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Mandolin - Level 2 - Digital Download SKU: A0.1347741 Composed by Franz Schubert. Arranged by songbooks.info. Baroque,Classical,Renaissance. Score. 2 pages. Songbooks.info #932552. Published by songbooks.info (A0.1347741). Well-known and popular themes from classical music - notated for the Mandolin in classical musical notation as well as in the well-known tablature for string instruments. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Themen aus der klassischen Musik - notiert für die Mandoline in klassischer Notenschrift sowie in der bekannten Tabulatur für Saiteninstrumente. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
Die Forelle - F. Schubert
Mandoline

$2.22 1.92 € Mandoline PDF SheetMusicPlus

Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1346837 Composed by Franz Schubert. Arranged by songbooks.info. Chamber,Classical,Renaissance. Individual part. 3 pages. Songbooks.info #931619. Published by songbooks.info (A0.1346837). Well-known and popular themes from Classical Music - notated for the Soprano or Tenor Recorder. The classic musical notation indicate the rhythm of the tones, and a fingering image shows how the appropriate tone is played. A simple explanation of the fingering images for the Recorder is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Themen aus der klassischen Musik - notiert für die Sopran- oder Tenorblockflöte. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Blockflöte ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
Die Forelle
Flûte à bec Soprano

$2.22 1.92 € Flûte à bec Soprano PDF SheetMusicPlus

Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.1361996 Composed by Franz Schubert. Arranged by songbooks.info. Chamber,Classical,Renaissance. Individual part. 3 pages. Songbooks.info #946453. Published by songbooks.info (A0.1361996). Well-known and popular themes from Classical Music - notated for the Alto Recorder. The classic musical notation indicate the rhythm of the tones, and a fingering image shows how the appropriate tone is played. A simple explanation of the fingering images for the Recorder is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Themen aus der klassischen Musik - notiert für die Altblockflöte. Die klassische Notenschrift gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Blockflöte ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!
Die Forelle
Flûte à bec Alto

$2.22 1.92 € Flûte à bec Alto PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.940353 Composed by Stephen Weber. Contemporary,Instructional,Standards. Score. 20 pages. Dr. Stephen Weber #3077719. Published by Dr. Stephen Weber (A0.940353). The Unofficial Guide to Above-Average Singing is for medium voice and piano and includes four pieces in the set, a Preamble, The Don'ts of Singing, an Interlude, and the Do's of Singing. They are designed to be instructional and concert pieces. The Do's and Don'ts require the singer to perform vocal technique correctly and incorrectly. The piano part is integral to the pieces and quite challenging for the pianist. This is a most amusing set of pieces; if you enjoy keeping your audience amused, these pieces may be what you're looking for. The entire set is less than 7 minutes. Dr. Stephen Weber is a member of ASCAP and has his own YouTube channel, at which you can see some of his compositions and performances in the U.S., Europe, and Asia. He currently serves as Professor of Music and Chair of the Arts and Humanities Division at the University of Science and Arts of Oklahoma.
The Unofficial Guide to Above Average Singing for Medium Voice and Piano
Piano, Voix

$9.99 8.65 € Piano, Voix PDF SheetMusicPlus

Cello Solo - Level 5 - Digital Download SKU: A0.1255610 By Antonio Meneses. By Carlo Alfredo Piatti. Arranged by Antonio Meneses & Michele Galvagno. 19th Century,Classical,Instructional,Opera,Romantic Period. Individual part. 34 pages. Artistic Score Engraving di Galvagno Michele #849122. Published by Artistic Score Engraving di Galvagno Michele (A0.1255610). Carlo Alfredo Piatti composed only one more piece for cello solo, besides the Twelve Caprices, Op. 25, the Capriccio sopra un tema della Niobe di Pacini, Op. 22, published in 1864, but apparently performed for the first time in 1843 in Budapest. This edition thoroughly researches the surviving sources and the history behind the opera theme (an investigation on its own) and provides a modern, clean, and easy-to-play-from format for this 10-minutes-long virtuoso piece. The extra cello part is edited by Maestro Antonio Meneses after his outstanding recording in the CD “Capricciosoâ€, marking the start of a new great collaboration for our editions.
Capriccio sopra un tema della Niobe di Pacini - Op. 22 - for cello solo
Violoncelle
Antonio Meneses
$18.95 16.4 € Violoncelle PDF SheetMusicPlus

Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 5 - Digital Download SKU: A0.508209 Arranged by Eric Burger Music. Baroque. Score and parts. 40 pages. Eric Burger Music #3514925. Published by Eric Burger Music (A0.508209). Come, Jesus, Come - BWV 229, Liepzig (1731) It was composed in Leipzig, and received its first performance by 1731–1732. Bach scored the motet for double choir. It was probably composed for a funeral, as others of his motets but exact dates of composition and performance are not known. It is his only motet without biblical text. He set a poem by Paul Thymich, which Johann Schelle set as a funeral aria in 1684. Also unusually, the motet is not closed by a chorale, but by an aria which is harmonized like a chorale. The work has been described as having a confident, intimate and tender character, and making more use of polychorality (interplay of the two choirs) than polyphony (interplay of the voices), containing no fugue. The theme of the text is death as the happy moment when man, tired of earthly life, can confide in Jesus, who is seen as Truth and Life and the only way to eternal life. (From Wikipedia) View the score with playback at:https://youtu.be/iOjStrr-vO8 This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
Komm, Jesu, Komm for Trombone or Low Brass Octet

$15.00 12.98 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Piano, Voix

$1.99 1.72 € Piano, Voix PDF SheetMusicPlus






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