Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839820 By Dick Hyman. By Harold Arlen. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6866525. Published by Bobby Hesch (A0.839820). I'VE GOT THE WORLD ON A STRING  I'M SITTIN' ON A RAINBOW, WHAT A WORLD WHAT A LIFE, I'M IN LOVE !!!!!! GREAT SONG PERFORMED BY FRANK SINATRA!!! LET'S PLAY SOME JAZZ !!! KEY OF E!!! LOW F#-HIGH D#!!! MP3 FOR JAZZ STYLE & INTERPRETATION !!! PERFORMED AT THE WHITE HOUSE IN 1973!!! FEEL GOOD SONG !!!!! CONTACT INFORMATION :bobbyhesch@yahoo.com IG :@bobbyhesch E MAIL QUESTIONS ! I CAN HELP !! HAVE FUN PERFORMING THIS GREAT TUNE !!!  YOU CAN'T GO WRONG PLAYING SINATRA!!!

Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1320142 By Olivia Rodrigo. By Daniel Nigro and Olivia Rodrigo. Arranged by Josiel Oliveira. Multicultural,Pop,Singer/Songwriter,World. Score and part. 12 pages. M das Melodias #908673. Published by M das Melodias (A0.1320142). Sheet Music for Tenor Saxophone and Chords.Traitor is a song by American singer-songwriter Olivia Rodrigo, released on January 22, 2021 as the fourth single from her debut album, Sour. The song was written by Rodrigo and Dan Nigro and produced by Nigro.The song is a mid-tempo pop ballad about the feeling of betrayal after a breakup. The song's lyrics are directed at an ex-partner who started dating someone else shortly after the breakup. Rodrigo sings about how she felt betrayed and deceived, and how she can't understand how he could move on so quickly.Traitor was a commercial success, reaching number two on the US Billboard Hot 100. The song was also well received by critics, with many praising Rodrigo's voice and honest lyrics.The song has been performed by Rodrigo on several occasions, including on Saturday Night Live, the 2022 Grammy Awards and the Coachella Valley Music and Arts Festival.Here's a more detailed breakdown of the song:Lyrics: The lyrics of Traitor are quite direct and honest. Rodrigo sings about how she felt betrayed and deceived after her relationship ended. She wonders how her ex-partner could move on so quickly, and she feels as if he had been a traitor.Music: Traitor is a medium-tempo pop ballad. The song has a soft and melancholic melody, and Rodrigo's voice is full of emotion. The song also has a hint of electric guitar, which adds some intensity to the song.Production: The song was produced by Dan Nigro, who also produced Sour's other songs, including Drivers License and Good 4 U. Nigro is known for his work with a raw, emotional pop sound, and he captures that sound on Traitor.Traitor is a powerful and moving song about the feeling of betrayal. The song showcases Olivia Rodrigo's talent as a songwriter and singer, and is one of Sour's most memorable songs.

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1332654 Composed by W. H. Neidlinger. Arranged by W. H. Neidlinger. 19th Century,Christian,Christmas,Classical,Sacred. 5 pages. Müller Publishing company #919078. Published by Müller Publishing company (A0.1332654). “Birthday of a King� - SATB Choral Composition by W. H. NeidlingerDiscover the inspiring message within this traditional SATB arrangement of “Birthday of a King� composed by W. H. Neidlinger. His choral setting beautifully preserves the moving themes of faith, hope and joy in Christmas celebrations.Neidlinger’s composition in the majestic key of G allows for a rich, resonant sound to fill any performance space. The half step lower key provides flexibility for choirs of varying vocal abilities. The high-resolution sheet music provides clarity and versatility, permitting accompaniment on piano or organ.This piece will lift both voices and spirits. Through “Birthday of a King�, share the good news of our Savior's birth and uplift your congregation with timeless musical storytelling.Invest in spreading the kingdom message with Neidlinger's reverent composition for voices. Uplift your festive services and elevate your choirs' artistic gifts with this special SATB choral sheet music of a Christmas tradition.

Jazz Combo - Level 4 - Digital Download SKU: A0.970755 Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5739279. Published by Michael M. Strand (A0.970755). By Mike Strand, ASCAP This is a swing tune lead sheet with lyrics, chord symbols and guitar fret boards, for a jazz ensemble with two voices, or for one voice and a singing instrument, or for two singing instruments. It serves as a good foundation for a variety of arrangements, contra facts, and improvisations. The audio sample is a medium swing accompaniment from iReal Pro, combined with my tunes from Finale PrintMusic. You hear two melodies with the accompaniment -- a treble electric guitar, and a simulated baritone voice (without the words). A rock version of St. Matthew Blue is also for sale on this web site. St. Matthew Blue portrays an unhappy person coping with the COVID 19 pandemic, which started early in the year 2020. It’s not a blues tune, however, so the word blue is in the title without the s. St. Matthew Blue contains unusual harmonies inspired by J. S. Bach’s opening chorus to the St. Matthew Passion. This tune doesn't match the profundity and appeal of Bach's chorus, but the two 16-bar themes of St. Matthew Blue contain some of my favorite harmonic ideas from Bach’s work. This gives a depth to this piece that sets it apart from other swing tunes. Here are the lyrics to St. Matthew Blue:An evil little bug has got me down.I want to drink a mug of beer in town. But now I get supplies brought to my door From many tries to find an online store.   Self-pity brings to mind St. Matthew’s tale, How Jesus saved our kind from fiery hell. That my soul is safe may well be true, But I still chafe at fighting this damn flu.    

Tuba Solo - Level 5 - Digital Download SKU: A0.966280 Composed by David. F. Golightly. Contemporary. Individual part. 14 pages. Modrana Music Publishers Ltd #2020021. Published by Modrana Music Publishers Ltd (A0.966280). Serenade For Solo Tuba Review Serenade for solo Tuba by David Golightly Modrana Music Publishers Ltd. The Serenade for solo Tuba was premiered by James Anderson, Professor of Tuba at The Guildhall School of Music and Drama, London, England in May 1980. My only question is, why did it take so long to get published and into the repertoire of serious tubists all over the globe? It is definitely a welcome addition to the library of the solo tubist. Good solo pieces that are entertaining for audiences are quite hard to come by. This piece will most assuredly be one of those to join the ranks of Penderecki's Capriccio and Gregson's Alarum. The Serenade is set up in three movements and is metered throughout. The range of the work is from DD-g1. Movement One entitled March, is in 2/4 and m.m. equals 112. It is quite spirited in style and will require a performer with agile abilities to navigate through wide intervals and varied articulations. Movement Two is not your typical slow, melodic song that one would imagine from a title such as Elegy. It is extremely doloroso in nature and has the soloist soaring into the extreme upper range (g1) utilizing strict rhythmic patterns. The Gallop, movement three, is quite animated and encompasses mixed meters with the majority of the piece being in 6/8. Just when you think your triplets are moving along, a duple figure is thrown in to add variety to the melodic lines, which is actually quiet refreshing and prevents it from becoming a boring, technical exercise. As was stated before, this work will require a performer with great technique. Not for the less than advanced tubist. If you have conquered the other reputable solo tuba pieces, then this one should definitely be next. Raul I. Rodriguez Tuba Journal 1998. David writes music with great intelligence and accessibility, that also captures a human spirit that makes you want to share his music in-performance Ewan Easton (Halle Tuba) The MP3 is a computer generated file of the first movement March.

Marching Band - Level 4 - Digital Download SKU: A0.1370816 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Justin Talamantez. Contemporary,Disco,Pop,Singer/Songwriter. 28 pages. Justin Talamantez #955157. Published by Justin Talamantez (A0.1370816). This fun marching/pep band arrangement ignites the crowd's enthusiasm and gets people moving. Whether performed at a football game, parade, or any other festive event, Dance the Night is a spectacular display that inspires audiences to want to hear more.The woodwinds and brass pass the melody back and forth until everyone rocks out at m. 20 for the chorus.Everyone loves a good trombone solo. An optional scoop on beat 3 of m. 39 could be an excellent addition.If you need something short and sweet, like for timeouts during basketball band, you can start at measure 41 and play to the end (38 seconds).Full battery and drum set parts are included, but in the recording, you'll hear just the drum set.

Piano Solo - Level 3 - Digital Download SKU: A0.573233 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #5033143. Published by James M Stevens Music ASCAP (A0.573233). Written January 11, 2019, this is an original piano composition in an inspirational style in the key of C major. Micah 6:8 He hath shown thee, O man, what is good; and what does the Lord require of thee, but to do justly, and to love mercy, and to walk humbly with thy God?

Piano Solo - Digital Download SKU: A0.976872 Composed by Monica Bergo. Children,Contemporary,Halloween. Score. 8 pages. Monica Bergo #3240587. Published by Monica Bergo (A0.976872). 2017 Holiday Contest Entry♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫   It seemed a day so, like many others,   I wake up and commitments   already there are pressing   who asks, who call,   they have all need   leave me alone   want my dream   Today, I'm sorry,   but is not the day   from these chains I feel disconnected   and run happy   in the thick of the wood   I reach my nest   my hidden place   I never afraid in the woods at night   With they  I find again  the right atmosphere   and there, around the fire   there is my family   the only, the true   that resembles me the most   And in my reflection   are barefoot and shabby   but just so , I feel myself   and while we wait   something to happen   dolls in hand   we look for a prey   if in the Middle Ages  they had burned us   stronger and bad   now we are back   Between 1000 potions   between powders and concoctions   we here manufacture  the strange mixtures   And dance around the fire   Of us,  cares little to you   we are ugly, we are ungainly   we are dirty and unkempt   and turned, turned around,   there is a place in the world   where it does not matter   the look and appearance.   And while we intone the  chants  to the moon   a strange mantra to bring good luck   I feel observed   because there hidden   he's , he followed me in the thick of  wood   I stop petrified   and now I'm afraid   because he knows nothing of my dark half   and I see the contempt   I can see it in his face   and I have a heavy heart   tears soaked-....   What I could say   I would tell him do not go   while time seems to stop   a moment seems eternal....   But who cares   half woman   half witch   If really you're interested   maybe you love me the same....   and I look at you  go away   in my eyes nostalgy   and a tear goes   I think of what will not be   strange actress consumed   identity lost   I try wherever my part   always change my fate.   And watch you disappear   something inside me dies   I would like an elixir of love   it gives you back &n.

Choral Choir,Choral,SATB Chorus - Digital Download SKU: A0.1465911 Composed by W. H. Neidlinger. Arranged by W. H. Neidlinger. 19th Century,Christian,Christmas,Classical,Sacred. 6 pages. Müller Publishing company #1044510. Published by Müller Publishing company (A0.1465911). “Birthday of a King” - SATB Choral Composition by W. H. NeidlingerDiscover the inspiring message within this traditional SATB arrangement of “Birthday of a King” composed by W. H. Neidlinger. His choral setting beautifully preserves the moving themes of faith, hope and joy in Christmas celebrations.Neidlinger’s composition in the majestic key of G allows for a rich, resonant sound to fill any performance space. The half step lower key provides flexibility for choirs of varying vocal abilities. The high-resolution sheet music provides clarity and versatility, permitting accompaniment on piano or organ.This piece will lift both voices and spirits. Through “Birthday of a King”, share the good news of our Savior's birth and uplift your congregation with timeless musical storytelling.Invest in spreading the kingdom message with Neidlinger's reverent composition for voices. Uplift your festive services and elevate your choirs' artistic gifts with this special SATB choral sheet music of a Christmas tradition.

Piano Solo - Level 2 - Digital Download SKU: A0.993618 By One Direction. By Harry Styles, Jamie Scott, John Henry Ryan, Julian Bunetta, Liam Payne, Louis Tomlinson, Niall Horan, and Zain Malik. Arranged by Brian Duran. Pop. Score. 19 pages. Brian M Duran #6626039. Published by Brian M Duran (A0.993618). This arrangement of One Direction's The Story of My Life has something for beginners, emerging intermediate players, and more advanced players as well. The background string parts provide good practice counting longer note values and rests, while the main piano accompaniment shadows the guitar from the One Direction recording to set a catchy, quirky syncopated pattern that is challenging yet approachable for intermediate players. The main vocal melody could be played by a solo keyboard, sung or both. The chord progressions, melodies, and subject matter in this song complement each other beautifully, and this arrangement will bring them all to life for your Piano Band! This arrangement features pitch names written in. Standard version without pitches is available as well.

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.

Clarinet Solo - Level 4 - Digital Download SKU: A0.839821 By Dick Hyman. By Harold Arlen. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6866977. Published by Bobby Hesch (A0.839821). I'VE GOT THE WORLD ON A STRING! I'M SITTIN'ON A RAINBOW! WHAT A WORLD WHAT A LIFE!! I'M IN LOVE!!! LET'S PLAY SOME JAZZ!!! KEY OF A!! LOW B-HIGH G#!!! MP3 FOR JAZZ STYLE & INTERPRETATION !!!! PERFORMED BY FRANK SINATRA AT THE WHITE HOUSE IN 1973!!! A FEEL GOOD SONG !!!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG :@bobbyhesch E MAIL QUESTIONS! I CAN HELP !!! HAVE FUN PERFORMING THIS GREAT TUNE!! YOU CAN'T GO WRONG PLAYING SINATRA!!!!

Full Orchestra - Level 5 - Digital Download SKU: A0.1015443 Composed by Godce Christopher m fry. Arranged by Godce Christopher m fry. Classical,Contemporary. Score and parts. 3 pages. Godce Christopher Fry #4777899. Published by Godce Christopher Fry (A0.1015443). This is a piece of work that I put together which is a good piece.

Guitar - Level 2 - Digital Download SKU: A0.1150935 Composed by Matteo Carcassi. Arranged by Brian Streckfus. Classical. Guitar Tab. 4 pages. Brian Streckfus #751121. Published by Brian Streckfus (A0.1150935). Important: This include two versions, a heavily notated version, and a blank version.1. Added tablature. 2. Fingerings added (Counterintuitive fingerings are left blank for the performer to realize first hand that it will be an awkard passage).3. Chord nomenclature added4. Fonts made larger and more appealing5. Position and Bar markings addedTips:1. Measure 13 is a good example of melodic minor as scale degrees 6 and 7 are rasied by a half step on an upward scale run, and then lowered on the way back down.2. Measures 23-27 is an example of a sequence. I recommend making the catchiness and repetition as obvious as possible as the audience is expecting the sequence to complete. For example, if there is a slur happening on a certain beat, I'll make sure it is mantained for every repetition, which is why measure 20 is more difficult with a fretted B instead of an open string. It's more work, but it sounds better to my ears.3. There is a certain order that the right hand fingers should be following depending on if you are going to thicker or thinner strings. Since this is an etude designed to get a player used to classical guitar technique, it made sense to show the a novice finger-style player which right hand fingers to use and when. Example: 2nd thinnest to thinnest string...Should be i m...not m iTo Do:1. Theoretical explanations in the score? Especially on the heavily notated version?

Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like� waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!� (Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley� of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge� beginning with the flute solo reiterating the theme one last time before the “descent and climb� (starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness� to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.