Piano Solo - Level 3 - Digital Download SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 pages. Gabrielle Felicita Chen #646246. Published by Gabrielle Felicita Chen (A0.1041503). “L’amore di Kebo Iwa� simply means ‘the Love of Kebo Iwa’ , which is inspired from Indonesian Balinese folk music. It is usually played by the instruments called Gamelan. Bali is an island in Indonesia rich with cultural traditions that are very much rooted in myths and legends. After understanding deeper of the legend of “Kebo Iwa�, I was so drawn to the character and the plot that I decided to tell the story in my piano composition. I was able to use different kinds of musical techniques to express different moods. One of them is to apply the Pentatonic ‘Balinese Pelog’ Scale in B flat Major, which represents the majority of the Gamelan sound that is usually transcribed into Western notations. Below is the synopsis the “L’amore di Kebo Iwa�. A Once upon a time, in Bali, there was a husband and a wife who dearly wanted to have a baby. They prayed to God for a very long time. Finally, God heard their prayers and blessed them with a baby boy. But there was something special about this baby boy: he was very big- a giant baby. They named him Kebo Iwa. Kebo Iwa grew up with a good heart and became a gentleman. He was a kind hearted giant; he protected the village dearly. One day, the King of Majapahit from Java wanted to conquer Bali. He had heard about Kebo Iwa and knew that his army would lose to Kebo Iwa. B Therefore, the King of Majapahit tricked Kebo Iwa. He invited Kebo Iwa to Java island, promising that he would arrange a wedding for Kebo Iwa to marry his daughter, the beautiful Majapahit princess. Kebo Iwa was so in love with the princess, so he happily travelled to Java island. C After he arrived in Java, the King of Majapahit asked a favour from Kebo Iwa to dig a well, with the reason for it being the dry season. Kebo Iwa then sincerely gave some help and started digging a big, giant well. D However, the King Majapahit never meant to deliver his promise to Kebo Iwa. Instead, the King Majapahit commanded the troops to cover the well with mud and boulders. But when Kebo Iwa realized, it was too late. He was already in the position that was far too deep below - at the bottom of the well. Kebo Iwa then cried loudly and sadly with a broken heart until his last breath. He was buried alive. Soon after that, the Majapahit troops attacked and conquered Bali. E At last, the well was covered and grew a hill of flowers. To this day, the Bali villagers still remember Kebo Iwa as their hero. To honor him, they erected a giant statue of Kebo Iwa in Gianyar, Bali, as a memorial.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-24E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-29E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-44E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 9 pages. E. C. Schirmer Music Company - Digital #8491-44E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-44E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Brass Ensemble - Level 4 - Digital Download SKU: A0.973052 Composed by Francis Kayali. Concert,Graduation,Holiday,Wedding. Score and parts. 45 pages. Francis Kayali #6353591. Published by Francis Kayali (A0.973052). Vers l’avenir (French for Toward the Future) was a commission from Saint Anselm College (Manchester, New Hampshire) for the inauguration of its tenth president. The title, which echoed the college’s recently-announced Faith in the Future campaign, announces the mood of the piece: energetic, festive, with open and bold harmonies, but also incorporating more lyrical, reflective sections. I rarely set out to emulate a particular composer, but familiar voices or sounds do often emerge. To me, this piece has echoes of Giovanni Gabrieli, Leoš Jana�ček, Maurice Ravel, Igor Stravinsky , Eric Ewazen, and Sonny Rollins, among others.

Piano - Level 4 - Digital Download SKU: A0.1233253 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Full Performance. Duration 327. Bradley Sowash #828872. Published by Bradley Sowash (A0.1233253). From Bradley Sowash’s “Bittersweet� solo piano recorded album and associated solo piano sheet music (also available here).Away and BackI was lucky to grow up in a time and place with few fears. With a neighborhood surrounded by forest, I would set out regularly with my buddy for this wilderness. Unsure of how our improvised play would turn out, we knew only that we would return safe and happy. This song follows a similar route. It opens with a comfortable theme that wanders ever further into an unplanned, improvised wilderness only to return to familiar ground. The French title suggests our very serious pretentiousness.Learn more about this artist at https://bradleysowash.com/.

Piano Solo - Level 4 - Digital Download SKU: A0.750021 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Score. With . 12 pages. Bradley Sowash #2004275. Published by Bradley Sowash (A0.750021). From Bradley Sowash’s “Bittersweet� solo piano recorded album and associated sheet music (also available here).Away and BackI was lucky to grow up in a time and place with few fears. With a neighborhood surrounded by forest, I would set out regularly with my buddy for this wilderness. Unsure of how our improvised play would turn out, we knew only that we would return safe and happy. This song follows a similar route. It opens with a comfortable theme that wanders ever further into an unplanned, improvised wilderness only to return to familiar ground. The French title suggests our very serious pretentiousness.Learn more about this artist at https://bradleysowash.com.

Piano Solo - Level 4 - Digital Download SKU: A0.1312445 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Christian L. S. Casey. Christian,Christmas,Classical,Holiday,Jazz. Score. 3 pages. Christian L. S. Casey #901300. Published by Christian L. S. Casey (A0.1312445). This arrangement of this Christmas favorite uses influences from both jazz and classical traditions which gives the piece a refreshingly new and interesting take. Also available at clscmusic.com/store.

SATB choir a cappella - Medium - Digital Download SKU: MQ.50-0099-E Composed by David L. Ball and Sebastián de Vivanco. All Saints/All Souls. 12 pages. MorningStar Music Publishers - Digital Sheet Music #50-0099-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0099-E). English, Latin.This jewel of late-Renaissance polyphony for unaccompanied SATB voices was written by Spanish composer and priest Sebastián de Vivanco. Its subject is the commemoration of a martyr, making it appropriate for martyr's feast days and for All Saints. Editor David Ball provides a modern edition with both the original Latin and a singing English translation. Other edits to barlines, clefs, and key signature, in addition to a keyboard reduction, will contribute to a successful performance.

String Orchestra - Level 4 - Digital Download SKU: A0.1164163 Composed by Dennis Bathory-Kitsz. Arranged by Dennis Bathory-Kitsz. Classical,Folk,Historic,Traditional. Score and Parts. 89 pages. Westleaf Edition #764511. Published by Westleaf Edition (A0.1164163). These Five Hungarian Folks Songs were transcribed and arranged from 78rpm records issued about 1915.Király Ernő sings several as Old Folk Songs (“Régi Népdalok�), even though Megugrattak Hortobágyon A Karámból Egy Csikót was composed by Vajda József and remains an often recorded song. Megy A Gőzös Lefelé on the Munkacsy recording was composed by Rózsa S. Lajos, but composers of the remaining songs are unidentified.The records were purchased by József Báthory in Manhattan in the early 20th century, and remained in the family until the 21st century. All the records were transferred to digital form in January 2013, with the original transfer stored in exact condition, after which they were passed on to historian David Neal Lewis for archiving. Files were restored from the digital transfers (rumble, clicks, pops removed as much as possible, noise reduction, and some remastering) and are available for download at:http://maltedmedia.com/people/bathory/hungarian.htmlSpecial thanks to composer �dám Kondor for translations of the Régi Népdalok texts, and to Dr. A. S. Weinstangel for noting errors in the score. The bowings in this edition are by violinist John Lindsey, who directed the premiere of this set with Vermont’s Eleva Chamber Players.Katika Csárdásoriginal performed by unidentified “Military Band�, Columbia 10-inch E920Nyári este furulyázom sokáig(‘I play the flute all summer eve’)original performed by Király Ernő on “Régi Népdalok�, Columbia 12-inch E5077Bíhari Hatarszélén – Megy A Gőzös Lefelé – Csárdás(‘At the Bihari border’ - ‘The steamer goes down’ - Csárdás)original performed by the Olga B. Munkacsy Orchestra, Columbia 10-inch E2858Megugrattak Hortobágyon A Karámból Egy Csikót(‘Bringing the pony to the Hortobágyon Woods’)original performed by Király Ernő on “Régi Népdalok�, Columbia 12-inch E5077Debreczeni Csárdás Friss(‘New Debreczen Csárdás’)original performed by unidentified “Military Band�, Columbia 10-inch E920.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4320 Composed by S. Wesley Martin. Cemeteries, Tombs & sepulchral monuments, Trees, Seasons, Spring. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4320). Let the Dead and the Beautiful Rest. A Beautiful Song and Chorus. Words by C.C. Butler. Music by S. Wesley Martin. Published 1870 by John L. Peters, 599 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Cemetaries, Tombs & sepulchral monuments, Trees, Seasons, Spring. First line reads let the dead and the beautiful rest, make her grave 'neath the willow by the stream.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (solo, duet, and SATB chorus) - Digital Download SKU: LV.3722 Composed by S. Wesley Martin. Ruins, Architectural elements--columns, Bodies of water, Graves, Tombs & sepulchral monuments. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3722). Let the Dead and the Beautiful Rest. Song, Duett, & Chorus. Words by C.C. Butler. Music by S. Wesley Martin. Published 1867 by J.L. Peters in New York. Composition of strophic with chorus with piano and voice (solo, duet, and satb chorus) instrumentation. Subject headings for this piece include Ruins, Architectural elements--columns, Bodies of water, Graves, Tombs & sepulchral monuments. First line reads let the dead and the beautiful rest, make her grave 'neath the willow by the stream.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4593 Composed by C.F. Shattuck. Love, Death, Grief, Graves. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4593). They Have Laid Her To Rest 'Neath the Willow. Song and Chorus. Words by S.N. Mitchell. Music by C.F. Shattuck. Published 1870 by J.L. Peters in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Love, Death, Grief, Graves. First line reads They have laid her to rest 'neath the willow, my darling so loving and mild.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.528126 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Diego Marani #4790487. Published by Diego Marani (A0.528126). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for string quartet (Violin I, Violin II, Viola, Cello) includes Pastorale, the first movement of the suite.

Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.528120 Composed by Georges Bizet. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 19 pages. Diego Marani #4781213. Published by Diego Marani (A0.528120). L'Arlésienne Suite No. 2 was arranged and published in 1879, four years after Bizet's death, by Ernest Guiraud, using Bizet's original themes (although not all of them were from the L'Arlésienne incidental music). The second suite is generally credited to Bizet since he wrote the themes and the basic orchestration. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) includes Pastorale, the first movement of the suite.