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SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by Anthony Antolini. Advanced/Collegiate. 20th Century, Communion. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8248-E. Published by E. C. Schirmer Music Company - Digital (MQ.8248-E). English, Slavonic.Nye ímamï inïya pómoshchi comes from a set of ten communion hymns, Opus 25. It is technically a kontakion, (a hymn sung in commemoration of a feast day, whether referring to Christ, the Virgin Mary, or to a saint). Nye ímamï inïya pómoshchi is intended to be sung for the feast day commemorating an icon of the Virgin entitled “The joy of all who sorrow,†(Ð’Ñех ÑкорбÑщих РадоÑть|Vsekh skorbyashchikh Radost') observed on October 24 in the Orthodox Church calendar. The author of the text is unknown. In contemporary church practice, this work is sometimes sung during the communion of the clergy. Although other pieces in Opus 25 are based on traditional church chants, Nye ímamï inïya pómoshchi contains original music that is not based on any preexisting chant. The present edition is based on the first edition published in Moscow by Pyotr Ivanovich Jurgenson. The keyboard reduction has been modified from the Jurgenson edition. Russian Orthodox performance practice forbids the use of musical instruments to accompany church singing. Organ accompaniment, if used, should be unobtrusive. The Jurgenson edition includes Chesnokov's use of a quarter note without metronome marking. This indicates that the pulse is in a moderato tempo in quarter notes. A tempo of approximately 69 to the quarter note is suggested. The Jurgenson edition has inconsistent dynamic markings in various parts and text appears only below the soprano and tenor parts. For clarity and convenience, these indications have been included in each staff in the present edition. This scholarly performance edition includes notes concerning the history of Chesnokov and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Slavonic transliteration.
For Us There Is No Other Help but Thee (Nye ímamï inïya pómoshchi) (Downloadable)
Chorale SATB

$2.25 1.92 € Chorale SATB PDF SheetMusicPlus

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.   Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
Bach: Sheep May Safely Graze for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 28.11 € Saxophone Alto et Piano PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1499956 Composed by Various. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 1122 pages. Müller Publishing company #1076027. Published by Müller Publishing company (A0.1499956). 50 Hymns for Beginner Orchestra: Complete Collection of Traditional ArrangementsExplore the beauty of timeless hymns with this comprehensive collection of 50 arrangements specially crafted for beginner orchestras. Arranged by L. Müller, this book includes a wide range of beloved hymns, allowing orchestras of all levels to experience the joy of playing these sacred songs together. Each arrangement is thoughtfully designed to be accessible for young musicians while preserving the integrity and spirit of the original melodies. Whether for worship, performances, or educational purposes, this collection will serve as a valuable resource for any orchestra.Included Hymns:1. A Mighty Fortress2. Abide With Me3. All Hail The Power of Jesus' Name4. All Hail to the Power5. Belmont Hymn6. Christ Arose7. Count Your Blessings8. Fairest Lord Jesus9. Glorious Things of Thee Are Spoken10. God Be With You11. God of Our Fathers12. God Reveals His Presence13. Great Is Thy Faithfulness14. Holy, Holy, Holy15. How Great Thou Art16. I Surrender All17. Is Your All on the Altar18. It Is Well with My Soul19. Jesus Christ is Risen Today20. Jesus is Passing This Way21. Joyful, Joyful, We Adore Thee22. Lead me, Lord23. Let us praise God24. Majesty25. Master, the Tempest is Raging26. Mine Eyes Have Seen the Glory27. Moment by Moment28. Nearer my God to Thee29. Nearer, still nearer30. Now the Day Is Over31. O Love That Will Not Let Me Go32. O the Deep, Deep Love of Jesus33. Onward, Christian Soldiers34. Praise Ye the Father35. Showers of Blessing36. Standing on the Promises37. Tell Me the Old, Old Story38. The Banner of the Cross39. The Fight Is On40. The Gospel Bells41. The King's Business42. The Lord Bless You and Keep You43. The Old Rugged Cross44. To God Be The Glory45. Tollite Hostias46. True-hearted, Whole-hearted47. Trust and Obey48. We Plow the Fields49. When I Survey The Wondrous Cross50. Wonderful Grace of JesusInstrumentation:* Flute* Clarinet in Bb I & II* Soprano Saxophone* Alto Saxophone I & II* Horn in F* Trumpet in Bb I, II & III* Trombone I & II* Tuba* Violin I, II & III* Viola* Cello I & II* Contrabass* PianoThis collection provides flexibility for various ensemble sizes and skill levels, making it perfect for churches, schools, and community groups. Each hymn comes with a beginner-friendly arrangement that will inspire both musicians and audiences alike. Dive into this rich repertoire and bring these classic hymns to life in your next performance.Don't miss out on this invaluable collection that will enrich your orchestra's music library and uplift hearts through the power of hymnody.
50 Hymns for Beginner Orchestra: Complete Collection of Traditional Arrangements

$50.00 42.66 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1151926 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Easter,Sacred,Wedding. Score. 8 pages. FRC Music #752132. Published by FRC Music (A0.1151926). Bach: Nun freut euch, lieben Christen g'mein for Piano Solo as played by Víkingur Ólafsson.“It would all mean nothing without Bach,†says Ólafsson. Having studied his music intensively, he here casts new light on some of the composer’s many different faces.This arrangemet was made based on Víkingur Ólafsson – Bach: Chorale Prelude, BWV 734 Nun freut euch, lieben Christen g'mein record. Intermediate.Format: Concert, 9 x 12 inches.8 pages.
Bach: Nun freut euch, lieben Christen g'mein for Piano Solo (as played by Víkingur Ólafsson)
Piano seul
Johann Sebastian Bach and Víkingur Ólafsson
$5.99 5.11 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1218192 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Romantic Period,Wedding. Score. 6 pages. Phil Beaman #814689. Published by Phil Beaman (A0.1218192). Walking In Her Garden is an arrangement of the 1904 hit pop song by Carrie Jacobs-Bond.  The text compares his lover to the beautiful flowers.  Then she starts talking to the flowers, asking them about her lover.  It concludes with the famous he loves me...he loves me not.... as she plucks the petals from the daisy.  My arrangement adds quite a bit of drama to the piece.  I have converted the main theme into an oom-pah-pah waltz and greatly increased the tempo to a brisk concert waltz for the first two verses.  The B theme, where she talks to the flowers, resorts to a slower waltz ballad similar to the original.  There is then a brief recapitulation of the oom-pah-pah theme building up to the suspenseful climax.   I created a lento ending as the answers to her questions slowly unfold.   This is a great concert piece full of passion and energy that can be dramatized.  It is also perfect for any wedding today, whether vintage or modern.6 page score;  2:30 minutesI have published it in 3 different vocal ranges on this site:  High - low D to high F#; Medium - low Bb to high D; Low - low G to high B.   The MP3 recording is of the Medium Voice version.  Vocal part is Intermediate level, while Piano part is Advanced Intermediate level.  This piece is also found in my book, Vintage Wedding Songs, a collection of 5 songs which is also available on this site.
Walking In Her Garden - high voice-piano
Piano, Voix

$5.75 4.91 € Piano, Voix PDF SheetMusicPlus

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098159. Published by Artistic Score Engraving di Galvagno Michele (A0.841363). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
Hark! The Herald Angels Sing! for String Quartet
Chorale SATB

$4.95 4.22 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.
Hark! The Herald Angels Sing! for Cello Quartet
4 Violoncelles

$4.95 4.22 € 4 Violoncelles PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1086056 Composed by W. Brent Sawyer. 20th Century,Contemporary,New Age. Score and parts. 25 pages. Diamond S Music #655247. Published by Diamond S Music (A0.1086056). I wanted to write something that was fairly simplistic and calm - In harmony, chords, textures and ideas. The beginning is just a rocking back and forth between an E flat major chord to a C major chord although neither are in root position. Above this chordal ostinato the Solo Violin soars on several different modes and has an interesting quintuplet rhythm against the accompaniment. In the second part the upper voices rock back and forth to mostly major triads above a pizzicato cello. The fourth section introduces a compound meter feel (triplets) and melodic fragments that is volleyed from part to part. The fifth section has the upper strings on a glassy harmonic that mirrors the opening rocking chords. This time a Solo cello takes the melody in a high tessitura. The next section echos the second section but is transposed a third lower. The transition expires a rocking back and between the E flat major and E flat minor obstinato before settling in on a bookend of the opening with a ever so slightly extended ending. Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940.
Drifting Clouds for String Quartet by W. Brent Sawyer
Quatuor à cordes: 2 violons, alto, violoncelle

$9.99 8.52 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1511508 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Idalmo Santos. Pop. Score. 4 pages. Idalmo Santos #1086665. Published by Idalmo Santos (A0.1511508). **Exclusive Arrangement: What Was I Made For?** Looking to captivate your audience with one of today’s most heartfelt songs? Get my **exclusive arrangement** of What Was I Made For?, beautifully adapted for **beginner pianists**, bringing out the full emotional depth of the melody. **Beginner-friendly**: Perfect for those starting out on piano. **Performance-ready**: Thoughtfully arranged for a stunning presentation. **High-quality PDF**: Instant download available! **Get your sheet music now and let your music touch hearts!**Enhance your repertoire with this unique arrangement!
What Was I Made For?
Piano Facile
Billie Eilish
$4.99 4.26 € Piano Facile PDF SheetMusicPlus

Brass Ensemble Euphonium,Tuba - Level 4 - Digital Download SKU: A0.780065 Composed by Graham Boag. Contemporary,Standards. Score and parts. 33 pages. Graham Boag #6090641. Published by Graham Boag (A0.780065). New Horizons is a great concert opener or encore piece, at just under 3’ 15 it starts with a hymn type introduction before launching into the main section which is forward moving which builds to the final bar. Each player in the quartet have a moment to shine as the thematic material is passed from player to player. Alternative Treble Clef parts are also included for greater flexibility/accessibility.I hope you enjoy working on and performing this exciting new piece for Tuba Quartet.  Thank you. 
New Horizons for Tuba Quartet (EETT)
4 Tubas

$17.99 15.35 € 4 Tubas PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1163967 By Carl Brisson. By Arthur Johnston and Sam Coslow. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. Score. 6 pages. Timothy Stapay #764321. Published by Timothy Stapay (A0.1163967). This arrangement of Cocktails For Two is written as performed by the famous cocktail pianist, Bill Snyder.  William P. Snyder (November 7, 1916 – Fond du Lac, Wisconsin, May 11, 2011) was an American pianist, bandleader and songwriter of the 1950s.Snyder studied under Moriz Rosenthal in Paris and served in the Air Force during the Second World War. Snyder first had a massive hit with Lorenz Hart's Bewitched, Bothered and Bewildered in 1950. The song reached the top position on the Cash Box list of The Nation's Top Ten Juke Box Tunes. Through the 1950s, Snyder was America's most recorded light music pianist with nine gold and one platinum awards for his singles and albums.Cocktails for Two is a song from the Big Band era, written by Arthur Johnston and Sam Coslow. The song debuted in the movie Murder at the Vanities (1934), where it was introduced by the Danish singer and actor Carl Brisson. Duke Ellington's version of the song was recorded in 1934 and was inducted into the Grammy Hall of Fame in 2007.The song alludes to Repeal, the ending of Prohibition in the United States. The introduction begins with:Oh what delight toBe given the right toBe carefree and gay once again.No longer slinking,Respectably drinkingLike civilized ladies and men.   
Cocktails For Two
Piano seul
Carl Brisson
$7.99 6.82 € Piano seul PDF SheetMusicPlus






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