Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.

Concert Band - Level 2 - Digital Download SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age. Score and Parts. 34 pages. Alberto Caeiro #873559. Published by Alberto Caeiro (A0.1282254). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:2 flutes2 oboes3 clarinets1 bass clarinet2 Saxophones3 trumpets2 horns2 trombones1 euphonium1 tuba4 percussion instruments1 Solo VoiceThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind and brass instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.

Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506755 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 178. David Warin Solomons #1082126. Published by David Warin Solomons (A0.1506755). Arrangement of Ariette Oubliée No 4 originally written for alto and guitar (also available on this site). The song is based on a poem by Paul Verlaine in which he imagines himself and his boyfriend Rimbaud as two innocent little girls.Original poem:Il faut, voyez-vous, nous pardonner les choses:De cette façon nous serons bien heureusesEt si notre vie a des instants moroses,Du moins nous serons, n`est-ce pas? deux pleureuses.Ô que nous mêlions, âmes soeurs que nous sommes,A nos voeux confus la douceur puérileDe cheminer loin des femmes et des hommes,Dans le frais oubli de ce qui nous exile !Soyons deux enfants, soyons deux jeunes fillesÉprises de rien et de tout étonnéesQui s`en vont pâlir sous les chastes charmillesSans même savoir qu`elles sont pardonnées.Paul Verlaine[literal translation into English]You see, you`ll have to forgive us a few thingsThen we`ll be two happy little girlsAnd if our life is a bit sad at timesat least there will be two of us sobbing together, won`t there?Oh sister souls that we are, wouldn`t we just mingleChildish sweetness with our embarassed vowsTo wander far from the world of adultsAnd forget our banishment in all our fresh innocenceLet`s be two children, two little girlsIn love with nought and astonished by allGoing pale-faced down innocent tree-lined pathsNot even aware that they`ve been forgiven.

Small Ensemble Cello,Ukulele,Viola,Violin - Level 3 - Digital Download SKU: A0.1079697 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Luis Turina and Noname Musica. Folk,Multicultural,Wedding,World. Score and parts. 10 pages. Nonamé Música #683883. Published by Nonamé Música (A0.1079697). (Spanish below) Another of our arrangements prepared to be played changing a violin or the viola by an ukulele. You have a low pizz. part very simple, only 3 notes, to make the bass, an ukelele part (can be easily but not artistically correct with a violin), the cello part is the voice of Izrael Kamakawiwo'ole (pay attention to the glissandos) and a whole new accompaniment part for the other violin, composed by our arranger Luis Turina. Hope you enjoy it. Here you have score and parts. In case you are going to substitute the viola for an ukulele, you have an alternative part in treble cleff for the violin. Otro de nuestros arreglos preparados para ser tocados cambiando un violín o la viola por un ukelele. Tienes una parte de pizz. grave muy simple, sólo 3 notas, para hacer el bajo, una parte de ukelele (puede ser tocada fácilmente, aunque no de una forma artísticamente correcta, con un violín), la parte de violonchelo es la voz de Izrael Kamakawiwo'ole (presta atención a los glissandos!) y toda una nueva parte de acompañamiento para el otro violín, compuesta por nuestro arreglista Luis Turina. Espero que lo disfrutes. Aquí tienes la partitura y las partes. En caso de que vayas a sustituir la viola por un ukelele, tienes una parte alternativa en clave de sol para el violín.

String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1282836 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. 14 pages. Alberto Caeiro #874079. Published by Alberto Caeiro (A0.1282836). This arrangement is made for String Quintet, in the original key containing the original form of the musical. It's an easy arrangement that can be performed in different events and performances, having a solo voice. With 2 violins, 1 viola and 1 cello, the arrangement would be too light so, adding the double bass, the arrangement becomes more interesting with more color.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich� that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.� The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.

Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1500900 By Asumi Nakata. By Kouji Hayashi and Yukiko Mitsui. Arranged by Alba Calvo Hernández. 20th Century,Contemporary,Film/TV,Soul. Score and individual part. 3 pages. Alba Calvo #1076927. Published by Alba Calvo (A0.1500900). LEGEND OF MERMAIND - Sara's slow version - (Piano accompaniment) for INTERMEDIATE PIANO Hello! My name is Alba and I consider myself the biggest Pichi Pichi Pitch fan since I was a little kid, like many others my age. I've always been obsessed with Sara's version of Legend of Mermaind. It's such a beautiful arrangement and the way it fits the scene makes me cry every time, so I really wanted to play it, but after years of searching for the sheet music without finding anything, I decided to arrange it myself. It took me a lot of time, I'm not going to lie, since the piece is more difficult than it seems, at least for me, since I'm still relatively new to the piano. Anyway, I hope you enjoy it as much as I did :-).

Guitar - Level 2 - Digital Download SKU: A0.1150935 Composed by Matteo Carcassi. Arranged by Brian Streckfus. Classical. Guitar Tab. 4 pages. Brian Streckfus #751121. Published by Brian Streckfus (A0.1150935). Important: This include two versions, a heavily notated version, and a blank version.1. Added tablature. 2. Fingerings added (Counterintuitive fingerings are left blank for the performer to realize first hand that it will be an awkard passage).3. Chord nomenclature added4. Fonts made larger and more appealing5. Position and Bar markings addedTips:1. Measure 13 is a good example of melodic minor as scale degrees 6 and 7 are rasied by a half step on an upward scale run, and then lowered on the way back down.2. Measures 23-27 is an example of a sequence. I recommend making the catchiness and repetition as obvious as possible as the audience is expecting the sequence to complete. For example, if there is a slur happening on a certain beat, I'll make sure it is mantained for every repetition, which is why measure 20 is more difficult with a fretted B instead of an open string. It's more work, but it sounds better to my ears.3. There is a certain order that the right hand fingers should be following depending on if you are going to thicker or thinner strings. Since this is an etude designed to get a player used to classical guitar technique, it made sense to show the a novice finger-style player which right hand fingers to use and when. Example: 2nd thinnest to thinnest string...Should be i m...not m iTo Do:1. Theoretical explanations in the score? Especially on the heavily notated version?

Cello - Digital Download SKU: A0.1103929 By Mády-Szabó Eszter. By James Lord Pierpont. Arranged by David Warin Solomons. Chamber,Christmas. Full Performance. Duration 140. David Warin Solomons #707213. Published by David Warin Solomons (A0.1103929). Based on the Christmas carol by James Lord Pierpont Starting in G major, moving over to D minor with various low notes creating a sort of harmony and then going back to G major with even more of the harmonic lower notes. Performed by Mády-Szabó Eszter of Budapest Scoring Cellos.

Piano Solo - Level 5 - Digital Download SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music Innovators Workshop #4356271. Published by Music Innovators Workshop (A0.984695). This is a very interesting 4 voice fugue. I like a lot - but I can't play it on this tablature - even though I can play it on traditional notation. I wonder if it's because I learned to play it first on the traditional notation, or if the complexity of the piece makes the tablature less effective than it is on less complex pieces. Actually, i'm fascinated by the way it looks on the tablature. The weaving of the melody lines is very interesting. It really is a visual work of art!  6 Pages.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)

Large Ensemble Vibraphone - Level 5 - Digital Download SKU: A0.810362 Composed by Daniel Castillo Mendoza. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Daniel C. M. #6716675. Published by Daniel C. M. (A0.810362). Concerto for vibraphone and chamber orchestra. The PDF includes score and parts. The instrumentation is flute, oboe, Bb clarinet, basoon, french horn, timpani, strings, vibraphone (soloist). By purchasing the music you have full permission to perform in public. If you are going to record it, I'd be pleased you could share it with me. You can contact me on danieldcm01@gmail.com.

Harp - Level 3 - Digital Download SKU: A0.1026509 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Children,Irish,Multicultural,New Age,World. 8 pages. Blue Steer Studios #6206579. Published by Blue Steer Studios (A0.1026509). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players. Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies. A rare opportunity to showcase programmatic skills for the harp ensemble.   The dark and mysterious musical message will touch the hearts of all who hear it. About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson ************************************************* 

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    

Harp - Level 5 - Digital Download SKU: A0.1212021 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 27 pages. Blue Steer Studios #807217. Published by Blue Steer Studios (A0.1212021). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.    Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.   Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.

Easy Piano - Level 2 - Digital Download SKU: A0.984687 Composed by Allen. Arranged by John M. Honeycutt. Children,Jazz,Romantic Period,Traditional. Score. 8 pages. Music Innovators Workshop #4356241. Published by Music Innovators Workshop (A0.984687). This famous piece is arranged in two versions for piano - early intermediate and intermediate. The arrangements are notated as key map tablatures - which are very easy to learn and read. Standard chord symbols are included.Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)