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String Ensemble - Level 3 - Digital Download SKU: A0.719746 Composed by Tomas Luis de Victoria / Orlando di Lasso. Arranged by Curtis Hanson. Renaissance. Score and parts. 67 pages. Curtis Hanson #4839417. Published by Curtis Hanson (A0.719746). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired.  The audio example is of the first several pieces in the collection.
Renaissance Motets Arranged for Strings - Victoria, Di Lasso

$29.99 25.58 € PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719744 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 47 pages. Curtis Hanson #4839401. Published by Curtis Hanson (A0.719744). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection, arranged for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice, are of the multi-part motets only. Any plainchant intonations have been omitted. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired.  The audio example is of the first and last piece in the collection.
Early Renaissance Motets Arranged for Strings

$24.99 21.32 € PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719747 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score and parts. 83 pages. Curtis Hanson #4839423. Published by Curtis Hanson (A0.719747). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
Renaissance Motets Arranged for Strings - Palestrina, set 1

$29.99 25.58 € PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719750 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score and parts. 89 pages. Curtis Hanson #4839431. Published by Curtis Hanson (A0.719750). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for.For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
Renaissance Motets Arranged for Strings - Palestrina, set 3

$29.99 25.58 € PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719753 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 70 pages. Curtis Hanson #4839439. Published by Curtis Hanson (A0.719753). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection are set for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
Renaissance Motets Arranged for Strings - Byrd, set 3

$29.99 25.58 € PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719751 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 61 pages. Curtis Hanson #4839433. Published by Curtis Hanson (A0.719751). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection are set for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
Renaissance Motets Arranged for Strings - Byrd, set 1

$29.99 25.58 € PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719752 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 62 pages. Curtis Hanson #4839435. Published by Curtis Hanson (A0.719752). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection are set for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
Renaissance Motets Arranged for Strings - Byrd, set 2

$29.99 25.58 € PDF SheetMusicPlus

String Ensemble - Level 3 - Digital Download SKU: A0.719749 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Contemporary. Score and parts. 78 pages. Curtis Hanson #4839425. Published by Curtis Hanson (A0.719749). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
Renaissance Motets Arranged for Strings - Palestrina, set 2

$29.99 25.58 € PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1084042 Composed by George Frideric Handel. Arranged by Jon Raybould. Baroque,Classical. Score. 2 pages. Jon Raybould Music #688264. Published by Jon Raybould Music (A0.1084042). When I was in my heydays of teaching flute and I used to have fun by taking classical pieces and popifying them by making backing tracks and adding bass and drums... my pupils used to love it... This is my poppy arrangement of Handel's La Réjouissance from his Music for the Royal Fireworks. This is the sheet music for TWO FLUTES ONLY but also available is the same arrangement for TWO FLUTES and PIANO. The Backing Track and Performance Track are free to download. See the YouTube video description for the link.
REJOICE! for two flutes
2 Flûtes traversières (duo)

$2.00 1.71 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.1078108 Composed by Kim Diehnelt. Classical,Contemporary,Instructional. Score and parts. 9 pages. Kim Diehnelt #682320. Published by Kim Diehnelt (A0.1078108). I wrote “Cantilever Four†in the Spring of 2022 for a friend’s studio recital. The horn teacher wanted one ensemble piece on the program which would allow for the second and fourth horn players to shine and make music confidently. This Horn Quartet stays within a comfortable range, using relatively straight forward rhythms and technique, while creating a dynamic, rich, and colorful work. Each player has an opportunity for self-expression and full participation in making music in a horn ensemble. Duration: 5 minutes. Includes score and parts. 2022.
Diehnelt: Cantilever Four for Horn Quartet

$12.00 10.24 € PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509916 By Francesco Leone. By Sergei Rachmaninoff. Arranged by Francesco Leone. 20th Century. 22 pages. Glissato Edizioni Musicali #1085122. Published by Glissato Edizioni Musicali (A0.1509916). Discover the charm of Sergei Rachmaninoff's 'Italian Polka' in this engaging arrangement for Saxophone Quartet SATB, perfect for intermediate players. This eBook not only provides the full score but also individual parts for Soprano, Alto, Tenor, and Baritone Saxophones, ensuring a well-rounded and enjoyable performance experience.To enhance your understanding and appreciation, we've included informative sheets in multiple languages: English, French, German, Spanish, Portuguese, Italian, Korean, Japanese, and Chinese. These sheets delve into the background of the piece and offer practical advice for its interpretation, making them a great resource for both practice sessions and educational purposes.Whether you're a saxophone enthusiast keen to explore Rachmaninoff's iconic style or a quartet looking to add some diversity to your repertoire, this arrangement of 'Italian Polka' is an accessible yet enriching choice for your musical exploration.- sax repertoire, saxophone quartet recital, arrangement for quartet, 4 saxes -.
Saxophone sheet music for Quartet: Italian Polka
Quatuor de Saxophones: 4 saxophones
Francesco Leone
$10.99 9.37 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1416369 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #998049. Published by jmsgu3 (A0.1416369). Brahms composed this short piano piece in 1853, when he was around 20 years old, as a contribution to a guest album. It was recently rediscovered and published in an Urtext edition. The piece has a pastoral, four-bar central theme featuring parallel thirds in the hands, giving it an orchestral character. The B section becomes more transparent, with the parallel thirds disappearing. Brahms later reused the theme of the Albumblatt in the Trio section of the Scherzo movement of his Horn Trio Op. 40, composed around 12 years later. This reworking shows the composer expanding on his original idea and making it richer and more satisfying in his mature work. The Albumblatt is considered an early, relatively simple composition compared to Brahms' three piano sonatas written that same year. However, it is still a valuable example of the young composer's genius. The main editorial issue is the unexpected piano marking in measure 47, which seems out of place for achieving a melodic climax and may have been a mistake by Brahms.
Brahms: Albumblatt for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$26.95 22.99 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1416344 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #998025. Published by jmsgu3 (A0.1416344). Brahms composed this short piano piece in 1853, when he was around 20 years old, as a contribution to a guest album. It was recently rediscovered and published in an Urtext edition. The piece has a pastoral, four-bar central theme featuring parallel thirds in the hands, giving it an orchestral character. The B section becomes more transparent, with the parallel thirds disappearing. Brahms later reused the theme of the Albumblatt in the Trio section of the Scherzo movement of his Horn Trio Op. 40, composed around 12 years later. This reworking shows the composer expanding on his original idea and making it richer and more satisfying in his mature work. The Albumblatt is considered an early, relatively simple composition compared to Brahms' three piano sonatas written that same year. However, it is still a valuable example of the young composer's genius. The main editorial issue is the unexpected piano marking in measure 47, which seems out of place for achieving a melodic climax and may have been a mistake by Brahms.
Brahms: Albumblatt for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$26.95 22.99 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1494737 Composed by George Frideric Handel. Arranged by L. Müller. Baroque,Christian,Classical,Religious,Sacred. 13 pages. Müller Publishing company #1071317. Published by Müller Publishing company (A0.1494737). Ombra Mai Fù - G. F. Handel - for SATB Choir with Organ Accompaniment (With Chords)Explore the elegance of Handel’s Ombra mai fù with this SATB choir arrangement by L. Müller, complete with organ accompaniment and added chords. The lush harmonies of this arrangement, paired with the majestic sound of the organ, offer a new dimension to this beloved Baroque aria. This edition is ideal for choirs seeking a beautiful, historically rich piece for performances in both sacred and secular settings. The inclusion of chords adds flexibility for various performance scenarios, making it an invaluable addition to your choral library.
Ombra Mai Fù - G. F. Handel - for SATB Choir with Organ Accompaniment (With Chords)
Chorale SATB

$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Large Ensemble Trombone - Level 5 - Digital Download SKU: A0.810991 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque,Christian,Classical,Renaissance,Sacred. Score and parts. 112 pages. Gordon Cherry #4616177. Published by Gordon Cherry (A0.810991). Bach's Motet Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 was first performed in 1727 and the text is based on Psalms 149 and 150. It is written for eight voices of two four-part choirs. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work of three movements is about 13 minutes in length and appropriate for advanced performers. Mr Sauer suggests, Since a complete performance of this Motet is about thirteen minutes in length, any of the three movements may be performed separately. The top voices in each choir have parts supplied in both alto and tenor clef.
Motet - Singet dem Herrn ein neues Lied (Sing unto the Lord a new song) BWV 225 for 8-part Trombone

$40.00 34.12 € PDF SheetMusicPlus






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