Piano Solo - Level 3 - Digital Download SKU: A0.958003 By Helen Park. By Helen Park. Classical,Contemporary,Multicultural,Religious,Spiritual,World. Score. 12 pages. HELEN PARK #1984479. Published by HELEN PARK (A0.958003). Are you crying? What makes you so sad? Dont cry. When time has passed, the sad memory may also be gone. When you are sad, my heart aches too. When you are upset, I'm upset too. When you are lonely and times are hard, just call me. I will always stand by you. Are you crying? The tears flow from your eyes, just like the raindrops fall. Please don't cry. Close your eyes for a while. Close the door of sadness behind you. Woo...... When you are beaten down, I will carry you. You don't have to suffer alone. You can lean on me.

Piano Solo - Digital Download SKU: A0.818245 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 9 pages. Stephen R Dalrymple #3457493. Published by Stephen R Dalrymple (A0.818245). Softly and Tenderly Jesus is Calling Hymn arrangement for left hand alone piano solo by Stephen R Dalrymple performed by the composer © 2017,  â„—  2020 Stephen R Dalrymple    This hymn, often used by Dwight Moody as a hymn of invitation was composed by Will Lamartine Thompson 1880. On Moody’s deathbed, he told Thompson Will, I would rather have written Softly and Tenderly Jesus is Calling than anything I have been able to do in my life. Combined with Lord, I’m Coming Home (lyrics and melody by William J Kirkpatrick 1892) and Amazing Grace lyrics by John Newton 1779 and melody first published in Virginia Harmony 1831, arranged by Edwin O. Excell 1900    Updated November 2020. Suitable for preludes, offertories, concerts, personal meditation. Includes 2 versions 1) piano score, letter size 2) piano score, small page format for performing from 10.1 inch tablet  (Note: Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)

Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite

Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob� that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [† with thoughts of I Corinthians 15:51 in mind, “The trumpet shall sound�].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob� as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.�(Taps solo Trumpet with intentional error at m.14 continues)________†   Optional text** Ed Hunter for www.TapsForever.com.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1188004 By Zane Kuchera. By Music by Zane Kuchera and words by David M. Murray. Arranged by Zane Kuchera. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Pop. Score. 9 pages. Zane Kuchera Music #787620. Published by Zane Kuchera Music (A0.1188004). 1/27/23 Zane Kuchera Music released “Come Back Home� - (AC/Jazz/Cabaret) - “The door is open, the porch lights on, has been ever since you been gone, every mended fence stands strong, waiting for you, back where you belong, I'll welcome you into my embrace, wipe the tears from your face, you never again need feel alone, so if you please, just stay back home.� Words: David M. Murray, music & performance: Zane Kuchera. Listen: https://album.link/cdr6kxf8mgkmd©2023 Zane Kuchera Music (ASCAP) All Rights Reserved Worldwide.

Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.799608 Composed by Franz Joseph Haydn. Arranged by Nicole Elyse DiPaolo. Classical,Romantic Period,Standards. Score and parts. 5 pages. Nicole Elyse DiPaolo #4611217. Published by Nicole Elyse DiPaolo (A0.799608). This theme is originally attributed to Franz Joseph Haydn, who included it as the slow movement of his Divertimento for Winds in Bb, Hob.II:46. However, it's uncertain whether he actually wrote the theme or took it from another source (like a hymn tune, which the St. Anthony name would suggest, or a folksong). Several decades later, Johannes Brahms ran across Haydn's Divertimento, liked the theme, and used it in his Variations on a Theme by Haydn, now the most famous setting of this theme. Carl Czerny also used it for a variation set. Specifically arranged for the early-stage piano student who is just beginning to play hands together, and for teachers who don't wish to prolong the hands alone stage, this unique adaptation keeps the hands in rhythmic unison and symmetrical contrary motion, optimizing ease of playing when first beginning to engage the both hands motor area of the brain. Throughout the piece, the student uses the same finger at the same time in both hands, and the fingers are matched to both-white or both-black keys, respectively. Strongly auditory and kinesthetic learners who don't require visual feedback may successfully learn this piece via rote instruction, too. This arrangement has also been designed so that it can work in both 2-piano 4-hands and 1-piano 4-hands settings.Additionally, the transposition to G-flat major (from B-flat) allows the student to take advantage of the black keys' inherent posture- and accuracy-enhancing qualities, which are vital in those early lessons when correct technique habits need to be installed. Finally, particularly for the adult student who's keen to dive into the classical repertoire: this is a genuine, well-known piece of music treated by multiple famous composers from the common practice era. Even finicky audience members will enjoy this piece, which will not sound like something a first-year piano student might play: some of the world's most elite orchestras have also recorded this work in Brahms's arrangement. Given that the tune is potentially a bit long for a beginner student, I've placed a double bar after m. 10, noting that if necessary, a student could excerpt mm. 1-10 and perform these without the middle section and return of A. I have not reproduced Haydn's original(?) repeats, but the student and teacher could add them if desired. The PDF, when purchased, will include both the student part (half of which is pictured) and a full score in standard notation for the teacher.

String Quartet String Quartet - Digital Download SKU: A0.749753 Composed by Traditional. Arranged by Stephen M. Taylor. Concert,Jewish,Wedding. Score and parts. 12 pages. SMT Music #4888405. Published by SMT Music (A0.749753). This beautiful hebrew song is used often at jewish Weddings. I wrote some original material to make it into more of a concert piece. I have used this in conjunction with other jewish songs to make up a suite. You can follow it with Roshenkis Mit Mandlen or other songs of your choosing or will stand alone. .

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453565 By George Gershwin. By George Gershwin. Arranged by John Hoesly. Jazz,Standards. 78 pages. PRS&B #1032789. Published by PRS&B (A0.1453565). Stride: from Rhapsody In Blue- Arrangement for Little Big Band/ Jazz Ensemble. Difficulty: Intermediate. Based on a theme from Rhapsody In Blue by George Gershwin. Rhapsody In Blue is considered an American musical masterpiece. Written by George Gershwin in 1924, right from it’s opening notes it conjures up The Jazz Age, The American Scene, New York City, and as Gershwin himself described, “national pep”. This is known as the Stride theme because of it’s resembling a typical stride piano accompaniment so prominent in the era. Here, it is presented as a stand-alone tune. Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.

String Trio Cello,Violin - Level 5 - Digital Download SKU: A0.1261934 Composed by Claude Debussy. Arranged by Sarah Cellobat Chaffee. Classical,Romantic Period,Wedding. 12 pages. Sarah Cellobat Chaffee #855018. Published by Sarah Cellobat Chaffee (A0.1261934). *INSTRUMENTATION: 2 VIOLINS & CELLO*Clair de lune, originally written as the third movement of Claude Debussy's Suite Bergamesque for solo piano, became widely known and loved after its publication in 1905. Now often performed as a stand-alone piece, Clair de lune is instantly recognized by almost everyone, and frequently requested for gigs. Now you'll be prepared for any event with this beautiful arrangement for your two-violin and cello string trio! Maintaining the lyrical melodic lines, dynamic and emotional intensity, clever chord changes, and interesting metric modulations of the original, this chart will be perfect for wedding ceremonies, receptions, cocktail parties, solo & ensemble contest, and more. Rated advanced for some accidentals, a number of tied rhythms and tuplets, and some high notes in the violin 1 part -- this is a tricky piece, but I promise I made it as sightreadable as humanly possible!Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

By Esa-Pekka Salonen. For piano. Classical. 22 pages. Published by Hal Leonard - Digital Sheet Music

Guitar,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1507276 Composed by David Warin Solomons. 21st Century,Contemporary. 15 pages. David Warin Solomons #1082676. Published by David Warin Solomons (A0.1507276). Duo for viola and guitar originally inspired by the words and rhythms of Lamartine's famous poem Le Lac.The original poem begins as followsAinsi, toujours poussés vers de nouveaux rivages,Dans la nuit éternelle emportés sans retour,Ne pourrons-nous jamais sur l'océan des âgesJeter l'ancre un seul jour?Ô lac ! l'année à peine a fini sa carrière,Et près des flots chéris qu'elle devait revoir,Regarde ! je viens seul m'asseoir sur cette pierreOù tu la vis s'asseoir ![So driven onward to new shores forever,Into the night eternal swept away,Upon the sea of time can we not everDrop anchor for one day?O Lake! Scarce has a single year coursed past.To waves that she was meant to see again,I come alone to sit upon this stoneYou saw her sit on then.].

Piano Solo - Level 3 - Digital Download SKU: A0.821006 Composed by Jim Shum. 20th Century,Concert,Film/TV,New Age. Score. 72 pages. JS-MUSIC #9681. Published by JS-MUSIC (A0.821006). For piano solo. Suitable for contest, recital, audition and private instruction. 72 pages. include: 01.Keep Going 02.Living Alone 03.I'm So Happy 04.Solitude 05.Lost In Tokyo 06.Torture 07.My Sunshine 08.Running All The Way 09.After Slumber 10.Silent Hill 11.Layers 12.Dangerous Game.

Chorus - Digital Download SKU: AX.00-PO-0001722 Home - SATB. By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Greg Gilpin. Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0001722. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001722). UPC: 038081446295.This debut single from American Idol winner Phillip Phillips quickly went Platinum as it climbed the Billboard charts. An inspiring folk-like feature. Just know you're not alone, 'cause I'm going to make this place your home.Inst. Parts Available (choral); Recorded Acc. Available.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.581 Composed by Frank Collins. Parlors, Couples, Spouses, Light fixtures, Children sleeping, Cats, Vases, Doors & doorways, Love, Mothers & children. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.581). Close the Door Softly, Dear. Baby's Asleep. Words by Julius G. Holladay. Music by Frank Collins. Published 1884 by C.M. Loomis, Temple of Music in New Haven, Conn. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Parlors, Couples, Spouses, Light fixtures, Children sleeping, Cats, Vases, Doors & doorways, Love, Mothers & chidlren. First line reads As I sat all alone, rocking baby in her crib, a dear little darling!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.