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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1384473 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968744. Published by jmsgu3 (A0.1384473). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
Guthrie: Toccata Agitato for Soprano Saxophone & Piano
Saxophone Soprano et Piano

$32.95 28.62 € Saxophone Soprano et Piano PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1434050 By The Beatles. By John Lennon and Paul McCartney. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 8 pages. Sarah Cellobat Chaffee #1014298. Published by Sarah Cellobat Chaffee (A0.1434050). Everyone loves the Beatles! This Cellobat arrangement of I Want To Hold Your Hand for violin & cello duet is a cheerful and upbeat chart that maintains the catchy melodies, beautiful harmonies, and good vibes of the original; you'll definitely love playing this as much as your audience will love listening to it. Originally written for a wedding ceremony, this will also be great for receptions, cocktail hour, parties, solo & ensemble contest, and any other event where you need to get your audience singing along! Intermediate-level arrangement; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild” residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
I Want To Hold Your Hand
Violon, Violoncelle (duo)
The Beatles
$9.99 8.68 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549380 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492257. Published by jmsgu3 (A0.549380). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded.  
Handel: Largo from Xerxes for Bass Clarinet & Piano
Clarinette Basse, Piano

$32.95 28.62 € Clarinette Basse, Piano PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453578 By The Beatles. By John Lennon and Paul McCartney. Arranged by John Hoesly. Jazz,Pop,Rock,Standards. 40 pages. PRS&B #1032800. Published by PRS&B (A0.1453578). YESTERDAY- Arrangement for Little Big Band/ Jazz Ensemble. Difficulty: Intermediate. Yesterday is one of the most iconic and beloved songs in the history of popular music. Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
Yesterday
Ensemble Jazz
The Beatles
$55.00 47.77 € Ensemble Jazz PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1453574 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Hoesly. Film/TV,Jazz,Pop,Standards. 71 pages. PRS&B #1032798. Published by PRS&B (A0.1453574). THEY CAN’T TAKE THAT AWAY FROM ME- Arrangement for Little Big Band/ Jazz Ensemble. Difficulty: Intermediate. They Can't Take That Away from Me has become a standard in the Great American Songbook, celebrated for its timeless elegance and emotional resonance. One of Gershwin’s best. Features a nice counter line/answer motive.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
They Can't Take That Away From Me
Ensemble Jazz
Frank Sinatra
$55.00 47.77 € Ensemble Jazz PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.1021973 Composed by Brendon G.M.C. Holden. Broadway,Children,Jazz,Musical/Show,Pop. Score and parts. 6 pages. Brendon Holden #6285481. Published by Brendon Holden (A0.1021973). This song is about missing something one already has, such a good song. Come Back has been in the making for a couple of years, it has been one that I could listen to over and over. Come Back-Back to life was Self-Published in the 2021 Edition of Behind the Night Sky: Finding Run Personal Computer PBR. Although the first page of sheet music appears to be complex, its core is not. The fanciness of the first page of Come Back, is to allow others to explore the variety of ways the intro could be played.
Come Back-Back to Life
Orchestre

$6.99 6.07 € Orchestre PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano.  
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
Hautbois, Piano (duo)

$24.95 21.67 € Hautbois, Piano (duo) PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1475302 By Shaboozey. By Chibueze Collins Obinna, Collins Obinna Chibueze, Jerrell Jones, Joe Anthony Kent, Mark Allen Williams, Nevin Sastry, and Sean Cook. Arranged by Barry McCormick. Country,Pop,Singer/Songwriter. Score. 7 pages. B. McCormick #1052845. Published by B. McCormick (A0.1475302). “A Bar Song (Tipsy)” Piano/Vocal/Guitar Arrangement About the Song and Artist: “A Bar Song (Tipsy)” is a lively, feel-good track by Shaboozey. With its catchy melody and playful lyrics, it captures the carefree spirit of a night out with friends. Shaboozey’s blend of acoustic guitar, vocals, and infectious rhythm makes this song a crowd favorite. Key Features: Vocal Clarity and Chord Symbols: The vocal line is clearly notated, allowing singers to express the playful lyrics. Above, you’ll find simplified chord symbols for guitarists to strum along. Harmonic Simplicity: The song’s heart lies in its four recurring chords. We’ve captured that simplicity, making it accessible for beginners and seasoned players alike. Rhythmic Feel: The arrangement mirrors the guitar’s rhythmic vibe, emphasizing the left-hand bass part. Harmonic rhythm variations between sections add interest and progression. Violin/Fiddle Melody: The piano part weaves in the captivating violin/fiddle melody from the recording, elevating the overall experience. Difficulty Levels: Guitarists: Beginner-friendly, with the challenge of an F#m barre chord. Simplify further by using a regular E chord or employing a capo (we also have lead sheeat with a Guitar Chord Sheet you can also purchase). Vocalists: The melody’s modest range suits most voices. Transposition may be necessary for specific vocal registers. Pianists: Intermediate level—simple yet engaging accompaniment. Not recommended for absolute beginners. Who is this for? 1. Musicians and Singers: Solo Performers: Singer-songwriters, acoustic guitarists, and pianists looking for an engaging piece to perform. Small Ensembles: Duos or trios (vocals, guitar, and piano) seeking a fun addition to their repertoire. Educators and Students: Music Teachers: Ideal for teaching chord progressions, rhythm, and vocal expression. Classroom Settings: Suitable for music classes, workshops, or school performances. Content Creators: YouTube Channels: Musicians sharing covers or tutorials. Podcasts: Add a musical interlude or theme. Where you can use this: Open Mic Nights at Cafés or Bars: Perform “A Bar Song (Tipsy)” in an intimate setting, capturing the song’s laid-back vibe. Engage with the audience and encourage sing-alongs. Music Schools and Workshops: Use this arrangement as a teaching tool for chord transitions, strumming patterns, and vocal dynamics. Discuss the song’s structure and how it reflects the carefree spirit of a night out. House Concerts and Gatherings: Host a cozy gathering with friends and family. Invite a vocalist, guitarist, and pianist to collaborate on this arrangement. Online Platforms: Share a video performance on YouTube or social media. “Raise your glass to ‘A Bar Song (Tipsy)’! Explore our sheet music and bring this lively tune to life. Cheers!”
A Bar Song (Tipsy)
Piano, Voix et Guitare
Shaboozey
$4.99 4.33 € Piano, Voix et Guitare PDF SheetMusicPlus






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