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Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
Flute (partie séparée)

$3.50 3 € Flute (partie séparée) PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1420957 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Blues,Contemporary,Film/TV,Funk,Jazz. 176 pages. Michael Gene Drake #1002366. Published by Michael Gene Drake (A0.1420957). The song “Never Gonna’ Leave You†is from my CD “Welcome To My Island†from 1991.                                      LyricsIt’s been a long time since we’ve been there,It’s been a long time since we cared,It’s “  “   “  “  “  “ “   we’ve had each other like before, We’re lookin’ forward to the new time,We’re lookin’ forward to it all,You know we can’t wait any longer, now it’s time to be together.Never gonna leave you….let you go….lose you….give you up….I’m gonna make it showI’ll be home before too long, We’ll be back together,A mountain was our love,  and this will last forever! It’s been a long time since we’ve been there, It’s been a long time since we cared,But now we know it’s all behind us, We’ve got tomorrow we can share. michaeldrakemusic@outlook.com  www.drakemusic.com.
Never Gonna Leave You
Ensemble Jazz
Michael Drake
$35.00 29.98 € Ensemble Jazz PDF SheetMusicPlus

French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
Cor

$3.50 3 € Cor PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.948136 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and parts. 14 pages. Sam Bateman #3431445. Published by Sam Bateman (A0.948136). Imagine you are at the zoo, and you stumble upon the aviary. You go inside, and you notice there are a bunch of little birdies flying around, jittering away. But then there's this one bird that just won't shut up, but it doesn't annoy you, and it's a fascinating little creature with its own character and sense of humour. If you think that sounds crazy, then I'm sure if you purchase this piece and listen to its rich harmony of bird calls, you'll probably picture it just fine.If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
The Carnival of the Animals - 10. Aviary

$6.99 5.99 € PDF SheetMusicPlus

Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
Hautbois (partie séparée)

$3.50 3 € Hautbois (partie séparée) PDF SheetMusicPlus

Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
Clarinette

$3.50 3 € Clarinette PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: AX.00-PC-0016620_PC1 1st Percussion. Arranged by Bob Cerulli. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016620_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016620_PC1). UPC: 029156913088.Hold on to your hats for this one! You'll play only a few notes before everyone (and we mean everyone) in your audience gets the message. The grins will go from ear to ear, and chances are there will be more than a few who will be doing a bit of moving. It's all good fun and one heck of a way to bond your musicians with their audiences. With this wonderful Bob Cerulli arrangement, you'll hit solid home runs . . . never 'fowl' balls!
The Chicken Dance: 1st Percussion
Percussion (partie séparée)

$3.00 2.57 € Percussion (partie séparée) PDF SheetMusicPlus

French Horn,Piano - Level 2 - Digital Download SKU: A0.1231060 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by André Alberto Santos. 20th Century,Film/TV,Pop,Wedding. Score and part. 3 pages. Soul - Musical Creations #826746. Published by Soul - Musical Creations (A0.1231060). Step into the world of romance and passion with A Time for Us by Nino Rota, from the Paramount Picture Romeo and Juliet. This iconic piece is a masterpiece of its time, and its haunting melody has the power to move anyone who hears it.With our PDF sheet music, you can easily learn and play this unforgettable piece in the comfort of your own home. The delicate interplay of melody and harmony in A Time for Us creates a truly emotional experience that will leave you breathless.As you play the notes and immerse yourself in the music, you'll feel as though you're transported to a different time and place, where love and heartbreak intertwine. This piece captures the essence of true love and its many complexities, and you'll find yourself lost in its beauty and intensity.Our carefully transcribed and edited PDF sheet music ensures that you're playing with accuracy and confidence, bringing to life the emotions that intended to convey. Whether you're an experienced musician or just starting out, this piece is accessible yet deeply rewarding to play.A Time for Us is a timeless classic that will never go out of style. So, whether you're looking to impress someone special or simply indulge in your love of music, download our PDF sheet music today and let the emotional journey begin.
A Time For Us (love Theme)
Cor et Piano
Nino Rota
$4.99 4.27 € Cor et Piano PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1265871 By Kathy Mattea. By Pat Alger and Ralph Murphy. Arranged by Dan Garrett. Country,Folk,Pop,Religious. Octavo. 10 pages. Daniel Garrett #858635. Published by Daniel Garrett (A0.1265871). Kathy Mattea recorded Seeds for her album, Lonesome Standard Time. This SSA and Piano arrangement will be an audience favorite.Lyrics:Sometimes I stop on my way home and watch the children playAnd I wonder if they wonder what they'll be some daySome will dream a big dream and make it all come trueWhile others go on dreaming of things they'll never doWe're all just seeds in God's handsWe start the same but where we landIs sometimes fertile soil and sometimes sandWe're all just seeds in God's handsI saw a friend the other day, I hardly recognizedHe'd done a lot of living since I'd last looked in his eyesHe told his tale of how he'd failed, the lessons he'd been taughtBut he offered no excuses and he left me with this thoughtWe're all just seeds in God's handsWe start the same but where we landIs sometimes fertile soil and sometimes sandWe're all just seeds in God's handsAnd as I'm standing at a crossroads once againI'm reminded we're all the same when we beginAnd in the end?We're all just seeds in God's handsWe start the same but where we landIs sometimes fertile soil and sometimes sandWe're all just seeds in God's handsWe're all just seeds in God's hands
Seeds
Chorale 3 parties
Kathy Mattea
$2.49 2.13 € Chorale 3 parties PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359).      This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes.      Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
In Your Slumber
Orchestre d'harmonie

$15.00 12.85 € Orchestre d'harmonie PDF SheetMusicPlus






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