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Alto Saxophone Duet Alto Saxophone - Level 3 - Digital Download SKU: A0.552408 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. 2 scores. 7 pages. Jmsgu3 #6342583. Published by jmsgu3 (A0.552408). Duo of the flowers from Lakme, Act I. A popular wedding selection. Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works. The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
Delibes: Duo des Fleurs for Alto Sax Duo & Piano
2 Saxophones (duo)

$26.95 23.13 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.820001 By Post Malone. By Adam Feeney, Austin Post, Carl Rosen, Kaan Gunesberk, Louis Bell, and William Walsh. Arranged by Kathy Hirche. Pop. Score and parts. 11 pages. Kathy Hirche #4282263. Published by Kathy Hirche (A0.820001). The music of this popular song has been specially arranged to be suitable for Intermediate Level performers and for use as instructional repertoire.  The melody is shared between the Primo and Secondo parts. The written range is kept mostly within the staff and the appropriate performance range of pitches on the keyboard is achieved by octave displacement, i.e. the Primo part is performed an octave higher than written and the Secondo an octave lower. As the performance range extends beyond that of a 61-note keyboard, an acoustic piano or 88-note keyboard is required if both players are to perform on the same instrument. Another performance option is to use two 61-note keyboards and use the transpose function to displace the parts by an octave (up for Primo, down for Secondo).  Both the score and separate parts are provided.  ISMN 979-0-7201-800-3-8  kathysprintmusic.com    Dueto de Piano/Teclado  La música en esta canción popular ha sido arreglada  especialmente para ejecutantes de Nivel Intermedio asi como para formar parte del repertorio de enseñanza. El rango escrito se mantiene principalmente con el personal de enseñanza y el rango apropiado de tonos en el teclado se consigue por desplazamiento de octavos, o sea que la parte Prima se ejecuta en una octava mas alta que lo escrito; el Secondo se ejecuta en una octava mas baja. Ya que el rango de ejecución se extiende mas allá de un teclado de 61- notas, se requiere un piano acústico de 88 notas si ambos músicos van a tocar en un mismo instrumento. Otra opción de ejecución es usar dos teclados de 61 notas y usar la función de transposición para desplazar cada parte por una octava (hacia arriba para Primo y hacia abajo para Secondo). todas las partes separadas y la partitura se incluyen.
Better Now
Post Malone
$5.99 5.14 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701454 Composed by Kevin G. Pace. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125181. Published by Kevin G. Pace (A0.701454). An original hymn. See text below.YouTube video: https://youtu.be/jGntH2Gsk9QIn sorrow and grief I bow at Thy throne, My heart is so burdened, so heavy my cross.My trials and cares seem too much to bear,How can I endure when I'm faced with such loss?My heart is despondent, tears fill my eyes.Oh, where is Thy balm? Oh, where is Thy peace?Where art Thou, O God? I can't do this alone.Dear Savior, stretch forth Thy hand, let my pain cease.Bruised, wounded was I, rejected of men,I've carried thy sorrows, thy griefs I do bear.I trembled in pain, I bled from each pore,I pled with the Father, in deepest despair.My child let My peace now sweep o'er thy soul,I'll dry all thy tears, My love shall abide.I'll always be near you, You're never alone.Dear child, I'll stand with you, be e'er by thy side.
In Sorrow and Grief - an original hymn for SATB voices
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
Nothing Compares (Anthem) - Orchestration

$49.99 42.9 € PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.1012708 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5742971. Published by Moni Bergo (A0.1012708). Music and song composed by me♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫   It seemed a day so, like many others,   I wake up and commitments   already there are pressing   who asks, who call,   they have all need   leave me alone   want my dream   Today, I'm sorry,   but is not the day   from these chains I feel disconnected   and run happy   in the thick of the wood   I reach my nest   my hidden place   I never afraid in the woods at night   With they  I find again  the right atmosphere   and there, around the fire   there is my family   the only, the true   that resembles me the most   And in my reflection   are barefoot and shabby   but just so , I feel myself   and while we wait   something to happen   dolls in hand   we look for a prey   if in the Middle Ages  they had burned us   stronger and bad   now we are back   Between 1000 potions   between powders and concoctions   we here manufacture  the strange mixtures   And dance around the fire   Of us,  cares little to you   we are ugly, we are ungainly   we are dirty and unkempt   and turned, turned around,   there is a place in the world   where it does not matter   the look and appearance.   And while we intone the  chants  to the moon   a strange mantra to bring good luck   I feel observed   because there hidden   he's , he followed me in the thick of  wood   I stop petrified   and now I'm afraid   because he knows nothing of my dark half   and I see the contempt   I can see it in his face   and I have a heavy heart   tears soaked-....   What I could say   I would tell him do not go   while time seems to stop   a moment seems eternal....   But who cares   half woman   half witch   If really you're interested   maybe you love me the same....   and I look at you  go away   in my eyes nostalgy   and a tear goes   I think of what will not be   strange actress consumed   identity lost   I try wherever my part   always change my fate.   And watch you disappear   something inside me dies   I would like an elixir of love   it gives you back  
WITCHS
Piano seul

$5.00 4.29 € Piano seul PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.976872 Composed by Monica Bergo. Children,Contemporary,Halloween. Score. 8 pages. Monica Bergo #3240587. Published by Monica Bergo (A0.976872). 2017 Holiday Contest Entry♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫   It seemed a day so, like many others,   I wake up and commitments   already there are pressing   who asks, who call,   they have all need   leave me alone   want my dream   Today, I'm sorry,   but is not the day   from these chains I feel disconnected   and run happy   in the thick of the wood   I reach my nest   my hidden place   I never afraid in the woods at night   With they  I find again  the right atmosphere   and there, around the fire   there is my family   the only, the true   that resembles me the most   And in my reflection   are barefoot and shabby   but just so , I feel myself   and while we wait   something to happen   dolls in hand   we look for a prey   if in the Middle Ages  they had burned us   stronger and bad   now we are back   Between 1000 potions   between powders and concoctions   we here manufacture  the strange mixtures   And dance around the fire   Of us,  cares little to you   we are ugly, we are ungainly   we are dirty and unkempt   and turned, turned around,   there is a place in the world   where it does not matter   the look and appearance.   And while we intone the  chants  to the moon   a strange mantra to bring good luck   I feel observed   because there hidden   he's , he followed me in the thick of  wood   I stop petrified   and now I'm afraid   because he knows nothing of my dark half   and I see the contempt   I can see it in his face   and I have a heavy heart   tears soaked-....   What I could say   I would tell him do not go   while time seems to stop   a moment seems eternal....   But who cares   half woman   half witch   If really you're interested   maybe you love me the same....   and I look at you  go away   in my eyes nostalgy   and a tear goes   I think of what will not be   strange actress consumed   identity lost   I try wherever my part   always change my fate.   And watch you disappear   something inside me dies   I would like an elixir of love   it gives you back &n.
Le streghe
Piano seul

$3.99 3.42 € Piano seul PDF SheetMusicPlus

Guitar - Digital Download SKU: A0.1497877 Composed by Ted Nugent. Arranged by Tracy Dean McCallum. 20th Century,Rock. Tablature. 8 pages. Tracy Dean McCallum #1074289. Published by Tracy Dean McCallum (A0.1497877). https://tracymccallum.com Never before have I turned on you You look too good to me Your beady eyes, they could cut me in two And I just can't let you be Well, it's a free for all, and I heard it said You can bet your life Stakes are high and so am I It's in the air tonight See you there with your Cheshire grin I got my eyes on you Shake your tail feather in my face and there's no tell in what I'll do Well looky here, you sweet young thing: the magic's in my hands When in doubt, I'll whip it out. I got me in a rock 'n roll band It's a free for all Here we go! Look out below! I'm on the prowl tonight When it's said and done, I'll have my fun. I can do anything I like Come one, come all, to a midnight ball. The invitation's there All alone and I'm driving home. God help me I do declare It's a free for all Never before have I turned on you Well you look too good to me Your beady eyes, they could cut me in two And I just can't let you be Well, it's a free for all, and I heard it said You can bet your life Stakes are high and so am I It's in the air tonight It's a free for all
Free-For-All
Guitare notes et tablatures

$7.99 6.86 € Guitare notes et tablatures PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1043823 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #648505. Published by Kevin G. Pace (A0.1043823). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Walk with me. When my trek through life seems barren, walk with me. When my soul is parched and arid, walk with me. When my drought has brought on thirst, when my God is not placed first, when I sense the very worst, Oh, walk with me. Weep with me. When all happiness escapes me, weep with me. When my peaceful heart forsakes me, weep with me. When I’m broken past repair, when no one is there to care, when a friend is very rare, Oh, weep with me. Mourn with me. When my heart is full of sorrow, mourn with me. When it’s hard to face tomorrow, mourn with me. When I’m crying all alone, when I feel less love is shown, when I doubt if I am known, Oh, mourn with me. Comfort me. Now I feel God coming closer. He comforts me When I feel I love Him most, He comforts me. When I trust his holy word, when I follow truths I’ve heard, when I feel so God-assured, He comforts me.
He Comforts Me, a sacred hymn
Chorale SATB

$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010.  It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below).  This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours.  This quiet but lovely music soothed and pacified me.  On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you --  whenever you acquire a recording of it by some lucky quartet ensemble.  Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet.  This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary:   Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B.  Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
String Quartet - William and Mary
Quatuor à cordes: 2 violons, alto, violoncelle
Mike Strand, ASCAP 

I wrote this String Quartet in a composition class at the College of William and Mary in 2010   It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below)
$7.00 6.01 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799656 Composed by D. M. Gardner. Contemporary. Octavo. 14 pages. D. M. Gardner Music #2063481. Published by D. M. Gardner Music (A0.799656). Lullaby is a beautifully melodic setting that interweaves choir, violin, cello, and piano as equal voices, together expressing the tender, yet powerful love and protective nature of a mother’s embrace. As a young child being rocked to sleep resists the urge to close his eyes, he is encouraged by his mother’s gentle, sweet melody to find laughter and adventure among his dreams.As the poet, Veronica Toracca-Bragdon describes rocking her son, Singing to him before bed is my chance to connect with him, to tell him everything I love about him, to thank him for the happiness he brings us. I cherish that time alone with him, because the night he doesn’t ask me to sing to him will arrive too soon. Veronica’s beautifully composed poem expresses not only these sentiments, but genuinely and tangibly represents the words that anyone who has children could imagine singing themselves.Lullaby’s simple, timeless melody captures the beauty and tenderness of the moment, at the same time reminding us of the innocent, carefree, and playful nature of the children we love so much.
Lullaby (SATB, Piano, Violin and Cello)
Chorale SATB

$2.25 1.93 € Chorale SATB PDF SheetMusicPlus


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