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Piano Solo - Digital Download SKU: A0.1012708 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5742971. Published by Moni Bergo (A0.1012708). Music and song composed by me♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫   It seemed a day so, like many others,   I wake up and commitments   already there are pressing   who asks, who call,   they have all need   leave me alone   want my dream   Today, I'm sorry,   but is not the day   from these chains I feel disconnected   and run happy   in the thick of the wood   I reach my nest   my hidden place   I never afraid in the woods at night   With they  I find again  the right atmosphere   and there, around the fire   there is my family   the only, the true   that resembles me the most   And in my reflection   are barefoot and shabby   but just so , I feel myself   and while we wait   something to happen   dolls in hand   we look for a prey   if in the Middle Ages  they had burned us   stronger and bad   now we are back   Between 1000 potions   between powders and concoctions   we here manufacture  the strange mixtures   And dance around the fire   Of us,  cares little to you   we are ugly, we are ungainly   we are dirty and unkempt   and turned, turned around,   there is a place in the world   where it does not matter   the look and appearance.   And while we intone the  chants  to the moon   a strange mantra to bring good luck   I feel observed   because there hidden   he's , he followed me in the thick of  wood   I stop petrified   and now I'm afraid   because he knows nothing of my dark half   and I see the contempt   I can see it in his face   and I have a heavy heart   tears soaked-....   What I could say   I would tell him do not go   while time seems to stop   a moment seems eternal....   But who cares   half woman   half witch   If really you're interested   maybe you love me the same....   and I look at you  go away   in my eyes nostalgy   and a tear goes   I think of what will not be   strange actress consumed   identity lost   I try wherever my part   always change my fate.   And watch you disappear   something inside me dies   I would like an elixir of love   it gives you back  
WITCHS
Piano seul

$5.00 4.34 € Piano seul PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1465912 Composed by W. H. Neidlinger. Arranged by W. H. Neidlinger. 19th Century,Christian,Christmas,Classical,Sacred. 6 pages. Müller Publishing company #1044511. Published by Müller Publishing company (A0.1465912). “Birthday of a King” - SATB with chords Choral Composition by W. H. NeidlingerDiscover the inspiring message within this traditional SATB arrangement of “Birthday of a King” composed by W. H. Neidlinger. His choral setting beautifully preserves the moving themes of faith, hope and joy in Christmas celebrations.Neidlinger’s composition in the majestic key of G allows for a rich, resonant sound to fill any performance space. The half step lower key provides flexibility for choirs of varying vocal abilities. The high-resolution sheet music provides clarity and versatility, permitting accompaniment on piano or organ.This piece will lift both voices and spirits. Through “Birthday of a King”, share the good news of our Savior's birth and uplift your congregation with timeless musical storytelling.Invest in spreading the kingdom message with Neidlinger's reverent composition for voices. Uplift your festive services and elevate your choirs' artistic gifts with this special SATB choral sheet music of a Christmas tradition.
The Birthday of a King - SATB (G) - With Chords
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1161065 Composed by Dave Gardner. Classical,Historic. Octavo. 12 pages. D. M. Gardner Music #761387. Published by D. M. Gardner Music (A0.1161065). The vivid imagery and powerful emotion of Shakespeare’s 128th sonnet resonate throughout this evocative setting of the text. Few pieces elicit as genuine a response from the listener and fewer still are remembered as sweetly by the ear. How oft, when thou, my music, music play’st,Upon that blessed wood whose motion soundsWith thy sweet fingers, when thou gently sway’stThe wiry concord that mine ear confounds,Do I envy those jacks that nimble leapTo kiss the tender inward of thy hand,Whilst my poor lips which should that harvest reap,At the wood’s boldness by thee blushing stand!To be so tickl’d, they would change their stateAnd situation with those dancing chips,O’er whom thy fingers walk with gentle gait,Making dead wood more bless’d than living lips.     Since saucy jacks so happy are in this,     Give them thy fingers, me thy lips to kiss.A great piece for a good high school or college choir looking to a a memorable and fun piece to their repertoire!
Shakespeare's Sonnet 128
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.1024959 Composed by Thomas Dunhill. Arranged by Kerry Boyle. Contemporary. Octavo. 4 pages. Kerry M. Boyle #6893443. Published by Kerry M. Boyle (A0.1024959). This is a lively arrangement of Dunhill's Do You Ken Elsie Marley for SSAA voicing.Elsie was the wife of an innkeeper at the Barley Mow Inn, Pictree, near Chester-le-Street, where her buxom presence and lively humour were doubtless the means of attracting all ranks of society. She became very successful and gained some local celebrity. The lyrics suggest that she has 'grown so fine' due to her success and that she feels she is too good to feed the pigs. The gossiping personality and humour of the original is characterised through the voicing in this arrangement. The piece is ideally suited to a female ensemble and will be a great addition to any concert programme.
Elsie Marley (SSAA)
Chorale SATB

$4.99 4.33 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1332653 Composed by W. H. Neidlinger . Arranged by W. H. Neidlinger . 19th Century,Christian,Christmas,Classical,Sacred. 5 pages. Müller Publishing company #919077. Published by Müller Publishing company (A0.1332653). “Birthday of a King†- SATB Choral Composition by W. H. Neidlinger Discover the inspiring message within this traditional SATB arrangement of “Birthday of a King†composed by W. H. Neidlinger. His choral setting beautifully preserves the moving themes of faith, hope and joy in Christmas celebrations.Neidlinger’s composition in a majestic key allows for a rich, resonant sound to fill any performance space. The high-resolution sheet music provides clarity and flexibility, permitting accompaniment on piano or organ. This piece will lift both voices and spirits. Through “Birthday of a Kingâ€, share the good news of our Savior's birth and uplift your congregation with timeless musical storytelling. Invest in spreading the kingdom message with Neidlinger's reverent composition for voices. Uplift your festive services and elevate your choirs' artistic gifts with this special SATB choral sheet music of a Christmas tradition.
The Birthday of a King - SATB (Ab)
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1332654 Composed by W. H. Neidlinger. Arranged by W. H. Neidlinger. 19th Century,Christian,Christmas,Classical,Sacred. 5 pages. Müller Publishing company #919078. Published by Müller Publishing company (A0.1332654). “Birthday of a King†- SATB Choral Composition by W. H. NeidlingerDiscover the inspiring message within this traditional SATB arrangement of “Birthday of a King†composed by W. H. Neidlinger. His choral setting beautifully preserves the moving themes of faith, hope and joy in Christmas celebrations.Neidlinger’s composition in the majestic key of G allows for a rich, resonant sound to fill any performance space. The half step lower key provides flexibility for choirs of varying vocal abilities. The high-resolution sheet music provides clarity and versatility, permitting accompaniment on piano or organ.This piece will lift both voices and spirits. Through “Birthday of a Kingâ€, share the good news of our Savior's birth and uplift your congregation with timeless musical storytelling.Invest in spreading the kingdom message with Neidlinger's reverent composition for voices. Uplift your festive services and elevate your choirs' artistic gifts with this special SATB choral sheet music of a Christmas tradition.
The Birthday of a King - SATB (G)
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.572529 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Sacred,Standards,Wedding. 118 pages. James M Stevens Music ASCAP #3567899. Published by James M Stevens Music ASCAP (A0.572529). This book contains 17 original songs for solo violin and piano all written between Dec 2017-July 2018 in lyrical, romantic and sacred styles and perfect for weddings, recitals and sacred settings. There is a separate violin part for each song in the score and many of the piano parts can also function as independent solos. Every song in the book is available separately making this a good resource for teachers and students. While the YT video is of the 2nd piecePrelude to Love the MP3 is of the 1st piece, Summer Sonata. This book is soon to be followed by Vol. III Visions of Reflection. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://youtu.be/8D6856xx3WM
Violin Visions Series Vol. II - "Visions in Romance"
Violon et Piano

$18.99 16.49 € Violon et Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together.  This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™­) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major).  In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.  
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
Chorale SATB

$1.99 1.73 € Chorale SATB PDF SheetMusicPlus

Jazz Combo - Level 4 - Digital Download SKU: A0.970748 Composed by Mike Strand. Concert,Graduation,Jazz,Latin,World. Score and parts. 3 pages. Michael M. Strand #5335369. Published by Michael M. Strand (A0.970748). By Mike Strand, ASCAP This is a bossa nova lead sheet with chord symbols and guitar fret boards, for a jazz or Latin ensemble, large or small, and a solo instrument (flute, saxophone, guitar, etc.). So it supports a variety of arrangements, contra facts, and improvisations. The audio sample is a jazz bossa nova accompaniment, combined with my tune from Finale PrintMusic - a quartet ensemble.  In this particular sample, you'll hear a flute carry the tune.Levantado translates to lifted up, and connotes being cheered up or advanced in some way.  This tune would serve well at a graduation party. Many bossa novas are in minor keys and convey sadness or melancholy.  Levantado is not your typical bossa -- you’ll hear major chords and ascending melody motifs, good for a happy occasion. Libertango, by Astor Piazzolla, was my inspiration for this composition, and he is recognized in the subtitle.  The basic structure of Levantado is similar to Piazzolla's piece, but the harmonic progressions and melody in Levantado differ from those in Libertango.  The chord base notes in my piece often ascend in the progressions, where they descend in Piazzolla's piece.  The melody motifs between the two pieces also differ -- gone are Libertango's repeated 7-note figures, and there are reversals or inversions in my piece relative to Piazzolla's other melodic material.
Levantado
Jazz combo
Mike Strand, ASCAP 

This is a bossa nova lead sheet with chord symbols and guitar fret boards, for a jazz or Latin ensemble, large or small, and a solo instrument (flute, saxophone, guitar, etc )
$3.00 2.61 € Jazz combo PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
Variations on a Theme in D Flat
Orchestre d'harmonie

$10.00 8.69 € Orchestre d'harmonie PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1320133 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Josiel Oliveira. Multicultural,Pop,Singer/Songwriter,World. Score and part. 12 pages. M das Melodias #908663. Published by M das Melodias (A0.1320133). Sheet Music for Clarinet in Bb. Traitor is a song by American singer-songwriter Olivia Rodrigo, released on January 22, 2021 as the fourth single from her debut album, Sour. The song was written by Rodrigo and Dan Nigro and produced by Nigro.The song is a mid-tempo pop ballad about the feeling of betrayal after a breakup. The song's lyrics are directed at an ex-partner who started dating someone else shortly after the breakup. Rodrigo sings about how she felt betrayed and deceived, and how she can't understand how he could move on so quickly.Traitor was a commercial success, reaching number two on the US Billboard Hot 100. The song was also well received by critics, with many praising Rodrigo's voice and honest lyrics.The song has been performed by Rodrigo on several occasions, including on Saturday Night Live, the 2022 Grammy Awards and the Coachella Valley Music and Arts Festival.Here's a more detailed breakdown of the song:Lyrics: The lyrics of Traitor are quite direct and honest. Rodrigo sings about how she felt betrayed and deceived after her relationship ended. She wonders how her ex-partner could move on so quickly, and she feels as if he had been a traitor.Music: Traitor is a medium-tempo pop ballad. The song has a soft and melancholic melody, and Rodrigo's voice is full of emotion. The song also has a hint of electric guitar, which adds some intensity to the song.Production: The song was produced by Dan Nigro, who also produced Sour's other songs, including Drivers License and Good 4 U. Nigro is known for his work with a raw, emotional pop sound, and he captures that sound on Traitor.Traitor is a powerful and moving song about the feeling of betrayal. The song showcases Olivia Rodrigo's talent as a songwriter and singer, and is one of Sour's most memorable songs.
Traitor
Clarinette et Piano
Olivia Rodrigo
$4.99 4.33 € Clarinette et Piano PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
Lost Boy
Ruth B
$1.99 1.73 € PDF SheetMusicPlus






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