SATB chorus unaccompanied - Digital Download Composed by Ulysses Kay. Sheet music. Octavo. 7 pages. Oxford University Press Digital #9780193568372. Published by Oxford University Press Digital

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.

Guitar - Level 3 - Digital Download SKU: A0.483075 By Ed Sheeran. By Amy Wadge and Ed Sheeran. Arranged by Ryan Wong. Contemporary,Pop. Guitar Tab. 3 pages. Ryan Wong #102678. Published by Ryan Wong (A0.483075). This is an acoustic guitar plucking and strumming accompaniment in the original key that includes the guitar solo interlude section of the song. Perfect for a guitar and singer duet.

Tenor Saxophone Duet Tenor Saxophone - Level 1 - Digital Download SKU: A0.768539 Composed by Jim Evans. Concert,Contemporary,Standards. Score. 8 pages. Beginning.band #3049851. Published by beginning.band (A0.768539). For tenor saxophoneA collection of four duets written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!No pick-ups! Each piece starts on a downbeat so the kids can come in with confidence!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part and score is numbered! You're welcome! ;)Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentaion you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesSneaking AroundMeter: 4/4Key: BbRange: Low A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: Low A  GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be expecially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.

Instrumental Duet Harp,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.875784 Composed by P. I. Tchaikovsky. Arranged by N. Szederkenyi. Romantic Period. Score and parts. 12 pages. IStrings #3866767. Published by iStrings (A0.875784). This beautiful piece by Tchaikovsky is one of a set of three for violin and piano. It is the original violin part edited with fingerings / bowings with the piano part transcribed to a lovely harp accompaniment. Very much like his ballet music, played some times even as an extra part for the ballet Swan Lake. Written by Hungarian violin virtuoso Nandor Szederkenyi, former concertmaster in several major orchestras from Japan to Austria, who also had a long career as soloist. Published using the leading notation software Finale, he includes bowings and fingerings, in collaboration with his duo partner/daughter who took care of the pedal markings of the harp part.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.839017 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Concert. Score and parts. 15 pages. Martin Music Editions #5214107. Published by Martin Music Editions (A0.839017). Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot-the underground rescue-mission in which the hero must control, or conceal, his emotions-can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.839015 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Concert. Score and parts. 11 pages. Martin Music Editions #5214105. Published by Martin Music Editions (A0.839015). Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot-the underground rescue-mission in which the hero must control, or conceal, his emotions-can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.

String Ensemble - Level 3 - Digital Download SKU: A0.826635 Composed by Traditional. Arranged by Bud Caputo. Jazz,Traditional. Score and parts. 37 pages. Bud Caputo #3104591. Published by Bud Caputo (A0.826635). When The Saints Go Marchin' In- this ever popular jazz/folk song, begins with a traditional New Orleans funeral chorale and transforms into a true Dixieland style street parade complete with three part hetero-phony in the final chorus.  A Violin 3 part is added to support the Violas and the Banjo Guitar part is optional. Improvisation, take-home practice sheets, are included for all strings.  At the improvisation section, one string bass is preferred who may play the walking line or create a line based upon the provided chord changes.

Brass Ensemble,Brass Quintet Euphonium,Horn,Timpani,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1072840 Composed by James Newton Howard. Arranged by Eggi Ajisukma. Contemporary,Folk. Full Performance. Duration 136. Eggi Ajisukma #4728331. Published by Eggi Ajisukma (A0.1072840). It's an arrangement for brass band or brass ensemble.

Instrumental Duet Horn,Instrumental Duet - Level 1 - Digital Download SKU: A0.768540 Composed by Jim Evans. Concert,Contemporary,Standards. Score and parts. 8 pages. Beginning.band #3049853. Published by beginning.band (A0.768540). A collection of four duets written with the youngest players in mind!Ranges limited so that students can focus on rhythmic accuracy, tone quality, dynamics, and expression.Rhythms are limited to whole, dotted half, half, quarter, and paired eighth notes. Rhythms that even the youngest musicians can count! No syncopation!No pick-ups! Each piece starts on a downbeat so the kids can come in with confidence!Each piece is about one minute in length to accommodate the limited stamina of younger players.A variety of styles and moods to motivate studentsEvery measure of each part and score is numbered! You're welcome! ;)Duets may be performed by any two instruments, with like or mixed instrumentation, but if you use mixed instrumentaion you may have better results if upper instruments play the top line and lower instruments play the bottom line. Also, it may be preferable to avoid having two tubas, as the results may be less desirable.Books for Flute/Oboe, Bb treble, Eb treble, Tenor Saxophone, Horn, Bass Clef, Tuba, Bells/XylophoneNotesSneaking AroundMeter: 4/4Key: BbRange: Low A - GFocus: Staccato, Slur, Phrasing, Dynamic ContrastCountry DanceMeter: 3/4Key: BbRange: Low A  GFocus: Staccato, Triple Meter, PhrasingAll Aboard!Meter: 4/4Key: C minorRange: Bb - AbFocus: Staccato, Slur, Phrasing, Dynamic Contrast,Note: The second part on this piece may be expecially challenging for young flute, oboe, and trombone players.Give and TakeMeter: 3/2Key: BbRange: Bb - FFocus: Interplay between voices, especially contrasting staccato and legato, Triple MeterNote: The meter signature of 3/2 allows for livelier rhythmic content without presenting sixteenth notes. Students should be able to read it in 6/4, then perform it in three when they get a feel for it.

Full Orchestra - Level 3 - Digital Download SKU: A0.1317771 Composed by Various. Arranged by Trevor Davies. Advent,Christmas,Praise & Worship. 176 pages. Musicworks.co.uk #906454. Published by Musicworks.co.uk (A0.1317771). Once in Royal David's City; Rocking Carol (Czech); See Amid the Winter's Snow; Silent Night; The First Noel. This set of arrangements is ideal for the ever popular “Audience Participation� type of Carol Concert as well as traditional carol services. Set at an intermediate standard, the arrangements are accessible to a broad ability range and are mostly based on the standard choral arrangements. The orchestration is standard with a range of optional cover parts, eg clarinet/oboe etc.Presented as clearly indexed pdf for ease of access to individual parts. Originally produced in 1997 for an Oxford Middle School, this resource has found its way to schools as far afield as Portugal and New Zealand as well as many establishments in the UK.

String Trio Cello,Violin - Level 2 - Digital Download SKU: A0.565734 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Christmas,Easter,Praise & Worship,Sacred,Traditional. 6 pages. Sharon Wilson #6062395. Published by Sharon Wilson (A0.565734). This delightful instrumental trio arrangement (for 2 VIOLINS and 1 CELLO) features the tradition tune KINGSFOLD. During the Christmas season, this tune is frequently associated with lyrics by Louis FitzGerald Benson and titled O Sing a Song of Bethlehem. This hymn is also known as I Heard the Voice of Jesus Say. Bright and energetic, this string trio arrangement is an excellent selection for Christmas concerts and recitals during the holiday season as well as worship services any time of year.All three parts lead with melody at times, beginning with the VIOLIN 2. An optional repeat is provided in case a longer musical selection is needed. All notes for both VIOLIN parts and the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players.The purchase price includes a 2-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN 1, VIOLIN 2, and CELLO (1 page each).This arrangement is one of the 10 songs in the collection Easy String Trios: Christmas Carols (A Collection of 10 Easy Trios for 2 Violins and 1 Cello).  Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.565745 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Christmas,Easter,Folk,Praise & Worship,Sacred. 6 pages. Sharon Wilson #6072031. Published by Sharon Wilson (A0.565745). This delightful instrumental trio arrangement (for VIOLIN, VIOLA, and CELLO) features the tradition tune KINGSFOLD. During the Christmas season, this tune is frequently associated with lyrics by Louis FitzGerald Benson and titled O Sing a Song of Bethlehem. This hymn is also known as I Heard the Voice of Jesus Say. Bright and energetic, this string trio arrangement is an excellent selection for Christmas concerts and recitals during the holiday season as well as worship services any time of year.All three parts lead with melody at times, beginning with the VIOLA. An optional repeat is provided in case a longer musical selection is needed. All notes for each instrument (VIOLIN, VIOLA, and CELLO) are playable in the first position making this arrangement an excellent choice for early-intermediate string players.  The purchase price includes a 2-page combined score with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO (1 page each).This arrangement is one of the 10 songs in the collection Easy String Trios: Christmas Carols (A Collection of 10 Easy Trios for Violin, Viola, and Cello). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Brass Ensemble - Level 4 - Digital Download SKU: A0.812026 Composed by Traditional Holiday Carol. Arranged by Dean Boysen - BrazzMusic Publishing, ASCAP Member. Christmas. Score and parts. 11 pages. BrazzMusic - Dean Boysen #2035717. Published by BrazzMusic - Dean Boysen (A0.812026). Good King Wenceslas, a traditional Christmastime favorite has been transformed by this arranger into a spectacular brass quintet feature. It is joyous and energetic and demonstrates strong melody content with antiphonal bell-like sounds and subtle echoes. Two modulations and three easily played key signatures make this piece a winner for any brass quintet. 1st trumpet part to high D measure easily plays one octave lower if need be. This is a grade 4 level - medium advanced arrangement and will be a definite audience favorite. The original melody/tune was based on a 13th-century spring carol Tempus adest floridum (The time is near for flowering) was first published in the 1582 Finnish song collection Piae Cantiones. Enjoy and thank you for your purchase of this arrangement!