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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1199576 By Beegie Adair. By Jimmy Dorsey and Paul Madeira. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 1 pages. John Fries #798645. Published by John Fries (A0.1199576). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.   The song was released by Jimmy Dorsey and His Orchestra in 1942. The song has since been recorded by numerous artists. I'm Glad There is You has been covered by Frank Sinatra, Carmen McRae, Ella Fitzgerald, Lena Horne, Ginny Simms, Adam Jackson, Stan Kenton, Mel Tormé and Tony Bennett.
I'm Glad There Is You (in This World Of Ordinary People)
Piano, Voix et Guitare
Beegie Adair
$4.99 4.77 € Piano, Voix et Guitare PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.499586 Composed by Jimmy Dorsey and Paul Madeira. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112883. Published by John Fries (A0.499586). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  The song was released by Jimmy Dorsey and His Orchestra in 1942. The song has since been recorded by numerous artists. I'm Glad There is You has been covered by Frank Sinatra, Carmen McRae, Ella Fitzgerald, Lena Horne, Ginny Simms, Adam Jackson, Stan Kenton, Mel Tormé and Tony Bennett.
I'm Glad There Is You (in This World Of Ordinary People)
Instruments en Do

$3.99 3.81 € Instruments en Do PDF SheetMusicPlus

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.1007860 Composed by by Australian composer, Rebecca Summers. Children. Octavo. 5 pages. Rebecca Summers #3907535. Published by Rebecca Summers (A0.1007860). A song written especially for young voices to celebrate the value of our Grandparents. Terrific for Grandparents' Day ceremonies for whole schools to perform with a very simple chorus that even the tiniest student can take part. Bound to get some hearts moving. Piano part and vocal lead sheet available separately. Lyrics Please know I’ll remember The time we’ve spent together You taught me things so eagerly To take my life less seriously Your house is full of clutter You say it doesn’t matter Life’s too short to pick up socks To burn a bridge or turn a lock PRECHORUS And it was you Who taught me ‘bout family And it was you Who showed me how to love CHORUS Older, wiser, softer, kinder Older, wiser, softer, kinder Older. wiser, softer, kinder Older, wiser, softer, kinder VERSE 2 Your laugh makes people stop and stare You hear songs and music everywhere I’ve seen you tango with a mop Fed me cakes, hot chips and lollipops You seem to have more time for me You’d sweat and laugh and lie for me Your grass gets greener everyday I’m glad you’re here with me today CODA Please know I’ll remember,the time we spent togetherI need you in so many waysLet me wish you Happy Grandparents’ Day
It Was You - A Song For Grandparents' Day [Piano and Vocals]
Chorale Unison

$1.99 1.9 € Chorale Unison PDF SheetMusicPlus

Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565151 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 9 pages. Sharon Wilson #3499561. Published by Sharon Wilson (A0.565151). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A C* where C* is high C, one octave above middle C  Boomwhackers® – C D E F G A B Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of F major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned one to three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 6 to 14 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
I’m So Glad Jesus Lifted Me for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Sharon Wilson
$5.99 5.72 € PDF SheetMusicPlus

Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Xylophone - Level 2 - Digital Download SKU: A0.565150 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 9 pages. Sharon Wilson #3499555. Published by Sharon Wilson (A0.565150). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Notes used for each instrument are as follows: Bells – C D E F G A C* where C* is high C, one octave above middle C  Boomwhackers® – C D E F G A B Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of F major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned one to three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page for 6 to 14 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
I’m So Glad Jesus Lifted Me for 8-note Bells and Boomwhackers® (with Black and White Notes)
Sharon Wilson
$5.99 5.72 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1248632 By Herb Alpert. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #843127. Published by Timothy Stapay (A0.1248632). This is an arrangement of This Guys In Love With You for intermediate piano solo.This Guy's in Love with You is a song written by Burt Bacharach and Hal David, and recorded by Herb Alpert. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, arranged by Bacharach. An earlier recording of the song was by British singer Danny Williams titled That Guy's in Love, which appears on his 1968 self-titled album.As documented in an A&E Biography episode featuring Bacharach, the recording originated when Alpert, while visiting at Bacharach's office, asked, Say, Burt, do you happen to have any old compositions lying around that you and Hal never recorded; maybe one I might be able to use? Alpert said he made it his practice to ask songwriters that particular question: often a lost pearl was revealed. As it happened, Bacharach recalled one, found the lyrics and score sheet in his office filing cabinet, and offered it to Alpert: Here, Herb ... you might like this one.Lyrics:You see this guyThis guy's in love with youYes, I'm in loveWho looks at you the way I doWhen you smile I can tellWe know each other very wellHow can I show youI'm glad I got to know you, 'causeI've heard some talkThey say you think I'm fineYeah, I'm in loveAnd what I'd do to make you mineTell me now, is it so?Don't let me be the last to knowMy hands are shakingDon't let my heart keep breaking, 'causeI need your loveI want your loveSay you're in loveIn love with this guyIf not, I'll just dieTell me now, is it so?Don't let me be the last to knowMy hands are shakingDon't let my heart keep breaking, 'cause I need your loveI want your loveSay you're in loveIn love with this guyIf not, I'll just die.
This Guy's In Love With You
Piano seul
Herb Alpert
$6.99 6.68 € Piano seul PDF SheetMusicPlus

Jazz Combo - Level 4 - Digital Download SKU: A0.518629 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Contemporary,Contest,Festival,New Age,Pop. Score and parts. 81 pages. Holyone Tombari Dodoh #129339. Published by Holyone Tombari Dodoh (A0.518629). Lyrics performed by an Open Source Virtual Singer Software (bot). An Afro Music. Score and parts included. Lyrics Love, love, love, Loving you Love, love, love, Loving you Sweetie o Looking up to heaven All I see is me o Loving you. My Love o You may not believe me All my dream is me o Loving you. When I wake up in the morning I'm Love (Loving my Sweetheart), Love (Every time I am love) Love, Loving you. In the darkest moments all I see Love (Something whispering true love), Love (Within me is true love) Love, Loving you. Just looking at you Opens my mouth But nothing to say Than loving you. Love o Love sweet me well o Love makes me glad o Loving you. My love o I need to see you, Cos all I feel in me Is loving you. Sweetie o God sent love from heaven Love gave birth to me o Loving you. All I want to do Love, love, love, Loving you. The best thing to do is loving you Love (Love, love, Loving you), Love (Love, loving you), Love, loving you. What I feel within me Love, love, love, Loving you. Love, love, love, Loving you.
Loving You
Jazz combo
Gbērē Dodoh
$6.50 6.21 € Jazz combo PDF SheetMusicPlus

Rhythm Section 2-Part Chorus,Voice - Level 5 - Digital Download SKU: A0.1426660 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Film/TV,Jazz,Soul. Vocal Jazz Ensemble. 35 pages. Holyone Tombari Dodoh #1007362. Published by Holyone Tombari Dodoh (A0.1426660). Lyrics:I see you don't care, You don't care. I see you don't care. Won't you take care of me? Won't you take care of me? Won't you take care of me? I used to be your keeper,Was always there for you all time,And if you cried,I'd hold you,Close to my heart and whisper,You are the best thing in this world,My little sweet,Cry no more.Now, won't you take care of me? Won't you take care of me? Won't you take care of me? You needed me,I was there,I could not leave you there alone.My little love,You got me.You called to me;Teach me all,I was so glad to show you all,My little dear,Know it all.And when you're scared,I held you,I said, My baby, I'm right here.I prayed to God,Keep my love!But now, won't you take care of me?Won't you take care of me?Won't you take care of me?My little sweet,My happiness,I will never forget.Now a grown-up,Now you don't care,Never remember me? I just need you here with me.I cannot do it on my own,My little best,You've so grown.I need you to understand;I will not be here for so long,My little sweet,I need you now!So now, won't you take care of me? Won't you take care of me? Won't you take care of me? 
Won't You Take Care of Me
Holiyo
$6.90 6.59 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801677 Composed by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 120 pages. Connie Boss #6414353. Published by Connie Boss (A0.801677). This lovely cantata is about how we gather together in song to celebrate the birth of Jesus. It has a Celtic feel and the songs are from several different countries - United States, Ireland, England, France, Germany, Scotland, Italy. There are 8 songs included, 2 originals, 2 medleys and 4 songs that you know and love included also. All of the songs are in SATB with an (optional) accent instrument part (choice of flute, violin or cello - parts included at the end of each score) - the score has the flute part so you can see where the accent instrument fits into the score. A simple piano part is included in each score. The voices and accent instruments help to complete the entire piece. You can also purchase individual songs on here separately if you choose to not purchase the whole cantata. However, it is a bargain to purchase the cantata. There are narration parts before each song that give a little history of the song. You can opt out of using them if desired. The titles of the songs are: 1. Baby, Jesus, Was Born Unto This Earth. (original)  2. Christ Child's Lullaby. 3. Bring a Torch Jeanette, Isabella. 4. Christmas Carols - Coventry and Wexford. 5. Good Christian Men Rejoice. 6. O Come Let Us Adore Him, Christ the Lord - (In the Bleak Midwinter, Gesu Bambino, The Snow Lay on the Ground) 7. Peace on Earth (original) 8. Sing We Now of Christmas. Take a little time to listen to the mp3 attached. It has computer voices, but you can get an idea of what it is supposed to sound like. It also has one of the instrument parts as a sample and then the piano on each one. Any questions, please email me at cdboss@cvalley.net. I'm glad to work with you. This is my 5th cantata and most recent one. You can purchase the other 4 on here - check them out. You can also purchase in book form any of these on Amazon. I have background accompaniment to these songs. If you purchase a book and would like them, please email me with proof of purchase and I will email them back to you. .
O Come Let Us Adore Him Christmas Cantata - SATB optional instruments and Piano - parts included
Piano, Voix et Guitare

$7.00 6.69 € Piano, Voix et Guitare PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle

$8.00 7.64 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus






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