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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010.  It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below).  This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours.  This quiet but lovely music soothed and pacified me.  On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you --  whenever you acquire a recording of it by some lucky quartet ensemble.  Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet.  This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary:   Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B.  Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
String Quartet - William and Mary
Quatuor à cordes: 2 violons, alto, violoncelle
Mike Strand, ASCAP 

I wrote this String Quartet in a composition class at the College of William and Mary in 2010   It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below)
$7.00 5.97 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1282836 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. 14 pages. Alberto Caeiro #874079. Published by Alberto Caeiro (A0.1282836). This arrangement is made for String Quintet, in the original key containing the original form of the musical. It's an easy arrangement that can be performed in different events and performances, having a solo voice. With 2 violins, 1 viola and 1 cello, the arrangement would be too light so, adding the double bass, the arrangement becomes more interesting with more color.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
The Girl I Mean To Be
Quintette à cordes: 2 violons, alto, violoncelle, basse
The Secret Garden Ensemble
$19.99 17.06 € Quintette à cordes: 2 violons, alto, violoncelle, basse PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
The Girl I Mean To Be
Orchestre
The Secret Garden Ensemble
$59.99 51.19 € Orchestre PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age. Score and Parts. 34 pages. Alberto Caeiro #873559. Published by Alberto Caeiro (A0.1282254). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:2 flutes2 oboes3 clarinets1 bass clarinet2 Saxophones3 trumpets2 horns2 trombones1 euphonium1 tuba4 percussion instruments1 Solo VoiceThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind and brass instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
The Girl I Mean To Be
Orchestre d'harmonie
The Secret Garden Ensemble
$79.99 68.26 € Orchestre d'harmonie PDF SheetMusicPlus

Marimba Solo - Level 1 - Digital Download SKU: A0.1365155 Composed by BĂ©la UgrĂł. 21st Century,Children,Classical,Multicultural,Traditional,World. Individual part. 45 pages. Bela Ugro #949463. Published by Bela Ugro (A0.1365155). Embark on a melodic journey with Happy Mallets - Songs and Song Arrangements for 4.1/3 Octave Marimba, a delightful collection crafted by the talented composer BĂ©la UgrĂł. This sheet music compilation offers a diverse array of tunes, spanning from traditional melodies to original compositions, each carefully arranged for the enchanting tones of the 4.1/3 Octave Marimba with a total of 45 pages.Content: have you ever seen this (gyakorlat) where are you going, little kid? (hovĂĄ mĂ©gy te kisnyulacska?) the candle is burning (Ă©g a gyetya Ă©g) even they say (mĂ©g azt mondjĂĄk) oops juliska (hopp juliska) cickom, cickom (cickom, cickom) little kece daughter (kis kece lĂĄnyom) hey tulips, tulips (hej tulipĂĄn, tulipĂĄn) i picked flowers from the garden (kertbe virĂĄgot szedtem) there’s a catfish in the water (harcsa van a vĂ­zbe) dance (tĂĄnc) lacrimosa yellow corn fiber (sĂĄrga kukoricaszĂĄl) spring wind (tavaszi szĂ©l) three songs (hĂĄrom dal): it blows from above (felĂŒlrƑl fĂșj), my sweet friend (kincsem komĂĄmasszony) i am not (nem vagyok Ă©n) noveletta flea market (bolhapiac) argentine summer shower (nyĂĄri zĂĄpor) greeting (köszöntƑ) the citrus tree (a citrusfa) dance house (tĂĄnchĂĄz) nights in kapolcs (kapolcsi Ă©jszakĂĄk) farewell (bĂșcsĂș) bamby rome (rĂłma) BĂ©la UgrĂł's intricate arrangements bring these melodies to life, providing marimba enthusiasts with a captivating repertoire that spans various genres and cultural influences. Happy Mallets is not just sheet music; it's an invitation to explore the diverse sounds and emotions encapsulated within each composition.Happy Mallets - Songs and Song Arrangements for 4.1/3 Octave Marimba invites young learners and educators to dive into the fascinating world of percussion, where each piece becomes a stepping stone in their musical education. With its engaging compositions, this sheet music promises an enjoyable and educational experience for aspiring percussionists of all ages.Keywords:Marimba Sheet MusicBĂ©la UgrĂł Compositions4.1/3 Octave Marimba SolosMelodic Marimba ArrangementsPercussion Ensemble PiecesDiverse Cultural MelodiesEducational Marimba MusicOriginal Sheet Music CollectionEnchanting Melodies for MarimbaBĂ©la UgrĂł Happy Mallets.
Happy Mallets - Songs and Song Arrangements for 4.1/3 Octave Marimba
Marimba

$13.00 11.09 € Marimba PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?” was all my boss would say,Gave me my last paycheck, and sent me on my way
So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.
Good Advice
Piano, Voix
Cheryl Prazak
$4.99 4.26 € Piano, Voix PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1399872 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Broadway,Contemporary,Jazz,Musical/Show,Pop,Singer/Songwriter. Score. 4 pages. Zane Kuchera Music #983097. Published by Zane Kuchera Music (A0.1399872). 3/12/24 Zane Kuchera Music released “Joker Jo” (Pop/AC/Jazz). A happy song about cherishing my life partner and feeling that everything is going to be okay, no matter what, because I’m walking with the one that makes me smile and reminds me of home. Words: Paul Tapp , music & performance: Zane KucheraWatch: https://youtu.be/l-p0ovwCOGcListen: https://album.link/v2k6js0w30b96Play: https://ZaneKuchera.comOne way to look at the song is to not let big questions get in the way of enjoying the little pleasures we experience in life. The big question-Is God in heaven, why I don't know? little pleasure- 'I'm walking with Joker Jo.' Another way to interpret the song is by always living our best life we are granted a certain divinity in the shared experience and the big questions no longer loom so large... she spreads jelly on a piece of rye. But most importantly anyway we look at the song the overriding message is be grateful to have love in our lives. It really does not matter if it's cold outside when you have someone you love with you.
Joker Jo
Piano, Voix et Guitare
Zane Kuchera
$4.99 4.26 € Piano, Voix et Guitare PDF SheetMusicPlus

Small Ensemble Cello,Ukulele,Viola,Violin - Level 3 - Digital Download SKU: A0.1079697 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Luis Turina and Noname Musica. Folk,Multicultural,Wedding,World. Score and parts. 10 pages. NonamĂ© MĂșsica #683883. Published by NonamĂ© MĂșsica (A0.1079697). (Spanish below) Another of our arrangements prepared to be played changing a violin or the viola by an ukulele. You have a low pizz. part very simple, only 3 notes, to make the bass, an ukelele part (can be easily but not artistically correct with a violin), the cello part is the voice of Izrael Kamakawiwo'ole (pay attention to the glissandos) and a whole new accompaniment part for the other violin, composed by our arranger Luis Turina. Hope you enjoy it. Here you have score and parts. In case you are going to substitute the viola for an ukulele, you have an alternative part in treble cleff for the violin. Otro de nuestros arreglos preparados para ser tocados cambiando un violĂ­n o la viola por un ukelele. Tienes una parte de pizz. grave muy simple, sĂłlo 3 notas, para hacer el bajo, una parte de ukelele (puede ser tocada fĂĄcilmente, aunque no de una forma artĂ­sticamente correcta, con un violĂ­n), la parte de violonchelo es la voz de Izrael Kamakawiwo'ole (presta atenciĂłn a los glissandos!) y toda una nueva parte de acompañamiento para el otro violĂ­n, compuesta por nuestro arreglista Luis Turina. Espero que lo disfrutes. AquĂ­ tienes la partitura y las partes. En caso de que vayas a sustituir la viola por un ukelele, tienes una parte alternativa en clave de sol para el violĂ­n.
Over The Rainbow
Judy Garland
$12.99 11.09 € PDF SheetMusicPlus

Large Ensemble Vibraphone - Level 5 - Digital Download SKU: A0.810362 Composed by Daniel Castillo Mendoza. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Daniel C. M. #6716675. Published by Daniel C. M. (A0.810362). Concerto for vibraphone and chamber orchestra. The PDF includes score and parts. The instrumentation is flute, oboe, Bb clarinet, basoon, french horn, timpani, strings, vibraphone (soloist). By purchasing the music you have full permission to perform in public. If you are going to record it, I'd be pleased you could share it with me. You can contact me on danieldcm01@gmail.com.
Concerto for Vibraphone and Chamber Orchestra
purchasing the music you have full permission to perform in public If you are going to record it, I'd be pleased you could share it with me
$129.99 110.93 € PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata PathĂ©tique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata PathĂ©tique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata PathĂ©tique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano

$24.95 21.29 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.719728 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573003. Published by Curtis Hanson (A0.719728). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers.
Hymns from Childhood - Set 2 (SATB)
Chorale SATB

$2.25 1.92 € Chorale SATB PDF SheetMusicPlus

Level 5 - Digital Download SKU: A0.1212022 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 11 pages. Blue Steer Studios #807630. Published by Blue Steer Studios (A0.1212022). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.    Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.   Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
Flight of the Star Owls Arrangement for Advanced Harp Ensemble (E min) - Score Only
4 Harpes
Laura Olson
$3.99 3.41 € 4 Harpes PDF SheetMusicPlus


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