschlag Rhythmus eingeworfen, wobei die Musik aus dem Reich der Toten allmählich von den untersten Registern, gleichsam einer Flut, aufsteigt, den gesamten Raum einnimmt und letztlich alles andere überdeckt und auslöscht. -Hans Werner Henze.

Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533420 Arranged by Musik Fabrik Music Publishing. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913427. Published by Musik Fabrik Music Publishing (A0.533420). A setting of a poem by Paul Verlaine. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Bb minor Duration: aprox. 4 minutes 30 secondsJe ne sais pourquoiMon esprit amerD’une aile inquiète et folle vole sur la mer.Tout ce qui m’est cher,D’une aile d’effroiMon amour le couve au ras des flots. Pourquoi, pourquoi ?Mouette à l’essor mélancolique,Elle suit la vague, ma pensée,À tous les vents du ciel balancéeEt biaisant quand la marée oblique,Mouette à l’essor mélancolique,Ivre de soleilEt de liberté,Un instinct la guide à travers cette immensité.La brise d’étéSur le flot vermeilDoucement la porte en un tiède demi-sommeil.Parfois si tristement elle crieQu’elle alarme au lointain le pilote,Puis au gré du vent se livre et flotteEt plonge, et l’aile toute meurtrieRevole, et puis si tristement crie !Je ne sais pourquoiMon esprit amerD’une aile inquiète et folle vole sur la mer.Tout ce qui m’est cher,D’une aile d’effroiMon amour le couve au ras des flots. Pourquoi, pourquoi ?

Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1455249 Composed by Traditional. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Traditional,Wedding. 6 pages. Glauco Fernandes #1034319. Published by Glauco Fernandes (A0.1455249). Exclusive Sheet Music: Arrangement of Spanish RomanceAre you passionate about music? Then we have the perfect offer for you! We present the exclusive sheet music arrangement of Spanish Romance, also known as Romanza, Jeux Interdits, Romance d'Amour, and Romance de Amor.Why choose our arrangement?This arrangement has been carefully crafted to capture the essence and beauty of the original piece. Each note is designed to provide the best musical experience.The sheet music is easy to follow, making it ideal for students learning to play, teachers looking for quality teaching material, and professionals performing at events, including weddings. With precise indications, you will be able to play the music with confidence and ease.Moreover, Spanish Romance is a versatile piece that can be performed on various occasions, from intimate concerts to larger events. Its captivating melody is sure to enchant any audience.Add Spanish Romance to your repertoire and captivate everyone with this timeless melody. Get your sheet music now!Note: The authorship of Spanish Romance (also known as Romanza, Romance D'Amor, Jeux Interdits) is somewhat uncertain and disputed. Many sources attribute the composition to anonymous creators, while others suggest names such as Narciso Yepes, Antonio Rubira, or even Fernando Sor. However, there is no definitive consensus on the true composer of the piece.Tags: How To Play Spanish Romance, Spanish Romance Sheet, Spanish Romance PDF, Wedding Song Sheet, Wedding Sheet Music Easy, Wedding Sheet Music PDF, Wedding Chamber Music Sheet, Piano Sheet, Buy Sheet Music.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535408 Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #4285279. Published by Musik Fabrik Music Publishing (A0.535408). Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard SouberbielleHis duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.4. Pastoureaux et Pasturelles1. Pastoureaux et pastourelles, Arrivent très vitementEt volant à tire d’aile, Des anges chantent gaiement.Gloria in excelsis, In excelsis Deo!2. Quelle est dans cette nouvelle, Qui s’lève jusqu’aux cieux?Pastoureaux et pastourelles, Que faites-vous en ce lieux?Gloria in excelsis, In excelsis Deo!3. Je viens voir ce bel enfantQu’en dit couché sur la pailleNous voulons dès maintenant, Le voir avant qu’il s’en aille.Gloria in excelsis, In excelsis Deo!4. On dit que dans une étableDans Bethléem assoupi, Un petit enfant aimableEst né puis s’est endormi.Gloria in excelsis, In excelsis Deo!5. Le monde entier qui l’ignoreSaura demain pour toujours.Que le ciel entier l’adore, L’enfant Dieu source d’amour.Gloria in excelsis, In excelsis Deo!