Jazz Combo - Level 3 - Digital Download SKU: A0.1435112 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Pop,Soul. 58 pages. Holyone Tombari Dodoh #1015217. Published by Holyone Tombari Dodoh (A0.1435112). Lyrics:Everyone thinks that I'm nothing, Everyone thinks that I'm a burden Everyone thinks I'm unlucky None believes in my struggles No one thinks I'm unhappy None believes that I've something. It's go'n be alright It's go'n be okay It's go'n be so good; I'm leaving Then it's go'n be alright You'll have peace of mind You'd feel so good Like never before And you'd smile all day You'd see no more The trouble of mind Plaguing youIt's go'n be happy It's go'n be loving It's go'n be savour There after It's go'n be alright It's go'n be okay It's go'n be so good I'm leaving And you'd smile all day You'd see no more The trouble of mind Plaguing you. Then it's go'n be alright You'll have peace of mind You'd feel so good Like never before No one would believe me That I'm doing all I can And I say sorry I'm go'ng to a new path Never, never a burden You all be so happy Everyone thinks I'm the problem No one sees above the ocean Everyone thinks I'm the sickness No one sees me swimming the ocean No matter my impart All you see is wretched Want me unhappy Said I am unlucky, I'm a huge burden Taking vantage of you. I assure you that You'd never see me For I'll be so gone Deep in the wild Then it's go'n be alright You'll have peace of mind You'd feel so good Like never before And you'd smile all day You'd see no more The trouble of mind Plaguing you. It's go'n be happy It's go'n be loving It's go'n be savour There after It's gonna be alright.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1234230 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 10 pages. Kevin G. Pace #829768. Published by Kevin G. Pace (A0.1234230). A delightfully beautiful, sacred vocal duet for alto and tenor.  This duet is between the Angel Gabriel and Mary, the mother of Jesus.  Music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Gabriel singing:Mary, thou art favored, highly sought and blessed.Mary, I am Gabriel. Fear not; be at rest.Thy Lord will be with thee to bring forth a son.He’ll be known as Jesus; He’s God holy One.Mary singing:O, how shall this happen? I know not a man.Lo, I am as yet espoused; he will take my hand.For his name is Joseph of a royal line.O, how shall this happen? When will be the time?Gabriel singing:Hail, thou art so favored, favored in God’s sight.Mary, be not troubled now, for He’ll send new light.This Son shall be greatest of God’s children, all.He will rescue kingdoms, for this is His call.Mary singing:Behold, I am Mary, handmaid of the Lord,And it will be unto me, keeping with thy (His) word.I will bear pure Jesus as (through) God’s holy will.I’ll receive His comfort; now I will be still.Gabriel and Mary sing together:I will visit Joseph and he will be blessed.He shall be the guardian—true faith manifest.His fear will diminish; perfect peace will come.He will cherish Jesus, highly favored One.Favored of our Father . . . his all-loving Son.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1295732 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #886032. Published by Kevin G. Pace (A0.1295732). A joyful, cheerful, sacred hymn with music by Kevin G. Pace and text by Kathryn W. Hales.  The text is in reference to 2 Corinthians 9:7 for God loveth a cheerful giver.Text:The Lord has given us His all,His miracles and ministry.We show our gratitude and love,By helping others that we see.Sore trials and tribulationsMeet us on the path of life.We can lift another’s burdens,Providing comfort, settling strife.A hug, a smile, a listening ear,A call, a treat, a simple thing,A gift, a card, a meal or two,We’ll never know the good it brings.May the Holy Spirit guide us,To perceive another’s needs,That through our great abundance,We’ll join thoughts with loving deeds.So, we’ll give our imperfect offering,With willing heart and hands,And the Lord in His great mercyWill help feeble knees to stand.Yes, be a cheerful giver,With the charity of God’s pure love,That in equality and strengthWe’ll be united up above.Chorus:The Lord loves a cheerful giver,Don’t begrudge the mite you share.Open your heart with gladness,Showing others that you care.

Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the Bâ™­ Major key and related tonalities.  It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it.  Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme.  Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which.  Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed.  The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats.  A gigue that washes away the previous variation’s mood.  Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo.  This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken.  Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness.  Get ugly. 10 MARCH Must use repeats.  If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2.  Practice it slow and build up speed.  Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously.  Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye.  Be aggressive with the arpeggios for the harmony to resound.

SATB choir, piano - Moderately Easy - Digital Download SKU: MQ.8154-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #8154-E. Published by E. C. Schirmer Music Company - Digital (MQ.8154-E). English.This new arrangement focuses on several, specific aspects of the lyrics, and of the journey. Envisioning that one is walking to that land, the piano introduction, in a swing rhythm, is marked At a strolling tempo. When the chorus enters, there is a bounce to their step, with the staccato dots coming each time on the word with- Come and go with me to that land...This is a jaunty expedition. One sees one's parents waiting in that land. Loving friends are there as well. A bit of scat singing and finger snapping adds to the energy.A slower middle section, in blues style, affirms that They'll be no slavery in that land. Shackles are thrown to the ground, and freedom breaks forth. This leads to a quick and energetic return to the gospel song, with a final refrain of They'll be singing in that land, voices ringing in that land!This is very American music, in a gospel, blues, and folk style.