Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.

Alto Saxophone,Clarinet,Drum Set,Electric Bass Guitar,Euphonium,Flute,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.846339 By The Ides Of March. By James M. Peterik. Arranged by Mike Hyziak. Contemporary. 36 pages. MPH Holding #5222001. Published by MPH Holding (A0.846339). MIXED JAZZ ENSEMBLE.Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next� by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next� on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next� piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next� serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.

Piano Solo - Level 2 - Digital Download SKU: A0.546951 By Audrey M Rappe. By Audrey M Rappe. Arranged by Audrey M Rappe. Jewish. Score. 2 pages. Audrey M Rappe #156651. Published by Audrey M Rappe (A0.546951). Intended to be played at Rosh Hashanah Service, Children should slowly march to piano music while holding shofars.

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes:   I am a poor, wayfaring stranger -  Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger.   Wandering through this world of woe -  Matthew 18:7: Woe to the world because of the things that cause people to sin!  Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger -  John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it.   Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me.  Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God,  In that bright land to which I go -  James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father -  John 6:40 -  For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day.   I'm only going over Jordan -  Joshua 22:4:  Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD  gave you on the other side of the Jordan.   Yet though dark clouds will gather round me -  2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak,  then I am strong.   I know my way is rough and steep -  Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand.   Proverbs 15:24:  The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me -  Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey.   Where God's redeemed their vigil's keep - Exodus12:42:  Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD  for the generations to come.  I'm going home to see my mother -  Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me  and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.

Acoustic Guitar,Alto Flute,C Instrument,Digital Keyboard,Electric Violin,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1150805 By Israel Pessoa. By Diversos. Arranged by Israel Pessoa. 20th Century,Broadway,Film/TV,Folk,Musical/Show,Pop. Score and individual part. 73 pages. Israel Pessoa #750988. Published by Israel Pessoa (A0.1150805). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar. 1. A Benção - Gabriel Guedes + Nivea Soares 2. Amanhecer - Melk Villar 3. Amores e Flores - Melim 4. An Englishman In New York - Sting 5. Black - Pearl Jam 6. Catch And Release - Matt Simons 7. Celebration - Kool & Gang 8. Chega Mais - Rita Lee 9. Cigana - Raça Negra 10. Como é Grande o meu Amor - Roberto Carlos 11. Consequence Of Love - Gregory Porter 12. Daqui Pra Frente - Pedro Valença 13. Deus Está Aqui - DR 14. Dinossauros - Mundo Bita 15. Eu Feat Você - Melim 16. Eu sei que vou te amar - Tom Jobim 17. Faço Novas Todas As Coisas - Mensagem 2000 18. Fear Of The Dark - Iron Maiden 19. Fora Da Lei - Ed. Motta 20. Fumaça - Estêvão Marques 21. Hino Nacional Brasileiro 22. How Deep Is Your Love - Bee Gees 23. Is This Love - Whitesnake 24. Lilás - Djavan 25. Maracatu Atômico - Chico Science e Nação Zumbi 26. Meu Pequeno Coração - Mundo Bita 27. Milagre De Amor - Juliana De Paula 28. Na Moral - Jota Quest 29. Nas asas do Senhor - Celina Borges 30. Ninguém Explica Deus - Preto No Branco 31. No Longer Slaves - Tr. Cícero Audo 32. Nothing Else Matters - Metallica 33. Oceana - Melim 34. Oceans – Hillsong 35. Oh Girl - Paul Young 36. Once Upon A Dream - A Bela Adormecida 37. Pais e filhos - Legião Urbana 38. Perfume - Belo 39. Quero Ser Feliz Também - Natirut 40. Romaria - Renato Teixeira 41. Serei Teu - Missionário Shalom 42. Simplesmente Amar - Walmir Alencar 43. Sossego - Tim Maia 44. The Trooper - Iron Maiden 45. There's Nothing Holding Me Back - Shawn Mendes 46. Wedding Day - Bee Gees 47. What's Up - 4 Non Blondes 48. Yellow Submarine - The Beatles 49. You Are The Reason - Calum Scott 50. Zombie - Creanberrys.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.971662 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 114 pages. Musicart Publications #5992077. Published by Musicart Publications (A0.971662). String Quartet - Dance Card. 2 violins, viola, cello.  Duration: 21 minutes.  This edition is arranged to print with the correct page turns front-to-back for the score and parts.The music of String Quartet - Dance Card shares three transcendental aspects of life: Time, Death, and Love. It is our relationship with these three that defines our priorities. Set as three dances – Holding on to Time (Bolero), Death Tango (Tango), and Love’s Pas de Deux (Bourrée Nouveau) – Dance Card explores these relationships. Whether our dance card is open or full, in each of these we have choices to make.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart PublicationsCarlos Rio, Editormusicart.publications.editor@gmail.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.   

Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody� refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:      I still hear you in the breeze,      See your shadows in the trees;      Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody� Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!

Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - Digital Download SKU: A0.900399 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3534751. Published by Gustavo Fuentes (A0.900399). The sweetness of Silence. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, flute, recorder or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.Lovers communicate in unique and diverse ways. They use words of love, loving glances and tender caresses to share in the joy of being together.But one of the most enjoyable things a couple can share is silence. Being silent, perhaps holding hands and looking into each other’s eyes, can communicate plenty. Merely knowing the other person is right there by your side with love, affection and understanding is one of the most gratifying feelings in the world. And that is what this song is about: love, lovers and shared silence. Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce o violín, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La comunicación entre los enamorados es única y diversa. Palabras de amor, miradas, caricias, todo aporta en el momento de compartir el sentimiento de felicidad y dicha que los envuelve.Y una de las cosas más disfrutables es compartir el silencio. Ese dulce silencio –tal vez tomados de la mano y mirándose a los ojos-  donde sin decir una palabra se dice tanto, y donde la mayor motivación es saber que el otro está ahí, presente a su lado con su amor, su cariño y su comprensión.De eso habla esta canción: del amor, de los enamorados, y de la dulzura de su silencio compartido.

Instrumental Duet,Piano Instrumental Duet,Piano,Ukulele,Voice - Level 1 - Digital Download SKU: A0.745514 By Sharon Wilson. By Elvina M. Hall and John T. Grape. Arranged by Sharon Wilson. Children,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 10 pages. Sharon Wilson #353433. Published by Sharon Wilson (A0.745514). This sheet music, notated for UKULELE with C tuning (G, C, E, A), has been transposed to the easy, Ukulele-friendly key of C major. Four separate scores are provided for maximum flexibility. A beginning note and chords chart is also provided. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to accompanying a group sing-along. Score descriptions are detailed below:Melody ScoreThis score is the most compact with only the chord symbols, melody, and lyrics provided. Once the chords are mastered or for those already familiar with the chords, this score will be easy to follow. This score is perfect for strumming chords while singing, either as a group or individually. This score includes:* 1-staff (lead sheet) with the melody notes using standard music notation * chord symbols above the staff* lyrics below the staff for sing along enjoymentTablature ScoreThis score displays the melody in two formats along with the chord symbols and lyrics. The tablature notation is helpful when learning to use the ukulele to pluck the melody instead of strumming the chords. This score is perfect for those wanting to go beyond strumming and advance to solo playing. This score includes: * top staff with the melody notes using standard music notation* bottom staff with the melody using ukulele tablature notation * chord names above the staff for strumming along with the melody* one verse of the lyrics below the staff for sing along enjoymentChord Diagram Score This score displays the melody, lyrics, and chord diagrams. Beginning ukulele players will find the chord diagrams helpful reminders of which strings and frets to use to form the chords. This score includes: * 1-staff with the melody notes using standard music notation* chord diagrams above the staff indicating the strings and finger placement on the fret for the chord* lyrics below the staff for sing along enjoymentPiano Accompaniment ScoreThis score provides an easy accompaniment for singers and strummers or ukulele soloists. The piano incorporates the melody making it easy for singers to follow the melody. This score is especially fun to use in group settings and worship gatherings. This score includes: * 2-staff piano score with introduction, optional repeat, and second ending* lyrics below the staff for sing along enjoymentChords and Beginning Note ChartThis chart lists all chords used throughout the song and the first note of the melody. The chords are displayed using standard ukulele chord diagrams with corresponding chord symbols above each diagram. The first note of the melody is provided to insure those singing along will start on the correct note when not using the piano accompaniment. How to pluck this first note on the ukulele is also displayed on a chord diagram (pluck only the string indicated holding down on the string at the indicated fret if applicable). This arrangement is one of the 15 songs in the collection Easy Gospel Songs for Ukulele: Hymns in the Key of C (with optional Voice and Piano Accompaniment).Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Woodwind Ensemble - Level 3 - Digital Download SKU: A0.900407 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 5 pages. Gustavo Fuentes #3637545. Published by Gustavo Fuentes (A0.900407). Bridge of Light. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Even though we are constantly surrounded by people, we only develop feelings of affection for a few of those that cross our paths. That affection is actually love, and it is the bridge that brings us closer together. Walking across that bridge can change us, transform us and fill us with light. And doing so while holding each other’s hands, in silence and smiling, will help us enjoy each step of the way. If we realize that this bridge of love and light is the place where we always want to be, and if we take the time to pause and truly look at the person walking across the bridge with us, we will be able to cherish the journey and the bridge forever in our hearts. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violín, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Aunque vivimos rodeados de miles de personas, sólo con algunas de ellas desarrollamos sentimientos de afecto. Ese sentimiento, ese puente que nos conecta, es el amor. Y transitar ese puente nos cambia, nos transforma, nos llena de luz. Caminar de la mano, en silencio y sonriendo, nos hace disfrutar cada paso compartido. Tomarnos el tiempo de detenernos, de descansar en ese trayecto para observar los ojos de nuestra compañía, sabiendo que ese puente de amor y luz es el que siempre deseamos transitar. Y entonces sí, guardamos ese paseo y ese puente en un abrazo que durará por siempre en nosotros.

Piano Solo - Level 5 - Digital Download SKU: A0.1154735 By Ken Barker. By M-Thomas Campbell and W-Charles Wesley. Arranged by John Purifoy. Christian,Easter,Religious,Sacred. Score. 3 pages. Ken Barker #755009. Published by Ken Barker (A0.1154735). This stately hymn should not be played too fast. Keep it slow enough to allow for plenty of expression. The sixteenth patterns should sound effortless, while accenting the melody notes. Extra care should be taken to play the last two bars lightly while holding the sustain pedal at just the right place, as marked in the music.

Woodwind Ensemble - Level 2 - Digital Download SKU: A0.932714 Composed by William B. Bradbury. Arranged by Terry M. Forsyth. Sacred. 4 pages. Forsyth Publishing #6294207. Published by Forsyth Publishing (A0.932714). This 3:32 composition has long introduction setting the joy and tenderness of holding a baby with parent singing softly as the baby sleeps in their arms.  This is a well-received anthem has general worship use by providing an adult singer and listener lifting the text's experience to a more personal, intimate level.  The organ and instrument parts are early intermediate.  Tune name:  Jesus Loves Me.

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490010 Composed by Text: Eden Reeder Latta (1839 - 1915) Tune: Henry Southwick Perkins (1833 -1914. Arranged by Ken Litton. Christian,Lent,Religious,Sacred. 11 pages. Artist of Note, Inc. #1066874. Published by Artist of Note, Inc. (A0.1490010). Whiter Than the Snow/Eden Reeder Latta  - Henry Southwick Perkins BLESSED BE THE FOUNTAIN arr. Ken Litton (ASCAP)As an SBC music missionary active in Brazil I quickly discovered the hymns missionaries had taken with them as the work gained impetus from the 1890s when the Bagbys arrived to build on the foundation laid by early pioneers like Solomon Ginsburg. I found myself leading those hymns from the nearly 100 year old Cantor Cristão (Christian Singer) in the strongly attended evening services at the Igreja Batista Rio Doce (Sweet River Baptist Church) in Recife, with people literally leaning in through the windows from outside to sing along. Just a normal p.m. attendance or... curiosity about the missionary leading? No, certainly it was the message of the gospel in these great hymns and in the Brazilians’ creative work as well. I mainly remember holding that small print hymnal in one hand and leading with the other (shaking badly) and singing in Portuguese!From that kind of congregational participation I vividly remember the hymn Blessed be the Fountain by Eden Reeder Latta (1839 - 1915) and Henry Southwick Perkins (1833 -1914) with it’s energetic dotted eighth and sixteenth rhythm figures and text of confession based on Zechariah 13:1. That text was very important in the lives of disciples in Brazil and in my own heart. Here I have used only the verses of the text and tune, simply smoothing out the rhythm and adjusting the lyric to more modern usage (yet preserving the devotional pronouns Thee, Thy and Thine).The tune BLESSED BE THE FOUNTAIN is altered in rhythm, tempo and one descending interval from the original.  The arrangement is by me, having built the intro, interlude and key change as well as the ending from the material that constituted the refrain in the origina. As a bridge and additional textual/musical impulse into the key change and final verse I’ve interpolated the refrain from the well-known gospel hymn Whiter than Snow (FISCHER) by James Nicholson and William G. Fischer.The voices include a wide variety of unison, two-part and four-part passages that are well within the capability of the average church choir. The accompaniment difficulty level is about as minimal as it can be I hope, while still reflecting support for the voices, a measure of variety as well as some real independence.I certainly think choirs of some ability and their dedicated accompanists will enjoyWhiter Than the Snow as much as I have in developing it.