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Concert Band - Digital Download SKU: A0.933909 Composed by William Pagan-Perez. Contemporary. Score and parts. 140 pages. William Pagan-Perez #6367675. Published by William Pagan-Perez (A0.933909). This single-movement piece for a small wind ensemble (or chamber winds) is a part of a friendly request by concert band conductor Prof. Bartolo Vargas-Cruz. Prof. Vargas-Cruz asked for a new short and very energetic piece for 15 musicians with specific instrumentation due to the circumstances during the COVID-19 pandemic. Prof. Vargas-Cruz's idea was to develop a new type of repertoire to perform online (live-streaming) concerts with a reduced personal on stage or to record the music on a multi-track video/audio project.
Concertante Boricua No. 3 For Bass Trombone And Small Wind Ensemble
Orchestre d'harmonie

$20.00 17.09 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.933908 Composed by William Pagan-Perez. Contemporary. Score and parts. 65 pages. William Pagan-Perez #6367663. Published by William Pagan-Perez (A0.933908). This single-movement piece for a small wind ensemble (or chamber winds) is a part of a friendly request by concert band conductor Prof. Bartolo Vargas-Cruz. Prof. Vargas-Cruz asked for a new short and very energetic piece for 15 musicians with specific instrumentation due to the circumstances during the COVID-19 pandemic. Prof. Vargas-Cruz's idea was to develop a new type of repertoire to perform online (live-streaming) concerts with a reduced personal on stage or to record the music on a multi-track video/audio project.
Mabodamaca's Meditation For Bass Trombone and Small Wind Ensemble
Orchestre d'harmonie

$20.00 17.09 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.933905 Composed by William Pagan-Perez. Contemporary. Score and parts. 35 pages. William Pagan-Perez #6367619. Published by William Pagan-Perez (A0.933905). This single-movement piece for a small wind ensemble (or chamber winds) is a part of a friendly request by concert band conductor Prof. Bartolo Vargas-Cruz. Prof. Vargas-Cruz asked for a new short and very energetic piece for 15 musicians with specific instrumentation due to the circumstances during the COVID-19 pandemic. Prof. Vargas-Cruz's idea was to develop a new type of repertoire to perform online (live-streaming) concerts with a reduced personal on stage or to record the music on a multi-track video/audio project.
Fanfare and Jibaro Theme For Small Wind Ensemble
Orchestre d'harmonie

$20.00 17.09 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.933906 Composed by William Pagan-Perez. Contemporary. Score and parts. 43 pages. William Pagan-Perez #6367631. Published by William Pagan-Perez (A0.933906). This single-movement piece for a small wind ensemble (or chamber winds) is a part of a friendly request by concert band conductor Prof. Bartolo Vargas-Cruz. Prof. Vargas-Cruz asked for a new short and very energetic piece for 15 musicians with specific instrumentation due to the circumstances during the COVID-19 pandemic. Prof. Vargas-Cruz's idea was to develop a new type of repertoire to perform online (live-streaming) concerts with a reduced personal on stage or to record the music on a multi-track video/audio project.
Fanfare and Danceable Mood For Small Wind Ensemble
Orchestre d'harmonie

$20.00 17.09 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.933907 Composed by William Pagan-Perez. Contemporary. Score and parts. 41 pages. William Pagan-Perez #6367655. Published by William Pagan-Perez (A0.933907). This single-movement piece for a small wind ensemble (or chamber winds) is a part of a friendly request by concert band conductor Prof. Bartolo Vargas-Cruz. Prof. Vargas-Cruz asked for a new short and very energetic piece for 15 musicians with specific instrumentation due to the circumstances during the COVID-19 pandemic. Prof. Vargas-Cruz's idea was to develop a new type of repertoire to perform online (live-streaming) concerts with a reduced personal on stage or to record the music on a multi-track video/audio project.
Fanfare and Traditional Danza For Small Wind Ensemble
Orchestre d'harmonie

$20.00 17.09 € Orchestre d'harmonie PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download SKU: A0.866120 Composed by Gioachino Rossini, Frederic Chopin. Arranged by Yoon Jae Lee. Instructional,Opera,Romantic Period,Standards. Score and part. 31 pages. Ondine Press #5377025. Published by Ondine Press (A0.866120). This is a piano reduction to Yoon Jae Lee’s arrangement, Variations on “Non più mesta†for flute and orchestra. The full score and set of parts are available separately. Rossini's aria from La Cenerentola Non più mesta has been a popular theme since it was first composed and is one of his most recognized tunes. Many paraphrases and variations were written on it in the 19th century for various instruments including one for violin and orchestra by Paganini. One set of variations for flute and piano is attributed to a young Chopin, who is said to have composed it for his father. For this arrangement, the variations have been expanded with an introduction and coda from the opera. A newly written orchestral accompaniment in the style of Chopin and Rossini was made along with interludes between the variations to allow the soloist to rest. The result is a new 10 minute showpiece for flute and orchestra in the same vein as Chopin's Variations on La ci da rem la mano and Rossini's variations for clarinet and orchestra. The flute part from the variations has not been altered so it is hoped that this new compilation will be a welcome addition to the solo flute repertoire. Perusal score: https://issuu.com/ondinepress/docs/rossini-chopin_-_variations_on__non.
Variations on "Non piu mesta" for Flute and Piano
Flûte traversière et Piano

$15.00 12.82 € Flûte traversière et Piano PDF SheetMusicPlus

Flute,Piano - Digital Download SKU: A0.1070530 Composed by B Godard. Arranged by Grant Horsley. Concert,Instructional,Romantic Period,Standards. Accompaniment. Duration 615. Grant Horsley #6384579. Published by Grant Horsley (A0.1070530). This is the wonderful Flute and piano-Recital piece by Godard- This MP3 is for the piano accompaniment only of all 3 movements- around 10 minutes. There is a small gap between the movements.Recorded live on a digital piano by a professional pianist with use of technology to enhance. The tempo is within the parameters of accepted speed. It has areas with a gentle click for entry points-which could be edited out if necessary.A very useful addition when you don't always have a pianist handy, or in preparation for a recital, concert, or exam- or just playing!
"Suite De Trois Morceaux op116" B Godard- Flute and Piano. PIANO ACCOMPANIMENT TRACK COMPLETE
Flûte traversière et Piano

$4.50 3.84 € Flûte traversière et Piano PDF SheetMusicPlus

Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Flute (partie séparée)

$3.50 2.99 € Flute (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
Hautbois (partie séparée)

$3.50 2.99 € Hautbois (partie séparée) PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)

$3.50 2.99 € Hautbois (partie séparée) PDF SheetMusicPlus






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