French Horn,Piano - Level 1 - Digital Download SKU: A0.1397091 Composed by J.S. Bach/Charles Gounod. Arranged by Ian Fitze. Instructional,Praise & Worship,Religious,Romantic Period,Wedding. Score and part. 6 pages. Ian Fitze #980426. Published by Ian Fitze (A0.1397091). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A moving arrangement of this classic makes great use of the range of both the French Horn soloist and the Keyboard accompaniment - note - this recording uses a harp sound on the keyboard but Piano will work just as well. Very appropriate for weddings, funerals and other similar functions.

Bassoon,Piano - Level 1 - Digital Download SKU: A0.1395775 Composed by J.S. Bach/Charles Gounod. Arranged by Ian Fitze. Baroque,Contest,Festival,Instructional,Religious,Romantic Period. Score and part. 6 pages. Ian Fitze #979149. Published by Ian Fitze (A0.1395775). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A moving arrangement of this classic makes great use of the full range of both the Bassoon soloist and the Keyboard accompaniment - note - this recording uses a harp sound on the keyboard but Piano will work just as well. Very appropriate for weddings, funerals and other similar functions.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1371928 Composed by J.S. Bach/Charles Gounod. Arranged by Ian Fitze. Contest,Festival,Instructional,Romantic Period,Sacred,Wedding. Score and part. 5 pages. Ian Fitze #956119. Published by Ian Fitze (A0.1371928). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A moving arrangement of this classic makes great use of the full range of both the Alto Sax and the Keyboard accompaniment. Transposed for ease of reading and performance on Eb Alto SaxVery appropriate for weddings, funerals and other similar functions.

Voice Duet Voice - Level 1 - Digital Download SKU: A0.740621 Composed by Te Rauparaha. Arranged by Ellen Macpherson. Folk,Holiday,Love,Wedding. 3 pages. Ellen Macpherson #3562689. Published by Ellen Macpherson (A0.740621). The Maori Haka is originally known as a war chant. This arrangement of the Haka is very different. This composition features beautiful melodic lines similar to that of the famous Pokerekere Ana for Vocal Duet with piano accompaniment with the lyrics of the war chant of the Haka. The Haka is a ceremonial dance or challenge in MÄ�ori culture. It is a posture dance performed by a group, with vigorous movements and stamping of the feet with rhythmically shouted accompaniment. Although commonly associated with the traditional battle preparations of male warriors, haka have long been performed by both men and women, and several varieties of the dance fulfil social functions within MÄ�ori culture. Haka are performed to welcome distinguished guests, or to acknowledge great achievements, occasions or funerals.Kapa haka (performing arts, literally line dance) groups are very common in schools. This Vocal Duet can be used for school groups 

Oboe,Piano - Level 2 - Digital Download SKU: A0.1374899 Composed by J.S. Bach/Charles Gounod. Arranged by Ian Fitze. Contest,Festival,Instructional,Romantic Period,Sacred,Wedding. Score and part. 5 pages. Ian Fitze #959468. Published by Ian Fitze (A0.1374899). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A moving arrangement of this classic makes great use of the full range of both the Oboe soloist and the Keyboard accompaniment. Transposed for ease of reading and performance on the Oboe.Very appropriate for weddings, funerals and other similar functions.

Piano,Tenor Trombone - Level 2 - Digital Download SKU: A0.1407886 By J.S. Bach/Charles Gounod. By J.S. Bach/Charles Gounod. Arranged by Ian Fitze. Instructional,Praise & Worship,Religious,Romantic Period,Wedding. Score and part. 6 pages. Ian Fitze #990487. Published by Ian Fitze (A0.1407886). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A moving arrangement of this classic makes great use of the range of both the Trombone soloist and the Keyboard accompaniment - note - this recording uses a harp sound on the keyboard but Piano will work just as well. Very appropriate for weddings, funerals and other similar functions.

French Horn,Piano - Level 2 - Digital Download SKU: A0.1377198 Composed by Frederic Chopin. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Lent,Romantic Period. Score and part. 4 pages. Ian Fitze #961815. Published by Ian Fitze (A0.1377198). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A reworking of two favourite Chopin preludes, arranged for Horn with Piano/keyboard accompaniment. Two unforgettable melodies combined into one piece. A moving arrangement of this classic makes great use of the full range of both the solo and the Keyboard accompaniment. Transposed for ease of reading and performance on French Horn.Very appropriate for weddings, funerals and other similar functions.

Clarinet,Piano - Level 2 - Digital Download SKU: A0.1323286 Composed by J.S. Bach/Charles Gounod. Arranged by Ian Fitze. Christian,Classical,Praise & Worship,Sacred,Traditional. Score and part. 3 pages. Ian Fitze #911510. Published by Ian Fitze (A0.1323286). A moving arrangement of this classic makes great use of the full range of both the Bb Clarinet and the Keyboard accompaniment. Transposed for ease of reading and performance on Bb Clarinet.Very appropriate for weddings, funerals and other similar functions.

Cello,Piano - Level 4 - Digital Download SKU: A0.1187748 Composed by J.S. Bach/Charles Gounod. Arranged by Ian Fitze. Christian,Classical,Praise & Worship,Sacred,Traditional. Score and part. 3 pages. Ian Fitze #787364. Published by Ian Fitze (A0.1187748). A moving arrangement of this classic makes great use of the full range of both the Cello and the Piano accompaniment. Very appropriate for weddings, funerals and other similar functions.

Instrumental Duet Flute,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.774677 By Justin Timberlake. By Leonard Cohen. Arranged by Elin Korneliussen. Rock. Score and parts. 2 pages. Elin Korneliussen #5709757. Published by Elin Korneliussen (A0.774677). Leonard Cohen's beautiful classic arranged for flute and viola. This song is popular for a number of occasions: Weddings, confirmation, Bar Mitzvah, funerals, graduation and other school functions etc. The duet format, with the vocal melody in the first part, makes it easy for a teacher to accompany their student, or for two friends to play together.Difficulty: Early intermediate.

C Instrument,Instrumental Solo - Level 1 - Digital Download SKU: A0.1288714 By IZUMI SAKAI. By IZUMI SAKAI. Arranged by OSCAR BACCA. Children,Singer/Songwriter. Individual part. 1 pages. Oscar Music #879611. Published by Oscar Music (A0.1288714). Partitura para piano MI CORAZON ENCANTADO de IZUMI SAKAI, con acordes a 4 voces, cifrado de acordes y funciones armonicas.(Sheet music for piano MY LOVELY HEART by IZUMI SAKAI, with 4-voice chords, chord coding and harmonic functions).

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan María Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan María Solare. By Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan María Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.

Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de Cícero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictício da industria tipográfica do século XV.).

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan María Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan María Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg