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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1195850 By The Tokens. By Calvin Carter and James Hudson. Arranged by Kevin Hall. Barbershop,Hip-Hop,Pop,R & B,Rock,Standards. 8 pages. Eine kleine Saxmusik #795015. Published by Eine kleine Saxmusik (A0.1195850). One of the most recognizable Doo-Wop songs from the mid-50s, your audience will be singing along as you end your set or gig with this old classic.  As soon as people hear the signature bass line played on the bari that starts the song, they'll start tapping their toes and coming over to hear the group perform.  This arrangement includes an alternate soprano part for the lead, and an alternate bass sax part for the bari to be able to fit almost any sax quartet configuration.  Enjoy!(Copyrighted pieces apparently have some diff. policies from original/public domain:I apologize for the minimum price--it's set by ArrangeMe.  Contact me at kevinqhall at netscape dot net, and I'll be happy to give you credit toward another piece.Also, the sample cuts off at 30 secs.  I loaded the whole song.  If you'd like to hear more of the sample, email me (at the address above), and I'll be happy to send you the sound sample.In addition, I'm unable to edit the title or performer.  My preferences (the original title/performer!!) would be:Title:  Goodnite, Sweetheart, Goodnite (Goodnight, It's Time To Go) - arr. for Sax Quartet A(S)ATB(Bs)Original Performer:  The Spaniels).
Goodnight, Sweetheart, Goodnight (goodnight, It's Time To Go)
Quatuor de Saxophones: 4 saxophones
The Tokens
$12.99 11.36 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz

$30.00 26.24 € Ensemble Jazz PDF SheetMusicPlus

String Ensemble Electric Bass Guitar,Electronic Keyboard,Flute - Level 3 - Digital Download SKU: A0.1105262 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 149. David Kai #708522. Published by David Kai (A0.1105262). This version of the song is a backing track for soloist, group or congregation. This song is taken from the book of Ruth, chapter 1, and might be appropriate for weddings/celebrations of life partnerships. WHEREVER YOU MAY GO Words & Music: David Kai ©1997 Wherever you may go, I will follow, And your people shall be my people too, Wherever you may go, I will follow, For I would be faithful, loyal and true Say the word and I will stay, I will never go away, We will travel side by side, And God’s love will be our guide. Wherever you may go, I will follow, And your people shall be my people too, Wherever you may go, I will follow, For I would be faithful, loyal and true From beginning to the end, I will always be your friend, When you need me I’ll be there, You can trust my faithful care. Wherever you may go, I will follow, And your people shall be my people too, Wherever you may go, I will follow, For I would be faithful, loyal and true.
Wherever You May Go (instrumental)
David Kai
$1.99 1.74 € PDF SheetMusicPlus


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