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Small Ensemble Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.976827 Composed by Monica Bergo. 20th Century. Score and parts. 54 pages. Monica Bergo #3234597. Published by Monica Bergo (A0.976827). 2017 Holiday Contest Entry                                IL SOLE E LA LUNA (aspettando l’eclissi)   Vorrei andarmene lontano In questi giorni senza te Vorrei sparire come un sogno Che se apri gli occhi più non c’è Vorrei tornare indietro al tempo In cui esistevi solo tu Ai bei momenti passati , le risate ed i baci Come il sole e la luna io e te   Ma poi ritorno al mio presente E la tua assenza brucia in me Così lontani e distanti Tu , come tutti quanti E gentili parole che svaniscono al sole   Noi siamo come sole e luna Che non si incontreranno  mai Eterna lotta nel tempo si corrono incontro Per non abbracciarsi mai E come il sole con la luna Noi  non ci sfioreremo mai Ti scaldo solo un istante Ma sei freddo, scostante Ed il giorno con me non vivi mai   Il sole e la luna Due amanti vaganti Tenuti distanti, dal caos degli eventi Scandiscono il ritmo il senso del tempo Il sole risplende La luna nasconde Ed è il girotondo Più antico del mondo È un tragico valzer Come questa mia danza senza te   Proprio come la luna con il sole sempre fa Senza te Mentre cala la notte Il mio cuore che batte senza te aspettando un’eclissi che da me ti porterà E tramonto e risorgo e sarà un nuovo giorno Senza te   Guarda la luna come illumina Tra mille stelle lei risplenderà Con il suo alone profondo Ti nasconde dal mondo Ed i tuoi segreti celerà   Ma guarda il sole come è magico Quando si alza e tutto brillerà Con i suoi mille colori, i tramonti ed i fiori  Ãˆ vita e tutto si rinnoverà   Nell’universo impenetrabile Questi 2 astri si rincorrono Ma non c’è senso nel sole Se non ha la sua luna Aspettando l’eclissi, arriverà   Aspetto l’eclissi Il tempo che passi Conservo il calore Per stringerti al cuore E penso all’istante Quel breve momento All’allineamento tra ombra e fulgore E fasi lunari, riflessi solari Tra stelle e pianeti È un eclissi del cuore senza te   Proprio come la luna con il sole sempre fa Senza te Mentre cala la notte Il mio cuore che batte senza te aspettando un’eclissi che da me ti porterà E tramonto e risorgo e sarà un nuovo giorno Senza te   E ballo sempre sola e triste è Questo mio valzer senza te Non lo hai saputo imparare come non sai amare Una donna come me   che preferisce volare non si vuole fermare al mondo e a tutti i vizi suoi perché gli orrori son tanti ma la luce del sole può placare il dolore   io sono il sole e tu la luna come raggiungerti non so Perché quest’anima vola Anche se è sempre sola Non si ferma un momento Non conosce il rimpianto   E proprio come il sole con la luna noi Siam destinati a non sfiorarci mai se mentre chiudo i miei.
Il sole e la luna (Aspettando l'eclissi)

$3.99 3.81 € PDF SheetMusicPlus

String Orchestra - Level 1 - Digital Download SKU: A0.821376 Composed by Franz Joseph Haydn. Arranged by Judith L. Maggs. Children,Classical,Instructional. Score and parts. 12 pages. Maggs #6301779. Published by Maggs (A0.821376). This arrangement of the famous Surprise Symphony theme is set for an elementary string orchestra. All parts are in first position, and use half, quarter, and eighth notes. The melody moves around among the parts. The piano part supports the orchestra, but is optional. Parts are included for conductor, first and second violin, viola, cello, bass, and piano. Permission is granted to make as many copies of the individual parts as you need for your orchestra.
Theme from the "Surprise Symphony" for Beginning String Orchestra and optional piano
Orchestre à Cordes

$20.99 20.03 € Orchestre à Cordes PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.819677 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 142 pages. J.G. Cuco Barber #5988633. Published by J.G. Cuco Barber (A0.819677). Composer Haydn, JosephOpus/Catalogue Number Hob.I:82Key C majorMovements/Sections 4 movements:Vivace (C major, 261 bars)Allegretto (F major, 217 bars)Minuet – Trio (C major, 78 bars)Finale. Vivace assai (C major, 280 bars)Year/Date of Composition 1786First Publication 1787 – Vienna: ArtariaAverage Duration 25 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in C/F 1 original & F transposedHorn in C/F 2 original & F transposedTrumpet in C 1 original & F transposedTrumpet in C 2 original & F transposedTimpaniViolin IViolin IIViolaVioloncelloContrabass
Haydn - Symphony No.82 in C major, Hob.I:82 "L'Ours"
Orchestre

$28.00 26.73 € Orchestre PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe,  edited by Wilhelm Rust.  The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying.  The Arrangement is relatively easy to perform, also appropriate for beginners.  It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great  feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha.  For all Living beings on Earth, for all our Ancestors,  Thank You for all of You  All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$9.94 9.49 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.868990 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 15 pages. Really Good Music, LLC. #6062545. Published by Really Good Music, LLC. (A0.868990). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. The aria is available in the key of F major (C4 – F5) for low voice.
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera Il Farnace, score and parts (F majo
Orchestre de chambre

$24.00 22.91 € Orchestre de chambre PDF SheetMusicPlus






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